IN THIS ISSUE
JAMES BOND'S TASTE
GOLDFINGER By John Mariani
NEW YORK CORNER
JOHNNY'S REEF
By John Mariani
ANOTHER VERMEER
CHAPTER 32
By John Mariani
NOTES
FROM THE WINE CELLAR
WHY DO SO MANY WINES TASTE SO
DIFFERENT AND WHY DO SO
MANY TASTE THE SAME?
By John Mariani
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On this week's episode of my WVOX
Radio Show "Almost Golden," on Wed. August
10 at 11AM EDT,I'll be talking
about college bars of the 1960s. Go to: WVOX.com.
The episode will also be archived at: almostgolden.
❖❖❖
JAMES BOND'S TASTE:
GOLDFINGER
Sean Connery as James Bond
enjoying a mint julep at Auric
Goldfinger's stud farm in Kentucky
By John Mariani
By the time Ian Fleming wrote Goldfinger,
his seventh James Bond novel, 007 had dependably
developed into quite the gourmet, and the books
increased the number of references Fleming put
in regarding food and drink—as well as cars,
guns, clothes and gadgets—as part of his
character, and that of his enemies. There are a
lot of meals and drinks in Goldfinger
and some of the most hilarious ways Bond makes
use of his culinary taste is in the Sean Connery
film, third in the franchise and one of the very
best, despite a rather far-fetched plot line
that involves SMERSH gangster Goldfinger
attempting to extort money from the U.S.
Treasury by threatening to set off an atomic
bomb in Fort Knox, which would contaminate the
gold inside for thousands of years. The novel begins with Bond investigating a
smuggler’s warehouse in Mexico City, where he
kills a gangster, after which he flies to Miami,
intending to get drunk, “stinking drunk so that he
would have to be carried to bed by whatever tart
he picked up. He hadn’t been drunk in years. It
was high time.” There he meets an American named
DuPont(who
had been at the baccarat table in Casino Royale),
and they go off to have martinis, stone crabs and
Pommery Rosé Champagne 1950 at Bill’s on the
Beach, obviously based on Joe’s Stone Crab on
Miami Beach, which Bond afterwards pronounces “the
most delicious meal he’d ever had in his life.” Bond checks
into the Cabana Club resort, where he meets Auric
Goldfinger, five feet tall, fat and “red as a
lobster,” with whom he plays cards. Lunch with
DuPont is at the Floridian Hotel in
Homestead—shrimp cocktail, snapper and roast beef.
Back at the Cabana Club Bond meets a beautiful
woman working for Goldfinger, named Jill
Masterton, whom he seduces and with whom he and
Goldfinger return to New York on the Silver Meteor,
where they dine on caviar sandwiches and
Champagne. He checks into the Ramsgate Hotel
before flying back to London, where his superior,
M, wants 007 to investigate Goldfinger’s gold
smuggling and possible connection to SMERSH. Bond goes to Goldfinger’s English mansion,
filmed at Stoke Park House (right) in
Reculver on the coast east of London, plays golf
and meets the fearsome Oddjob bodyguard.
Afterwards, it’s drinks at a pub and dinner at
Goldfinger’s that consists of shrimp curry, roast
duck and cheese soufflé with Piesporter
Goldtropfchen Riesling and Château
Mouton-Rothschild 1947. Goldfinger is himself a
teetotaler for health reasons, and Bond remarks
that’s one of the reasons he had recently “taken
to vodka,” saying that it being charcoal filtered
removes its impurities.
Afterwards,
in a gadget-equipped Aston Martin DB Mark III (above)
given to him by MI6, 007 trails Goldfinger in his
1909 Rolls
Royce
Silver Ghost (right)—actually made with
solid white gold—to France and Switzerland. Along
the way Bond, though preferring the Auberge de la
Montespan, stops at the serviceable Hôtel de la
Gare in the Orleans RR station, where at the
buffet he eats eggs en cocotte
(below), sole meunière and Camembert and
drinks Rosé d’Anjou and a nightcap of Hennessy
3-star Cognac. On
the road, Bond foils an assassination attempt on
Goldfinger by Tilly Masterton, whose sister Jill
had been murdered by Goldfinger by painting her
body gold. Bond and Tilly picnic on sausages and
bread at Lyon, then have dinner at Bavaria
Brasserie (below, left) and enjoy enzian
(gentian schnaaps) washed down with Löwenbrau,
choucroute garnie and Gruyère with a carafe of Swiss Fendant du
Valais. They then check into the Bouches du Rhône
in Les Baux. Oddjob captures Bond and brings him to a
warehouse where a table is set with caviar and
foie gras and where he meets another of
Goldfinger’s molls, a lesbian named Pussy Galore.
Oddjob knocks 007 unconscious. When Bond comes to,
Oddjob threatens to cut him in half with a buzz
saw unless he agrees to join Goldfinger in
Operation Grand Slam at Fort Knox, which Bond says
he will. Tilly is killed by Oddjob. The Fort Knox
operation is foiled, and, on a flight back to
England, Bond fights with Goldfinger aboard a
hijacked BOAC jet. Bond beats Goldfinger to death,
and then takes up with Pussy, who submits to his
“tender loving care.”
In
the movie some liberties were taken with the
book’s plot, allowing Bond to travel more. In
Miami he stays at the Fontainebleau Hotel and
orders a 1953 Champagne that arrives too warm.
Sporting a hideous baby blue sunsuit, he meets
Jill Masterson, has dinner in his suite but is
knocked unconscious, awakening to find her body
covered with gold paint that suffocated her. Back
in London, he dines with M and members of the Bank
of England, where Bond makes one of his most
remarkable shows of connoisseurship. When M asks
007 if there’s something wrong with the Cognac,
Bond sniffs and says, “Well, sir. It seems to be a
30-year-old fine,
indifferently blended, with an overdose of . . .
Bon Bois.” I
have asked people in the Cognac industry if anyone
could really figure out such components to such an
arcane degree and was told that it would be nearly
impossible. But what Bond said was actually based
on the facts of Cognac blending: A “fine” is
an industry term for brandy, and the overdose of
Bon Bois refers to a region in Cognac whose grapes
are used in the blend but are considered inferior
to the others in the mix from the other regions. As in the book, Bond follows Goldfinger
into France and Switzerland, this time driving an
Aston Martin DB5, while Oddjob chauffeurs a Rolls
Royce Phantom III and Tilly Masterson drives a ’64
Mustang convertible, whose tires Bond destroys
with a cutting wheel
on his rims. Tilly is killed by Oddjob, who
captures 007 and uses a laser beam between Bond’s
legs to make him talk, but 007 makes Goldfinger
think he knows all about Operation Grand Slam and
Goldfinger stops the laser. After crashing his car in a chase, Bond is
knocked out and awakens to find himself on his
enemy’s private jet, which lands in Kentucky
(the airport used in the filming was actually at
RAF base at Nortolt in Ruislip, England), where he
meets Pussy Galore. They land at Goldfinger's thoroughbred stud
farm, where, on the verandah, Bond enjoys
a mint julep after asking it to be made
with sour mash whiskey and branch water. And, even
for Bond, that is getting way too fussy, insofar
as branch water comes from clear springs not
likely to be running through Goldfinger's ranch.And, in
fact, most bourbons have always been made with
sour mash, a process ofallowing
the residue of the spent “beer” to sour overnight,
then added to a new batch. The FBI alerted, Operation Grand Slam fails
but Bond is locked inside Fort Knox with Oddjob,
whom he manages to electrocute just in time to
turn off the bomb’s ticking timer as the digital
numbers strike “007.” Bond gets on a
plane with Pussy, who now sides with him, but
finds Goldfinger has hijacked the jet. After a
fight, the villain is sucked out of the window.
Bond lands both the plane and Pussy.
❖❖❖
NEW YORK CORNER
JOHNNY'S REEF
2 City Island Avenue, NY
718-885-2086
By
John Mariani
Although not exactly a secret, City
Island is unfamiliar to most New Yorkers, and
certainly not high among tourist destinations,
even in the Bronx. Which is just fine with those
who live on this mile-long finger of land that
stretches into Long Island Sound within view of
Manhattan skyscrapers. For this maritime
community—which the local Indian tribe called
Minnewits—is as quiet and charming as any in New
York, with tackle shops and antique stores to
rival any in New England. The 19th century
wooden houses were once the homes of sea
captains and yachtsmen; indeed, from 1935 to
1980 a dozen America’s Cup yachts were built on
the island and the main street is still flanked
by dry docks. Dozens of movies have filmed
scenes on location here, including Raging
Bull (1980), A Bronx Tale (1993)
and City Island (2009). City
Island has always gotten a good local crowd that
comes for the Italian and seafood restaurants,
many dating back before World War II, and for most
of that time Johnny’s Reef has been an open-air
seafood cafeteria of a kind that you expect to
find up and down the Atlantic Coast, but with a
good amount of Bronx swagger and the sounds of so
many of the borough’s various Black, Latino,
Caribbean and Asian communities. Open seasonally from March through
November, Johnny’s, with its new outdoor covered
but wind-swept eating area,
is more popular than ever. The Covid closure
allowed renovations and improvements to be made
throughout. You enter from an ample parking lot and get
on line to order from three counters, one for
drinks and ice cream, one for food and one for
alcoholic beverages. You put in your order, the
Latino staff member yells out “Dos
camarones, uno pollo!” and within moments
your food is ready. Then you get your drinks and
stay inside or go outside, where you sit at large
blue picnic tables and look out over a panorama of
the choppy sound, Long Island’s North Coast—where
F. Scott Fitzgerald’s Great Gatsby had his
mansion—and within sight of the majestic Throgs
Neck Bridge. You also get a big gulp of salty air
that makes everything taste even better. Johnny’s
menu is long but focused: All the seafood may be
ordered fried or steamed, from crisp, golden
shrimp ($17) and scallops ($23) to fillet of sole
($17), porgy ($17), snapper ($22), whiting ($17),
frogs legs ($11) and softshell crabs ($29). There
also are Littleneck clams ($13 for a dozen),
Cherrystones ($13), linguine with clams ($13) and
a first-rate lobster roll ($18). There are also
chicken wings ($13) and fried chicken ($11). The absolute freshness of the seafood
(although the lobster tails come in frozen; $36)
is assured by the enormous turn-over of customers.
That also means the oil is fresh and replenished
often.All
the seafood comes atop a mess of French fries
(this year crispier than they used to be) and
coleslaw, with lemon wedges.Soda,
beer and cocktails are available, and they have
desserts, too. If I sound exultant, it’s for several
reasons. First, the atmosphere is radiant and the
mix of people from all over the Bronx, Queens,
Manhattan, Westchester and Connecticut makes it a
far more egalitarian spot than most restaurants.
Second, I grew up two miles south of City Island,
and some of my earliest memories of going out to
dinner with my family and friends were the
restaurants there, with names like Thwaite’s, the
Lobster Box, the old-fashioned City Island Diner,
the original Crab Shanty, the Sea Shore (opened in
the 1920s)
and others.We
had a doctor friend we kids called Uncle Mattie,
who had no business piloting a 50-foot Cabin
Cruiser around the Sound, but somehow we always
puttered up to a slip on City Island, starving for
a good meal, and lingered well into the
star-lighted night. Frankly, a
lot of the newer Italian restaurants on the island
that have had successive owners are pretty
run-of-the-mill, but Johnny’s, wholly lacking in
frills but now prettier than it used to be, is as
evocative as any lobster shack in Maine or crab
shack on the Chesapeake or fish camp in South
Carolina. That, and the fact the island is an
extension of Pelham Bay Park (which is three times
the size of Manhattan’s Central Park) and just
south of the pure white sand of Orchard Beach with
its 1930s art deco architecture, makes a trip to
Johnny’s requisite for anyone unaware of the
extensive bucolic nature of the North Bronx.
Johnny’s Reef
Restaurant is located at 2 City Island Avenue,
Bronx NY. 718-885-2086. Open daily.
❖❖❖
ANOTHER VERMEER
By John Mariani
To read previous
chapters of ANOTHER VERMEER, go to thearchive
CHAPTER THIRTY-ONE
There was a
beep coming from the fax, followed by an output
of continuous paper, six sheets, all headed
INTERPOL. They were translations of stories
about Stepanossky in The Moscow
Times and Novi list.
David tore them from the machine and brought
them to his desk, then called Katie to get
together ASAP. He arrived an hour later at Katie’s
apartment and showed her the faxes. Katie read
one, David the other, both struggling with
translations dashed off rather than verbatim. David said, “From what I can make out here,
it’s pretty much like the European reports, but it
makes some digs at Stepanossky, saying that he had
recently been at odds with the current
administration and that he had told colleagues he
would be in Croatia for an extended period of
time. Says he was sick of politics and was only
interested in running his business and managing
his art collection. It says he is expected to make
a full recovery after a long convalescence. “What’s yours say?” “Apparently the editors of Novi list are
none too biased when it comes to Stepanossky. At
first they just give the straight facts everybody
did, but then they kind of rip into him as having
once been one of the worst of the K.G.B. officers
and that he was responsible for the deaths of a
lot of Croatians during the war and a lot of
destruction.Then, it says, he has lately been in
conflict with another former K.G.B. officer named
Vladimir Putin.” “Putin?” David asked. “Kiley mentioned him
as an up-and-coming bureaucrat in the government.
Even said he was at serious odds with Stepanossky.Anything
else?” “It kind of reads like they wish
Stepanossky good riddance and that now maybe he
will stay out of Croatia in the future. Sounds as
if they’re hinting that someone in Croatia may
have rigged the land mine.” “Anything in there about the type of
explosive?” “No, just says a land mine.” David was twisting his neck as if to work
out a kink. “This all gets more exasperating every
minute.” “Curiouser and curiouser,” said
Katie. “So, what we have is a case of Stepanossky
either driving over an old land mine—maybe one
planted years ago by the Croatians seeking to blow
up Russian tanks—or this Putin guy set up a
boobytrap for his opponent. Or a Croatian
partisan.” “Or it was attempted murder by someone who
wanted him out of the bidding.” “The Chinese?” “I don’t know why the Chinese would want
him out of the bidding.I’m sure
they’d love to get hold of Stepanossky’s $100
million in Russian gold.” “What if Putin was thinking of bidding on
the Vermeer?” asked David. “He could really wave
that in Stepanossky’s face, in the event he hadn’t
been blown to smithereens?” “Does Putin have that kind of money?” asked
Katie, pouring more wine. David recalled that Kiley had described
Putin as a rising star in the Soviet bureaucracy
but not yet made filthy rich by it. “He’s probably on his way, that is, if
somebody doesn’t knock him off.Everyone
watches his back in Moscow. I’ll talk to Kiley
about all this. Gotta really thank him for sharing
this info, and see what he thinks. He couldn’t
give us any of this info if this were a real
criminal investigation.Knowing
him, he’s going to say, bring me someone’s head on
a platter, which I’m far from being able to do.” “Well, you’ve already brought him Saito’s
heart, Lauden’s arm and now Stepanossky’s foot,”
said Katie. “Why, Katie Cavuto, that’s pretty raw of
you.” “I’ve been hanging around big tough guys
too long,” she said, then, two glasses of wine to
the good, “Hey, David, you know what just occurred
to me?” “What just occurred to you, Katie Cavuto?” “All these nefarious deeds are textbook
examples of the preferred ways to knock someone
off in each particular country. Let’s see, we’ve
got Japanese arsenic, Brazilian kidnapping, a
Chinese hit man and a Croatian land mine.And
maybe we’re not done yet.How do
the Dutch like to get rid of people?” “Maybe lock them in a room with a Dutch
stand-up comedian?” Katie laughed and patted David on the
shoulder. “Good one, Greco!And what
about Shui?” “Hmm, Chinese water torture?” The two of them were having a good time,
the jokes taking the edge off the work, and David
hoped Katie might ask him if he wanted to stay
overnight in the extra bedroom, as he’d once done
during the Capone case, rather than drive an hour
home after drinking the wine. “Jeez,” he said, “I better get going.The
drive, the wine . . .” “You can certainly stay here, if you want.
I can make some pasta or whip something up.” “As long as you’re inviting me for dinner,”
said David, “allow me to
make the pasta. What’s in your ‘fridge?” “Enough,” Kati said, “And now we can finish
the wine without guilt.”
***
“Any news on the Chinese delegate, Mr.
Chin?” David asked Kiley over the phone. “Well, his full name is Wei Chin,” said
Kiley, “Been attached to the embassy for five
years. It’s way over on Twelfth Avenue, right on
the Hudson (left). Chin works in the
General Affairs Office, purely administrative
bullshit. He’s pretty low on the totem pole.” “Any progress on getting him out of there?” “Nope. The Chinese have refused all comment
on Chin, saying he has diplomatic immunity. Of
course, they also don’t say he was involved in the
‘accident.’ At some point they’ll probably just
send him back to Beijing, or assign him to some
backwater bureau in Lhasa (below).” “Where’s Lhasa?” asked David. “About as far away from Beijing as you can
get in China. The boonies.” David said, “Christ, all roads in this
story”—he was careful not to say ‘case’ this
time—“seem to lead to backwaters: the Amazon,
Croatia, Lhasa.” “Well, Chin is still here. If the F.B.I.
can keep the pressure on, maybe the Chinese will
back down and toss him over,but I doubt
it.” “Anything new about Stepanossky?” asked
David. “One of our sources over there says the
smart money believes it was a
hit, but no one knows for sure who might have done
it.The
Croatians would probably love to claim it, but
that would stir up too much political shit for
them.If
it was an enemy of Stepanossky in Russia, we’re
not likely to hear anything about it.” “What about that guy Putin?” “His name’s been floated but with nothing
more than supposition to go on.Since
Stepanossky is technically out of the
government—although these guys never really
are—Putin mighthave no
reason to blow him sky high.In any
case, it’s not our problem.” “Unless it has something to do with the
Vermeer auction.” “I just don’t know, David.There’s
still no smoking gun in this whole damn thing.” “No, just a couple of lost limbs so far.”
Why Do So Many
Wines
Taste So Different and Why
Do So Many Taste The Same?
By
John Mariani
"Bacchus" by
Guido Reni (1623)
You hear reports now and then
about how many people can’t tell the difference
between a red wine and a white wine if tasted
blind, much less one red or white wine from
another. This is no cause for being smug for the
simple reason that all wines are nothing but
fermented grape juice, and a great number of white
wines are made from red grapes, including Blanc de
Noirs Champagne. The fact is that wine
experts make mistakes all the time about what
they’re tasting, including Harry Waugh, a legendary
British connoisseur who, when asked when was the
last time he’d mistaken a Bordeaux for a Burgundy,
responded, “What time was lunch?” Which is one of
the reasons American wine critic Robert Parker
refused ever to taste wines blind. The prospects of
committing a whopper ofan error
are huge. Still, those who labor intensely, sometimes
for years, and often fail exams as often as would-be
lawyers to become an officially designated Master of
Wine (there are only 418 in the world) have
developed exceptional ability to distinguish one
wine from another, one region from another, even one
vintage from another. If you think that is a
worthwhile pursuit—those who do so go to work in the
wine trade—prepare to spend most of your free time
and a great deal of your money on achieving that
prestigious title. For the
rest of us, distinguishing one wine from another is
helpful in choosing which bottle goes with whatever
it is you’re eating, or to have a little fun: Once,
when a sommelier challenged me to try to identify a
wine he poured (with the bottle far removed from my
sight), I played along. When he went to another part
of the room, I called over a busboy, gave him five
bucks and asked him to tell me what the wine label
read. When the sommelier returned, I hemmed and
hawed and mumbled remarks like, “It seems to be from
a higher elevation, but definitely not California.”
I then shrugged and told the sommelier exactly what
wine it was, including the vintage. His astonishment
was palpable.
Let’s get basic here: Wines taste different
for two reasons. First, the wine grape itself, of
which there are 10,000, and second, where the grapes
are grown. There’s little question that most people
with just the slightest familiarity with wine can
tell the difference between, say, a Chardonnay and a
Gewürztraminer or a Riesling, because they have very
different flavor profiles. So, too, Cabernet
Sauvignon tastes quite different from a Syrah or a
Zinfandel.
The onion gets sliced more thinly when it
comes to differentiating between a Chardonnay and a
Pinot Blanc or a Cabernet Sauvignon and a Cabernet
Franc.And
it would be something of a feat for most serious
wine drinkers to bet their souls on telling the
difference between a Barolo and a Barbaresco, both
made in Italy’s Piedmont from the Nebbiolo grape.
All these grapes are in the so-called vinifera
family; grapes like the Native America labrusca
variety taste very different. Where
the grapes are grown and how the wines are made are
obviously going to provide nuances to the varietal,
simply because the climate and soils, as well as the
altitude, will affect the grapes’ growth, ripeness
and maturation. A varietal grown in very hot
climates like Sicily (right) will make for a
bigger, bolder, tannic red wine with higher alcohol,
as contrasted with one grown in cool climates like
Bordeaux and Burgundy, where, for centuries, through
a process called chaptalization, wines from the
south of Europe, even Morocco and Algeria, were
added to bolster the wines’ taste and alcohol. In
much of Europe artificial irrigation is prohibited
by law; in California it is not. Much is made of the components of the soil,
including limestone, gravel, sand, etc. Once in the
Loire Valley, a producer of Sauvignon Blanc showed
me a rich red soil patch he left unplanted because,
he explained, “There is too much iron in the soil.
It would make my wines taste like they came from
California.” On another occasion, in Burgundy, a
producer had me taste the grapes from two adjacent
plots in his vineyard. I was amazed to find that one
had greater natural sugar while the other was bland.
“These vineyards have been farmed for hundreds of
years,” he said, “but this plot, right next to the
other, has never produced good grapes.” After these two basics,
the touchy question of how much winemakers
manipulate their wines becomes crucial. Many
vignerons insist they want nature to determine the
outcome, with minimal interference from the vigneron
aside from keeping the vineyards healthy; some do
not filter their wines to remove sediment. Others,
largely New World wineries, do a great deal to
create the flavor profile they want and think the
marketplace will, too. Of course, blending grape
varietals is a given in Bordeaux when it comes to
Cabernet Sauvignon-dominant bottlings, and while
that is now more the rule than the exception in
California, back in the 1970s and 1980s Napa Valley
was deliberately producing monster tannic wines from
100% Cabernet Sauvignon. There
are techniques, like micro-oxygenation (right)
to pump up flavors and alcohol, and reverse osmosis
to lessen alcohol, but
aside from many white wines fermented and aged
exclusively in temperature-controlled stainless
steel tanks, many others spend some time in oak, and
that can make a huge difference in the flavor of
what emerges. Oak casks have two functions: one, to
let the wines settle and harmonize over months or
years, and two, to impart the actual flavor of the
wood. The place where
the oak comes from also has its distinctions, with
French and American the most frequently used. (In
spirits making, the barrels are charred to create
more burnt caramel flavors.) New oak has a fresher,
greener, more intense wood flavor, while old barrels
are widely used for better nuance. But the fact is,
one wine from one barrel may taste different from
another, even within the same winery in the same
vintage, so that it is difficult, if not impossible,
to say that the contents of a single bottle will
match the next bottle in the line, which puts all
the overwrought mumbo-jumbo about a wine tasting of
mango, leather, cigar box and so on almost useless,
not least because the question of whetheror not
it’s a good thing to taste of any of those flavors
in a wine. Given these factors of
climate, soil and manipulation, the distinctions
between a range of wines all made from the same
grape become more a matter of personal taste.
Chardonnay, for example, is, in and of itself, a
fairly neutral-tasting grape that in various locales
is used in very different styles, with the induced
caramel-rich and woody flavors of American
Chardonnays preferred by the U.S. market. French and
Italian Chardonnays are more subtle and better
nuanced, overall. So, too, you can debate just what
you want your Pinot Noir to taste like. Do you like
the elegance—sometimes too subtle—of Burgundies, or
the big bomb blasts of Sonoma Valley? So, the answer to the questions to why so
many wines taste different and why so many don’t is
often a case of consumer preference. And, if you
keep on drinking California Chardonnays because you
like that taste, you may not even be able to
identify a wine from the Côte d’Or as being anything
more than a run-of-the-mill white wine. And if you
really love mango, leather and cigar box flavors in
your wine, be my guest. But going by point scores, usually on a
100-point scale, is not unlike rating any or all
kinds of movies—dramas, melodramas, romances, horror
movies, westerns, biker movies—with the same
standards and expectations. For one thing, remember
that all professional wine tasters, in the media or
industry, sample perhaps 20 wines at a clip—all of
them on a given day, maybe Charbono or
Zinfandel—each from a single bottle and always upon
release, with only minimal aging, which would be
like saying that a student who get a 97 on his
history essay is distinctly smarter than one who got
a 94.
Fortunately there is enough variety and
enough styles of winemaking to allow anyone to enjoy
what they do based on their own assessments, which
may or may not agree with the experts hunched over
tables, sniffing and spitting, sniffing and
spitting, to come up with a tortured description and
a point rating that might be completely different on
another day in another place.
❖❖❖
GEE, AND WE THOUGHT
THAT ON A FRIDAY NIGHT WE COULD JUST SIT DOWN,
HAVE A MARTINI, RELAX AND EAT SOMETHING WE
DON'T HAVE TO ENGAGE WITH.
"At Audrey, we like to be even vaguer to trigger
some curiosity,” says Chef-owner Sean Brock (left)
of his restaurant menu at Audrey in Nashville,
of items like “A Study of Citrus” made
with wekiwa, grapefruit, and mandarin. "Hopefully,
I feel like this helps keep the diner engaged.”—Eater.com (7/22/22)
❖❖❖
Any of John Mariani's
books below may be ordered from amazon.com.
The Hound in Heaven
(21st Century Lion Books) is a novella, and
for anyone who loves dogs, Christmas, romance,
inspiration, even the supernatural, I hope you'll find
this to be a treasured favorite. The story
concerns how, after a New England teacher, his wife and
their two daughters adopt a stray puppy found in their
barn in northern Maine, their lives seem full of promise.
But when tragedy strikes, their wonderful dog Lazarus and
the spirit of Christmas are the only things that may bring
his master back from the edge of despair.
“What a huge surprise turn this story took! I was
completely stunned! I truly enjoyed this book and its
message.” – Actress Ali MacGraw
“He had me at Page One. The amount of heart, human insight,
soul searching, and deft literary strength that John Mariani
pours into this airtight novella is vertigo-inducing.
Perhaps ‘wow’ would be the best comment.” – James
Dalessandro, author of Bohemian
Heart and 1906.
“John Mariani’s Hound in
Heaven starts with a well-painted portrayal of an
American family, along with the requisite dog. A surprise
event flips the action of the novel and captures us for a
voyage leading to a hopeful and heart-warming message. A
page turning, one sitting read, it’s the perfect antidote
for the winter and promotion of holiday celebration.” – Ann
Pearlman, author of The
Christmas Cookie Club and A Gift for my Sister.
“John Mariani’s concise, achingly beautiful novella pulls a
literary rabbit out of a hat – a mash-up of the cosmic and
the intimate, the tragic and the heart-warming – a Christmas
tale for all ages, and all faiths. Read it to your children,
read it to yourself… but read it. Early and often. Highly
recommended.” – Jay Bonansinga, New York Times bestselling
author of Pinkerton’s War,
The Sinking of The Eastland, and The Walking Dead: The Road To
Woodbury.
“Amazing things happen when you open your heart to an
animal. The Hound in
Heaven delivers a powerful story of healing that
is forged in the spiritual relationship between a man and
his best friend. The book brings a message of hope that can
enrich our images of family, love, and loss.” – Dr. Barbara
Royal, author of The
Royal Treatment.
Modesty forbids me to praise my own new book, but
let me proudly say that it is an extensive
revision of the 4th edition that appeared more
than a decade ago, before locavores, molecular
cuisine, modernist cuisine, the Food Network and
so much more, now included. Word origins have been
completely updated, as have per capita consumption
and production stats. Most important, for the
first time since publication in the 1980s, the
book includes more than 100 biographies of
Americans who have changed the way we cook, eat
and drink -- from Fannie Farmer and Julia Child to
Robert Mondavi and Thomas Keller.
"This book is amazing! It has entries for
everything from `abalone' to `zwieback,' plus more
than 500 recipes for classic American dishes and
drinks."--Devra First, The Boston Globe.
"Much needed in any kitchen library."--Bon Appetit.
Now in Paperback,
too--How Italian Food Conquered the
World (Palgrave Macmillan) has won top prize from the
Gourmand
World Cookbook Awards. It is
a rollicking history of the food culture of
Italy and its ravenous embrace in the 21st
century by the entire world. From ancient Rome
to la dolce
vita of post-war Italy, from Italian
immigrant cooks to celebrity chefs, from
pizzerias to high-class ristoranti,
this chronicle of a culinary diaspora is as
much about the world's changing tastes,
prejudices, and dietary fads as about
our obsessions with culinary fashion and
style.--John Mariani
"Eating Italian will
never be the same after reading
John Mariani's entertaining and
savory gastronomical history of
the cuisine of Italy and how it
won over appetites worldwide. . .
. This book is such a tasteful
narrative that it will literally
make you hungry for Italian food
and arouse your appetite for
gastronomical history."--Don
Oldenburg, USA Today.
"Italian
restaurants--some good, some glitzy--far
outnumber their French rivals. Many of
these establishments are zestfully described
in How Italian Food Conquered the World, an
entertaining and fact-filled chronicle by
food-and-wine correspondent John F.
Mariani."--Aram Bakshian Jr., Wall Street
Journal.
"Mariani
admirably dishes out the story of
Italy’s remarkable global ascent
to virtual culinary
hegemony....Like a chef gladly
divulging a cherished family
recipe, Mariani’s book reveals the
secret sauce about how Italy’s
cuisine put gusto in gusto!"--David
Lincoln Ross,
thedailybeast.com
"Equal parts
history, sociology, gastronomy, and just
plain fun, How Italian Food Conquered the
World tells the captivating and delicious
story of the (let's face it) everybody's
favorite cuisine with clarity, verve and
more than one surprise."--Colman Andrews,
editorial director of The Daily
Meal.com.
"A fantastic and fascinating
read, covering everything from the influence
of Venice's spice trade to the impact of
Italian immigrants in America and the
evolution of alta cucina. This book will
serve as a terrific resource to anyone
interested in the real story of Italian
food."--Mary Ann Esposito, host of PBS-TV's
Ciao
Italia.
"John Mariani has written the
definitive history of how Italians won their
way into our hearts, minds, and
stomachs. It's a story of pleasure over
pomp and taste over technique."--Danny Meyer,
owner of NYC restaurants Union Square
Cafe, The Modern, and Maialino.
❖❖❖
FEATURED
LINKS: I am happy to report
that the Virtual
Gourmet is linked to two excellent travel
sites:
I consider this the best and
savviest blog of its kind on the web. Potter is a
columnist for USA
Weekend, Diversion, Laptop and Luxury Spa Finder,
a contributing editor for Ski and a frequent contributor
to National
Geographic Traveler, ForbesTraveler.com
and Elle Decor.
"I’ve designed this site is for people who take
their travel seriously," says Potter. "For
travelers who want to learn about special places
but don’t necessarily want to pay through the nose for
the privilege of staying there. Because at the end
of the day, it’s not so much about five-star
places as five-star experiences."
Eating Las
Vegas
John Curtas has
been covering the Las Vegas food scene since
1995. He is the author of EATING LAS
VEGAS - The 52 Essential Restaurants,
and his website can be found atwww.EatingLV.com. You can find him
on Instagram: @johncurtas and Twitter:
@eatinglasvegas.
MARIANI'S VIRTUAL GOURMET
NEWSLETTER is published weekly. Publisher: John Mariani. Editor: Walter Bagley. Contributing Writers: Christopher
Mariani, Misha Mariani, John A. Curtas, Gerry Dawes, Geoff Kalish.
Contributing
Photographer: Galina Dargery. Technical
Advisor: Gerry
McLoughlin.