MARIANI’S
Virtual Gourmet
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IN THIS ISSUE BARBADOS SAFE FROM HURRICANES By John Mariani NEW YORK CORNER FLAMES STEAKHOUSE By John Mariani NOTES FROM THE WINE CELLAR A SWEET REVIVAL OF CHAMPAGNES By Geoff Kalish ❖❖❖ BARBADOS SAFE FROM HURRICANES By John Mariani ![]()
As has been
historically the case, Barbados is one Caribbean
island that suffered few ill effects from
hurricanes--this year Irma and Maria--owing to
its location in the Lesser Antilles east of the
hurricane zone.
Thus, this story, based on a visit
earlier this year, still holds true, making the
island one of the few wholly open to visitors
this season. Barbados is fairly large, with eleven parishes spread over 167 square miles, and there is scarcely a hilltop that does not offer a stunning view of the Caribbean. A day’s visit to the evocative capital city, Bridgetown (below), proves why it has been declared a UNESCO World Heritage site. The western side of the island is now slowly getting built up after downturns in the economy after 9/11 and the crash of 2008. But today that side has earned the name “Platinum Coast” for the number of affluent homes and resorts that line sandy beaches. Poverty still remains and unemployment is high, so consistent tourism is an essential industry for Barbados. There is a lovely Caribbean lilt in the “Bajan” (Bay-jun) Creole-English as spoken by the Barbadians—if you listen carefully you might hear it in the voice of the island’s most famous citizen, Rihanna, who was born in Saint Michael and raised in Bridgetown—and reggae music pours out of restaurants, seaside thatched-roofed bars, and shops along Bridgetown’s streets. The houses and downtown buildings are painted every color of the rainbow that soaks in the sun to achieve a washed-out, toned down pastel patina. For lack of space I shall pass over the more obvious attractions available in various forms elsewhere in the Caribbean—snorkeling and scuba diving, catamarans and charter fishing, the Carlisle Bay Marine Reserve and Barbados Wildlife Preserve, horseracing and, in good British tradition, cricket matches. Let me concentrate, instead, on Bridgetown itself, where I was fortunate to have an extraordinary guide named Morris Greenidge, historian and author of Bridgetown Barbados: A Walking Tour (2015), who was that rare amalgam of depthless knowledge and local lore combined with a palpable passion for his hometown.
Greenidge has a story about every steeple, every
house, every block of Bridgetown. There’s a spot
on the corner of Palmetto where rum was developed;
the site of the first and only synagogue (1654). Over
there is Cheapside, once the end of the Indian
trail and where what used to be the “Kissing
Bridge” arched the canal; there’s the site of the
old hotel once run by a “most beautiful mulatto
woman” named Caroline Lee, after whom they named a
yellow sweet potato; Parliament Square with its
statue of Lord Nelson and its House of Assembly
with stained glass portraits of every British
monarch from James I to Victoria; every block
tells an old story and Greenidge knows them all,
delivered in the calm, cadenced way of a man who
still reveres so much of what has disappeared
during and long before his lifetime. On my own I visited the beautiful St. Nicholas Abbey (right), one of only three remaining Jacobean houses in the entire Western Hemisphere, built in 1660 and now admirably maintained as a family home by architect Larry Warren, his wife, Anna, and their sons, Simon and Shae, who purchased the property in 2006 and impeccably restored its interiors and gardens. The rooms are filled with impressive 18th century antiques, dining tables set with old china, Tudor arches, Chippendale staircases, and two bedroom floors. There is also an outdoor café for a light lunch. On premises is also a working distillery (one of four on the island), whose award-winning rums include a five-, twelve- and eighteen-year-old you can purchase at the estate after watching the actual process of turning sugar cane into “Kill devil” rum in a copper still named Annabelle. (A visit to St. Nicholas Abbey makes one to the Mount Gay Distillery wholly unnecessary, for the latter’s tour is more of a commercial venture designed to “herd-‘em-in, give-‘em-a-tot, sell ‘em a t-shirt and bottle of rum” without actually showing the rum production.) Far grander and different
than the Animal Flower Cave is Harrison’s Cave (right),
known since 1785 but for centuries impenetrable.
It was opened by the Barbados government in 1981
to the public, and there are now
Barbados’s
currency is tied to the U.S. dollar at a rate of
one US$ to two Barbados dollars. There is a VAT
tax of 17.5% at hotels and restaurants, and a
10% service charge is added to your hotel bill;
tipping at a restaurant is 10-15%.
❖❖❖ NEW
YORK CORNER
By John Mariani ![]() 121 EAST MAIN STREET ELMSFORD, NY 914-592-3500
It is
a general rule among all restaurants that a menu
has both high quality and lesser quality dishes,
which is especially the case with American
steakhouses, where the menus do not radically
differ one from another.
Thus, after
saying the beef is of excellent quality, one might
find that the hash browns are not up to snuff or
the desserts are mere afterthoughts and the wine
list all too familiar. Rare is the steakhouse
where every item on the menu is at the same
standard of quality. There are fine
little touches like the presentation of a good
loaf of bread and a big slab of butter, along with
hot potato chips cooked in beef fat that adds decided flavor. The same goes
for the extra large shrimp ($19.50), twin lobster
tails ($54), and the ingredients in the salads.
The eggplant
rollatini ($12.95) with prosciutto and
melted fontina in a light tomato-tinged cream
sauce is very good, and I cannot think of a
more classic rendering of spaghetti alla carbonara—no
cream, no onions, no parsley—than I’ve had at
Flames, and the portion will easily feed two
($26.95). The veal chop
with mushrooms ($48.95) weighs in at about 16
ounces, Side dishes
get just as much care, from creamed spinach ($8)
that seems equal parts cream, butter and spinach,
lightly seasoned, to various kinds One of the
desserts that’s always been a crowd pleaser is the
zucchino
($10), a very rich layering of reduced English
cream, white chocolate and mocha mousse and
meringue. I am
guessing that the reason that Flames Steakhouse is
such a bright, new example of its genre may be due
to Vulaj’s short retirement from the business, so
that, as so often happens with restaurateurs, he
couldn’t stay away and has re-entered it with a
whole new spirit and buoyant attitude to make it
better than ever.
Flames is open for lunch and dinner
Tues.-Sun. ❖❖❖ NOTES FROM THE WINE CELLAR
A SWEET REVIVAL OF CHAMPAGNES
By Geoff Kalish ![]()
With the largest quantity of Champagne continuing to be sold between mid-November and the end of the year (at least in the U.S.), there’s been a major effort among a number of Champagne producers to make bubbly more than just a year-end holiday celebratory drink. In past years the marketing has focused on mixing classic Champagne with other ingredients, especially fruit juices (as in a mimosa) or Angostura bitters, with or without brandy (as in a Champagne cocktail). On the other hand, with his Champagnes now offered at more than 500 Michelin-starred restaurants, worldwide, it appears that Bruno Paillard, whom I met with on his recent visit to New York, has succeeded in his goal to produce food-focused bubbly and appeal primarily to those appreciating his sparklers with a meal. In fact, 80% of his annual output of 400,000 to 500,000 bottles is sold to restaurants, rather than to individual consumers through wine shops. Accounting for
the elegant, food-friendly style of his
Champagnes—like the lush, fruity Brut Prémiere
Cru ($46), the zesty 2004 Vintage Assémblage
($90) and the newly released rich, “toasty” 2002
Nec Plus Ultra Brut ($180)—is an extreme
attention to detail and quality, with organic
farming of grapes, use of only “first-press”
juice and aging the wine on its lees for at
least 36 months, with only grapes from Grand Cru
vineyards, and more than ten years on its lees
for the Nec Ultra Plus. And, it seems, at least
based on visits to two top-tier Champagne
producers in Reims—Taittinger and Veuve Clicquot—there’s a new focus on expanding the market by promoting “sweeter” styles. As most savvy consumers know, the process of making Champagne was “invented” in the late 17th century by French physician Christopher Merret (right)—no, not Dom Pérignon—by adding sugar and yeast to still wine, causing a secondary fermentation with trapped carbon dioxide bubbles. Initially this was a dry wine, but it veered towards the sweet side to satisfy the taste of royalty in the 19th century, especially the czars of Russia. In fact, to make these sweet Champagnes even sweeter, consumers added sugar to them. However, over the years and with a change in consumer tastes, drier styles have been in vogue, especially in America. But, in an attempt to expand the market, at least some Champagne houses are producing at least a portion of their portfolios with more than a bit of sweetness. So, as Yogi Berra might have said, “there’s nothing so old that it’s not new again.” And, in a
concerted effort to cash in on the current
cocktail craze—yes, they’re back in style, or
depending where you’re from, they may not ever
have gone out of vogue—Veuve Clicquot with its
distinctive yellow label, is touting two new
products: Veuve Clicquot Blanc Rich ($65) and
Veuve Clicquot Rosé Rich ($65), both with more
than a touch of sweetness, primarily intended
for use in cocktail recipes. In fact, while
these bubblies provide enjoyment in their own
right (the blanc, with or after sweet desserts
or blue-veined cheeses, and the rosé with smoked
fish or spicy Thai fare), adding a slice of lime
or ginger gives them just enough flavor and zest
while cutting the sweetness a bit to make
excellent refreshing quaffing. In addition, when
served with a slice of cucumber they make
top-notch palate cleansers between courses of a
meal. And, I’m sure that inventive mixologists
will find additional ingredients to add to these to bring further favor. So, to enjoy for more than just a toast to a year-end holiday, expect to see sweeter wines like Taittinger’s Nocturne series and bottles of Veuve Clicquot Rich. They may not be for everyone, but in markets where they have made an appearance they seem to be high-flying hits. And while less costly “imitators” may make their market appearance, it is doubtful they will provide the quality of the Taittinger and Veuve Clicquot Champagnes. And, should these sweeter styles not be to your liking, there’s always the “dry” food-friendly bubblies from Bruno Paillard, which, while costly, are well worth the price in terms of quality.
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![]()
"On the following dates, the Louisville Courier-Journal incorrectly referred to hot dogs as
sandwiches: Oct. 2, 1887; Aug. 10, 1901; March
20, 1904; July 21, 1935; Jan. 14, 1939; May 4, 1941;
Sept. 15, 1950; June 29, 1958; Nov. 16, 1961; and Aug.
4, 1966. Among those errors were references to a
frankfurter sausage sandwich, frankfurter sandwich,
coney island sandwich, frankfurter sandwich with
mustard, and, the most egregious, a frankfurter sandwich
with catchup. We deeply regret the errors, especially
that last one."
WE HAVE A COUPLE OF SPECIALS I'D LIKE TO TELL YOU ABOUT THAT THE CHEF HAS PREPARED TONIGHT. FIRST THERE'S PRAIRIE DOG CHEEKS IN A REDUCTION OF CACTUS NEEDLES, AND THE THERE'S CORN SOUP WITH SHREDDED PRAIRIE DOG ENTRAILS, AND THEN A LOIN OF PRAIRIE DOG--TWO TO A PLATE--SMOKED OVER PEYOTE AND SERVED WITH PINTO BEANS. THERE'S AN ADDITIONAL CHARGE OF TEN DOLLARS IF YOU WANT THE DISHES PAIRED WITH WATER. ![]() The Sioux Chef, the indigenous food
education and catering team, led by chef Sean Sherman,
is teaming up with the Minneapolis Park and Recreation
Board and the Minneapolis Parks Foundation to open a
Native American restaurant at a new riverfront pavilion
called Water Works. Wood-fired cooking will feature
prominently. “We’ve cut out things that weren’t
here before [Europeans came to America],” Sherman
explains. “So we’re not using any dairy, wheat flour,
processed sugar, beef, pork, or chicken, and are just
really being creative with proteins and plants and
agriculture that was here before.”
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Any of John Mariani's books below may be ordered from amazon.com. ![]() WATCH THE VIDEO! “What a huge surprise turn this story took! I was completely stunned! I truly enjoyed this book and its message.” – Actress Ali MacGraw “He had me at Page One. The amount of heart, human insight, soul searching, and deft literary strength that John Mariani pours into this airtight novella is vertigo-inducing. Perhaps ‘wow’ would be the best comment.” – James Dalessandro, author of Bohemian Heart and 1906. “John Mariani’s Hound in Heaven starts with a well-painted portrayal of an American family, along with the requisite dog. A surprise event flips the action of the novel and captures us for a voyage leading to a hopeful and heart-warming message. A page turning, one sitting read, it’s the perfect antidote for the winter and promotion of holiday celebration.” – Ann Pearlman, author of The Christmas Cookie Club and A Gift for my Sister. “John Mariani’s concise, achingly beautiful novella pulls a literary rabbit out of a hat – a mash-up of the cosmic and the intimate, the tragic and the heart-warming – a Christmas tale for all ages, and all faiths. Read it to your children, read it to yourself… but read it. Early and often. Highly recommended.” – Jay Bonansinga, New York Times bestselling author of Pinkerton’s War, The Sinking of The Eastland, and The Walking Dead: The Road To Woodbury. “Amazing things happen when you open your heart to an animal. The Hound in Heaven delivers a powerful story of healing that is forged in the spiritual relationship between a man and his best friend. The book brings a message of hope that can enrich our images of family, love, and loss.” – Dr. Barbara Royal, author of The Royal Treatment. ❖❖❖
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LINKS: I am happy to report
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Geographic Traveler, ForbesTraveler.com
and Elle Decor.
"I’ve designed this site is for people who take
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NEWSLETTER is published weekly. Editor/Publisher: John
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Editor: Walter Bagley. Contributing Writers: Christopher Mariani,
Robert Mariani, Misha Mariani, John A. Curtas, Geoff Kalish, Mort
Hochstein, and
Brian Freedman. Contributing Photographer: Galina
Dargery. Technical Advisor: Gerry McLoughlin.
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