The not-always-friendly competition
between Houston and Dallas of course
includes bragging rights over which has
the better food scene, and, despite some
world-class restaurants like Stephen Pyles
and Fearings, Dallas has been a slacker
for a few years. But now Big D is nudging
upwards with new exciting restaurants. For
the moment, though, Houston can readily
claim to have the broader, deeper food
scene throughout the city and inside "The
Loop"--Interstate 610, easily seen in the
view from space above. Here are some of
the places currently brightening the
gastronomic skies in town.
Chef-owner
Chris
Shepherd (below) calls what he’s doing at
Underbelly “The Story of Houston Food,” which some
back east might brush off as beef barbecue and
messy Tex-Mex.Don’t even dream of getting that by
Shepherd, a big, muscular guy who has his own
in-house charcuterie and butcher’s shop where he
breaks down carcasses from his own herds of goats,
lamb and steers. He’ll talk your ear off about the
contributions the Vietnamese and Koreans have
added to the city’s food culture, and will remind
you that Houston is the largest port city in the
South, hauling in all that is good in the Gulf. “It’s not just about remarkable food,” says
Shepherd with justified pride, “It’s a story
taking shape right before us that will continue to
define Underbelly and those that call Houston
home. We’re serving the food of locals
who live in neighborhoods most people never even
see.”To
that end Shepherd is a locavorus
extremis, drawing entirely from the bounty
of Texas farms and Gulf Coast fisheries—“If it’s
got to be shipped in, we won’t buy it”--so you
won’t find Maine lobster or Chinook salmon on the
menu.What
you will find are dishes--many served family
style--made from the least possible number of
perfect ingredients: nowhere have I had better,
sweeter heirloom tomatoes, served with rich
house-made ricotta and tangy slices of wild boar
salami.Moist
pulled chicken comes with crunchy cabbage and a
shot of pungent Vietnamese nuac mam
sauce. Tender goat’s meat is
braised Korean-style, served with dumplings.
Flank steak with eggplant, tomato and massaman
curry is deliciously well fatted, and snapper with
tomato, corn and purslane just sings. And his
peaches and cream fried pie with vanilla ice cream
is maybe the best American dessert I’ve ever
gobbled up this year. Nothing wrong with the
vinegar pie--a Midwestern vestige from a time when
people lacked citrus fruits in winter--here sided
with salt brittle.
The menu says there are
"No appetizers or entrees--just food," but
there's clearly a difference between a dish
of market veggies and caramelized fish
sauce at $14 and a flat iron steak with bimbap rice
at $32. And it's a little off-putting to charge
$7 for warm sourdough bread and charred green
onion butter, which recalls the old "bread and
butter" cover charge of 50 years ago. For
his expansive vision and a local pride that shows
in every morsel of food Shepherd sends out,
Underbelly is as important as it is delicious.
Open for lunch Mon.-Fri., for
dinner Mon.-Sat. Dishes run $12-$32.
Triniti is
certainly one of the most handsome restaurants
to open in Houston in a while, taking advantage of
huge windows, cracked glass partitions and hanging
chandeliers to give it a buoyancy, without any
dark recesses among the 110 seats and a Chef's
Table that seats 14. It
seems minimalist but in fact every square inch has
been thought through for casual cool. With one
exception: the booths are set with high,
straight-backed wooden benches that seem straight
out of one of the sterner backwoods Baptist
churches. Otherwise, this is a terrific looking
place, and the tables and chairs have no
such discomfort. Exec Chef
Ryan Hildebrand and Chef de Cuisine Greg Lowry are
doing what they call "Third Coast French," which
is regional American food with French techniques
and menu changes every week. When I
was there, I was enchanted with the range of
flavors and textures in every dish, from the
"mosaic" of corn and shrimp with bacon powder to
lobster with corn milk, mustard biscuit,
strawberry and kumquats, which somehow escaped masking the
delicacy of the main ingredient. The "foie gras
breakfast" makes a good case for a dish I'd go for
on a Saturday morning with a mimosa: it's a waffle
topped with a fried egg and a generous slice of
foie gras, along with bacon, pistachio granola,
yogurt gel, and spiced honey--brilliant idea (below).
Fluke--an underrated fish--comes with artichokes,
carrots, parsley and a rich beurre blanc,
while a creamy classic blanquette of veal is served
with veal tongue pastrami that adds real
dimension.
You might well consider a
cheese course from local artisans, served with
spiced and candied nuts, infused honey, cured
fruits and housemade jams. But don't skimp on
desserts like a fine Key lime pie or macadamia
with Kahlúa ice cream, enjoyed perhaps with
a glass of tawny Port from a first-rate winelist
that goes with this kind of food, which is not
easy in every case.
What
I have here described is not likely to be
ingredient-by-ingredient on tonight's Triniti menu
(the foie gras breakfast is currently being done
with pancakes), but everything is very much a
piece of a whole concept of well-integrated global
cuisine based on sometimes disparate ingredients
that work beautifully together here. You'll
want to come back for the excitement of an menu
ever evolving.
If you are
squeamish about a name
that suggests that Chef Justin Yu (below) and
his wife, baker Karen Man feature animal innards
in profusion on his menu, be assured that Oxheart
is the stylistic opposite. Indeed, while this is
not a strictly vegetarian place, vegetables play
the major role on every plate and when smoked tuna
or tête
de porc appear on the plate, they almost
seem like intrusions. Still, the quality of the
ingredients that Yu uses is so demonstrably of the
highest grade, whether pods of okra or Texas
peaches, that meat and seafood would not
necessarily be missed.
Oh, by the way, the name
Oxheart refers,
according to the menu, to species of carrot,
cabbage or tomato, as well as "The
myogenic muscular organ that pumps blood
throughout circulatory system in male cattle that
have been trained as a draft animal"--a happy
thought as you sit down to dine. The
flavors of dishes like his roast summer squash
with squash blossoms, mint, and the curry-like
spice blend called vadouvan are fascinating.
Heirloom tomatoes are dusted with vegetable ash
(the next big trend?), and a soffritto of
chard stems (what does he does with the rest?),
and slowly roasted okra with marinated seeds,
peppers, corn, beans and mint. That's
a lot of fiber, and it would be nice to have a bit
more fat in the food here; I can't imagine I’m the
only person who has ever left here a bit hungry--I
tasted 8 courses-- and certainly far from sated.
Even though you may opt for a four-course or
seven-course meal, portions for both are small and
presentations a bit precious, with lots of
tweezers at work on every dish. There are
dishes like smoked blackfin tuna with caramelized
tomatoes, shrimp and squid, though I hesitate ever
to use the word "twee" because the word itself
seems too twee, but I think the sensibility behind
Oxheart deserves it.
Which is
not what I would call the atmosphere of the small
dining room, which you enter through an industrial
door that gives you an idea of what lies
beyond. Oxheart is in Houston's decrepit
warehouse district and, given the restaurant's
name, made me think of a location for a
“Saw” movie. Once inside, you will be warmly
greeted and seated either at a U-shaped counter of
butcher block wood in front of the open kitchen or
at one of a few tables whose drawers store the
flatware you’ll be using that evening. Beyond that
there’s nothing to say about the décor
because there really isn’t any. The kitchen is not
a show kitchen, and I spent the entire night
watching the dishwasher do her job. Above me were
ducts wrapped in thick aluminum foil and to the
side what looked like an electrical wiring unit.
That's about it. It ain't pretty. And the
single rest room is located just a couple of yards
from the kitchen. All of which is meant to
convey that "We are only about our food and
every other notion of traditional dining is not of
interest to us." Oh, hell, it is twee.
Service is amiable but a
bit school-marmish, with lengthy explanations of
what you're eating, even though it's all listed on
the menu. The wine list, overseen by Justin Vann,
is fitted to the food.
Oxheart is an interesting work
in progress and a succès d'estime with the
Texas media. But it's not a restaurant for
everyone, just a couple dozen people per night.
Oxheart is open Thurs.-Mon. for dinner.
Menus from $49-$79.
Five
decades is an amazingly long time for any
restaurant to stay in business, and it is
even rarer when that restaurant gets better and
better year by year. Some places just coast on old
regulars' expectations for consistency, others
have owners who really don’t care to upgrade or
change anything beyond the color of the walls.
But Tony’s, which began as a modest eatery
in Houston back in 1972, just at a time when
Houston began to allow the service of alcohol,
evolved into a swanky deluxe dining room all in
red and serving excellent continental cuisine;
after a move five years ago, it has developed into
one of the finest restaurants in America, with in
increasing slant towards Italian cuisine of a
world-class order, something owner Tony Vallone
has proudly accomplished by regular trips to Italy
and NYC to discover not just what’s new but what’s
worth learning from.
Vallone then translates that
formidable knowledge into a style of Italian
cuisine whose
ingredients speak for themselves and whose
lightness is testament to their modernity.
No one gets better imported seafood, the
best white truffles, the greatest wines from the
smallest Italian estates. Few restaurants outside
of Europe show the attention to service details
and hospitality that makers Tony’s a classroom for
anyone who wants to learn the refinements of the
business, from the greeting to the service of wine
and food, to the way napkins are replaced and
chairs held for guests. Everything here is smooth,
without pretense, warm without chumminess.
And, of course ,Tony is always there, lunch
and dinner (unless he’s at his casual place Ciao)
across town.
There is no
question that Tony's menu is Tony Vallone's menu,
which he hands over to young chef Grant Gordon (above), now
here for about three years, to interpret with
extraordinary panache. This means silky foie gras
torchon
with a Macadamia nut crumple, Texas honey scented
with black pepper, and Kaffir lime. No restaurant
in America has better or more innovative pastas,
yet never do they stray into gimmickry; thus, a
plate of housemade orrechiette with provolone,
cabbage, mortadella,
quail egg and rye (left) fits impeccably into
northern Italian traditions, while fedellini alla
chitarra with bottarga, lemon, and celery
hearts (below)
is straight out of Sicily, and raviolini with
peas, sausage and mint is as Roman as you can get.
Sumptuously Ligurian are the pansôti stuffed
with charred corn and dashed with an essence of
sage.
Seafood
is exceptionally good here--rarely the case in
U.S. Italian restaurants--like Arctic char with
black garlic, grapefruit mousseline and a little
lime to brighten it all, and Tony's serves lobster
with a 40-day dry-aged NY strip that is his idea
of surf-and-turf.
Rabbit gets a treatment of pistachio-turnip puree
with tangy pickled chanterelle mushrooms.
On my last visit I was served a
much-missed desseert classic--floating island,
here with a pineapple crème anglaise and
braised pineapple, and, just to remind you this is
Texas, wonderfully ripe peaches from
Fredericksburg with a prosecco zabaglione.
I should also menu that Tony's
has one of the finest wine cellars in the world.
(He might want
to delete those passé Robert Parker
number scores from his list, which is the only
tacky thing about a very classy operation.)
Tony's used to be a place with
a certain exclusivity about it when it was in the
Galleria area, but since moving to these newer
quarters, the bonhomie of people of every age who
are here to have a celebratory good time is
palpable from the packed tables every lunch and
dinner. Tony Vallone is a master of his craft, and
at a time when so many young restaurateurs and
chefs believe that fine dining is gone, Tony's is
a reminder that it will be around long after those
other trendy places have closed their doors.
Hours:
Lunch Mon.-Fri. Dinner Mon.-Sat.; Dinner
appetizers run $12-$21, pastas $14-$16, main
courses $28-$68.
❖❖❖
NEW
YORK CORNER
MAREA
240 Central Park South
212-582-5100 marea-nyc.com
Marea, now
almost five years old, continues
to be an inspiration for those who wish to eat and
to cook Italian seafood. The name means "tide,"
and Chef/entrepreneur Michael White (farleft), now
with several restaurants on different continents,
makes sure that Marea is his enduring
flagship. And still, at lunch and dinner,
night after night, Marea is packed with a
sophisticated crowd that knows it will definitely
get all they pay for, including many unique dishes
you'll never find around town.
It all begins, of course, with
the quality of seafood that Chef de Cuisine Jared
Gadbaw approves each morning. I doubt very
much there are more than a handful of restaurants
around the city that gets the prime choice Gadbaw
does, and it shows in its most pristine form in
the crudo
options, both at the bar and on the main menu,
which lists at least a dozen each evening.
The best way to appreciate it all is to
go with the very reasonable four-course $97 menu
(you'll be getting a few surprises along the way,
too), which includes a first course, a pasta, main
course, and dessert.
It's a long menu, perhaps too
much so, but the kitchen seems to be able to
handle it all with aplomb, from a deeply flavorful
brodetto di
pesce of Adriatic seafood with clams,
langoustine, scallop, prawn and bass to black bass
with root vegetables, chard, mushrooms, quinoa and
the tantalizing scent of
juniper. If there are bay scallops on the
menu, as there are for a little while longer, by
all means claim a portion, here done with salsify,
fennel, creamy polenta and grapefruit.
Pastas
are all made on premises, from fabulous gnochetti with
ruby red shrimp and a touch of rosemary to
pansotti
of ricotta graced with pesto. Tortelli are packed
with lobster meat and caramelle are shortrib ravioli
in a red wine-soaked sugo and a rich foie gras
emulsion--again, you don't find that all over
town.
You may have your fish--a wide
variety each night--simply grilled, with olive
oil, guaranteed to stir memories of your meals
along the Italian Riviera or in Sicily. Few places
in Italy, however, serve the beautifully crafted
desserts here or the bon bons, chocolates, and
coffee cake that come at meal's end, all within
that $97 fixed price. À la carte,
main courses run $39-$47, with fish by the pound.
Beverage Director Francesco
Grosso matches White's food with more than 750
selections.
The restaurant itself, overseen by
manager Rocky Cirino, is one of NYC's
loveliest--perfect lighting at the bar and two
steps down in the dining room, with soft, watery
colors, thick linens, and fine silverware and
stemware (do ask for one of the wider chairs).
You'll be seated cordially and service throughout
the evening will be as cosmopolitan as you except
from a place of this utter refinement. Yet it is
very much a piece of NYC, quite probably a classic
in the making, one of those restaurants that,
years and years from now, you will recall as among
your finest dining experiences in a city with so
many impressive options.
Marea
is open for lunch Mon.-Fri., for brunch Sunday,
and dinner nightly. There is a limited menu at the
bar.
❖❖❖
YET
ANOTHER SIGN OF THE
DECLINE OF WORLD CIVILIZATION
Mattel Toy
Company has officially sanctioned a Barbie Café
in Taiwan,
serving crustless tea sandwiches with pink flags
sticking out of
them and waitresses wearing pink tutus.
ODDEST NAME-DROPPING NON
SEQUITUR
OF 2013 (SO FAR)
"I've been in LA on an entertainment project and to
see the opening of my friend and collaborator Richard
LaGravenese's new movie 'Beautiful Creatures.' I'd
never been to an opening before. But quiche has been
on my mind, so I've been using travel time to work on
some variations of this infinitely variable fat
custard tart."--Michael Ruhlman (left).
❖❖❖
Any of John Mariani's
books below may be ordered from amazon.com.
My
latest book, which just won the prize for best
book from International Gourmand, written with
Jim Heimann and Steven Heller,Menu Design in America,1850-1985 (Taschen
Books), has just appeared, with nearly 1,000
beautiful, historic, hilarious, sometimes
shocking menus dating back to before the Civil
War and going through the Gilded Age, the Jazz
Age, the Depression, the nightclub era of the
1930s and 1940s, the Space Age era, and the age
when menus were a form of advertising in
innovative explosions of color and modern
design.The book is
a chronicle of changing tastes and mores and
says as much about America as about its food and
drink.
“Luxuriating
vicariously
in the pleasures of this book. . . you can’t
help but become hungry. . .for the food of
course, but also for something more: the bygone
days of our country’s splendidly rich and
complex past.Epicureans
of both good food and artful design will do well
to make it their coffee table’s main
course.”—Chip Kidd, Wall Street
Journal.
“[The
menus] reflect the amazing craftsmanship that
many restaurants applied to their bills of fare,
and suggest that today’s restaurateurs could
learn a lot from their predecessors.”—Rebecca
Marx, The Village Voice.
My new book--Now in Paperback,
too--How Italian Food Conquered the
World (Palgrave Macmillan) has just won top prize 2011 from
the Gourmand
World Cookbook Awards. It is
a rollicking history of the food culture of
Italy and its ravenous embrace in the 21st
century by the entire world. From ancient Rome
to la dolce
vita of post-war Italy, from Italian
immigrant cooks to celebrity chefs, from
pizzerias to high-class ristoranti,
this chronicle of a culinary diaspora is as
much about the world's changing tastes,
prejudices, and dietary fads as about
our obsessions with culinary fashion and
style.--John Mariani
"Eating Italian will
never be the same after reading
John Mariani's entertaining and
savory gastronomical history of
the cuisine of Italy and how it
won over appetites worldwide. . .
. This book is such a tasteful
narrative that it will literally
make you hungry for Italian food
and arouse your appetite for
gastronomical history."--Don
Oldenburg, USA Today.
"Italian
restaurants--some good, some glitzy--far
outnumber their French rivals. Many of
these establishments are zestfully described
in How Italian Food Conquered the World, an
entertaining and fact-filled chronicle by
food-and-wine correspondent John F.
Mariani."--Aram Bakshian Jr., Wall Street
Journal.
"Mariani
admirably dishes out the story of
Italy’s remarkable global ascent
to virtual culinary
hegemony....Like a chef gladly
divulging a cherished family
recipe, Mariani’s book reveals the
secret sauce about how Italy’s
cuisine put gusto in gusto!"--David
Lincoln Ross,
thedailybeast.com
"Equal parts
history, sociology, gastronomy, and just
plain fun, How Italian Food Conquered the
World tells the captivating and delicious
story of the (let's face it) everybody's
favorite cuisine with clarity, verve and
more than one surprise."--Colman Andrews,
editorial director of The Daily
Meal.com.
"A fantastic and fascinating
read, covering everything from the influence
of Venice's spice trade to the impact of
Italian immigrants in America and the
evolution of alta cucina. This book will
serve as a terrific resource to anyone
interested in the real story of Italian
food."--Mary Ann Esposito, host of PBS-TV's
Ciao
Italia.
"John Mariani has written the
definitive history of how Italians won their
way into our hearts, minds, and
stomachs. It's a story of pleasure over
pomp and taste over technique."--Danny Meyer,
owner of NYC restaurants Union Square Cafe,
Gotham Bar & Grill, The Modern, and
Maialino.
❖❖❖
FEATURED
LINKS: I am happy to report
that the Virtual
Gourmet is linked to four excellent
travel sites:
I consider this the best and
savviest blog of its kind on the web. Potter is a
columnist for USA
Weekend, Diversion, Laptop and Luxury Spa Finder,
a contributing editor for Ski and a frequent contributor
to National
Geographic Traveler, ForbesTraveler.com
and Elle Decor.
"I’ve designed this site is for people who take
their travel seriously," says Potter. "For
travelers who want to learn about special places
but don’t necessarily want to pay through the nose for
the privilege of staying there. Because at the end
of the day, it’s not so much about five-star
places as five-star experiences." THIS WEEK:Miami;
Quebec; Utah bobsledding.
Eating Las Vegas
is the new on-line site for Virtual Gourmet
contributor John A. Curtas., who since 1995
has been commenting on the Las Vegas food
scene and reviewing restaurants for Nevada
Public Radio. He is also the
restaurant critic for KLAS TV, Channel 8 in
Las Vegas, and his past reviews can be
accessed at KNPR.org.
Click on the logo below to go directly to
his site.
Tennis Resorts Online:
A Critical Guide to the
World's Best Tennis Resorts and Tennis Camps, published
by ROGER COX, who has spent more than two decades
writing about tennis travel, including a 17-year stretch
for Tennis magazine.
He has also written for Arthur Frommer's Budget Travel, New York Magazine, Travel &
Leisure, Esquire, Money, USTA Magazine, Men's Journal,
and The Robb
Report. He has authored two books-The World's Best Tennis
Vacations (Stephen Greene Press/Viking
Penguin, 1990) and The
Best Places to Stay in the Rockies (Houghton Mifflin,
1992 & 1994), and the Melbourne (Australia) chapter
to the Wall Street
Journal Business Guide to Cities of the Pacific Rim (Fodor's
Travel Guides, 1991).
nickonwine:
An engaging, interactive
wine column by Nick Passmore, Artisanal Editor, Four
Seasons Magazine; Wine Columnist, BusinessWeek.com;
nick@nickonwine.com; www.nickonwine.com.
MARIANI'S VIRTUAL GOURMET
NEWSLETTER is published weekly. Editor/Publisher: John
Mariani.
Contributing Writers: Christopher Mariani, Robert Mariani,
John A. Curtas, Edward Brivio, Mort Hochstein,
Suzanne Wright,and Brian Freedman. Contributing
Photographers: Galina Stepanoff-Dargery,
Bobby Pirillo. Technical Advisor: Gerry McLoughlin.