MARIANI’S

Virtual Gourmet


  September 11, 2022                                                                                            NEWSLETTER



Founded in 1996 

ARCHIVE



Spike Lee in "Do the Right Thing" (1989)


❖❖❖

IN THIS ISSUE
JAMES BOND'S TASTES:
FOR YOUR EYES ONLY

By John Mariani

NEW YORK CORNER
MOLLUSCA
By John Mariani

ANOTHER VERMEER
CHAPTER 36
By John Mariani


NOTES FROM THE WINE CELLAR
VISITING BORDEAUX WINERIES
BY GEOFF KALISH



❖❖❖


On this week's episode of my WVOX Radio Show "Almost Golden," on Wed. September 14 at 11AM EDT,I will be interviewing MARY DEARBORN on her biography of Ernest Hemingwy. Go to: WVOX.com. The episode will also be archived at: almostgolden.
























❖❖❖




 JAMES BOND'S TASTES:
FOR YOUR EYES ONLY


By John Mariani



 

 

            “For Your Eyes Only” was a short story by Ian Fleming, one of five in a collection entitled From a View to a Kill (1960), which was also the name of one of the stories, along with “Quantum of Silence,” “Risico” and “The Hildebrand Rarity.” Except for the last, the stories were intended for a TV series never made, but film producer Cubby Broccoli had bought the rights to most of Fleming’s Bond works and turned both “For Your Eyes Only” and “From a View to a Kill” into full-length movies.
        The story begins in Jamaica and involves the murder of a British couple named the Havelocks for their refusal to sell their estate to a former Gestapo officer named von Hammerstein, now the chief of counterintelligence for the Cuban secret service. The killings are done by Cuban hit men on orders from Major Gonzales, working for von Hammerstein. The killing of the Havelocks, who’d been good friends with Bond’s superior, M, cause him to ask 007 to act independently of MI6 to track down the killers. 
       
Bond travels to Canada and Vermont to find von Hammerstein at his estate on Echo Lake. Also in the area is the Havelock’s daughter, an expert with a bow and arrow, out to avenge her parents’ murder. She succeeds in killing von Hammerstein, followed by a shoot-out between Bond and Gonzales and the two Cuban henchmen, whom Bond kills. He returns with the daughter to Canada.
            Since no movies were made from “Risico” or “The Hildebrand Rarity,” I obviously won’t do my usual comparisons of them vs non-existent movies. I will in passing mention that in “Risico” Bond is in Rome, meeting his contact at the Hotel Excelsior (above) and dining at a restaurant called Columba (fictitious) on melon and prosciutto and tagliatelle verdi (below) with Genovese sauce. Bond also goes to Venice, where he drinks at Harry’s Bar and Caffé Florian on the Piazza San Marco. In “The Hildebrand Rarity,” whose title refers to a very rare fish (left) caught off the Seychelles, he feasts on caviar, rosé Champagne and the fish.
            There is no gourmandism in the story “For Your Eyes Only,” although Bond at one point remarks, “The best things in America are chipmunks, and oyster stew.”

            The movie For Your Eyes Only (1981), with Roger Moore, bears little resemblance to the short story and none to its locations. Only the fact that the heroine, the Havelocks’ daughter  Melina (played by French actress Carole Bouquet), is skilled at archery is retained. It was the twelfth Bond movie in the series, filmed in Greece, Italy and the Bahamas.
        A British spy ship, the St. Georges, sinks in the Ionian Sea, and a
marine archaeologist, Sir Timothy Havelock, is asked by MI6 to find it underwater, but he and his wife are murdered by a Cuban hit man named Hector Gonzales. Havelock’s daughter witnesses the murder and vows revenge.
            Bond is sent to retrieve a transmitter for submarine ballistic missile launches and  to find out who hired Gonzales, whom Melina kills with her bow and arrow. Bond finds out Gonzales’s enabler is a billionaire named Emile Leopold Locque in the Italian ski resort of Cortina, where 007 meets wealthy Greek businessman and intelligence informant Aris Kristatos, who informs Bond that Locque is employed by Greek gangster Milos Columbo, known as "the Dove." After out-skiing a hit squad down a mountain, Bond flies to Corfu after Columbo.
      He meets Kristatos for dinner at the casino as well as Columbo’s mistress, Countess Lisl von Schlaf , whom Bond seduces. The next day they are ambushed, Lisl is killed and Bond captured by Columbo, who informs him that Locque was actually hired by Kristatos, working for the KGB, to retrieve the transmitter. Bond and Columbo raid Kristatos's Albanian opium-processing warehouses, where Bond finds naval mines like the one that  sank the
 St Georges, then destroys the base and takes out after Locque and kills him.
       Bond meets Melina, and they recover the transmitter from the sunken ship, but Kristatos captures them and takes the device. Bond and Melina escape and, with Columbo’s men, he attacks a mountain monastery, St. Cyril’s, and gets back the transmitter;  Columbo kills Kristatos with a knife. Bond and Melina later spend the night aboard her father's yacht.
            In Cortina d’Ampezzo Bond stays at the Miramonti Majestic Grand Hotel (left),  while Melina is in the Cristallo. Bond and Kristatos dine at the Casino Achillon Palace, built in the 19th century, where he orders “
Preveza prawns, Savara salad and Bourdetto.” Preveza is a city in northwestern Greece; I have not been able to find anything called “savara,” but it might be Bond’s error in thinking savara means salad; Bourdetto (left) is a seafood stew from Corfu made with scorpion fish cooked with onions and red pepper. Kristatos says, “Oh, an excellent choice, I'll have the same. May I suggest a white Robola wine from Caponia, my home place?” Bond responds (supposedly a line added by Roger Moore), “Well, if you'll forgive me, I find that a little too scented for my palate. I prefer the Theotaki Aspero.”
       Robola (in Italian Ribolla Giala) is a Cephalonian wine that is deliberately left to oxidize slight;y, which is what 007 means by “scented.”  His preference is for a white wine from the Teotoky vineyard, also on Corfu.
      
       
The only other food references in the movie are to characters eating pistachio
s.










❖❖❖



NEW YORK CORNER


MOLLUSCA

1 Little West 12th Street
212-970-1818 



 
By John Mariani
Food photos by Evan Sung

 


            I was not happy when New York’s so-called Meatpacking District gave way to blocks of trendy boutiques and electric car dealerships, but the success of the High Line as a neighborhood restorative and the installation of the Whitney Museum made it inevitable, and, I must admit, the place looks a lot better than it did when it was full of loud, grinding trucks carrying carcasses day and night on streets lined with effluent.
       In particular, the triangle that borders Greenwich Avenue and Little West 12th Street is now a charming, open space with red umbrellas, and at least for the time being the air space and light has not been compromised by 100-story skyscrapers. Yet.
       There at the edge of Little West 12th Street is a new seafood restaurant named Mollusca, whose signature dish of mussels is served with an option of 35 sauces, from traditional white wine to cacio e pepe, condensed milk and wasabi, salted caramel and peanut
and popcorn.   Chef Gianmaria Sapia, from Savona, Italy, has joined owner Eric Agababayev and his Alpina Restaurant Group (which has six Molluscas in Moscow) in this ambitious venture; the executive chef on premises is Christian Bonilla, who comes from Zuma, the snazzy seafood chain that Mollusca resembles in size and menu departments.
     But Mollusca’s menu is not just more extensive but remarkable for the kitchen’s ability to turn out so many disparate elements with such finesse, from ceviches to pastas, from lobster rolls to empanadas.
      It’s a sleek and shadowy dining room, especially at twilight, with a taupe marble cocktail bar that seats only nine (indicating Mollusca is not seeking a Tao-like vibe). The 100-seat room is nicely lighted with hand-blown glass chandeliers resembling jellyfish, and the buttery soft  leather and velvet seating and tables are both well set and well separated. I was there on a fairly slow Tuesday night at summer’s end, so the noise level was just fine, with music playing only faintly in the  background.
       You’re going to need help perusing the vast menu, so ask, and despite my tasting (with three guests) of perhaps 20 dishes with no major flaws, I can only wonder how the kitchen can keep up when the place is packed.
     We began with a hamachi ceviche with pickled jalapeño, wasabi mayo and guacamole ($19) in a pretty presentation that showed the East-West direction the meal would take. So, too, branzino crudo came with a yuzu dressing with a hint of truffle and tri-color tobiko eggs ($17). I’m not sure what’s so “classic” about the “classic wagyu roll” ($34), but it was definitely delicious and one of the better ideas for using wagyu beef. A tataki item of wagyu, uni, fresh truffle, ponzu aïoli and gold leaves ($68) was overly elaborate for a dish that hadn’t much flavor and the summer truffles were as bland as summer truffles always are.
       We did sample mussels, of course, which range from $26-$48, and come with a baguette and excellent French fries. The Mollusca “signature oyster” (right) is dressed with uni, a mignonette and a touch of caviar ($12). Everybody these days seems to be doing a tartare or two, and Mollusca’s double version of tuna and salmon with caviar and nori rice chips ($33) was a fine melding of flavors.
            Among the many appetizers, we enjoyed the four pieces of gyoza filled with crab and glazed with teriyaki sauce and more truffle ($22), and there’s even an authoritative rendering of crisp empanadas with crab, shrimp and artisanal cheese lashed with a spicy tomato sauce ($15).
         As you might expect by now, there is also a pasta and rice section, and a variation on spaghetti carbonara (right) included teriyaki tuna tartare, bonito flakes and a parmesan crisp ($26) that I had to admit had its singular charms.  A well-made risotto of shrimp, spinach, cream, Parmesan fondue and black sesame seed ($31) was sumptuous and could serve as a main course.
            Given the prices up and down New England these days for lobster rolls, I had to indulge in Mollusca’s ($31), and it was simple and very good, especially accompanied with those superior fries. Octopus with a Greek salad and feta mousse and leek puree ($36) was fine, if not much out of the ordinary in New York, but cooking branzino in “acqua pazza” (crazy water) with olive Taggiasca, pine nuts and charred cherry tomatoes ($48) added just the right elements to bring up the true flavors of the fish.
        The desserts don’t hit the highest marks: crème brûléé ($16) was soupy;  profiteroles ($16) needed a better chocolate; and the tiramisù ($17), even if topped with gold foil, was, well, another tiramisù.
        Mollusca’s wine list has heft, and, as things go, the bar offers a range of specialty cocktails from shelves that contain just about any liquor you can think of.
       It’s that attention to all-encompassing detail that enhances the good looks and serious commitment of the kitchen to first-rate ingredients done with a subtlety that is surprising with such a long menu. If Mollusca can pull it off as well as when I dined there when the crowds arrive, it’s going to be a very delectable tour de force.

      

Open daily for lunch and dinner.

 

 















❖❖❖


ANOTHER VERMEER

By John Mariani



To read previous chapters of ANOTHER VERMEER, go to the archive
 
CHAPTER THIRTY-SIX


 

                        David called Bobby Bao at the Chinatown precinct, the Fifth, and asked if he wanted to have lunch or dinner in the next day or two.
            “Sure, as long as it’s uptown and you’re paying,” said Bao.
            “I’m paying.  Where do you want to go?”          
    "I’m feeling like French food. You know Le Périgord, on East 50th  near the U.N.?”
            David admitted he wasn’t familiar with Manhattan’s high-end French restaurants but said, fine, he’d see Bao at one o’clock the next day.
            Le Périgord was one of the last remaining bastions of classic French cuisine in New York, overseen for more than 30 years by an ebullient Swiss owner named Georges Briguet (below), who greeted Bao like an old friend and gave him a fine window table. 
     
Monsieur Bao, I know how much you like our Dover sole,” said the restaurateur, “which just came swimming through the door two hours ago.” 
           
“Perfect,” said Bao, “and to start, the artichoke vinaigrette. David, what are you in the mood for?”
            Fortunately, the menu was printed in both French and English, so David was able to avoid ordering escargots or sweetbreads, in favor of the lobster bisque and a filet mignon with black truffle sauce. 
           
Georges Briguet (below) leaned down towards Bao and said, “I hope, Monsieur Bao, you are not on duty today. Will you be having some wine?”
            “Don’t tell anyone, Georges,” Bao answered, “but I’m working undercover today for the Health Department, inspecting French restaurants in New York. I must see how you’re maintaining your wine cellar.”
            “Ah, then I shall choose the wine, just to make sure I am not breaking any laws.” Within moments he came back with a bottle of white Burgundy and a half-bottle of Bordeaux. Bao nodded his approval. David wondered what this was all going to cost.
            As they nibbled on the baguette and butter with the Burgundy, the two old friends caught up with each other, David withstanding the usual jibes for his leaving the force. After the Chinatown indictments, Bao had to leave undercover work but had been promoted to an NYPD  position where he coordinated with Asian mob investigators elsewhere, including Taiwan, which he’d visited several times, consulting with Taiwan’s National Police Agency.
            David filled him in on the Vermeer project, which Bao said sounded a bit out of his friend’s line after the Capone case. 
           
“Hey,” said David, “I go wherever Katie Cavuto wants me to go.”
            “That good looking, huh?”
            “You could say that. So, anyway, this guy Hai Shui we’re going to see.  Do you know anything about him that will help with our interview.”
            “He’s the petro-chemicals billionaire, right? I can’t say I know a lot about him, but I’m pretty sure he’s connected with Black Gold, which is what they call corruption between gangsters and pols over there. I mean anyone who is anyone in Taiwan is. The politicians get in bed with the mobs because they can really help bring in the votes, because the gangsters always make sure they have a good, even generous relationship with the local people. Sometimes the politicians are mobsters.”
            In fact, just two years before, a former gangster turned Speaker of Parliament was shot at point blank range over a gambling dispute. “You haven’t seen anything till you watch a funeral procession for a dead mobster,” said Bao. “Thousands of people show up, weeping, throwing flowers. Oh, and the mobs also control the funeral parlor industry on the island.”
            “What are the main mobs in Taipei?”
            “Four, basically: the Bamboo Union—they’re the most powerful—the Four Seas Gang, the Celestial Path (below) and the Songlian Gang (right).”
            “They sound like Chinese tea companies.”
            Bao let that go. “Bamboo Union is most involved with construction and has international tentacles, so if Shui is involved, it’s most likely with Bamboo, which has about 10,000 members. And, by the way, they’re known for silencing journalists that get too close to them.”
            “That go for American journalists?” asked David, trying to sound nonchalant.
            “Well, I heard they murdered a Chinese-American journalist in San Francisco back in the ‘80s. Shot him in his garage. So be careful over there.”
            “And how connected are they with gangs internationally?”
          “More and more,” said Bao, sipping his wine. “They’ve had contact with the Japanese yakuza, maybe even with North Korea—and, man, that is dangerous—and of course in North America. That’s what I work on mostly.”
            Georges Briguet returned after the main courses were finished and made suggestions for dessert, then insisted he prepare a sampling of several, which included chocolate mousse, pear tart and almond cake.    
     
David asked for the check and was surprised it was not nearly as much as he’d expected.
            “I think your friend sliced a little off the bill,” he said.
            “Maybe he comped us for the coffee,” said Bao, smiling.
            David told Bao how good it was to catch up with him, how much he enjoyed the meal, and thanked him for the information.
            “Be a little bit careful,” said Bao. “You don’t want anything to happen to that pretty girl you’re with.”
            “That I promise, Bao.”
            “By the way, I hope you’re not planning to bring your gun to Taiwan.  They find out you’re packing and they’ll toss your ass in a real dark cell.”
            “Won’t happen. I had to surrender my service piece back when I retired.”
            “Hm, knowing you’ve probably still got a few enemies left, I’d have thought you might have bought one since. Maybe a nice little chrome-plated Beretta?”
           “I don’t want anything to do with guns,” said David, “though I could have used one in the Capone case.”
            “I read about that. Nice going.”
            The two men parted with pats on the back, Bao hailed a cab and David drove home, wondering what to pack for Taiwan.







©
John Mariani, 2016



❖❖❖








NOTES FROM THE WINE CELLAR



VISITING BORDEAUX WINERIES
BY GEOFF KALISH




Château de Sales

  

      On a recent trip to France, we visited four wineries in Bordeaux that varied widely in size and wine-making processes, but all focusing on the quality rather than the quantity of wine produced.  Of note, all of the wines discussed are available in the United States.

 

Château de Sales

      Even though it comprises the largest estate in Pomerol (220 acres), Château de Sales, since 2017 under the direction of Vincent Montiguaud (former winemaker for the Rothschild property Domaine de Baronarques), only produces about 10,000 cases of wine a year. The property is comprised mainly of gravel and sand-laden vineyards planted with 73% Merlot, 15% Cabernet Sauvignon and 12% Cabernet Franc. Following hand harvesting, the grapes are de-stemmed and, as separate lots, lightly crushed and fermented in temperature-controlled tanks over about three weeks. Next, the individual lots are aged in oak barrels for about 12 months before blending and bottling.

      The 2018 ($34) showed a ruby red color and bouquet and tasted of cassis and ripe raspberries with notes of exotic spices in its smooth finish. The 2020 ($26) had a complex bouquet and taste of cherries, blackberries and cassis with hints of orange zest in its slightly tannic finish. Both wines mated particularly well with beef carpaccio as well as tenderloin of veal. 

 





Château Haut Bailly

      Created in the 16th century, this property, located on the so-called left bank of the Gironde River in the eastern Pessac-Léognan region of Bordeaux, has a somewhat checkered history. Its vineyards (now planted to 65% Cabernet Sauvignon, 25% Merlot and 10% Cabernet Franc) were devastated by phylloxera at the end of the 19th century because of the then owner’s refusal to graft vines on resistant rootstock, followed by a few years of experimenting in the 1920s with  the controversial process of pasteurization of the wine just before bottling.

      However, current owners of the estate (the family of M&T bank founder Robert Wilmers) have totally modernized the winery and its winemaking practices under General Manager Véronique Sanders and technical manager Gabriel Vialard. In fact, the winery is now so up to date that visiting it is akin to a stop at NASA control facilities at Cape Canaveral—with a circular glass and steel structure housing futuristic-looking cement fermentation tanks, gravity flow wine transfer and ultra-modern areas for aging and bottling.

      Production is now up to over 12,000 cases annually, divided between 60% of its first-line Château Haut-Bailly and the remainer for its “second and third” wines, La Parade de Haut-Bailly and Pessac-Léognan by Château Haut-Bailly. Made with hand harvested grapes, vinified by individual plots with aging in 50% new French oak for 16 months, the 2015 Château Haut-Bailly ($135) showed a fragrant bouquet and concentrated taste of ripe plums and cassis, with notes of pears and exotic fruit in its soft finish, perfect to match grilled steak and roasts.

 

Château Cantenac

      Founded in 1870 and since 1937 owned by the family of its current proprietor, Nicole Roskam-Brunot. Often confused with the Margaux property Chateau Cantenac Brown, this 47-acre estate is situated about two miles west of the village of Saint Émilion and planted with 75% Merlot, 24% Cabernet Franc and 1 % Cabernet Sauvignon grapes.
      In addition to producing top quality wine, this facility serves as a teaching site for interns from UC Davis. In fact, three of its female interns ended up marrying the sons of the owner, with two still involved in winery operations; Adrienne Roskam, one of those former interns, took us on our tour of the winery.
      About 4,000 cases a year of the main wine (Château Cantenac), fermented in temperature-controlled cement tanks and aged for 18 months following fermentation, are produced annually, with smaller amounts of Château Cantenac (Séléction de Madame), Château Cantenac (Climat), Moulin de Grénet and Château Lauzette Déclerq also produced. The 2020 Château Cantenac ($25) showed a bouquet and taste of ripe plums and cherries with notes of pears and apricots in its finish, perfect to mate with grilled duck breasts or roast leg of lamb.

 

Clos des Jacobins

      Located less than a five-minute car ride from the town of Saint Émilion, this small winery annually produces about 2,500 cases of the Grand Cru Classe “Clos des Jacobins,”  which we first became acquainted with the night before our visit at nearby L’Atélier de Candale Restaurant (owned by Magali and Thibault Candale). Taking its name from the Benedictine monks baptized as Jacobins (for Saint Jacques), the 21-acre vineyard, primarily surrounding the winery, and a second smaller plot near Château Angélus, date back to the 1700s and are planted to about 80% Merlot, 18% Cabernet Franc and 2% Cabernet Sauvignon.

      The idea is to make small amounts of top-class wine that’s easy to enjoy with food, explained the son of winemaker Maxime Masset. Following harvest, the grapes undergo maceration, after which fermentation is conducted in French oak tanks with aging in French oak barrels (about 75% new) for 18 months. The 2010  showed a bouquet and taste of ripe cherries and plums with soft tannins and hint of vanilla in its memorable finish. No less wonderful, the 2016 ($35) had a bouquet and taste of raspberries and cassis with notes of wild strawberries and of brioche in its finish.  



















Dr. Geoff Kalish writes about wine for several publications. He lives in Mount Kisco, NY. 





❖❖❖






ARTICLES WE NEVER FINISHED READING 

"Finally, I Can Fulfill My Fantasy of Licking a Dive Bar Wall (Said No One Ever)" by Bettina Makalintel, Eater.com (8/15/22)




















The Encyclopedia of American Food and Drink by John F. Mariani (Bloomsbury USA, $35)

Modesty forbids me to praise my own new book, but let me proudly say that it is an extensive revision of the 4th edition that appeared more than a decade ago, before locavores, molecular cuisine, modernist cuisine, the Food Network and so much more, now included. Word origins have been completely updated, as have per capita consumption and production stats. Most important, for the first time since publication in the 1980s, the book includes more than 100 biographies of Americans who have changed the way we cook, eat and drink -- from Fannie Farmer and Julia Child to Robert Mondavi and Thomas Keller.


"This book is amazing! It has entries for everything from `abalone' to `zwieback,' plus more than 500 recipes for classic American dishes and drinks."--Devra First, The Boston Globe.

"Much needed in any kitchen library."--Bon Appetit.




Now in Paperback, too--How Italian Food Conquered the World (Palgrave Macmillan)  has won top prize  from the Gourmand World Cookbook Awards.  It is a rollicking history of the food culture of Italy and its ravenous embrace in the 21st century by the entire world. From ancient Rome to la dolce vita of post-war Italy, from Italian immigrant cooks to celebrity chefs, from pizzerias to high-class ristoranti, this chronicle of a culinary diaspora is as much about the world's changing tastes, prejudices,  and dietary fads as about our obsessions with culinary fashion and style.--John Mariani

"Eating Italian will never be the same after reading John Mariani's entertaining and savory gastronomical history of the cuisine of Italy and how it won over appetites worldwide. . . . This book is such a tasteful narrative that it will literally make you hungry for Italian food and arouse your appetite for gastronomical history."--Don Oldenburg, USA Today. 

"Italian restaurants--some good, some glitzy--far outnumber their French rivals.  Many of these establishments are zestfully described in How Italian Food Conquered the World, an entertaining and fact-filled chronicle by food-and-wine correspondent John F. Mariani."--Aram Bakshian Jr., Wall Street Journal.


"Mariani admirably dishes out the story of Italy’s remarkable global ascent to virtual culinary hegemony....Like a chef gladly divulging a cherished family recipe, Mariani’s book reveals the secret sauce about how Italy’s cuisine put gusto in gusto!"--David Lincoln Ross, thedailybeast.com

"Equal parts history, sociology, gastronomy, and just plain fun, How Italian Food Conquered the World tells the captivating and delicious story of the (let's face it) everybody's favorite cuisine with clarity, verve and more than one surprise."--Colman Andrews, editorial director of The Daily Meal.com.

"A fantastic and fascinating read, covering everything from the influence of Venice's spice trade to the impact of Italian immigrants in America and the evolution of alta cucina. This book will serve as a terrific resource to anyone interested in the real story of Italian food."--Mary Ann Esposito, host of PBS-TV's Ciao Italia.

"John Mariani has written the definitive history of how Italians won their way into our hearts, minds, and stomachs.  It's a story of pleasure over pomp and taste over technique."--Danny Meyer, owner of NYC restaurants Union Square Cafe,  The Modern, and Maialino.

                                                                             











❖❖❖

FEATURED LINKS: I am happy to  report that the Virtual Gourmet is  linked to two excellent travel sites:

Everett Potter's Travel  Report

I consider this the best and savviest blog of its kind on the  web. Potter is a columnist for USA Weekend, Diversion, Laptop and Luxury  Spa Finder, a contributing editor for Ski and  a frequent contributor to National  Geographic Traveler, ForbesTraveler.com  and Elle Decor. "I’ve designed this site is for people who take their  travel seriously," says Potter. "For travelers who want to learn about special  places but don’t necessarily want to pay through the nose for the privilege of  staying there. Because at the end of the day, it’s not so much about five-star  places as five-star experiences." 






Eating Las Vegas

John Curtas has been covering the Las Vegas food scene since 1995. He is the author of EATING LAS VEGAS - The 52 Essential Restaurants, and his website can be found at www.EatingLV.com. You can find him on Instagram: @johncurtas and Twitter: @eatinglasvegas. 




              



MARIANI'S VIRTUAL GOURMET NEWSLETTER is published weekly.  Publisher: John Mariani. Editor: Walter Bagley. Contributing Writers: Christopher Mariani,  Misha Mariani, John A. Curtas, Gerry Dawes, Geoff Kalish. Contributing Photographer: Galina Dargery. Technical Advisor: Gerry McLoughlin.

 

If you wish to subscribe to this newsletter, please click here: http://www.johnmariani.com/subscribe/index.html



© copyright John Mariani 2022