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The kitchen in "Something's Gotta Give" (2003) ❖❖❖ ANNOUNCEMENTS For the next four Tuesdays, in NYC, the French Institute Alliance Française, John Mariani, and special culinary guests will be hosting a series of films (with English subtitles) that celebrate the importance of food and wine in French culture. The series is as follows: Oct. 9: "La Grande Bouffe" (1973) with guest host patîssier François Payard; Oct. 16: "Vatel" (1973) with guest host Chef André Soltner; Oct. 23: "Romantics Anonymous" (2010) with chocolate tasting with Lauren Gerbaud (at 5:30 PM); Oct. 30: "Entre les Bras" (2010) with guest host chef Jean-Louis Gérin. All screenings will be held at at Florence Gould Hall, 55 East 59th Street at 7:30 PM, followed by Q&A with host. Tickets $10. For info click here. The 28th edition of John Mariani's article "THE BEST NEW RESTAURANTS OF 2012" appears this week in the November issue of Esquire Magazine. Here is a list of the 20 best (in no order):
Baco Mercat—LA To read the article
on line click
here. ❖❖❖
THIS WEEK NASHVILLE NOW
By John Mariani
NEW YORK CORNER NOTES FROM THE WINE
CELLAR
As Autumn Arrives, So Do Fine Red
Wines ❖❖❖ NASHVILLE NOW
By John Mariani Exhibition at The Country Music Hall of Fame
A
good deal of well-deserved national attention
is accruing to Nashville these days, of course
for its music, but not least for an array of
new and old restaurants that rank with the
best in the U.S.A., including those downhome
places that have never sought publicity
because they're too busy serving their loyal
customers. Others, as is the usual case in
Nashville, dole out true Southern hospitality
(with one notable exception below), and
generous portions at reasonable prices for
damn good food, from steaks to Italian, from
meat-and-threes to Mexican. You won't
ever go hungry.
SOUTHERN STEAK
& OYSTER 150
Third Avenue 615-724-1762 http://www.thesouthernnashville.com
In 29 years of Esquire’s
awarding Best New Restaurants honors, only a
handful of steakhouses have ever made the cut,
largely because even the best of them tend to
keep to a strait-jacket menu and stereotyped
look dripping machismo. Which is just not
enough.
Southern Steak & Oyster, on the
other hand, has a wide-open, bonhomie that is
as appealing to women as men. (The owners even
play women’s softball games on the TV
screens.) You
could come by for a big breakfast or drop in
anytime of the day for good gumbo,
benne-crusted shrimp with peach-and-sour
sauce, or Caribbean-spiced Dominican pork. And
at dinner you could even skip the steaks and
chops and feast on terrific fried chicken with
mac-and-cheese, Southern greens and country
ham gravy or a mess of fish and sweet potato
grits with hot tasso vinaigrette.
But you really don’t
want to skip the beef. You
really do
want to order the “Nudie Suit”—named after
the flamboyant, rhinestone-studded designer
outfits favored by country singers like Buck
Owens and Marty Robbins. This
steak is “tailored to your appetite,” which
means you go up to the counter, the chef sets
his knife anywhere you like on a huge slab of
well-marbled beef, cuts it, then cooks the
thing exactly the way you want it (right)
Southern Steak & Oyster just goes
to show how to work an old, well-proven
concept and make it even better and a lot more
fun. When it comes to steakhouses, that is not
as easy as its sounds.
732b McFerrin
Avenue
The
two-year-old Mas Tacos Por Favor has already
become a fixture for Mexican food in a town
not exactly inundated with such places. "MTPF"
has the look of a place in the barrio,
deliberately scruffy, with not a frill in
sight, just a blackboard menu, but you're with
good company here, since all of Nashville
piles in at one time or another.
Owner Teresa Mason, who began with a Winnebago
taco truck on the East Side, has put her
heart into the enterprise, and she's always
back there whipping up soulful dishes like
pulled pork tacos dripping juices; fabulous
grilled corn elotes with cheese, lime,
and cayenne; rich, chunky chicken tortilla
soup (right);
signature tilapia tacos, and whatever else
strikes her fancy to make that day. You
go up to the counter, give them your order,
and then wait as you sniff the air full of
aromas that will have your appetite flaring by
the time you get your food. There's a
juke box to help you wile away the time. Don't
bring too much money either. The tacos are
only three bucks.
Swett's
is
a "meat-and-three," around since 1954, opened
by Walter and Susie Swett, who had ten
children to feed, so they know about portions
and appetites and economy of means. One
of their sons, David, is now the proud keeper
of the flame, along with a barbecue in another
location.
A meat-and-three is
a familiar concept in the South—one meat and
three sides—though Nashville seems the capital
of such eateries, and Swett’s is exemplary. It’s
cafeteria style, with a big menu hung above the
line, which is manned by the friendliest
servers you’ll ever meet, the kind that gives
everybody a little extra, coaxes you to try
the beans or the beef tips are looking real
nice today, and don't forget the peach cobbler
that just came out of the oven.
The BBQ chicken is
exemplary in that crisp-succulent way so many
young chefs in fancier digs try to get right
by brining or sous-Vide-ing or doing whatever
they do and still not get it right. There is
also rotisserie chicken, impeccably fried
fish, BBQ ribs, and pig’s feet.
Now, about those
“threes”: classic soul food items like turnip
greens and candied yams are out there,
alongside okra, fried apples, pinto beans and
golden cornbread that is fired for
extra flavor.
Those fruit cobblers
are nonpareil, as good as the pecan pie and
the lemony buttermilk chess pie (whose name
has never been explained).
You drink soda or iced tea (I was dying
for a beer), but that’s the way it is, was,
and will be when you go. What
doesn’t change at Swett’s only gets better. They've
had seven decades of practice to get it right.
1904 Broadway On its snazzy, expansive, inside-and-out, bar-and-booth surface, Tavern Midtown, looks like a place people go for a good time and decent food. There's a mezzanine here, a vibrant (loud) bar scene, lotsa music, and the requisite plasmas and big screens--fourteen of them. But Culinary Director Robbie Wilson calls this a "chef’s pub” experience, and it is all that and a lot more, with a better conviviality than you often find at many modern gastropubs where guests are made to feel privileged to be there. Here you'll see people--a very attractive crowd, too--having a great time of it, meeting friends and making new ones, checking out the faces at the bar, some of whom might be Nashville celebs. So what about the food? Well, I'm very happy to report that it's some of the most impressively, genuinely thought-through American fare you'll find anywhere in the country. Even at brunch--my least favorite time to eat--Tavern delivers high points on just about everything, starting with impeccably prepared fried eggs with warm coconut jam, Texas toast, and sweet soy. The blueberry cornmeal waffles with cinnamon molasses takes on added interest from a dollop of whipped mascarpone, and if you're just up for salad, how about a crunchy Tuscan kale and parmesan offering with toasted almonds, currants, dressed with olive oil and lemon. O.K., how's the burger? It is terrific, made from a beef ribeye and filet, generously proportioned, on a "meltaway bun," with your choice of cheese, bacon, griddled onions, and roasted chilies. This is what an American burger should be, great beef, great roll, solid, fresh garnishes. Add some "white trash hash" to your brunch, and you're in business. The Tavern fries are as carefully cut and cooked as everything else, and the Tavern has become justifiably famous for its egg rolls, done up like Philly cheese steaks. Wood-grilled artichokes with a zesty remoulade are addictive, and I could sit at the bar all day and munch on the crispy little fried catfish dusted with cornmeal and served with a tartar sauce, jalapeño-spiked cornbread, and sweet potato fries. There are also a few global touches, including a hearty Singapore stir fry with eggs, bacon, scallions, and sweet and spicy soy: if this doesn't cure a hangover or anything else that ails you at noontime, nothing will. Saturday and Sunday they offer a Game Day Menu, which is not quail and pheasant, but geared to the kind of grub served for college and pro games on the weekends. The wine is not as impressive as the spirits and beer list, so there's always room for improvement. But not much: Tavern is expressive of the best ideas of what an American restaurant should be. Throw in a little Southern swagger, and it's a good place to be any hour of the day. Even brunch. Pomodoro East 791 Porter Road 615-873-4978 pomodoroeast.com You come upon Pomodoro East out of nowhere, perched above the street, welcoming, with a patio outside, and inside some truly warm and inviting décor that includes rough-hewn old barn wood, an open pizza oven, comfortable seating, tablecloths, and first-rate waitstaff. The place smells great, wood-burning, grilling, sweet tomatoes, autumn itself. Chef Joe Shaw has
been in the fine dining business for over 25
years and worked with Frank Stitt at
Highlands and Bottega in Birmingham, then
was Executive Chef at the Watermark
Restaurant in Nashville. Chef and
owner Guillermo ‘Willy’ Thomas was the
spirit behind Nashville’s Capitol
Grille, one of my Esquire picks in 1995 as
a best new restaurants. These guys know what
they're doing. It's what you call being a
professional. Of course, being a
contemporary Italian restaurant, there is
pizza, just $9-$11, with straightforward,
savory toppings that include tomato sauce,
mozzarella, fontina, provolone, parmesan and
basil; roasted fingerling potatoes,
radicchio, gorgonzola and tomato sauce;
roasted corn puree, mozzarella &
fontina, pancetta
and blistered onions; and pork and fennel
sausage, wilted spinach, fontina, mozzarella
and tomato
sauce. The crusts are good, the taste
smoky, the ingredients first rate.
The less said
about the much-hyped Catbird
Seat the better, since it is not so much
an inviting restaurant as it is an ego-driven
laboratory of gimmickry and a few molecular
riffs designed to dazzle you rather than sate
your appetite. There's also no reason to show
a photo of the place because there is no
décor, not even any windows, just a
gray room with dark gray counter and open
kitchen where the cooks work in monastic
silence (with music blasting in the
background). The sole note of color is
the EXIT sign. The rest is a U-shaped counter
(hip contemporary chefs who believe they
invented this configuration might go to any
local diner or, if that's beneath their
notice, to Joël Robuchon's original
L'Atelier, where this style of counter first
hit the high end of Paris gastronomy,
oh, ten years ago.) A meal at
Catbird Seat goes on for hours, with no
choices for the guest, and much of the food
and drink gets adulterated, even a single
estate Champagne into which the sommelier adds
quince vinegar and honey--flavors the maker
certainly never intended to taste in
his Champagne. From there on, you get
tiny little dishes of tortured smoked food,
including dots of tasteless, hay-infused
yogurt, smoked cod char roe and burned bread,
puffed rice, and a truly bizarre ice
cream made by pouring milk over the burning
embers of a wood fire, which tastes like what
it is--smoked milk. For this and the
rest of the food you pay (including wine and a
service charge for a waitstaff that does
little but clear plates) $220 per
person. You may leave hungry and you may
leave woozy from all the paired wines,
whiskies, beers, and sake you are
poured. So, if that's your idea of a
great dining experience, do call. If going out to eat
convivially with friends and choosing what you
like to eat is your preference, Catbird Seat
is not for you. ❖❖❖ NEW
YORK CORNER 43 East 74th Street (near Madison Avenue) 212-288-1004 caravaggioristorante.com
While enjoying cocktails, it was all we could do not
to nibble our appetites away on the wonderful breads
and grissini, but soon enough we were
presented with sumptuous antipasti that included the
last of summer's heirloom tomatoes with a salad served
with avocado tartare, homemade ginger ketchup, and
finished with balsamic vinaigrette and basil pesto. A
happy and unexpected starter, which I could easily
make a main course, are chicken meatballs (below) served
with cannellini beans, green peas, and tomato sauce.
Hamachi crudo
had an oddly intense flavor.
Pastas are glorious here: tagliatelle with a rich veal ragù;
spaghetti
with a Sicilian pesto made of a mix of five nuts,
diced tomato, garlic, and assertive pecorino
cheese; and very tender gnocchi made with pumpkin, amaretti for
sweetness, and a sauce of butter and fresh sage (the
sage a little too strong one evening), which is as
autumnal as a pasta dish can be.
We had two fine meat dishes, a classic veal chop with
the first of the season's truffles, not yet with the
power and aroma they will have soon, and half of a
roasted chicken, juicy to the bone, with carrot puree,
braised Savoy cabbage, and sweet, roasted Vidalia
onions. An Atlantic halibut was successfully paired
with fennel puree and braised fennel, finished with a
delightfully sweet-sour orange sauce. Roasted orata with
roasted baby artichokes and artichoke puree,
sautéed baby spinach and finished with truffle
sauce, was both overwrought and overcooked.
There's
a brand new, very good young pastry chef named Matthew
O'Haver, who is doing some of the best desserts in an
Italian restaurant in NYC. We loved the pumpkin
panna cotta,
the cheesecake with lots of vanilla flavor, fig sauce
and strawberry foam, and a redemption of the
cliché tiramisù, adding blackberry
sauce, a mixed berry sorbet and a coffee ganache.
Perhaps best of all was warm chocolate cake with
pistachio gelato, salty caramel sauce, and
sesame-smoked nut powder.
You
will drink very well at Caravaggio from one of the
stellar lists in NYC Italian restaurants.
Caravaggio is open Antipasti
$18-$36; pastas $22-$26,; main courses $28-$48. ❖❖❖ NOTES
FROM THE WINE CELLAR
As
Autumn Arrives, So Do Fine Red Wines
GREAT MINDS THINK ALIKE
. . . NEITHER OF WHICH IS AS SCARY
❖❖❖
Any of John Mariani's
books below may be ordered from amazon.com.
❖❖❖
FEATURED
LINKS: I am happy to report
that the Virtual
Gourmet is linked to four excellent
travel sites: Everett Potter's Travel Report: I consider this the best and
savviest blog of its kind on the web. Potter is a
columnist for USA
Weekend, Diversion, Laptop and Luxury Spa Finder,
a contributing editor for Ski and a frequent contributor
to National
Geographic Traveler, ForbesTraveler.com
and Elle Decor.
"I’ve designed this site is for people who take
their travel seriously," says Potter. "For
travelers who want to learn about special places
but don’t necessarily want to pay through the nose for
the privilege of staying there. Because at the end
of the day, it’s not so much about five-star
places as five-star experiences." THIS WEEK: PASO ROBLES, AND
BERLIN.
Eating Las Vegas is the new on-line site for Virtual Gourmet contributor John A. Curtas., who since 1995 has been commenting on the Las Vegas food scene and reviewing restaurants for Nevada Public Radio. He is also the restaurant critic for KLAS TV, Channel 8 in Las Vegas, and his past reviews can be accessed at KNPR.org. Click on the logo below to go directly to his site.
Tennis Resorts Online: A Critical Guide to the World's Best Tennis Resorts and Tennis Camps, published by ROGER COX, who has spent more than two decades writing about tennis travel, including a 17-year stretch for Tennis magazine. He has also written for Arthur Frommer's Budget Travel, New York Magazine, Travel & Leisure, Esquire, Money, USTA Magazine, Men's Journal, and The Robb Report. He has authored two books-The World's Best Tennis Vacations (Stephen Greene Press/Viking Penguin, 1990) and The Best Places to Stay in the Rockies (Houghton Mifflin, 1992 & 1994), and the Melbourne (Australia) chapter to the Wall Street Journal Business Guide to Cities of the Pacific Rim (Fodor's Travel Guides, 1991).
MARIANI'S VIRTUAL GOURMET
NEWSLETTER is published weekly. Editor/Publisher: John
Mariani.
Contributing Writers: Christopher Mariani, Robert Mariani,
John A. Curtas, Edward Brivio, Mort Hochstein,
Suzanne Wright, and Brian Freedman. Contributing
Photographers: Galina Stepanoff-Dargery,
Bobby Pirillo. Technical Advisor: Gerry McLoughlin.
© copyright John Mariani 2012 |