MARIANI’S

Virtual Gourmet


  August 8, 2021                                                                                            NEWSLETTER



Founded in 1996 

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IN THIS ISSUE
RENNES IN BRITTANY
By John Mariani

NEW YORK CORNER
LE PAVILLON

By John Mariani

CAPONE'S GOLD
CHAPTER NINETEEN
By John Mariani


NOTES FROM THE WINE CELLAR
NEW SPIRITS IN THE SUMMER MARKET
By John Mariani




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On this week's episode of my WVOX Radio Show "Almost Golden," on Wed. August 11 at 11AM EDT,I will be interviewing Stephen Byrnes, director of the Untermeyer Park Conservatory in Yonkers, NY. Go to: WVOX.com. The episode will also be archived at: almostgolden.








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PUMMELED BY HISTORY, RENNES IS
NOW BRITTANY
'S CULTURE CITY

By John Mariani



   

      Rennes has been tucked into northwestern Brittany for two millennia, yet it only became a city of any real significance after World War II. It was a quiet regional town until 1720, when its largely wooden timbered structures burned to the ground in a fire, and even a century later its population was below 50,000 people. It took World War II to shake Rennes into the 20th century after the Germans occupied Rennes in 1940, and the Allies took it back in 1944. Owing to it being a transport hub in France, the city was bombed by both factions into submission with great destruction. After the war the city fathers were smart to re-cast its future as a cultural center for tourism so that while its architecture appears Gothic, it is mostly new and the destroyed wooden buildings were replaced with other materials.
      Now Rennes is a beautiful river city of about 218,000 people. It is well laid out and tidy, and when you enter the Old City gate called Porte Mordelaise,  a small section of the oldest quarter is still intact around Place Saint-Anne, with old, sometimes leaning, half-timbered houses. The Place des Lices (below), where jousting tournaments once took place, has been a very well-attended Saturday marketplace since 1622 the second largest in France). Under dozens of red tents you’ll find vendors specializing in wild mushrooms, local cheeses and river and sea fish, along with bargain clothes. (There’s a little bistro on one end where you can get coffee and breakfast before the market opens.)
     Also rebuilt with fidelity is the superb 17th century Palais du Parlement de Bretagne, designed with a mansard roof by the architect who did Paris’s Palais du Luxembourg. In 1994 a fast-moving fire damaged the palace, but it is now back to its former majesty. Other buildings of note, done in various styles, are the half-timbered Maison des Carmes on the Rue Vasselot, the splendid Lycée Émile Zola (named after one of France’s greatest authors), the baroque Toussaints Church and the Palace of Commerce. 
      
The most spectacular building in Rennes is the 19th century rounded 650-seat Opéra on the Place de la Marie (left), the smallest in France, adapted from Rome’s ancient Theater of Marcellus, and it has a glorious Breton ceiling fresco.  It was praised by Stendhal as being a symbol of restorative culture after the great fire had destroyed so much of the city. Rennes is also home to several music venues and the L’Antipode MJC art center.
       There are three highly regarded universities in the city, two focusing on technology (now the heart of Rennes’s economy), as well as a Catholic University.
       One of the antiquarian pleasures of Rennes is to walk among the city’s remaining ramparts, built from the 3rd to 12th centuries, once providing broad views of the entire territory down to the river, and to the east of the Old Town are the Thabor Gardens (right), once an abbey orchard, now laid out over 24 acres with a classic French garden, an English garden, an aviary, a children’s area and a botanical garden containing 3,000 species of plants.
     Rennes has hotels of every stripe, and even for the best hotels, prices rarely go above $200; others may run for $100 or less. The Balthazar Hotel & Spa is completely modern and as good for tourists as for business travelers. Its restaurant, La Table, is run by Parisian Chef Michel Rostang (main courses run $26-$43). The beautiful, elegantly appointed  fairy tale Château d’Apigne (below), set in a broad, 25-acre park just outside of town, offers access to good fishing and its two dining rooms, Les Tourelles (meals about $46), are among the finest restaurants in the region. A 16th century building houses the Marnie & Mister H BnB, and is very centrally located.
     Breton food is hearty and homey, known  for its many savory and sweet galettes, made from buckwheat flower and various fillings, the best known being King’s Cake, as well as delicate, thin crêpes and the  region’s famous waffles, all to be enjoyed with the local cider.
      There is a good range of bistros and fine dining rooms (and one awful pizzeria downtown to be avoided). Ima, which takes its name from the Japanese for “now,” features cutting-edge cuisine (fixed price meals $60-$115), while Racine (meals $65-$85), with a Michelin star, under Chef Virginie Giboire, draws on the regional provender to create modern cooking within a bright, white open kitchen space. For more traditional Breton fare, try Le Café du Port (meals about $50) and the crêperie La Saint-Georges.
    If you’ve run out of pleasures in Rennes, head on down to the Quai Saint-Cyr on the Embarcadero, where you can rent an electric boat or kayak to sail the Vilaine River and through the Ille-et-Rance Canal that slowly meanders into the bucolic surroundings of Brittany.




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NEW YORK CORNER


LE PAVILLON

One Vanderbilt
212-662-1000



By John Mariani





       Food pundits these days love nothing more than to snub the idea that fine dining can possibly survive in a world—make that country, as in USA—where nobody wants to eat that way anymore. And by all such myopic criteria the new Le Pavillon, just by virtue of its archaic name, should never have opened at all. Add to that its location in the dead zone around Grand Central Terminal and a menu built largely on French cuisine, and such magpies trill about the odds against such a restaurant, even one opened by the redoubtable chef Daniel Boulud.
      But what a restaurant it is! Located on the second floor of a new midtown skyscraper, Le Pavillon has the light, airiness of a first-class airline lounge. Owing to its greenery, an indoor garden, a wall of Brazilian slatting and a soaring expanse of glass above it all, the dining room seems to be outside without being closed in by the city.
     Oddly, it bears some resemblance to the second incarnation of The Four Seasons restaurant that failed so miserably in less than a year, giving ammo to those who said such places were dinosaurs. The restaurant is currently open only for dinner five nights a week, and  reservations are already tough to get on short notice.
     Le Pavillon takes its name from the legendary French restaurant originally opened at France’s Pavilion at the 1939 World’s Fair, whose manager, Henri Soulé (right), after the war transplanted it to 5 East 55th Street, where he and his staff quite literally set the standard for fine dining in America for decades to come. Every French restaurant in New York copied Le Pavillon (and often stole away its staff). Upon Soulé’s death, Le Pavillon foundered and closed in 1971.
      So Boulud’s resurrecting the name was a signal that French cuisine was alive and well in New York, though in décor and menu, totally different from the stuffy and staid original Le Pavillon. Those who accuse French cuisine of being stuck in the classical past of Escoffier (as at La Grenouille) have obviously never dined at modern French restaurants in New York like Le Bernardin, Gabriel Kreuther and Boulud’s own Restaurant Daniel, where the food is as contemporary, inventive and inspiring as any in American gastronomy.
      That Le Pavillon’s menu differs so completely from all those others is testament to the solid base of French technique that allows for so much invention without the ridiculous contortions of molecular cuisine. This being 2021, Boulud, with co-executive chefs Michael Balboni and William Nacev, happily incorporates ideas from other cuisines, too, as in his torchetti pasta with Maryland jumbo lump crab, fennel confit and fruity Jimmy Nardello peppers. He will also make a chilled soup called corn velouté with grilled cactus and Serrano cornbread and serve it with a luscious soft foie gras parfait.
      
  Guests receive an amuse of caramelized turnip puree with peaches.   Among the appetizer there is yellowfin tuna with film pollen and Niçoise socca crisp with a creamy tonnato (tuna) sauce. The oysters come from the Chesapeake Bay and are called huitres Vanderbilt with crunchy hazelnuts and a gratinéed parsley seaweed crust.
     Very fine sea scallops are dusted with buckwheat and served with Cinco jotas Iberian ham and colorful piperade just to give it a little bite. Lotte, whose pulpy texture has never thrilled me, took very well to a red wine glaze with king trumpet mushrooms that gave it a woodsy flavor and carrots and chewy black rice with a butter-and-red wine sauce matelote. Lobster is impeccably cooked to stay tender and briny, with lovage, purple potatoes and a watercress velouté. I eat a good deal of lamb, especially if it’s from Colorado, and Le Pavillon’s most certainly is and comes as a fat, well seared double chop with sweet garlic, polenta, Swiss chard and a touch of oregano jus.
     There is a welcome cheese selection, and the night we dined they included Coupole,  Comté, Alma from Vermont and bleu d’Auvergne, served with muscat grapes, glazed apricots and sourdough.
     Executive pastry chef Sebastien Rouxel, born in the Loire Valley, creates beautiful desserts like a tart lemon curd with strawberries and almonds, sable and the scent of verbena; milk chocolate cremeux with praline croustillant and hazelnut nougatine; and a grapefruit and fennel vacherin with Campari lokum, a confection of fruits and nuts more familiarly called “Turkish delight.”
       Head sommelier Blake Bernal stocks a wine list
35 pages long, strong in every category. There are 25 very well selected wines by the glass, with several under $20, but cocktails, at $21, are high. Prices are quite fairly marked up: An excellent 2018 Domaine Barat 1er Cru Vaillons Chablis goes for $115, while at a wineshop it can run  $50. Even at the high end, a Domaine le Flaive Chevalier Montrachet 2018 is on the list at $2500, in stores up to $1400. There are six half-bottles and a good number of large format bottles.
     I have not given dish prices because Le Pavillon has a fixed price menu (mercifully with very few supplements) of $125 for three courses, which is remarkable simply because a côte de boeuf at the raucous Minetta Tavern (without vegetables) will run you $81 per person and at the wheezing Babbo, pasta with Australian truffles goes for $85. There is, however, an à la carte Bar Menu at Le Pavillon with a few dishes from the dinner menu. There is also a six-course seafood tasting at $195 and of vegetables at $155.
     Le Pavillon is the kind of restaurant where all women dress up, but the lack of even a suggested dress guideline results in sightings of slovenly men who look better fitted for Walmart than Le Pavillon.
      Ignore that and Le Pavillon emerges as a restaurant of importance, in one sense as a welcome back to fine dining and as a completely new style of menu done with a youthful panache you can sense comes from its young kitchen staff overseen by Papa Daniel. Anyone who loves fine cuisine and civilized dining cannot afford to miss Le Pavillon, and, since it is so reasonably priced, you can certainly afford a fine meal here. 

 
Le Pavillon is open for dinner Tues.-Sat.

 



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CAPONE’S GOLD


By John Mariani

To read all chapters of Capone's Gold beginning April 4, 2021 go to the archive
 
CHAPTER NINETEEN


Ernest Hemingway. sub-chaser (1942)

 

      “How’d you sleep?” asked Katie, pouring the coffee.
      “Very, very well,” said David. “I let my subconscious do all the work.”
      “And what did your subconscious tell you?”
     “That we should look further into Capone’s boats, his yachts and his rumrunners.  You know about rumrunners?”
      “I know what they are,” said Katie, “but that’s all.”
      David filled Katie in on what he knew, noting that during Prohibition Capone had his own boats and contracted others’ as well.  He told her about what the term the “Real McCoy” referred to and how the Coast Guard was always at a disadvantage in numbers and reliable info to inflict much damage on the trade.  After Prohibition ended, bootlegging and rum running took a lower rung on their priorities, and during World War II a lot of the old Coast Guard boats were refitted as sub-chasers and patrol boats.
      “That’s right,” said Katie. “Ernest Hemingway was a sub-chaser for a while in his boat named the Pilar (left).  He wrote about it in one of his novels, Islands in the Stream.”
      “Really? Never read that one. Anyway, Capone owned at least two yachts, Spickler told us, but he was referring to those tied up at the Palm Island docks after the war.  I’d like to know where they came from and if Capone had them built with special compartments and additions. Spickler said one of the boats was a retired rumrunner, which makes sense.  And he also said Capone like to sail to Bimini and Havana after the war. So what I’m wondering is . . .”
      “Was he shipping the gold to one of those places after the war?”
      “Or before it, soon after he made the heist. Y’know, I think we might have made a mistake in thinking Capone couldn’t get the money out of the country.” said David.
      “How so?”
      “Well, it’s not like we’ve exhausted the possibilities for the gold being somewhere in the U.S.  Hell, it could be anywhere.”
      David believed that the longer it stayed hidden in the U.S., the more likely it would have been found, either by the feds or by Capone’s enemies.  Or, if it hung around too long, it was probably stolen by one of the few henchmen Capone would have allowed to know its whereabouts. The fact that it was supposedly just sitting there all those years, with that reward money being offered, just didn’t make any sense to David. 
     
Barring any evidence that Capone had all his henchmen knocked off to keep them quiet, one of them had to turn, especially after Capone died in 1947.  By then, all any one of them had to do was to contact the feds, tell them where the gold was and collect easy money without any further fear of Capone.
      Katie cocked her head and said, “So, you’re saying Capone somehow shipped all that bullion out of the country?”
      “Yes, and probably as quickly as he could.”
      “But I remember you said it would be impossible by plane, and loading it onto a ship without being inspected by the feds would have been very risky.”
      “I know. Risky but not impossible.  What bothers me is that Capone obviously had access to some of the stash from one of the original three sites because he had that tableware made for his family.  But that wouldn’t have amounted to very much.  We’re talking about robbing hundreds of ingots.  And if he could get those out of the country, they’d be stored somewhere abroad where the feds couldn’t get to it, maybe Europe.  And when World War Two started, it would be years before the Allies set foot on the continent to even start looking for it. So, Capone wouldn’t bother to tell them where it was until after the war ended.”
         “What about South America or Cuba?” asked Katie.
         “I thought about that,” said David, “and Capone certainly had connections there.  And there were a lot of Italians who’d emigrated to Argentina around the same time his own people emigrated to the States. But I know next to nothing about Argentina’s history. You’re the history scholar.”
      Katie made a face. “What I do recall was that by the 1930s the political system in Argentina was a mess and very unstable.  One military coup after another. Capone wouldn’t have risked sending such a huge amount of gold to a country whose next dictator might just claim the stuff as his own.”
         “And Cuba?”
         “That I know more about. As a matter of fact, I did a term paper on Cuban history in college.”
         “Really? Get a high mark?”
         “An A-plus,” said Katie, brushing her nails on her chest. “I think the professor had the hots for me.”
         “So what about Cuba?”
      Katie explained that in the 1920s Cuba was run by a totally corrupt president named Machado (left) under the sponsorship of the American government. “There was a lot of money to be made in hotels, restaurants, and, of course, gambling and prostitution,” she said, “but when the worldwide Depression hit in 1929, the price of sugar, which had always been the backbone of the Cuban economy, dropped drastically and the citizens’ unrest led to a general strike.”  
     
She explained that the American puppet Machado had the local Communist Party on his side but the military, seeing their own opportunity for power and money, sided with the people and overthrew Machado in 1933. Then, after infighting among the generals, Batista (below) took over and was a major figure in Cuba for the next 25 years before being thrown out by Fidel Castro.
         David was nodding. “So, Batista was dictator throughout Capone’s incarceration?” 
        
“To make a long story short, Battista was voted out of office in the mid-forties, beaten by another bum named Grau.  Battista didn’t come back to power until the 1950s, by which time Capone was in the grave.  So through all that time, like you said about Argentina, putting all that gold in the care of government officials who were as corrupt as they were power seekers would have been very risky for Big Al.  Plus the fact that, if Capone eventually told the feds the gold was in Cuba, good luck on them getting it out of there by the late 1940s and ‘50s. I can’t imagine it was just sitting in the central bank of Havana.”
         “True,” said David, “but all along you’ve contended that Capone was really only trying to embarrass the feds and collect the reward money. If he just told them, `Hey, the gold’s in a vault in Havana,’ he’d still get the reward money.”
         “Yes, but he didn’t, did he? Unless he was so bonkers by the end of the war that he literally forgot where he stashed the gold, he most certainly would have told the feds where it was by then.”
         “Makes sense,” said David, leaning back on his chair. “So now all we have to do is figure out where the hell else in the world Capone might have shipped the gold and how he did it.”
         “Well, there’s still Bimini and the Bahamas.  That’s where the rumrunner boats might come in.  Otherwise, I’d say we concentrate on either Canada or Europe.  Remember by the late 1930s the Europeans were trying to ship their gold to the U.S. for safekeeping.”
         “Meaning, if Capone shipped his the other way, back to Europe, it would be worth a helluva lot more.”
         “Exactly,” said Katie.  “Plus I don’t think shipping it to Canada would have been any different than keeping it in the U.S.  Someone in the Canadian bootleg mobs knowing its whereabouts would have talked.”
         “Katie,” said David. “I’ve got to hand it to you: you’ve narrowed our search down to, what, about thirty countries!”
         “Well, if you count the post-war Soviet Union, probably more.”
         “I’d eliminate them right off the bat.”
         “Why?”
          David explained that mobsters hated and feared communists as much as they did the feds.  It was one of the reasons the Mafia worked with the C.I.A. to oust Castro (left).  Commies are not good for business.  Capone always thought of himself as a man whose success was due entirely to good old American capitalism, and communism would have prevented that. He probably also figured communists weren’t easy to bribe.
         “I don’t know how he felt about Joe Stalin,” said David, “but if he’d heard anything about the mass slaughters in Russia in the ‘20s and ‘30s, Capone could only have believed he’d be first in line for execution if the communists took over the U.S.”
      “My God, we’re narrowing this down fast!” said Katie.
      “You have an atlas around here?” David asked.
         Katie said she thought she did and with a little rummaging found one. “It’s not up to date but . . .”
         “It only needs to be up to date as of the 1940s.”
         They opened the book, copyrighted 1970, to a general map of  nations bordering the Atlantic Ocean, the countries in a wide variety of faded colors.  There were a lot of them.
         “Sheesh!” said David, “That’s a lot of territory.”
         “Let’s see if they have any historical maps of earlier periods,” said Katie, flipping to the table of contents.  “Bingo! Look, there’s a map of Europe after World War I and another during World War II. Just the periods we’re looking for.”
         They perused both maps carefully, discarding Scandinavia and eastern Europe as beyond Capone’s consideration.  Certainly not Great Britain or France. Greece too far. Spain was going through a civil war with communists until 1939.
         “We have to think which countries Capone would have had connections with at the time,” said David.  “He was a bootlegger first and foremost, and he smuggled in booze mostly from Canada, which we’ve eliminated. I assume he brought in wine, too.”
         “I’m sure he did,” said Katie, “but, if they were French wines,  they probably came through their territories in the Caribbean, maybe Martinique or St. Bart’s.  I suggest we do some more research on Al’s rum running operations and boats.  Who keeps records on boats?”
         “You mean, assuming they’re registered?”
         “Yes, or if they were not, there must be records of the boats the Coast Guard confiscated, auctioned and sank.”
         “Let me call a guy I know at Port Authority,” said David.  “He may know.”
         A half hour later David had what he’d asked for: the New York Yacht Club keeps records of all American yachts and most foreign ones;  Mystic Seaport in the Connecticut town of the same name has a renowned collection of historic boat plans and photos; and the U.S. Naval Institute in Annapolis, Maryland, has extraordinary resources on anything having to do with naval and maritime history, including hundreds of thousands of photos.
         “So how do we split these up?” asked David.
         “Well, the New York Yacht Club is right down on West 44th Street,” said Katie.  “Both of us can visit that.  Mystic is closer to you, and I can shoot down to Annapolis on Amtrak.  Okay with you?”
         “Sure, you want to go to the Yacht Club together?”
         “No time like the present. Let’s go.”

 




©
John Mariani, 2015



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NOTES FROM THE SPIRITS LOCKER

NOVELTY DRIVES THE NEW SPIRITS
IN THE SUMMER MARKET

 By John Mariani




 

       The biggest players in the spirits market, both brown and white, are getting more and more competitive by bringing more and more new concepts into what has always been a very traditional industry. For even though sales declined dramatically in bars and restaurants during Covid, American brown spirits like Bourbon, Tennessee whiskey and Rye are growing significantly in the United State and abroad, bought at liquor stores. According to Distilled Spirits Council, bourbon, Tennessee whiskey and rye whiskey sales rose by 8.2%, or $327 million, in 2020. American Rye—once almost ignored—recorded an increase of 15.9% in 1.1 million 9-liter cases in 2018 in the U.S. and is growing fast.  The American market is showing enormous interest in high-end Japanese whiskies, which, by law, cannot be called Scotch, even if made with the same ingredients of barley malted by peat.
     The market studied is dominated by players like Diageo PLC, Pernod Ricard, Suntory Holdings Limited, Bacardi Limited, and Sazerac and Company Inc., along with E & J Gallo Winery, The Brown–Forman Corporation and others. But how do you change a product based on specific flavor profiles dating back decades, even centuries, without intimidating regular drinkers? In some cases, it’s the same old booze in brand new bottles, as Powers did with its Irish whiskey in 2020, and Cognac producers are doing with their brandies to be sold in gift-wrapped packages. There’s a lot more smokiness being added, not to mention spices and fruit flavors, and there’s a great deal of marketing over what spirit was aged in what kind of wooden barrel for how long, even if blended whiskies don’t get any better once bottled.
      So the rage for novelty has engaged a young crowd looking for new flavor profiles with florid label descriptions that sometimes tell tales in order to bolster pedigree. Still, there’s a lot of excellent and distinctive new spirits in the market. Here are some I’m impressed with these days.

 

Arran Single Malt Whisky ($40)—Believe what you wish about the efficacy of how “Scottish rainwater at Loch Na Davie in the hills above the distillery cascades through six waterfalls, each none purifying the water further” (on the Isle of Arran off Scotland’s western coast), but the limited editions of these single malts include one as cask strength ($90), another a 10-year-old “non-chilled filtered” and un-colored by caramel at 46% ($68),  a Barrel Reserve at 43% in American oak ($69) and another aged in old Sauternes casks ($90).

 

The Glenrothes Speyside Single Malt Scotch 18 Years Old ($160) —This was named the Best Single Malt in the Ultimate Spirits Challenge 2020, aged in sherry casks that have been matured at the Speyside distillery, which has been around since 1789. Reference to “18 years” means that the youngest Scotch in the bottle dates to that year, blended with older whiskies. Glenrothes also make a 12 Year Old ($60) that has become their basic house style; a Whisky Maker’s Cut ($80), with 48.8% alcohol, using first fill sherry seasoned casks, bottled at the whisky maker's preferred strength.  Creamy vanilla, orange peel and nutmeg taste; and a  25 Year old ($500), with more woody notes.

 

High Plains Rye Straight Rye Whiskey ($55)—Just hit the market, the creation of Louisville Master Distiller Jim Rutledge (formerly at Four Roses) at the J. W. Rutledge Distillery. They blend five straight rye whiskeys from four states–Indiana, Kentucky, Ohio and New York, each  varying from 51% rye grain to 100% rye, plus a specific yeast strain and 48.5% alcohol. It’s a fine combination of mellowness with a pleasing peppery bite and shows how rye differs from bourbon (made with corn).

 

Dry Fly Distilling ($40)—Coming out of Spokane, Washington, Dry Fly president and founder Don Poffenroth built a new 24,000-sq.-ft. facility to increase production capacity to 75,000 and more.  The story goes that Poffenroth and a good friend were fishing when they hatched an idea to find a way to share their mutual love of hand-crafted spirits and the natural beauty and purity of the Northwest. Grain is sourced from family farms located within 30 miles of the distillery.

 

James Ownby Reserve Tennessee Straight Bourbon Whiskey ($40)—Distilled at the Ole Smoky Distillery (which made its name for  moonshine), this bourbon is 47% alcohol, aged in American virgin charred oak barrels and filtered via the Lincoln County Process, whereby the spirits pass through sugar maple charcoal before aging. Its power is evident but its complexity is impressive, with lots of fruit and caramel notes.

 

Peerless Kentucky Straight Bourbon ($69) and Peerless Kentucky Straight Rye ($69) are both small batch whiskies and very smooth, with no real burn in the rye and lots of vanilla and citrus in both. Excellent for sipping, even if cut with a touch of water.

 

Hirsch The Horizon Straight Bourbon Whiskey ($40)—Like many producers, Hirsch buys from others’ stocks, and its rectangular bottle is a beauty. The 46% alcohol has medium heft, and it’s quite spicy and has a pleasing sweet undertone. It has a creamy texture and a touch of leather in the finish. Very well priced for this quality.

 

Código 1530 Rosa ($65)— Código tequila has its own distillery in Amatitán and grows some of its own agave, and supposedly utilizes a secret family recipe. It actually does have a very pale rose color obtained from aging in French oak, and investor George Strait even wrote a song about it. It has a wonderful aroma and, as a blanco, gives a margarita a first-rate base, but it can be drunk on the rocks as an aperitif.


 




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ALSO, PLEASE CHECK YOUR BRAINS AT THE DOOR


A restaurant in Southern California town of Huntington Beach is demanding that customers prove they’re un-vaccinated against the coronavirus as a protest against public health protections. Basilico’s Pasta e Vino Italian restaurant said, “We have zero tolerance for treasonous, anti-American stupidity.”

 






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 Any of John Mariani's books below may be ordered from amazon.com.



   The Hound in Heaven (21st Century Lion Books) is a  novella, and for anyone who loves dogs, Christmas, romance, inspiration, even the supernatural, I hope you'll find this to be a treasured  favorite. The  story concerns how, after a New England teacher, his wife and their two daughters adopt a stray puppy found in their barn in northern Maine, their lives seem full of promise. But when tragedy strikes, their wonderful dog Lazarus and the spirit of Christmas are the only things that may bring his master back from the edge of despair. 

WATCH THE VIDEO!

“What a huge surprise turn this story took! I was completely stunned! I truly enjoyed this book and its message.” – Actress Ali MacGraw

“He had me at Page One. The amount of heart, human insight, soul searching, and deft literary strength that John Mariani pours into this airtight novella is vertigo-inducing. Perhaps ‘wow’ would be the best comment.” – James Dalessandro, author of Bohemian Heart and 1906.


“John Mariani’s Hound in Heaven starts with a well-painted portrayal of an American family, along with the requisite dog. A surprise event flips the action of the novel and captures us for a voyage leading to a hopeful and heart-warming message. A page turning, one sitting read, it’s the perfect antidote for the winter and promotion of holiday celebration.” – Ann Pearlman, author of The Christmas Cookie Club and A Gift for my Sister.

“John Mariani’s concise, achingly beautiful novella pulls a literary rabbit out of a hat – a mash-up of the cosmic and the intimate, the tragic and the heart-warming – a Christmas tale for all ages, and all faiths. Read it to your children, read it to yourself… but read it. Early and often. Highly recommended.” – Jay Bonansinga, New York Times bestselling author of Pinkerton’s War, The Sinking of The Eastland, and The Walking Dead: The Road To Woodbury.

“Amazing things happen when you open your heart to an animal. The Hound in Heaven delivers a powerful story of healing that is forged in the spiritual relationship between a man and his best friend. The book brings a message of hope that can enrich our images of family, love, and loss.” – Dr. Barbara Royal, author of The Royal Treatment.




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The Encyclopedia of American Food and Drink by John F. Mariani (Bloomsbury USA, $35)

Modesty forbids me to praise my own new book, but let me proudly say that it is an extensive revision of the 4th edition that appeared more than a decade ago, before locavores, molecular cuisine, modernist cuisine, the Food Network and so much more, now included. Word origins have been completely updated, as have per capita consumption and production stats. Most important, for the first time since publication in the 1980s, the book includes more than 100 biographies of Americans who have changed the way we cook, eat and drink -- from Fannie Farmer and Julia Child to Robert Mondavi and Thomas Keller.


"This book is amazing! It has entries for everything from `abalone' to `zwieback,' plus more than 500 recipes for classic American dishes and drinks."--Devra First, The Boston Globe.

"Much needed in any kitchen library."--Bon Appetit.




Now in Paperback, too--How Italian Food Conquered the World (Palgrave Macmillan)  has won top prize  from the Gourmand World Cookbook Awards.  It is a rollicking history of the food culture of Italy and its ravenous embrace in the 21st century by the entire world. From ancient Rome to la dolce vita of post-war Italy, from Italian immigrant cooks to celebrity chefs, from pizzerias to high-class ristoranti, this chronicle of a culinary diaspora is as much about the world's changing tastes, prejudices,  and dietary fads as about our obsessions with culinary fashion and style.--John Mariani

"Eating Italian will never be the same after reading John Mariani's entertaining and savory gastronomical history of the cuisine of Italy and how it won over appetites worldwide. . . . This book is such a tasteful narrative that it will literally make you hungry for Italian food and arouse your appetite for gastronomical history."--Don Oldenburg, USA Today. 

"Italian restaurants--some good, some glitzy--far outnumber their French rivals.  Many of these establishments are zestfully described in How Italian Food Conquered the World, an entertaining and fact-filled chronicle by food-and-wine correspondent John F. Mariani."--Aram Bakshian Jr., Wall Street Journal.


"Mariani admirably dishes out the story of Italy’s remarkable global ascent to virtual culinary hegemony....Like a chef gladly divulging a cherished family recipe, Mariani’s book reveals the secret sauce about how Italy’s cuisine put gusto in gusto!"--David Lincoln Ross, thedailybeast.com

"Equal parts history, sociology, gastronomy, and just plain fun, How Italian Food Conquered the World tells the captivating and delicious story of the (let's face it) everybody's favorite cuisine with clarity, verve and more than one surprise."--Colman Andrews, editorial director of The Daily Meal.com.

"A fantastic and fascinating read, covering everything from the influence of Venice's spice trade to the impact of Italian immigrants in America and the evolution of alta cucina. This book will serve as a terrific resource to anyone interested in the real story of Italian food."--Mary Ann Esposito, host of PBS-TV's Ciao Italia.

"John Mariani has written the definitive history of how Italians won their way into our hearts, minds, and stomachs.  It's a story of pleasure over pomp and taste over technique."--Danny Meyer, owner of NYC restaurants Union Square Cafe,  The Modern, and Maialino.

                                                                             






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FEATURED LINKS: I am happy to  report that the Virtual Gourmet is  linked to four excellent travel sites:

Everett Potter's Travel  Report

I consider this the best and savviest blog of its kind on the  web. Potter is a columnist for USA Weekend, Diversion, Laptop and Luxury  Spa Finder, a contributing editor for Ski and  a frequent contributor to National  Geographic Traveler, ForbesTraveler.com  and Elle Decor. "I’ve designed this site is for people who take their  travel seriously," says Potter. "For travelers who want to learn about special  places but don’t necessarily want to pay through the nose for the privilege of  staying there. Because at the end of the day, it’s not so much about five-star  places as five-star experiences." 






Eating Las Vegas JOHN CURTAS has been covering the Las Vegas food and restaurant scene since 1995. He is the co-author of EATING LAS VEGAS – The 50 Essential Restaurants (as well as the author of the Eating Las Vegas web site: www.eatinglasvegas. He can also be seen every Friday morning as the “resident foodie” for Wake Up With the Wagners on KSNV TV (NBC) Channel 3  in Las Vegas.



              



MARIANI'S VIRTUAL GOURMET NEWSLETTER is published weekly.  Publisher: John Mariani. Editor: Walter Bagley. Contributing Writers: Christopher Mariani, Robert Mariani,  Misha Mariani, John A. Curtas, Gerry Dawes, Geoff Kalish, and Brian Freedman. Contributing Photographer: Galina Dargery. Technical Advisor: Gerry McLoughlin.

 

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