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click here. NEW YORK CORNER: CHOP SUEY by John Mariani NOTES FROM THE WINE CELLAR: Petite Sirah Grabs Attention and a Formal Spelling by John Mariani QUICK BYTES ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ BEST FOODIE MOVIES By John Mariani People who can’t get enough of TV gastro-clowns like Emeril “Bam!” Lagasse, Rachael “EVOO” Ray, and Gordon “F-Word” Ramsay are obviously not getting out of the house much to dine. So contrived, so unenlightening, and so grating are such shows on my nerves that I’d rather be watching a re-run of “Meerkat Manor.” What I’d really prefer is to go out to a great movie centered around the pleasures of food and wine, then grab some good food and wine afterwards. There are some wonderful food-and-wine related films you can watch again and again for what they tell us about the seductive interplay of food and wine, cooking and canoodling, elation and exhaustion. I expect--I look forward to!--responses from readers, which I will happily publish here. (No, I didn't forget "Babette's Feast"; I thought it was a big bore!) Here are my faves. And why are most of them foreign movies? Woman on Top (2000)—The breathtaking Penelope Cruz plays a brilliant Brazilian cook named Isabella--clearly the prototype for cleavage-popping TV chefs like Giada De Laurentiis--who cooks with such sensuality and abundant chilies that she trails an aroma that renders all men on two continents insensibly in love with her. This hilarious fantasy by director Fina Torres is one of the most joyous proofs that, as Isabella, says, “The secret ingredient in cooking is sharing it with someone you love.” The bossa nova music is a big part of the mix and the scenes of Bahia are gorgeous. Mostly Martha (2001)—A German film about a beautiful workaholic haute cuisine chef (Martina Gedeck) whose perfectionism is a shield against intimacy, until she is forced to take in and cope with her late sister’s angry daughter and to be forced to compete with the highly emotional, operatic charms of a new Italian cook (Sergio Castellitto). Admirably re-made as “No Reservations” (below) this year with Catherine Zeta-Jones and Aaron Eckhart, which is almost as good. Big Night (1996)—One of the sweetest films of brotherly love ever made, with Tony Shalhoub and Stanley Tucci as the owners of a 1950s New Jersey restaurant on the brink of disaster because the demanding chef Shalhoub refuses to cook insipid Italian-American food for undiscerning customers. The feast they prepare for no-show star Louis Prima is as overblown and sexy as a Fellini-esque orgy, complete with the voluptuous Minnie Driver and Isabella Rossellini at the table, and the last kitchen redemptive scene, played without words between the two brothers, is as beautiful as anything made in the Silent Era of film. Like Water for Chocolate (1992)—Yet another Latin-American fantasy, this film tells a series of erotic stories built around recipes of the heroine, Tita de la Garza (Lumi Gavazos), whose exquisite cooking causes all sorts of passions and emotions to collide within a Mexican ranch family. The climax comes when Tita and her lover bring so much heat to the bedrooms that a fire literally consumes them and the ranch, leaving behind in the ashes only her cookbook. The double meaning of the title refers to sexual arousal, as when boiling water is poured onto chocolate. Chocolat (2000)—Though seemingly a French movie, this is actually an American film shot in Burgundy and directed by Swedish-born Lasse Hallström, starring Juliette Binoche as a mysterious unmarried mother and artisanal chocolatier arriving in a very conservative French village, with Johnny Depp as a river gypsy, Judi Dench as an embittered old woman, and Alfred Molina as a rigorously religious mayor—all of whom are seduced and changed by the taste of Binoche’s remarkable chocolates. There’s also a mouthwatering scene of a bourgeois backyard roast chicken dinner, and of the debauchery of wallowing in chocolate bliss. Tortilla Soup (2001)—A small, completely beguiling film about a Latino L.A. family whose widowed father and master chef (Hector Alizondo) tries to prevent his three daughters from leaving him for husbands, while he himself tries as hard to keep love at bay and to avoid a brassy, pushy woman played with engaging vulgarity by Raquel Welch. The youngest daughter, Carmen (Jacqueline Obradors), cooks with her father in beautiful scenes of closeness and breaking away. The movie is a remake of Ang Lee’s “Eat Drink Man Woman,” but I find the Latino style much more affecting. NEW YORK CORNER by John Mariani chop suey Renaissance Hotel Times Square 714 Seventh Avenue (48th Street) 212- 261-5200 www.chopsueynyc.com. The name Chop Suey and hotel address may put some people off, but once you ascend to Chop Suey and see that it gives one the most dazzling panoramas on the throbbing, pulsating, shimmering, neon riot of Times Square, you may never want to leave. The technology of lighting, digital lettering, and beacon-like towers is dazzling, to say the least. Okay, maybe a tad too Las Vegas, but Times Square has always had its own kitschy charms, and nowhere will you see it better than from a table at Chop Suey. If any out-of-towner is coming to NYC and wants a window on its Theater District glamor, this is the place to go. Still, I must tell you that you will have a sense of being in a hotel restaurant, not least because the well-meaning but amateurish service staff may well remind you of the same staff you once had at a Marriott in Little Rock. Management has, however, hired the notable chef Zak (Fatty Crab) Pelaccio to consult on the men; just how much he does in addition to glancing at it now and then is anybody's guess, but there is a lot of interesting food here. What it needs is a kitchen crew of cooks who really care to turn it out with snap and consistency. The interior itself need not concern you, given the great three-sided view, but suffice it to say that it has a certain '60s pop coloration, as in orange. Hanging light fixtures look like alien spaceships in a 1960s Japanese sci-fi movie--kind of fun. Dark ceramic plates on bare tables complete the lounge-y look. The menu doesn't actually have any chop suey on it, but the various Asian-inspired dishes are tasty enough to make up for the omission of a dish I doubt very many people would ever order anyway. In its stead, there are Chinese, Korean, Japanese, and Vietnamese dishes, along with a few Mediterranean flavors thrown in for good measure, beginning with some cute little shishito peppers with tuna bottarga that are mild enough to pop into your mouth. Scallion pancakes with an Asian pear mostarda were doughy the night I tried them. Curry leaf fried chicken wings with chili vinegar didn't pack much of a punch, but the "twice-caramelized char siew" of Chinese sweet roast pork with Hong Kong noodles and shaved garlic was very easy to love, as was very good crispy shrimp with the bright idea of thinly sliced braised pork belly and a sweet chili sauce. The menu really isn't broken into appetizers and entrees, though the right-hand side of the pages clearly are large plate dishes, like the Berkshire pork shoulder with preserved black beans, clams, and mustard greens. Atlantic halibut is cooked in the sous-vide process and then lashed with green curry, prosciutto, and clams--tasty but it was not warm enough when it got to the plate. Lamb loin hot pot was hot enough and a lovely presentation, while Kobe hanger steak ($48) is simply grilled with a watercress-yuzu sauce and not-very-interesting potato croquettes. As with most Kobe items, a little goes a long way. For desserts (also based on a consulting chef) there is a poached pear and some creditable sorbets. "Vietnamese iced coffee" was more Italian-American than Vietnamese, with spongecake, chocolate cream and espresso granita stacked on each other. If Chop Suey's food isn't as thrilling as it might be, it may be because of a certain lack of attention in the kitchen. But your own attention may well be focused on the parade of people and lights below you on Times Square. It's really a fabulous aerie. Dinner menu prices range from $10 for small plates up to $48 for Kobe beef. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ NOTES FROM THE WINE CELLAR Petite Sirah Grabs Attention and a Formal Spelling by John Mariani
You know a wine has an image problem
when
it needs its own advocacy group. Which is why there is the
California-based PS I Love You, Inc. The
PS stands for petite sirah, a grape whose principal problem is that
winelovers too often confuse it with syrah, now increasingly being
called shiraz.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ WOULD THAT BE SALTED OR UNSALTED? “RARE VIRGIN MARY PRETZEL DUPLICATE -Own a blessed piece of history. This is a one-of-a-kind, hard pretzel replication of the Virgin Mary, freshly baked and in perfect form. 10% of the profit from this sale will go towards the charity organization of the buyers choice!!! The rest of the money will go towards the late mortgage payments for a family currently about to experience foreclosure.I know many other sellers are currently making financial crisis claims, but this one is completely legitimate and you're purchase will be greatly rewarding for both you and us!The lucky buyer will receive ONE Virgin Mary pretzel, along with printed certification.”—EBAY listing. Starting bid was $40,000. h
In an interview with Brian McDonald, a bartender at
Elaine's
restaurant in New York for ten years and author of the new book, Last Call at Elaine's, he was
asked, "Elaine liked people who spent money. Guys were good for business more than single women. Mailer once came in with his girlfriend, who was mouthing off. Elaine said, `From him, I gotta take it, but I don’t have to take it from a half-hooker like you.' Mailer stormed out of the place. The next day she got a diatribe written by Mailer in his own hand. Elaine just wrote BORING BORING BORING on it with Magic Marker and sent it back to him. He came back to the place for many a bourbon and orange juice." QUICK BYTES * From May 20-24 The New Orleans Wine & Food Experience (NOWFE), brings together world-renowned winemakers, celebrated chefs and industry insiders in a showcase of signature events, incl. vintner dinners in some of New Orleans’ most celebrated restaurants, the traditional Royal Street Stroll, Grand Tastings in the Superdome, the The Louisiana Seafood Cook-Off, live auction, and an expanded VINOLA! premium tasting event, and more. Proceeds benefit local charities . Visit www.nowfe.com. * From June 18-22 at La
Samanna in St. Martin will hold its Gastronomic Week Act II
culinary event, with chefs from five Orient-Express properties
worldwide, as well as wine pairings from five different wineries.
Chefs incl. Raymond Blanc, from the Le Manoir aux Quat’ Saisons in
Oxfordshire, England; Francesco Carli, from Copacabana Palace in Rio De
Janeiro, Brazil,;Daniel Echasseriau from La Samanna; John Greeley from
21 Club, New York City; and Wilo Benet from Pikayo in San Juan, Puerto
Rico. Call 590 590 87 64 00; Toll-free US: (800) 854-2252. * From June 26-29 in Atlantic City, NJ, Harrah’s
Entertainment’s Toast To The Coast
Food and Wine Spectacular will take place at its Bally’s,
Caesars, Harrah’s Resort and Showboat casinos, incl. celebrity chef
luncheons and gala dinners, culinary demos, wine tastings, cookbook
signings, food and wine pairings, gospel brunch, and comprehensive Food
& Wine Exposition. Tix from $20 to $150, with the Vine and Dine
gala dinner at Caesars priced at $250 pp. Visit www.ticketmaster.com or
call 1-800-736-1420. For two- and three-night packages, visit
www.harrahs.com/toasttothecoast or call 1-888-516-2215. Everett Potter's Travel Report: I
consider this the best
and savviest blog of its kind on the web. Potter is a columnist
for USA Weekend, Diversion, Laptop and
Luxury Spa Finder,
a contributing editor for Ski
and a frequent contributor to National
Geographic Traveler, ForbesTraveler.com and Elle Decor. "I’ve designed this
site is for people who take their travel seriously," says Potter.
"For travelers who want to learn about special places but don’t
necessarily want to pay through the nose for the privilege of
staying there. Because at the end of the day, it’s not so much about
five-star places as five-star experiences." To go to his
blog click on the logo below: THIS
WEEK: An Interview with Angler Tom Ohaus
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Eating Las Vegas is the new on-line site for Virtual Gourmet contrinbutor John A. Curtas., who since 1995 has been commenting on the Las Vegas food scene and reviewing restaurants for Nevada Public Radio. He is also the restaurant critic for KLAS TV, Channel 8 in Las Vegas, and his past reviews can be accessed at KNPR.org. Click on the logo below to go directly to his site.
Tennis Resorts Online:
A Critical Guide to the World's
Best Tennis Resorts and Tennis Camps,
published by ROGER COX, who has spent more than two decades writing
about tennis travel, including a 17-year stretch for Tennis magazine. He has also
written for Arthur Frommer's Budget
Travel, New York Magazine,
Travel & Leisure, Esquire, Money, USTA Magazine, Men's Journal, and The Robb Report. He has
authored two books-The World's
Best Tennis Vacations (Stephen Greene Press/Viking Penguin,
1990) and The Best Places to Stay in the Rockies (Houghton
Mifflin, 1992 & 1994), and the Melbourne (Australia) chapter to the
Wall Street Journal Business
Guide to Cities of the
Pacific Rim (Fodor's Travel Guides, 1991). THIS WEEK: A Report on The Four Seasons
Jackson Hole. Click on the logo
below to go to the site.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ MARIANI'S VIRTUAL GOURMET NEWSLETTER is published weekly. Editor/Publisher: John Mariani.
Contributing Writers: Robert Mariani,
Naomi
Kooker, Suzanne Wright, John A. Curtas, Edward Brivio, Mort
Hochstein, Suzanne Wright. Contributing
Photographers: Galina Stepanoff-Dargery, Bobby Pirillo. Technical
Advisor: Gerry McLoughlin.
Any of John Mariani's books below
may be ordered from amazon.com by clicking on the cover image.
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