MARIANI’S

Virtual Gourmet


  November 7, 2021                                                                                            NEWSLETTER



Founded in 1996 

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NYC, 1949

        

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IN THIS ISSUE
EATING AROUND L.A.
Part One

By John A. Curtas

NEW YORK CORNER
PERRINE

By John Mariani

CAPONE'S GOLD
CHAPTER 32
By John Mariani


NOTES FROM THE WINE CELLAR
SPAIN'S CAVAS GIVEN NEW APPELLATIONS
By John Mariani




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On this week's episode of my WVOX Radio Show "Almost Golden," on Wed. November 10 at 11AM EST,I will be interviewing  author Michael Pitts about the panoply of Western series on TV in the 1950s. Go to: WVOX.com. The episode will also be archived at: almostgolden.



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EATING AROUND L.A.
Part One

By John A. Curtas





 

     Los Angeles is a city, a county, a tangle of towns and a state of mind. It begins in the San Gabriel Valley just west of the El Cajon Pass and ends at the beach cities along the Pacific Coast Highway. In between are almost 5,000 square miles of municipalities (88 in all), along with the biggest spaghetti bowl of freeways in America. Hidden among them are all sorts of good places to eat, but getting to them will always be a challenge, in more ways than one.
      But up to the challenge we were, so drive there we did to check out the food scene. This time, though, we weren't in search of the best new places. This time we were big game hunting—bagging the ultimate prey like Hemingway on a bender, led by a local food guide, and armed with credit cards instead of shotguns. It was epic eating of a particular SoCal sort, punctuated by meals both highbrow and low. We covered a lot of territory in four days and here is the tale.

 

Polo Lounge
Beverly Hills Hotel
9641 Sunset Boulevard
Beverly Hills
310-887-2777


     It doesn't get more old school than The Beverly Hills Hotel, perched on a hill above Sunset Boulevard, looming over swimming pools and movie stars like an edifice of pink excess. The BHH has been in more movies and dreams than one can count, and its Polo Lounge serves as a de facto commissary for big shots of the movie producer ilk. (These days, you're more likely to be rubbing shoulders with FOMO Instagrammers and bachelorette partiers than Swifty Lazar, but such is the century we live in.) While it is still possible to be seduced by the prospect of running into B-list actors and Eurotrash, we came for the food, and maybe a little of the glamour that this place still wears like a faded fur on Norma Desmond.
     What we found was a lot more spruced up than we recall from 20 years ago. Now a part of the Dorchester Collection, its mega-rich owners cannot be accused of letting it go to seed. Things were polished to a fare thee well, and the bathroom fixtures are now more Louis Quinze than Louis B. Mayer, with carpet so plush you could sleep on it. There is also lots of obsequious head-bowing as you stroll through the joint, and food artfully presented but un-challenging to the palate. There's nothing particularly interesting on the card, just the standardized menu fare that gets hustled out of hotel kitchens from Long Beach to Long Island—here made with better groceries than most. You will eat well, but you won't be so distracted by the food that you can't spend most of your meal searching for someone famous—which is, after all, the whole point of this place.
     Worthy menu items included some beautifully fresh California sea bass; a substantial steak; excellent steak tartare; a mammoth double-decker club sandwich, and a not-over-priced wine list. On the down side: prices are astronomic and service metronomic, for the privilege of paying $32 for a Cobb salad, and 42 bucks for fish tacos, you also get waiters who barely look at you.

The Damage: Lunch with a few drinks or modest wine will run around $100 per person.

 





CHEZ JAY
1657 Ocean Avenue
Santa Monica
310-395-1741


     The great thing about Chez Jay is, it never got the snooty L.A. memo. Here, the absence of attitude is as refreshing as the salty breeze coming off the Pacific. Even when you roll in slightly inebriated, late at night with the kitchen about to close, it feels like you've staggered (literally) into an old friend who is happy to see you.
     This down-market, laid back louche-ness has been drawing us to this lovable dive for thirty years. Only a stone's throw from the Santa Monica Pier, the place used to be filled with drunks and fisherman (not to mention drunk fishermen) and smelled like Coppertone mixed with bait. The smell is gone, but the boozers remain. This is a good thing. There is a quiet, scruffy alcoholism to Chez Jay that provides the perfect antidote to its upscale neighbors. "Every guy who ever played Tarzan used to hang out there," says writer/director James Orr, and you can still feel their presence every time some worn-out fellow with a weather-beaten tan and a floppy hat walks in.
     What you'll find at CJ is the opposite of hoity-toity: a smiling welcome (whether you're a has-been actor or not), strong, well-made cocktails and an old-timey "steaks, seafood, chops" menu with some surprisingly tasty fare. Skip the so-so steaks and head for the garlic shrimp or sand dabs. And tip your sassy waitress well: she's honed the skill of reading people into a fine art.
     If there's a better way to bring eating Los Angeles into sharp relief than lunch at the Polo Lounge and dinner at Chez Jay, we haven't found it.

The Damage: About $60 pp. at dinner.

 


n/naka
3455 Overland Avenue
Los Angeles

310-836-6252


     Scoring a reservation at n/naka takes the patience of Job and the perseverance of Sisyphus. I have neither, but do have friends with connections, so in we strolled to the toughest ticket in Los Angeles—a small house on a corner of a commercial street containing a 30-seat restaurant, a multi-course kaiseki meal and a bill that would choke a horse.
     Having appeared on the first season of Netflix's Chef's Table made getting a ticket to n/naka harder to come by than a backstage pass at the Oscars. Fawning, persistent press has sealed its fate as one of those places that has become a cultural touchstone. You no longer come to n/naka just to eat; you come to embrace it as a status symbol. As with the French Laundry in Yountville, CA, , the food (good as it is) has become beside the point.
     Despite the hype, chefs Carole Iida-Nakayama and Niki Nakayama  have found their perfect niche: a casual California-inflected Japanese kaiseki restaurant that pushes all the right buttons and offers the best seafood/sushi/produce the Southland has to offer. Where n/n excels is in unforced elegance. The restaurant itself is simple, bordering on the austere, but look closely and you see exquisite details, in the plates, the table, the seating and the food. They don't miss any of their marks. Service is as smooth as the inside of an oyster shell, and informative without being intrusive.
    The sake and wine lists are short and superb. The food is one eye-popping course after another, almost effortlessly served with succinct explanations and instructions. There's an old joke about every waiter in L.A, being a wannabe actor, so the boss says, "Why don't you try acting like a good waiter for a change." No one's acting here; the service is as good as it gets.
     The point of kaiseki is not as much to wow you with a single dish as to soothe your soul with a parade of bite-sized, ultra-fresh delights, plucked at the peak of deliciousness. It actually started out as a few small savory bites served to blunt the effects of strong green tea during a sadō (Japanese tea ceremony) but has morphed into its own thing. Both here and across the Pacific, "kaiseki" now denotes the height of Japanese epicureanism—a fixed price omakase tasting menu representing the pinnacle of a chef's skill—hyper-seasonal, and full of symbolism (both obvious and inscrutable), edible and otherwise.
     Your twelve courses aim for each station on the kaiseki cross: Sakizuke, Zensai, Owan, Yakimono, etc., and you begin with a Sakizuke of Hokkaido uni so fresh it practically sparkles. Slippery-slick, orange-tan and luminescent, it enveloped a carrot coconut ice and was topped with a dollop of trout eggs, every element announcing the chef's skill at combining disparate ingredients into a whole greater than the sum of its parts.  This is high-wire cooking without a net, and every bite has to be in perfect balance with what came before, which it was in the Zensai course (assortment of small bites), showcasing the chef's repertoire, then on to a “Modern Zukuri" course (raw fish cut from live seafood), usually served whole) of the kind of freshness you only find within a few miles of an ocean.
     From there your meal proceeds through an Owan (soup course), with dashi so bracing we could've slurped it all night long. One course leads seamlessly into another: after the Tai (sea bream) soup comes twin ribbons of sashimi, followed by grilled sea trout, and then the star of the show: a Mushimono of a peeled, poached tomato wrapped around lobster, floating atop fennel mochi croutons in a tomato broth— gorgeous, complex food somehow retaining its elemental, simple dignity—the best evocation of summer on a plate we can remember.
     A couple of things I didn't "get" on the menu: some weird jelly of cactus leaves, cucumbers and chia seeds as the Sunomono course— usually a tart, refreshing salad. This one could compete with okra in the slimy foods Olympics. Ending the meal with Nigirizushi (after the A-5 Mizyazaki wagyu course) was likewise odd. That beef, and the signature dish of spaghetti with abalone and Burgundy summer truffles (ugh), were also about as local and seasonal as ski boots on a surf board, but these were but tiny blips in an otherwise extraordinary experience.
     I may have had it with western tasting menus, but you'd have to be one jaded palate to ever tire of a proper kaiseki dinner. There are only a handful of restaurants in America that can compete with n/naka in delivering a meal of such subtle refinement. I'm fairly certain there isn't a better one in Southern California when it comes to service.

The Damage: $285 pp, exclusive of tax, tip and beverages. Even modest beverages will cause a meal for two to easily reach $1,000.

 

NOTE: In California masks are required for unvaccinated people and recommended for everyone in indoor public places





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NEW YORK CORNER



The Pierre

2 East 61st Street
212-980-8195


By John Mariani




 

     It’s been a long time since the once well-deserved onus of bad hotel restaurants dissipated, not least because modern hotels began seeing that their dining rooms were not just necessary conveniences but potential profit centers. The change came when hotel management saw the potential promotional value in signing on celebrated chefs who might transform them into destination restaurants, even competing for Michelin stars. Not many made much of a dent—Alain Ducasse flopped (twice) in New York, as did Louis Outhier and Alain Senderens (none of whom actually spent much time cooking in New York), but Jean-Georges Vongerichten, Will Guidara at NoMad and Michael White at Ai Fiori all succeeded admirably, and their restaurants are considered among the city’s finest. Problem is, rarely are these chefs ever actually cooking at their restaurants.
       The high luxury Pierre Hotel, opened in 1930 on Fifth Avenue across from Central Park, and its Café Pierre was one of the top dining and club venues for decades up until the 1960s, afterwards going through various incarnations of disparate quality. Now under the Taj Group since 2005, efforts have been made to make its dining room called Perrine into a place that seems naturally to fit into anyone’s idea of New York glamour without pretension.
     Under Executive Chef Ashfer Biju, born in India and having long experience cooking in London and Southeast Asia, Perrine is not only one of the loveliest of the city’s restaurants but, with its largely modern American menu, proof that the experience of rigorously trained chefs like Biju pays off in the simplest dishes as well as the most involved. Unlike so many young chefs who concoct a few signature dishes, chefs of Biju’s background know how to make everything from a deeply flavorful, clear consommé to an impeccably roasted chicken. And they usually have the hotel’s carte blanche to buy the best quality ingredients.
      A couple of years ago Biju added some delectable Indian seasonings and dishes to his menu, including steaming naan bread I still remember, but those are sadly gone. Some of the other dishes remain, including a superb tuna tartare with green beans, olives, basil and a Dijon dressing ($26). It’s good to see an old favorite of American cuisine back in the form of crab imperial toast (below) on rye bread with fresh herbs, Gruyère and a pleasant modern inflection of jalapeño ($25).
       There are pasta dishes, as has become requisite on every American menu these days, including hand-cut cavatelli in a hearty bolognese sauce flecked with fresh oregano ($29) and linguine in a white clam sauce, spiced with tangy lemon, a good dose of garlic and Serrano chilies, though it is pricey at $35, especially since you don’t get an abundance of clams.    
     
“Simply Prepared Grilled or Roasted” items are all expertly produced, focusing on the quality of the ingredients rather than flourishes. So, a good portion of crisped lemon shrimp ($43) brought out all the sweetness of the shrimp balanced with the acidity of the lemon. King salmon ($42) puts to shame all the cheaper fishy varieties so often served elsewhere; Biju accompanies it with du puy lentils, spinach and a cream lemon dill sauce to enhance the flavor. Roasted branzino ($43) came at a precise hot temperature, crisp on the skin, juicy within, served with spiced tomato, braised eggplant, kale and a caper dressing that gives a hint of what Biju used to do with this Indian dishes.
    
Also recommended is the special of tender shortribs ($54) in a wine-dark, complex reduction (below).
      I wouldn’t usually spend much time talking about roast chicken, except that the local, farm-raised variety at Perrine is the start for a dish both simple and sumptuous, with the bird itself richly flavorful ($39).   Biju shows the expertise I spoke of in rendering a perfectly reduced, translucent white wine sauce with pan juices along with pee wee potatoes and mushrooms.  My delight was not in the complexity of a dish I can find in myriad restaurants anywhere in America; it was in the way Perrine’s showed such care, from the choice of the product to the careful cooking of it, that makes it something memorable. I’ve been thinking about that bird for days afterwards.
      I regretted I did not order the Pierre Burger ($29) this time out, if only for the pommes frites that go with it, one of which I plucked from a serving of a friend who was eating at the bar. It was a fabulous fry.
      Desserts (all $12), too, show the mastery of experience, especially in a hotel where weddings and banquets demand an endless production of them, not least a silky New York-style cheesecake with strawberries and whipped cream and a double chocolate cake with wonderful crème brûlée ice cream (right). There’s also a trio of ice cream and sherbets ($11).
     The wine list is not out to win trophies for range but is instead designed to allow guests to choose a good one by the glass or bottle, with a sensible selection of wines from Europe, the Americas, and, for once, New York State.
     The staff at Perrine is, I’m told, new and there were some awkward snafus and inattention on a night when the room wasn’t at all full. I trust that will improve with a crack of the whip.
      On its looks and location alone, Perrine is a glamorous spot, shiny, mirrored, sleek, with thick white tablecloths, excellent lighting, low background music (which might be better chosen), wine glasses for different varietals and a real Gotham ambience of a kind you won’t easily come across outside the city. (I do wish they had retained the revolving door.) Part of it is the Pierre’s pedigree: It’s more Cole Porter than Woody Allen, more Audrey Hepburn than Beyoncé, more Bill Blass than Halston, and the food is a lesson in how to cook the classics with dedicated flair.

 

Perrine is open for breakfast, lunch and dinner daily.


Note: NYC Health Dept. rules require both staff and guests 12 or older to  show proof they have received at least one dose of a COVID-19 vaccine.
 



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CAPONE’S GOLD


By John Mariani

To read all chapters of Capone's Gold beginning April 4, 2021 go to the archive
 


CHAPTER THIRTY-TWO


 

 

         In fact, David had been in touch with special agent Giuseppe Primerano, who also knew Frank English, David’s F.B.I. contact in Washington. The three of them had worked together on the Gotti case, especially when it came to the mobster’s laundering drug money through Swiss banks.
        
Primerano held the rank of tenente colonnello (lieutenant colonel) in GICO (Gruppo d’investigazione sulla criminalità organizzata), operating under the Finance Police force. David had arranged a meeting with Primerano the next day at his headquarters on Via Cardinale Guglielmo San Felice, near the Piazza Dante. 
        
But that afternoon Katie and David decided to do a bit of touring of the city, have lunch, and put their heads together over a carafe of wine. 
        
“Hey, maybe we should try that trattoria Frascella told us about,” said Katie.
         “You mean the one he either did or did not eat in?” asked David.
         “Unless you have another suggestion.”
         “There was a place I used to go to with Giovanni near the Garibaldi train station, called Mimi. Very basic, lots of seafood and vegetables.”
         “After the way we’ve been eating, that sounds like a good choice. Do we need a taxi?”
         David glanced at his watch. “Well, it’s 12:30 now, and no one eats until one around here, so we could walk it.  Be good for us.”
         David located the trattoria on the map, on Via Alfonso d’Aragona, about a ten-minute walk, so they took their time, passing the baroque 17th century Basilica of Saint Peter, whose location was said to be where St. Peter himself preached while in Naples.  The couple had time to stop into the church, which is wedged in by soot-darkened buildings and parked cars everywhere. 
        
“Somber place,” said David, looking up at the round arches and minimally decorated dome.
         “Of all the churches in Naples,” said Katie, “this is not one of the ones I’d choose to go to Mass at. It’s so cold looking.”
         They continued on and found Mimi alla Ferovia (below) almost empty at ten to one, but they were welcomed by the owner and told to sit anywhere they wished.  After ordering linguine alla Mimi, with assorted seafood and tomato (below), and bucatini with anchovies, capers and pepperoncini, they helped themselves to an antipasti table groaning with stuffed zucchini blossoms, fried eggplant, and rustic bread with salumi and cheeses. They ordered a bottle of Greco di Tufo brought in an ice bucket.
         They spoke about Naples over the antipasti, then, with the pasta course, David was surprised when Katie grinned and asked him, “So, David, how’s your love life?”
         David shook his head, smiled, and said, “Not exactly roaring. How’s yours?”
         “I’m seeing a guy. But I asked you first.”
         David hated hearing she was “seeing a guy,” but said, “Ever since my wife died, I haven’t been out and about much. I’m forty-eight years old, I live pretty much as I want to. I don’t hang out at the neighborhood bars.”
         “You’re forty-eight?” asked Katie. “I thought you were younger.  You’re a good-looking guy. I bet there are a lot of women who’d think you’d be a catch.”
         “Not many I’m interested in right now,” he said, feeling that any hope of Katie warming to him any further was pretty much gone after hearing about her “seeing a guy.”
         “So who’s the guy?” he asked.
         “Name’s Dan Lucia.”
         “Italian. That’s good. What’s he do?”
         Katie wrinkled her nose a little and said, “He’s . . . a . . .  lawyer.”
         “Why am I not surprised? Daddy’s girl.”
         “I don’t know. Maybe so. I just like Danny for what he is.”
         “And what’s that?”
         Fluttering her eyes, she said, “Oh, he likes long walks on the beach and brings me daisies in a coffee can and makes me laugh.”
         “Seriously, what do you like about the guy?”
         “He’s a good guy. Nice looking. Works hard, gets along with my parents.”
         David hated hearing that, too. “So, how serious are you about . . .  Danny?”
         “I don’t know yet. See how it goes when we get back.  But right now I’m with you, drinking a nice bottle of vino and eating anchovies and don’t have to worry about anchovy breath.”
         David laughed, but he got the picture.

 

                                                                      *                *                *

 

         The Finance Police headquarters was located on a tree-lined street in a large neo-classic building with a tri-color flag of Italy and the blue flag with stars of the police.  Inside, guards in grey uniforms with green berets passed Katie and David through security to the second floor, where Giuseppe Primerano, dark suit and tie, greeted them warmly, his arms outstretched.  He looked somewhat older than David, olive complexion, graying hair.
         David introduced Katie, to whom the officer slightly bowed and then ushered them into his office, whose desk was piled with folders, as were two chairs.
         Mi dispiace, I’m sorry,” he said, “This is a madhouse!”
         “Looks about the same as the last time I was here,” said David.
         Si, and probably the same cases, too.  Things move slowly in this department.”
         “But I hear you’ve been pretty successful recently. Put some of the top guys away.”
         “We investigate, we arrest them, they go to court two years later, then it’s out of my hands.  I’m like the exterminator you call when your house is infested. The insects usually come back.”
         He picked up the folders on the chairs and piled them on the floor.
         Caffè?”
         Katie and David nodded, and Primerano hit a button on his phone and ordered three espressos. Katie took out her recorder and asked if it was all right to use it. Primerano waved his hands and said, “I’m sorry, no. But you can take notes.”
         “So, David, how can I help you? You’re looking for Al Capone’s gold and you think it’s here in Naples. You know, there was a movie made by Vittorio de Sica called Gold of Naples?”
         Both David and Katie shrugged.
         “Well, it has nothing to do with our Mr. Capone,” said Primerano.
         “So,” said David, “I think the gold is here somewhere in Italy,” then began again the whole story of what had led them to the lieutenant colonel’s office, mentioning their visit to Giovanni Lucadamo the day before.
         Molte interessante,” said Primerano. “You’ve told me things I didn’t know.  Of course, Al Capone is known to every Neapolitan, though the current generation has no interest in him. His reputation these days is mezzo-e-mezzo: Half the oldtimers respect him because his people came from Campania, and the other half think he is a black mark on our region.  So many tourists they come to Naples and want to know about Al Capone. Al Capone! Where he was born, where he lived.  They are so disappointed when they’re told he wasn’t born here and never set foot in Naples, although I’m sure some of the tour guides make up stories to the contrary.”
         “So what have you heard?” asked Katie. “It’s a fifty-year-old case.”
         Allora, I was never part of the case, and it was closed as far as our office was concerned sometime in the 1950s, I think.”
         “So there was an open file on it in Italy?”
         “Oh, yes, I took it out for you. But it was only a part of a much bigger investigation as to what happened to all the gold that had been stored away in Italian banks (above, right) by the Fascisti.  You know that Mussolini even begged Italians abroad to send their gold to him.”
         Katie and David both said they knew women who’d donated their wedding rings to Il Duce.
         “It was an amazing appeal,” said Primerano. “And in those days, before the war, he really did try to use it to fix the Italian economy, which was terrible.  Mussolini’s support for Franco in the Spanish Civil War went very badly and was draining Italy’s gold reserves.  So it would have been fantastic for him to accept American bullion from the great Al Capone.”

 



©
John Mariani, 201








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NOTES FROM THE WINE CELLAR


New Appellation Rules For
Spain's Cava Sparkling Wines

By John Mariani





        The success of Spain's sparkling wines called cava has required stricter oversight as to quality, which has led to the formation of the Regulatory Council of the CAVA Protected Designation of Origin. Since September 2018, Javier Pagés has presided over the organization, as well as serving as the President of the Barcelona Wine Week (BWW) international Spanish wine fair. I interviewed him as to what the new regulations will mean.


 

What is new about the zoning of production area and why was this done?

The new regulations aim to augment the quality characteristics of Cava wines involving all winegrowers and winemakers of the Designation of Origin. We are committed to maximum traceability and quality. It is the most demanding regulation globally for quality D.O. sparkling wines made using the strict traditional method. All of this places the D.O. Cava at the forefront of quality sparkling wine designations of origin.
     Cavas aged more than nine months will now be called Cava de Guarda, while those aged more than 18 months will be called Cava de Guarda Superior. The Cavas de Guarda Superior will be made with grapes from vineyards registered in the Regulatory Board’s specific Register of Guarda Superior, which must meet the following requirements: vines at least ten years old, organic vines (5 years of transition), vines with specific qualitative yields of a maximum of 4.9 tons/acre, separate production (separate traceability from the vineyard to the bottle), production starting in January, proof of the vintage on the label, and organic product (5 years of transition).
      The new regulations also require that the production of Cavas de Guarda Superior, the long-aging category that includes Cavas Reserva (minimum 18 months of aging), Gran Reserva (minimum 30 months of aging), and Cavas de Paraje Calificado (from a special plot and with a minimum of 36 months of aging), will be 100% organic by 2025.
      Moreover, the new zoning of the D.O. Cava has been established on two levels, marked by specific climatic, orographic, historical, and cultural attributes that justify the new plan and lend these wines their unique identity. The following zones have been defined: Comtats de Barcelona, which encompasses the Cavas of the region of Catalonia (with sub-zones Valls d'Anoia-Foix; Serra de Mar; Conca del Gaia; Serra de Prades and Pla de Ponent), Ebro Valley (with sub-zones Alto Ebro and Valle del Cierzo), Viñedos de Almendralejo, and Levante (the definitive nomenclature is still to be confirmed). In addition, the demanding new regulations allow the voluntary creation of an “Integral Producer” label for those wineries that press and vinify 100% of their products. This new historic zoning and segmentation by Cava D.O. will appear on the labels of the first bottles in January 2022.

 

Cava really had soaring success over the past 10 years not least because it was quite inexpensive. But much of it was not very good, just as much Italian Prosecco is not very good. What distinguishes a fine Cava from a basic one? 

The ageing time is without question crucial when we want to differentiate a fine wine from the youngest one. For Cava, the word basic doesn’t apply, considering its minimum ageing is nine months. Therefore, the comparison with Prosecco is incorrect from the very beginning, when we have two products with different elaboration methods—we use the méthode champenois, they do not—and the investment associated with each is very different. With Cava, the consumer gets access to a wide range of complexity in aromas and texture, while in Prosecco, that´s not possible solely because there´s no ageing time.

 

Tell me about the new molecular study.

François Chartier is an aromas specialist and is regarded internationally as one of the pioneering researchers in aromatic recipes and “molecular harmonies,” or creating ideal harmonies in food and wine pairings. He created a discipline in 2002 which maps out the aromatic molecules that give food and wine their flavor. After conducting in-depth research, the expert in aromas and “Créateur d’Harmonies” Chartier published a ground-breaking scientific study on Cava.
     Chartier demonstrates that Cava is the best ally of gastronomy and pairs perfectly with an infinity of flavors worldwide. After carrying out general aromatic profiles of the four different categories of Cava (Traditional, Reserva, Gran Reserva, and Paraje Calificado Cava), Chartier analyzed the dominant molecules for each category through the aromatic science of “molecular harmonies.” Chartier’s exhaustive research has led to the identification of multiple ingredients complementary to Cava and translated into an infinity of recipes from around the world.

 

What material is available on the Cava Academy website?

This educational project came about following the success of several in-person sessions given in the United States, United Kingdom, and Belgium. The new Academy, available in three languages (Spanish, Catalan and English), is a more accessible training tool designed to train professionals across various industry sectors—sales, distribution, wine tourism, and others. Throughout the online course, participants will become experts in all things related to the quality of Spanish sparkling wine, ranging from viticulture and the production of Cava to its classification and quality guarantees and tasting and food pairings. The curriculum offers audio-visual content, videos, and interactive tests that make the learning process enjoyable, intuitive, and adaptable to the pace of each student. Tastings are conducted by leading wine professionals and Cava ambassadors, including Pedro Ballesteros MW and Ferran Centelles, in educational video tutorials. Upon completing an exam at the end of the course, successful candidates will receive a Certified Cava  Trainer diploma and access the Cava Academy Alumni community.     Once travel is permitted, course graduates will be able to participate in a 2- or 3-day visit to the Cava region to experience winery visits as well as master classes focused on Cava’s gastronomic versatility. Students who wish to take their Cava studies one step further will have the opportunity to present a thesis on a choice of three subjects related to the sector throughout the year. The title of Cava Expert will be awarded to all those who present their thesis in compliance with the requirements, and the top-rated work of the year will be recognized.

 

You just finished your “Wine Cava Discovery Week.” How successful was it and what plans do you have for the future?

Following what has been a very difficult time for on-premise establishments in the U.S. and worldwide, we felt privileged to partner with several fine dining establishments in New York City, including Yannick Benjamin’s new Contento, José Andrés’s celebrated Mercado Little Spain, and Francie, the newly awarded Michelin-star Brooklyn brasserie. The promotion was complemented by various digital marketing activations resulting in high levels of engagement among sparkling wine lovers around the U.S. This is an activity that we aim to fine-tune and to grow in the years to come.

 

Although Champagne producers would like to deny it, is it not true that Cava has become a real alternative sparkling wine in Europe as well as in the United States?
Cava is unquestionably an excellent alternative to Champagne, considering  it´s a unique opportunity for a consumer to get a high-quality product more affordable than champagne.

 

How has global warming and other climate factors affected the production of Cava wines?

Global warming has led to an advance in harvest dates in order to maintain the alcohol/acidity balance.
 

Is there a concern that some producers may try to charge too much for Cavas that have been very good buys up until now?

The aspiration to raise prices is inevitable when you have an excellent product, and that price should communicate that level of excellence. Instead of a concern, it is a great opportunity for the producer.

 

What are the best foods that go well with Cava?

Thanks to the different types and styles of this unique drink, you can always find a wide range of options, whether for lunch, dinner, an aperitif, or simply enjoying your moment with a glass of great bubbles. From Thanksgiving turkey, Christmas bonbons, chicken causa limeña, prawn and squid ink baos to a vegan chocolate and tofu cake, Cava's versatility pairs perfectly with classic recipes worldwide.

 

Are all Spanish sparkling wines called Cava, or are there others under other names?

Despite other commercial brands, Cava is the only official designation of a Spanish sparkling wine following all quality standards regulated by an official Regulatory Board with the power to control and guarantee the quality level, which only a Designation of Origin can deliver.

 



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JUST ONE MORE THING TO WORRY ABOUT

"Is your Besan adulterated with paralysis-causing Khesari flour?"—Times of India (11/1/21)















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 Any of John Mariani's books below may be ordered from amazon.com.



   The Hound in Heaven (21st Century Lion Books) is a  novella, and for anyone who loves dogs, Christmas, romance, inspiration, even the supernatural, I hope you'll find this to be a treasured  favorite. The  story concerns how, after a New England teacher, his wife and their two daughters adopt a stray puppy found in their barn in northern Maine, their lives seem full of promise. But when tragedy strikes, their wonderful dog Lazarus and the spirit of Christmas are the only things that may bring his master back from the edge of despair. 

WATCH THE VIDEO!

“What a huge surprise turn this story took! I was completely stunned! I truly enjoyed this book and its message.” – Actress Ali MacGraw

“He had me at Page One. The amount of heart, human insight, soul searching, and deft literary strength that John Mariani pours into this airtight novella is vertigo-inducing. Perhaps ‘wow’ would be the best comment.” – James Dalessandro, author of Bohemian Heart and 1906.


“John Mariani’s Hound in Heaven starts with a well-painted portrayal of an American family, along with the requisite dog. A surprise event flips the action of the novel and captures us for a voyage leading to a hopeful and heart-warming message. A page turning, one sitting read, it’s the perfect antidote for the winter and promotion of holiday celebration.” – Ann Pearlman, author of The Christmas Cookie Club and A Gift for my Sister.

“John Mariani’s concise, achingly beautiful novella pulls a literary rabbit out of a hat – a mash-up of the cosmic and the intimate, the tragic and the heart-warming – a Christmas tale for all ages, and all faiths. Read it to your children, read it to yourself… but read it. Early and often. Highly recommended.” – Jay Bonansinga, New York Times bestselling author of Pinkerton’s War, The Sinking of The Eastland, and The Walking Dead: The Road To Woodbury.

“Amazing things happen when you open your heart to an animal. The Hound in Heaven delivers a powerful story of healing that is forged in the spiritual relationship between a man and his best friend. The book brings a message of hope that can enrich our images of family, love, and loss.” – Dr. Barbara Royal, author of The Royal Treatment.




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The Encyclopedia of American Food and Drink by John F. Mariani (Bloomsbury USA, $35)

Modesty forbids me to praise my own new book, but let me proudly say that it is an extensive revision of the 4th edition that appeared more than a decade ago, before locavores, molecular cuisine, modernist cuisine, the Food Network and so much more, now included. Word origins have been completely updated, as have per capita consumption and production stats. Most important, for the first time since publication in the 1980s, the book includes more than 100 biographies of Americans who have changed the way we cook, eat and drink -- from Fannie Farmer and Julia Child to Robert Mondavi and Thomas Keller.


"This book is amazing! It has entries for everything from `abalone' to `zwieback,' plus more than 500 recipes for classic American dishes and drinks."--Devra First, The Boston Globe.

"Much needed in any kitchen library."--Bon Appetit.




Now in Paperback, too--How Italian Food Conquered the World (Palgrave Macmillan)  has won top prize  from the Gourmand World Cookbook Awards.  It is a rollicking history of the food culture of Italy and its ravenous embrace in the 21st century by the entire world. From ancient Rome to la dolce vita of post-war Italy, from Italian immigrant cooks to celebrity chefs, from pizzerias to high-class ristoranti, this chronicle of a culinary diaspora is as much about the world's changing tastes, prejudices,  and dietary fads as about our obsessions with culinary fashion and style.--John Mariani

"Eating Italian will never be the same after reading John Mariani's entertaining and savory gastronomical history of the cuisine of Italy and how it won over appetites worldwide. . . . This book is such a tasteful narrative that it will literally make you hungry for Italian food and arouse your appetite for gastronomical history."--Don Oldenburg, USA Today. 

"Italian restaurants--some good, some glitzy--far outnumber their French rivals.  Many of these establishments are zestfully described in How Italian Food Conquered the World, an entertaining and fact-filled chronicle by food-and-wine correspondent John F. Mariani."--Aram Bakshian Jr., Wall Street Journal.


"Mariani admirably dishes out the story of Italy’s remarkable global ascent to virtual culinary hegemony....Like a chef gladly divulging a cherished family recipe, Mariani’s book reveals the secret sauce about how Italy’s cuisine put gusto in gusto!"--David Lincoln Ross, thedailybeast.com

"Equal parts history, sociology, gastronomy, and just plain fun, How Italian Food Conquered the World tells the captivating and delicious story of the (let's face it) everybody's favorite cuisine with clarity, verve and more than one surprise."--Colman Andrews, editorial director of The Daily Meal.com.

"A fantastic and fascinating read, covering everything from the influence of Venice's spice trade to the impact of Italian immigrants in America and the evolution of alta cucina. This book will serve as a terrific resource to anyone interested in the real story of Italian food."--Mary Ann Esposito, host of PBS-TV's Ciao Italia.

"John Mariani has written the definitive history of how Italians won their way into our hearts, minds, and stomachs.  It's a story of pleasure over pomp and taste over technique."--Danny Meyer, owner of NYC restaurants Union Square Cafe,  The Modern, and Maialino.

                                                                             






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FEATURED LINKS: I am happy to  report that the Virtual Gourmet is  linked to four excellent travel sites:

Everett Potter's Travel  Report

I consider this the best and savviest blog of its kind on the  web. Potter is a columnist for USA Weekend, Diversion, Laptop and Luxury  Spa Finder, a contributing editor for Ski and  a frequent contributor to National  Geographic Traveler, ForbesTraveler.com  and Elle Decor. "I’ve designed this site is for people who take their  travel seriously," says Potter. "For travelers who want to learn about special  places but don’t necessarily want to pay through the nose for the privilege of  staying there. Because at the end of the day, it’s not so much about five-star  places as five-star experiences." 






Eating Las Vegas JOHN CURTAS has been covering the Las Vegas food and restaurant scene since 1995. He is the co-author of EATING LAS VEGAS – The 50 Essential Restaurants (as well as the author of the Eating Las Vegas web site: www.eatinglasvegas. He can also be seen every Friday morning as the “resident foodie” for Wake Up With the Wagners on KSNV TV (NBC) Channel 3  in Las Vegas.



              



MARIANI'S VIRTUAL GOURMET NEWSLETTER is published weekly.  Publisher: John Mariani. Editor: Walter Bagley. Contributing Writers: Christopher Mariani,  Misha Mariani, John A. Curtas, Gerry Dawes, Geoff Kalish. Contributing Photographer: Galina Dargery. Technical Advisor: Gerry McLoughlin.

 

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