MARIANI’S

Virtual Gourmet


  February 9,  2020                                                                                            NEWSLETTER



Founded in 1996 

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Léa Seydoux and Daniel Craig in "Spectre" (2015)

HAPPY SAINT VALENTINE'S DAY!


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IN THIS ISSUE
NEW ORLEANS
By Geoff Kalish

NEW YORK CORNER
MASTRO'S STEAKHOUSE

By John Mariani


NOTES FROM THE WINE CELLAR
The WINES OF JONATA AND THE HILT
By John Mariani




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NEW ORLEANS
By Geoff Kalish




    Based on a recent visit, much in the historic areas of downtown New Orleans has remained the same since my last visit about a year after Hurricane Katrina. Bourbon Street still looks and sounds like Bourbon Street. Galatoire’s Friday lunch remains packed with partying locals. Brennan’s (left), although under new ownership, still serves a bevy of richly sauced egg dishes and decadent Bananas Foster from early morning through mid-afternoon in an upscale setting. Café du Monde draws crowds all hours of day and night for its chicory-laced coffee and sugary beignets. The line for breakfast at Mother’s still stretches down the street with locals and visitors waiting for eggs and “debris” (the shreds of meat and grease falling off rotisserie roast beef), and Commander’s Palace in the Garden District still draws an upscale crowd.
    And as for lodging, there are the usual French Quarter standbys like The Royal Orleans and Royal Sonesta as well as the plush, recently refurbished Windsor Court (right), just across Canal Street from the French Quarter and in easy walking distance to the Warehouse District restaurants (see below), with a top-notch restaurant of its own called the Dining Room, featuring a beautiful room ringed with murals of Louisiana lifestyle.
    But much has changed. In particular, the revitalization of the Central Business District with restaurants and the not-to-be-missed World War II Museum. Housed in two separate buildings are a series of rooms showing photos, movies and memorabilia of the histories of the two theaters of operation (Europe and the Pacific) that comprised WWII. Even if you think you know all about “the war,” plan to spend a few hours fascinated by the stories of the campaigns.
    On the dining scene, even more has changed, especially so since I co-authored the book The Best Wining & Dining in New Orleans some 25 years ago. In particular, the once desolate Warehouse District and Central Business District, which used to be gourmet wastelands, are alive with a range of toothsome eateries, two of which, owned by celebrity chefs Donald Link and Stephen Stryjewski, are discussed below.

 

Cochon
920 Tchoupitoulis Street 
504-588-2123

  Expanded in 2016, Donald Link's Cochon is now under the day-to-day reins of chef-du-cuisine Bret Macris, who grew up in Burbank, California, and has had stints at Los Angeles’ famed Campanile and New York’s Rosewater in Brooklyn. The setting for the Cajun fare served is “casual-chic”—a  converted warehouse with exposed brick walls, one of which features a large painting of a “cochon”—and reasonably spaced tables with white cloths and good silver and wine glasses. The noise level is surprisingly reasonable, and service is very knowledgeable and prompt. And, while the fare is based on long-standing Cajun home cooking recipes, the ingredients are primarily locally sourced and prepared with a deft hand. Moreover, portions are quite large. For example, a popular must-try starter of smoked pork ribs (left) with watermelon pickle brought four very meaty ribs, and a dish of wood-fired shrimp with chili-garlic butter and lemon held enough crustaceans that it could have made a main course.  Other appetizers, like the heady roasted duck and hot sausage gumbo or flavorful port-braised pork cheek with pumpkin puree and pistachio, also  provide hearty portions of tasty fare.
    As to main courses, popular choices include the classic Louisiana cochon, shredded on a heap of cabbage and topped with cracklin’s and accompanied by pickled turnips. There are daily grilled gulf fish specials as well as the smoked beef short rib with tomato butter and mushrooms. Also, when available, be sure to try a side of the heirloom carrots, prepared with a mint sauce. For dessert an oatmeal tart had just the right amount of sweetness and for wine, from a short but well-thought-out list, we chose a 2016 Savigny-les-Beaune that had just the right amount of cherry flavor and gusto to mate well with the fare. And for the aficionado there’s long lists of whisky and small-brewery beer choices, especially bottles from Louisiana and nearby states. 

(Expect dinner for two to cost $100-$110, not including wine, tax or tip.)

 
Peche
800 Magazine Street
504-522-1744

    What Cochon does for the pig, Pêche, also owned by David Link, does for denizens of the deep,  again in a refurbished warehouse with exposed walls and wood-beamed ceiling, and, as one might expect, a large painting of a fish on one wall.  And, while listed as a seafood restaurant in area guides, the fare, prepared under the direction of James Beard Award-winning chef Ryan Prewitt, is quite a bit different from the simple seafood houses of Louisiana. For example, a “raw bar” starter of “crab claws with pickled chiles” was a large bowl of small, dewy claws swimming in a red-tinged sauce, enlivened by jalapeño peppers. A creamy crab salad topped with chives, apple slivers and toasted pumpkin seeds came adrift in a sauce of chives and African spices.  And, a moist, meaty grilled red fish for two with a crisp skin coated with a savory parsley and basil pesto, with a side of fried brussels sprouts flavored with chili oil, was one of the best dishes we had on our visit to the city. We accompanied the meal with an appley, slightly sweet Reinhessen Seehoff Riesling and for dessert, from pastry chef Maggie Scales, we enjoyed a generous slice of rich Key lime pie topped with decadent Chantilly cream.  


(Expect dinner for two to cost $65-$70, not including wine, tax or tip.)

  

Upperline
1413 Upperline Street
504-891-9822

    Situated about a 15-minute car ride from the French Quarter, Upperline has for more than 15 years been a local favorite, serving huge portions of upscale southern cooking on well-spaced, clothed tables in one of three rooms that have yellow walls crammed with paintings of different sizes and subjects. Appetizers run the gamut from fried green tomatoes with shrimp in a remoulade sauce that could have shown a bit more zest, to spicy shrimp with jalapeño corn bread and garlic aïoli that had plenty of zest, to andouille and duck étouffée with cornbread and Louisiana pepper jelly, to a turtle soup with sherry.
    Main course items sampled included a “12 hour” half roast duck that was crisp on the outside and easily shreddable on the inside, served with a garlic-Port sauce, and a buttery baby drum fish meunière topped with fresh jumbo lump crabmeat. Of note, pieces of a loaf of good crusty bread were great to “mop up” the sauces.
    For dessert we had a rich pecan bread pudding with toffee sauce and a sinful “Sundae Eugene” (vanilla ice cream, almonds and chocolate sauce). And we accompanied the meal with a concentrated, berried Turley Lodi Zinfandel.

(Expect dinner for two to cost a very reasonable $80-$90, not including wine tax or tip.)

 


   

    And, if after all the eating, you need a few hours of exercise away from the madding crowds, there’s the Jack Nicklaus-designed English Turn golf course (a 20-minute car ride from the French Quarter), which for a long time was considered one of the most challenging on the PGA Tour. In fact, not only does the course feature the classic elevated, undulating, tiered greens surrounded by sand traps typical of a Nicklaus course, but water comes into play on almost all of the holes. And, while at over 7,000 yards from the “tips” it’s quite a challenge for long hitters, the fairways are wide enough to offer the average golfer an enjoyable experience, with lots of local birds watching most of your shots. (Green fees are a very reasonable $60-$100 per player.)





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NEW YORK CORNER


MASTRO'S STEAKHOUSE
285 Avenue of the Americas (on West 52nd Street)
212-459-1222


By John Mariani

    Nowhere is the competition fiercer in the restaurant business than in the steakhouse genre, not least because it’s difficult to distinguish the menu from one to the next whose clientele doesn’t really care if a chef puts chopped kale on his ribeye or quinoa on his baked potato. The template for the American steakhouse is by no means sacrosanct but it hews to a set pattern. So what’s left to distinguish one from the next is décor, quality of products and service.
    The first of those offers the easiest way to make a distinction, for the outdated scruffy, wainscotted look set decades ago by places like The Palm and Peter Luger has almost disappeared in lieu of grander schemes. The second, quality of products, is almost a given in New York—though not outside of it. The best beef and seafood is still sold to a New York market willing to pay the highest price, so one steakhouse’s beef and lobster better be every bit as good as the other’s (although this isn’t always the case all the way down the menu). Third, service is a true identifier, especially in New York, where the old-line steakhouses deliberately proffer a 1960s clubbish swagger that just doesn’t cut it anymore.
    And here’s where Mastro’s, one of 18 units around the U.S., has a strong suit. Mastro’s is a subsidiary of the gargantuan Landry’s Inc., which also owns the Morton’s and Del Frisco steakhouse chains, both with units in New York. At Mastro’s the “How we all doing tonight?” greeting through the “Hope to see you again soon” goodbye work wonders throughout an evening—unlike so many steakhouses where the waiters know they’re going to make their $500 in tips every night without doing anything more than take your order and the slicked-up guys up front are getting their palms well greased.
    Mastro’s décor is swanky by any stretch, set on two levels, very low-lighted—it’s considerably darker than in the photo above—with bars made of bronze satin quartzite, dark mahogany woodwork, stained wood flooring, marble columns, piano stand and trompe l'oeil patterns set within the floors and walls. The tables are spacious and well set with white linens and lamps, though the wineglasses are cheap. It gets a mostly male clientele whom the shabbily dressed food media ding with the lazy cliché “suits” (just imagine if they dared call business women “skirts”). In any case, the men all doff their jackets within seconds of sitting down, deferring to their host of the evening, who decides if a bottle of wine is in the budget.
    One big caveat: In a city of very loud restaurants, dining upstairs at Mastro’s can be ear-shattering, not helped by live and piped-in music. Downstairs (above), where I requested to sit, was better, and there is a small room at the bottom of the stairs that is most likely to allow for conversation.     For the volume Mastro’s does—an average 300 meals a night— Executive Chef Dusmane Abdoulaye Tandia works like a field marshal, and, although there were some lags between courses on a recent night, the food came out at the right temperature, the plates for the meats hot and the choreography of waiters, runners and busboys impressive as dishes are carved, scooped and plated with precision.
    The staff promotes the two-foot-tall tower of seafood, whose contents you create yourself, and the seafood arrives dramatically in billowing dry ice (right).  Nice, fat shrimp ($26) were, happily, not ice cold, and the crab cake ($21) was meaty and came with a well-seasoned remoulade. Fried calamari were about standard issue, but a lobster bisque ($17) had a wonderful depth of flavor and lots of chunks of lobster (which many bisques simply don’t have).
    The 33-ounce ribeye on the bone ($115) had an excellent char on the outside and stayed good and hot and rosy red on the inside. It’s advertized for two, but our table of four enjoyed several pieces each and still took some home. Lamb chops ($54) were of good quality for Australian product, but at that price, and more in keeping with excellence, Mastrio’s should be serving American lamb. The veal chop ($64) had a rich flavor not always found elsewhere, and its succulence showed again that the kitchen has the matter down pat. There is a tendency to oversalt the meats, however.
    The creamed spinach ($14) was a good balance of the two ingredients, but a big portion of scalloped potatoes ($14) lacked much flavor beyond the potatoes themselves.
    You know desserts are going to be huge—two for four people after a big meal are quite enough—including a good New York cheesecake ($12), tangy Key lime pie ($11) and textbook perfect crème brûlée ($11).
    Mastro’s wine list is in a league with the best around town and shares the heavy-handed price calculation that makes a red wine under $100 difficult to find, and wines by the glass are exorbitantly priced.
    (Having praised the service, I cannot fail to mention that at the end of the meal two $9 bottles of water showed up on my bill that I did not order. Caveat everywhere: Always check your bill.)

 

Open daily for lunch and dinner.

 


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NOTES FROM THE WINE CELLAR


COLD CLIMATE, MARGINAL SOILS  AND TOO MANY CHICKENS
ARE AMONG THE CHALLENGES AT JONATA

By John Mariani


    Nature has not made it easy for the JONATA wineries. The estate in Ballard Canyon is a 586-acre property of sandy soil, with 84 acres of vines, including more than 11 different varieties planted, along with high-acid experimental Greek plantings like Xinomavro and Assyrtiko. The Hilt estate in the Central Coast’s Santa Rita Hills focuses on Chardonnay and Pinot Noir in vineyards bathed in fog and whose north-facing slopes approach 45-degree temperatures and 50 mph winds, terroir that winemaker Matt Dees refers to as “growing in the margins.”
    Joining JONATA in 2004 when he was just 25, Dees (left) was not an enologist but had instead studied plant sciences far from any vineyards at the University of Vermont. His youthful exuberance was key to JONATA/The Hilt’s unorthodox experiments in that marginal terroir, but after 15 years on the job, the boyish-looking Dees is as devoted as ever to go rogue in the vineyards. I dined with him in New York and found him gleeful when speaking about all his projects, as if Tom Swift Jr. had carte blanche to create a Super Vineyard.
    “We are ten miles east of the ocean, so the area is colder than in the north,” he said. “It never gets warmer than 80 degrees, whereas it can go up to 110 in Napa.” Dees noted that the region of JONATA has sandy maritime soil (called Careaga Sandstone) and showed me photos of how small his vineyards’ grapes are by comparison with the sun-drenched, sugar-plump grapes in Napa and Sonoma. The Hilt’s diatomaceous soil, by comparison, is like lunar dust. Yet, despite mis-steps and outright flops along the way—three successive vintages of Merlot ranged from mediocre to poor—Dees has had total freedom to keep on experimenting. The high acid Greek wines are a current infatuation, but he has no plans to release any unless they work in the Santa Barbara terroir.
    Such largess is rare, if not unique, in the California wine business, where very wealthy people often lavish more money on their country mansions than their vineyards. In the case of JONATA, carte blanche, rather than conventional wisdom, seems a mantra, thanks to owner Stan Kroenke and his wife, Ann, daughter of Walmart co-founder James Walton (right), whose business empire includes Kroenke Sprits & Entertainment, a holding company for the NFL’s L.A. Rams, the English Premier League football club Arsenal, the NBA’s Denver Nuggets, the NHL’s Colorado Avalanche, the MLS Colorado Mammoth and the LA Gladiators. He is also owner of Napa Valley’s prestigious Screaming Eagle winery, and The Land Report magazine ranked him as the ninth-largest landowner in the U.S. in 2015. In 2018 Stan Kroenke was estimated by Forbes to be worth $8.5 billion.
    The name JONATA commemorates the original 1845 Spanish land grant of the region, Rancho San Carlos de Jonata, which in the Chumash Indian language means “tall oak.”
    For all that ongoing push to try new projects, the 2017 The Hilt Chardonnay ($45) is for me a superb expression of a varietal that in California is so often over-oaked, over-caramelized and overwrought. It’s a blend from three barrels, and the symmetry of fruit and acid, a 13.4% alcohol level and aging in 40% new French oak gives it roundness and body, as expressive of healthy Chardonnay grapes as you’d find in the best traditional Burgundies. The single-vineyard  Bentrock Vineyard Chardonnay ($75), while a little pricey, has an even richer flavor and complexity, making it a superb match for shellfish in buttery sauces.
    I was not as fond of The Hilt’s 2017 Pinot Noir ($45), which I found had an odd, green vegetal flavor, but the 2017 Radian Vineyard Pinot Noir ($75) was a beauty, aged in only 5% new French oak and 95% neutral French oak, which allows the grape flavors to evolve with minimal interference. It’s a superb Pinot Noir at a reasonable price.   
    Over dinner I also tasted two library releases that showed how the JONATA wines can mature so gracefully over a decade, a grace that over-extracted California Pinots never achieve.  The 2010 El Desafio de Jonata “The Defiance” Cabernet Sauvignon Ballard Canyon (whose name must set a record for its length) is made from grapes out of the best of the estate’s lots, coming in at 14.5% alcohol. There are tannins still waiting to tame down, but the whole amalgam is a wine of luscious ripeness without being cloying in any way. It’s got plenty of years ahead to get better.
    The 2006 “The Blood” Syrah from Ballard Canyon (left) has a delightful, peppery quality and an intensity you expect from Syrah, with only 2% Viognier added. It aged in 50% new French oak and 50% neutral, which complements the big fruit flavors. At 14.9% it’s skirting the stratosphere for alcohol but that’s not out of bounds for a big Syrah like this. A JONATA Todos Santa Ynez Valley 2016 tilts that way, too, as a blend of all ten different varietals grown on the whole estate, which was not a convincing argument for a repeat.
    JONATA Fenix Ballard Canyon 2016, a Bordeaux-style blend of 58% Merlot, 30% Cabernet Sauvignon, 10% Cabernet Franc and 2% Petit Verdot, weighs in at 15.2% alcohol, which can be felt on first sip. The wine is not translucent, the color is inky and the plummy flavor not appealing.  Back to the lab with this one.
    It goes without saying that the Kroenkes and Dees are wholly committed to sustainability—herbicides and pesticides are banned—utilizing what is called polyface farming by which viticulture co-exists and integrates with agriculture (they make their own honey and grow olives) as well as with livestock. Having acquired hundreds of chickens, they’d forgotten that hens lay lots of eggs and the estate now sells their production in the area. There are pigs, turkeys, sheep and goats, even a couple of mean-spirited llamas.
    “People bring us animals and others think we’re a petting zoo,” said Dees. “It’s a pretty wonderful place to work.”


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NEATEST TRICK OF THE WEEK:
ANCIENT MAYAN RECIPES MADE WITH FOODS THEY DIDN'T EAT, LIKE BRISKET, CHICKEN AND RICE

 “But true nourishment awaits inside, in steaming bowls born of ancient Mayan recipes. . . .  The ruddy tomato-based hilachas features hearty shreds of brisket, creamy chunks of carrot and potato, green beans, and rice. The green jocón pairs the same vegetables with chicken instead of beef, and bathes them in a complexly layered broth, bright with tomatillo and cilantro.”--Hannah Goldfield, “Warming Up Guatemalan Style in Brooklyn,” The New Yorker (1/3/20)





 


 IS THAT A BRATWURST IN YOUR POCKET
OR ARE YOU GLAD TO SEE ME?

"Ahead of Telfar’s autumn/winter 2020 show at Florence’s Pitti Uomo (a trade show for men’s fashion), an extravagant feast was held in the Palazzo Corsini for friends of the brand, where diners were treated to an unexpected palate cleanser: 'edible ball gags,' Sicilian pomelo-infused spherical ice pops cut through with a black leather ribbon to be placed in the mouth and tied behind one’s head. . . . Appetizers like miso semifreddo with fermented yuzu rind and wild Madagascar pepper were fed to diners via latex-gloved hands that emerged from a glory hole installation; they kneeled to receive the food."--"If You Eat This Food, It Will Deconstruct Your Toxic Masculinity," Eater.com.













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 Any of John Mariani's books below may be ordered from amazon.com.



   The Hound in Heaven (21st Century Lion Books) is a  novella, and for anyone who loves dogs, Christmas, romance, inspiration, even the supernatural, I hope you'll find this to be a treasured  favorite. The  story concerns how, after a New England teacher, his wife and their two daughters adopt a stray puppy found in their barn in northern Maine, their lives seem full of promise. But when tragedy strikes, their wonderful dog Lazarus and the spirit of Christmas are the only things that may bring his master back from the edge of despair. 

WATCH THE VIDEO!

“What a huge surprise turn this story took! I was completely stunned! I truly enjoyed this book and its message.” – Actress Ali MacGraw

“He had me at Page One. The amount of heart, human insight, soul searching, and deft literary strength that John Mariani pours into this airtight novella is vertigo-inducing. Perhaps ‘wow’ would be the best comment.” – James Dalessandro, author of Bohemian Heart and 1906.


“John Mariani’s Hound in Heaven starts with a well-painted portrayal of an American family, along with the requisite dog. A surprise event flips the action of the novel and captures us for a voyage leading to a hopeful and heart-warming message. A page turning, one sitting read, it’s the perfect antidote for the winter and promotion of holiday celebration.” – Ann Pearlman, author of The Christmas Cookie Club and A Gift for my Sister.

“John Mariani’s concise, achingly beautiful novella pulls a literary rabbit out of a hat – a mash-up of the cosmic and the intimate, the tragic and the heart-warming – a Christmas tale for all ages, and all faiths. Read it to your children, read it to yourself… but read it. Early and often. Highly recommended.” – Jay Bonansinga, New York Times bestselling author of Pinkerton’s War, The Sinking of The Eastland, and The Walking Dead: The Road To Woodbury.

“Amazing things happen when you open your heart to an animal. The Hound in Heaven delivers a powerful story of healing that is forged in the spiritual relationship between a man and his best friend. The book brings a message of hope that can enrich our images of family, love, and loss.” – Dr. Barbara Royal, author of The Royal Treatment.




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The Encyclopedia of American Food and Drink by John F. Mariani (Bloomsbury USA, $35)

Modesty forbids me to praise my own new book, but let me proudly say that it is an extensive revision of the 4th edition that appeared more than a decade ago, before locavores, molecular cuisine, modernist cuisine, the Food Network and so much more, now included. Word origins have been completely updated, as have per capita consumption and production stats. Most important, for the first time since publication in the 1980s, the book includes more than 100 biographies of Americans who have changed the way we cook, eat and drink -- from Fannie Farmer and Julia Child to Robert Mondavi and Thomas Keller.


"This book is amazing! It has entries for everything from `abalone' to `zwieback,' plus more than 500 recipes for classic American dishes and drinks."--Devra First, The Boston Globe.

"Much needed in any kitchen library."--Bon Appetit.




Now in Paperback, too--How Italian Food Conquered the World (Palgrave Macmillan)  has won top prize  from the Gourmand World Cookbook Awards.  It is a rollicking history of the food culture of Italy and its ravenous embrace in the 21st century by the entire world. From ancient Rome to la dolce vita of post-war Italy, from Italian immigrant cooks to celebrity chefs, from pizzerias to high-class ristoranti, this chronicle of a culinary diaspora is as much about the world's changing tastes, prejudices,  and dietary fads as about our obsessions with culinary fashion and style.--John Mariani

"Eating Italian will never be the same after reading John Mariani's entertaining and savory gastronomical history of the cuisine of Italy and how it won over appetites worldwide. . . . This book is such a tasteful narrative that it will literally make you hungry for Italian food and arouse your appetite for gastronomical history."--Don Oldenburg, USA Today. 

"Italian restaurants--some good, some glitzy--far outnumber their French rivals.  Many of these establishments are zestfully described in How Italian Food Conquered the World, an entertaining and fact-filled chronicle by food-and-wine correspondent John F. Mariani."--Aram Bakshian Jr., Wall Street Journal.


"Mariani admirably dishes out the story of Italy’s remarkable global ascent to virtual culinary hegemony....Like a chef gladly divulging a cherished family recipe, Mariani’s book reveals the secret sauce about how Italy’s cuisine put gusto in gusto!"--David Lincoln Ross, thedailybeast.com

"Equal parts history, sociology, gastronomy, and just plain fun, How Italian Food Conquered the World tells the captivating and delicious story of the (let's face it) everybody's favorite cuisine with clarity, verve and more than one surprise."--Colman Andrews, editorial director of The Daily Meal.com.

"A fantastic and fascinating read, covering everything from the influence of Venice's spice trade to the impact of Italian immigrants in America and the evolution of alta cucina. This book will serve as a terrific resource to anyone interested in the real story of Italian food."--Mary Ann Esposito, host of PBS-TV's Ciao Italia.

"John Mariani has written the definitive history of how Italians won their way into our hearts, minds, and stomachs.  It's a story of pleasure over pomp and taste over technique."--Danny Meyer, owner of NYC restaurants Union Square Cafe,  The Modern, and Maialino.

                                                                             





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FEATURED LINKS: I am happy to  report that the Virtual Gourmet is  linked to four excellent travel sites:

Everett Potter's Travel  Report

I consider this the best and savviest blog of its kind on the  web. Potter is a columnist for USA Weekend, Diversion, Laptop and Luxury  Spa Finder, a contributing editor for Ski and  a frequent contributor to National  Geographic Traveler, ForbesTraveler.com  and Elle Decor. "I’ve designed this site is for people who take their  travel seriously," says Potter. "For travelers who want to learn about special  places but don’t necessarily want to pay through the nose for the privilege of  staying there. Because at the end of the day, it’s not so much about five-star  places as five-star experiences."  THIS WEEK:






Eating Las Vegas JOHN CURTAS has been covering the Las Vegas food and restaurant scene since 1995. He is the co-author of EATING LAS VEGAS – The 50 Essential Restaurants (as well as the author of the Eating Las Vegas web site: www.eatinglasvegas. He can also be seen every Friday morning as the “resident foodie” for Wake Up With the Wagners on KSNV TV (NBC) Channel 3  in Las Vegas.



              



MARIANI'S VIRTUAL GOURMET NEWSLETTER is published weekly.  Publisher: John Mariani. Editor: Walter Bagley. Contributing Writers: Christopher Mariani, Robert Mariani,  Misha Mariani, John A. Curtas, Gerry Dawes, Geoff Kalish, and Brian Freedman. Contributing Photographer: Galina Dargery. Technical Advisor: Gerry McLoughlin.

 

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