MARIANI’S

Virtual Gourmet


  October 23 2022                                                                                            NEWSLETTER


Founded in 1996 

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"GOODFELLAS" (1990)

        

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IN THIS ISSUE
IS BRIAN LEWIS THE BEST CHEF
IN NEW ENGLAND?
By John Mariani

NEW YORK CORNER
AVRA ROCKEFELLER CENTER
By John Mariani

ANOTHER VERMEER
CHAPTER FORTY-TWO
By John Mariani

NOTES FROM THE WINE CELLAR
J. LOHR PLANS FOR THE FUTURE
By John Mariani



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On this week's episode of my WVOX Radio Show "Almost Golden," on Wed. October  26 at 11AM EDT,I will be interviewing Brian Freedman, author of CRUSHED  Go to: WVOX.com. The episode will also be archived at: almostgolden.






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IS BRIAN LEWIS THE BEST CHEF IN NEW ENGLAND?
PLACE YOUR BETS



By John Mariani
PHOTOS BY LULI BURKE


 

            From Greenwich, Connecticut, to Portland, Maine, New England is blessed not only with an extraordinary bounty of food from the fields and woods and lakes and sea but also, since the 1980s, a generation of chefs who utilized that provender to create a food culture as rich as any in America.
     Chefs like Nitzi Rabin of Chillingsworth, Daniel Bruce at the Boston Harbor Hotel, Ana Sortun of Oleana, Jody Adams of Porto and Melissa Kelly of Primo were the pioneers, and, in so many ways, Brian Lewis is heir to their experience and expertise over the last decade, tying together several culinary strains into a loose fabric at his four restaurants, three in Connecticut, one in Rye, New York.

      I first enjoyed Lewis’s cooking at the Bedford Post Inn, when it was opened by actors Richard Gere and his wife Carey Lowell, then at his own place, Elm, in New Canaan, where he was already showing a talent for Asian flavors and techniques he furthered at The Cottage in Westport. So entranced by Japanese cuisine was Lewis that he opened OKO, in both Westport and Rye, as a superlative rendering of sushi and other innovative delicacies that go far beyond the usual offerings.
      A return visit this month to the Westport Cottage, followed by a first visit to the Greenwich Cottage, strongly indicated that Lewis is at the top of his form in refining his techniques and focus. I have rarely tasted so many dishes that seemed so well conceived and so thoroughly worked through so that every ingredient—as many as possible from local purveyors—complements the rest with a sure balance of richness, seasonings and textures.
     Thus, everything in his Fort Hill Farm tomato salad of Romaine lettuce, a basil aïoli, pancetta bacon and brioche crouton ($18) was the best of the season. A simple starter of creamy house-made ricotta spread on sourdough toast with tiger figs, pistachios and balsamico ($17) opened the palate on a lush note, followed by a wild fluke crudo enlivened by tangy Sicilian orange, anise-like fennel and Serrano chili ($19). A cream-colored velouté of local corn with peekytoe crab, jalapeño salsa and cool melon ($18) was a delicate but vibrant pleasure.
      Regulars refuse to allow Lewis ever to remove a fried rice dish from his menu, at Westport tossed with lobster, plum, sesame and oozy quail eggs ($23),  or the wagyu brisket Asian buns with Napa kimchi, duck fat potato tempura and ink aïoli ($12 each). Then there are always sumptuous, house-made pastas,  like the signature corn tortelloni laced with basil oil and a good dose of Parmigiano ($19/$29). Main courses, which include a very good burger with Comté cheese and sriacha aïoli ($24), revel in Atlantic bounty in dishes like firm Rhode Island black bass with fregola grain, almonds, caramelized fennel and mussels ($38), and New Jersey scallops with corn and bacon succotash, romesco and Maxibel pecans ($39).
      All sections of the menu are of the same fabric, so desserts match the preceding dishes, like Lindsay Shere’s almond cake with ripe peaches and rich mascarpone ($13), and dark chocolate s’mores plus graham cracker crumb and toasted meringue ($13). For all these ingredients, these dishes all seem sensibly priced, and you’ll undoubtedly share some.
      The premises at Westport are cozy in their barn wood veneer, but that means it can get very loud when there’s a full main dining room; ask to sit in the bar.

      Twenty minutes away at the new Greenwich Cottage, I expected to find more or less the same menu as in Westport, yet Lewis wants his new baby to walk on her own, so the menu there begins with spicy squid and fatted pork belly with kumquat citrus-chili kosho, cashews and squid caramel ( $19), and a wonderful miso black cod with shiitake marmalade, “ember” aïoli and buckwheat crêpe ($23). The fried rice dish is made with duck ($21.) The pastas include a very rich foie gras stuffed into cappellacci  with Sherry-laced prunes and toasted almonds ($24/$34) and corsetti impressed with a stamp figure and served with sweet Gorgonzola and a hazelnut prosciutto crumble ($18/$28).  
     
Among the main dishes is Maine halibut baked in spruce with cauliflower and kale and pickled grapes and burnt onion ($42). Casco Bay cod is perfumed with garlic oil and served with cocoa beans, sweet buttery leeks and a confit of egg yolk and chorizo sabayon ($39). Wagyu beef short ribs in Barolo is a bit too much of a good thing, amplified with dried cherry and walnut Shropshire crumbs on mascarpone grits ($55); in this, less would have been more than enough. I had my first venison saddle of the season, roasted with juniper and thyme, as well as brown butter parsnips, chanterelles and huckleberries ($48),  the epitome of autumn.
      And for dessert it was good old fashioned carrot cake ennobled  with buttermilk sorbet and coffee walnut crumble ($13) as well as “drunken affogato” of vanilla gelato with a pour of black apple rum and espresso ($11).
      The dining room in Greenwich, quite sunny during the day, has a pleasant lighting during the evening and the cheery colors of the sea. Depending on who’s sitting next to you —pray it is not table of investment bankers celebrating the purchase of a hotel chain (not untypical among Greenwich loudmouths)—the noise level varies.
      Both Cottage restaurants have good, solid wine lists with a sufficient number by the glass, most around $16.
      I am always anxious when a chef—and high praise should go to Lewis’s sous-chefs and cooks for consistency—branches out too widely and quickly, so often losing control.  But Lewis is now showing a true mastery of a form one might call New England tradition with sensible Pacific notes that make his cuisine all the more impressive.
      Is he the best chef in New England? When I get around to all of them, I’ll let you know. But right now, Brian Lewis is garnering gold.

 




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NEW YORK CORNER


AVRA ROCKEFELLER CENTER

1271 Avenue of the Americas

212-430-8888




By John Mariani

 

            It was a windy, rain-swept October Monday night in Manhattan. The Broadway theaters were dark, so was Radio City Music Hall. Yet the five-month-old Avra Rockefeller Center’s 400 seats were packed by 7:15, spread over three huge floors and at its long bar. The smartly dressed hostesses were scurrying to acknowledge and seat people pushing their way through the tall revolving doors. There were after-work guys unwinding at the bar; women dressed to the nines; slobs in  t-shirts ordering platters of shellfish; suits discussing business; parties of celebratory families.  Just a typical Monday night in NYC.         
      
They might have gone to other grand dining spaces nearby, like Oceana, Del Frisco’s, Le Rock or Milos, even to Avra’s two, older siblings east of Fifth Avenue. But here was a crowd of people who came not because Avra is new or trendy, or rich in celebrities; nor had it even been reviewed one way or the other by the New York media. Clearly the crowd was at Avra RC because it is a dazzling 16,500-square-foot space in the former Time-Life Building, which, after a $600 million renovation, has managed to lease just about every space.   
     
The Avra Group’s Nick Tsoulos, Marc Packer and Nick Pashalis were in talks just before Covid hit, which delayed the opening until last June, perhaps a blessing in disguise, for the rush of people to eat at Avra RC has been growing from the start. Even with all those work-at-home employees still absent from the surrounding skyscrapers, Avra RC is even doing a brisk lunch business.
            There is a branch in Beverly Hills and, next month, one opening in Sunny Isles, Florida, so Tsoulos and his partners now have a breadth and depth of experience in creating, stocking and servicing big spaces. Tsoulos was born in the coastal Greek village of Nafpaktos,  where his family enjoyed seafood right off the boat. An immigrant in Astoria, he opened tavernas there and in Manhattan, then, the first Avra in 2000 on East 48th
 Street.
        He is a big guy, his head shaven, his brawny frame fitted within a black leather jacket, and he loves talking with his guests, who by now include legions of regulars. His aim was always to buy the best ingredients and import as much as possible from Greece and the Mediterranean. (Avra puts its own olive oil on the table.)
      Having seen the success the ultra-expensive Greek seafood restaurants named Milos (now seven in number ) had in displaying the fish openly on ice and priced by the pound, Tsoulos veered away from the rustic taverna style towards the higher (deeper?) end of the market, charging prices that were high but not quite at the stratospheric level at Milos.  The Avra Group appointed Executive Chef Arman Arsan and Jose Diaz to create the menu and hired a young staff of lovely hostesses, enthusiastic captains, waiters and busboys, who, in a wonderful throwback of gentility, change your tablecloth after the main course is cleared.
            The highly informed wine and beverage manager Johnny Kozlowski is equally as eager to tell you as much as you’d care to hear about his 600 selections (1,200 if drawn from the other Avra lists) from some of the finest, newest and smallest vineyards in Greece and Cyprus, as well as beers, liquors and other elixirs, even three ouzos. Cocktails are twenty bucks.
            The premises are by the Rockwell Group—one of their best designs in years—and, because of  the cathedral-like size of Avra, the noise level, depending on where you sit, can be very high. If  you can snare a booth, you’ll be very comfortable.
            The menu is long and sectioned off, and appetizers are enough for two people, like the bountiful Greek salad containing barrel-aged arahova sheep and goat’s milk feta ($28.95); the very tender and well-seasoned octopus with sweet Vidalia onions, capers, Bell peppers and wine vinaigrette ($34.95); and the tender fried calamari ($24.95). 
      
I love the way they fry zucchini, as thin crepe-like discs stacked on one another to be picked up hot and eatenlike potato chips ($26.95). There are a few ceviches, and our lavraki (sea bass) had a generous dressing of  sesame oil, Sriracha, endive, green and red peppers, jalapeño and sesame seeds ($32.95). There is one oddity worth mentioning: You get crackers and dips to start, but no pita bread; not even on the menu.
           Avra RC is by any  account expensive, and with the fish priced by the pound, as per the market, our whole grilled fagri—a meaty, juicy sea bream—was $61.95 per pound, making a three-pounder ring in at a whopping $190.19, shared by our table of four. On any given night there might be a dozen or more species on the ice, ranging from Mediterranean lithrini (white snapper) and tsipoura (dorade) to Scottish langoustines and Dover sole.
        Among the meat dishes are American wagyu and USDA Prime beef, and lamb chops ($64.95).
        The side dishes at Greek restaurants are always a treat. At Avra RC the gigante beans are particularly savory ($15.50), as are the grilled mushrooms ($15.50) and good sautéed spinach ($15.50).
            A mountain of desserts came at the end, the best being the honey-soaked baklavah. Sad to say, a cup of not very hot Greek coffee was watery and bland.
            It goes without saying that Tsoulos and his partners have realized dreams beyond their imagining back in Greece, and they set a tone and style that is as bright as the décor is airy. If you’re willing to spend the money, Avra RC will reward you on many levels that are at once romantic, festive and all in good taste. When we left at 10:30 the place was still more than half full, with people still coming in. (Wednesday through Saturday they close at midnight.).
        While many restaurants take a year or more building a faithful clientele, Avra RC has shot out of the gate to reach that level—for all the right reasons.

 

Open daily for lunch and dinner.

 

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ANOTHER VERMEER

By John Mariani

CHAPTER FORTY-TWO


        Shui Enterprises was located on Zhongxio Road in the downtown business district, which was being widely excavated for new skyscrapers. The building was just five years old, box-like and nondescript, its façade set with both Chinese and English lettering.
            “You ready?” asked David, opening the taxi door.
            “Let’s do it,” said Katie. “I think Mr. Shui is in for a surprise.” It was five minutes to ten.
            They entered the lobby and approached the main desk, announcing their names, saying they had an appointment with Mr. Shui at ten o’clock. The receptionist nodded and checked her list, then looked up and said, “I’m sorry, Ms. Cavuto, I do see that you had an appointment,  but it’s been marked as canceled.”
            “I don’t think that’s correct,” said Katie. “There must be some mistake. Can you call Mr. Shui’s office and check, please?”
            “Of course. Please wait a moment.”
            The receptionist picked up the phone and spoke in a low tone to an associate.  As they spoke, the receptionist kept looking at Katie and David, at first smiling, then with her eyes widening. The conversation went on for a minute, then the receptionist said, “I’m sorry, Ms. Cavuto, there seems to be some misunderstanding. But Mr. Shui’s personal assistant will be down in a moment to assist you.”
            “Sounds like the misunderstanding is over whether or not we’re dead,” David whispered to Katie.
            “I feel fine. How about you?”
            “I’m good.”
            A long five minutes passed, then two men approached Katie and David, bowing slightly, trying to look restrained but in a state of shock. One of them spoke, stuttering over his words.
            “Ms. Cavuto, Mr. Greco, I am Chun Guanting, Mr. Shui’s personal assistant . . . and this . . .  is Mr. Guo. We . . . we are very surprised to see you here this . . . this morning.  We heard you had been . . . in a terrible accident at the Grand Hotel.”
            Katie and David looked at each other and shook their heads.
            “No, we’re fine,” she said. “Couldn’t be better.”
            “Ah,” said David, “you may be referring to the American couple who were found dead in their room, the one that Mr. Shui wished us to stay in last night.”
            The man named Guanting looked increasingly confused, saying, “Forgive me, but . . . you say . . . another couple was in the room and were . . .  killed . . . er, found dead?”
            “Yes, what did you hear?”
            “We were informed two Americans had died but, forgive me, we believed you had been in that room last night.”
            “Luckily, no. There was a gas leak in the room. We were down the hall in another room. Didn’t Mr. Chou, the general manager, tell you we changed rooms?”
            Guanting spoke to Guo in Chinese, then said, “If I may just make an inquiry . . . I will be back very shortly.  Please, please, make yourselves comfortable here. I shall have some tea brought to you.”
            David looked at Katie as if to say, “I wouldn’t drink it if I were you.”
            Guanting left the lobby, leaving Guo behind, his hands folded at his waist.  David looked him over to see if he was carrying a weapon.  Nothing he could see.            Five more minutes went by. The tea, set on an elaborate tray, arrived, but before the two Americans had a chance to say no thanks, Guanting was back, asking if they would come with him to meet with Mr. Shui. “He is very concerned about your welfare,” said Guanting.
            As the four of them went up in the elevator, David asked, “So did Mr. Chou tell you we changed rooms?”
            “I do not know,” said Guanting.
            “Did he call Mr. Shui early this morning and tell him that two people had been killed in the room?”
            “I am sorry, I do not know. Perhaps Mr. Shui will know.”
            They were ascending in a private elevator, stopping at the 15th floor. Katie noticed, contrary to elevators in the west, that there was a 13th floor button; apparently the Chinese regard it as a lucky number.
            They exited the elevator and were ushered into an office where a secretary, saying nothing, bowed, then led Katie, David and the two other men into a large wood-paneled office, set with exquisite Chinese artwork. Mr. Hai Shui, all five feet three inches of him, was standing, squinting intensely at the two Americans, as if making sure they were not ghosts.
            “I see you are . . . all right,” said Shui.
            “Yes,” answered Katie, who introduced herself and David, without getting a bow or handshake from their host. “We are fine, Mr. Shui. We were in another room when the accident happened.”
            “And may I ask why you were put in another room after I asked Mr. Chou to put you in that suite as my guest?”
          Katie glanced at David. So clearly Chou had never called Shui about the change the day before, probably embarrassed to do so.
            “It was a generous offer, Mr. Shui,” said Katie, “but my magazine does not permit me to accept such lavish gifts,” then, before he had a chance to respond, she asked, “Well, did Mr. Chou speak to you this morning about the accident?”
            Despite Katie’s matter-of-fact tone, Shui already sensed he was being interrogated. “No, I have not heard from Mr. Chao, but we have associates staying at the hotel and they had heard about it and called my office.”
            “I can understand, then, why you thought our appointment this morning would be canceled,” said David, deadpan.
           “Yes, yes, of course,” said Shui. “We were shocked by the news, and we were waiting to hear more.”  He said something to his assistants  in Chinese.
            Katie and David were now seated and she brought out her notepad and asked if she might use her tape recorder.
            “I am afraid not, Ms. Cavuto,” said Shui. “We have a policy against that in this office,” then nodded to Guo to remove the recorder from the table. He put it into his jacket pocket.
            “Not a problem,” said Katie, smiling. “Well, as you know, I am doing a story on the sale of the Jan Vermeer painting that is coming to auction this month, and I understand you might be bidding on it.”
            “Perhaps so,” said Shui.
            “And from what I’ve read, there may be some special attachment you and your family have to this painting?”
            Shui had not expected Katie’s question, intrigued that she’d made a connection no one else had ever suggested. “And why do you say that?”
   
        Katie quickly summarized, in as few words and as clearly as possible, the theories hatched months before in the Fordham University office, how the words “sui jen” and the clues that tied the painting to China, or at least Asia, might refer to Shui’s family or “gold across the water,” perhaps both.
            Mr. Shui held his fingers under his chin and showed a slight smile.
            “You have done your homework, Ms. Cavuto.  I congratulate you on your findings, so let me tell you the rest of the story.”
            Katie flipped to a fresh page in her notebook and poised her pen for her form of shorthand.
            “You are correct about the phrase ‘sui jen,’ in both senses.  It is—what do you call it?—a . . . pun? My ancestors did indeed request a Dutch artist to make such a painting to commemorate a business transaction with the Dutch to buy gold from them, which was very rare in China then. 
       
“Apparently, my ancestors could not afford to have a master like Rembrandt paint a picture for us, but I suppose this young artist Vermeer was recommended, so he got the contract. I can only suppose my ancestors looked at two similar paintings, which you may be familiar with, The Astronomer and The Geographer? Perhaps Vermeer suggested a version like those.”
            Katie and David nodded.
            “Ah, good. So, the painting was commissioned—we still have the documents—and some time later, perhaps by 1670, the painting was transported to my ancestors’ home in Beijing. And there it stayed for hundreds of years.  No one, not even the western art critics, had much knowledge of Vermeer’s work, or cared very much about it.”
            “So your family’s Vermeer just sort of got lost in history?” asked David.
            “Yes, until the revolution. I’m sure you know that when Mao Zedong fomented his disgraceful rebellion against the Chinese people, the Nationalist Chinese tried to move as many of China’s art treasures as possible here to Taiwan. During that time many, many works of art long forgotten were being scrutinized, and my parents had always hung the painting out of the way, in their private quarters.
            “My family tried to take with them as much artwork as possible but it was impossible, and my father, who had only a sentimental attachment to the Vermeer—this was back in 1949—decided he could not take it on the last shipment out of China. Along with many lesser works, the Vermeer stayed in China for the next four decades, until it was announced it would be auctioned off in Hong Kong.”
            “Was it in the National Museum in Beijing?” asked David.
            “If it was, it was never displayed. Perhaps they had no idea what they had, and anyway western art was considered decadent until recently.”

 


To read previous chapters of ANOTHER VERMEER, go to the archive
 


© John Mariani 2022


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NOTES FROM THE WINE CELLAR



J. LOHR PLANS FOR THE FUTURE
By John Mariani




 

 

         Back in the 1960s, Jerry Lohr, who had been raised on a South Dakota farm, sought vineyard land in California’s Central Coast area at a time when Napa Valley was just starting to experiment with what led to the California Wine Revolution of the 1970s, when Lohr was planting Cabernet Sauvignon in Monterey’s Arroyo Secco district. A decade later he was being called the “Robert Mondavi of the Central Coast.” Now eighty-five, Lohr is as involved and forward-thinking as many of the second-generation California winemakers, who got into the business because Lohr proved it could be very profitable. In  New York I sat down over dinner with J. Lohr Vineyards & Wines’ Rhonda Motil (below), Vice President Marketing, to find out what the future holds for the company and the business of wine.

Over the years of your tenure at J. Lohr, what have been the major changes?

The role of marketing has changed significantly since I first entered the field 25 years ago. Three highlights immediately jump out to me beyond traditional media:
    When I was transitioning into J. Lohr even ten years ago, the role of social media platforms, influencers and ratings/reviews by third parties, beyond key wine publications, was not really even in consideration as a required “skill set.”
 That has all changed now. Therefore, truly understanding the brand and where consumers reside as they make purchasing decisions is key. The path to purchase was a bit more straightforward twenty years ago.    
    Second, digital and e-commerce: From virtual tastings during the course of the pandemic, for both trade and consumers, to innovation in e-commerce, J. Lohr has embraced digital wholeheartedly.
    Third, the team’s efforts have contributed to gaining e-Commerce market share in the online wine category at an extremely fast rate. Our consistent brand representation across all online channels where a bottle of J. Lohr can be bought has been a quick but important ramp. Website traffic has more than doubled from 2019 compared with 2021. (The 2020 Covid year was obviously an outlier.)
       We’ve done innovation in packaging and over the past five years we have  launched three new tiers of wines. The most recent tier launch, J. Lohr Monterey Roots, was acknowledged as the 2022 People’s Choice industry leader for Packaging Redesign and Packaging in a Series. Now more than ever, consumers are interested in innovation.

As VP of Marketing how do you work with the family on decisions?

Jerry Lohr has always been of the philosophy that it takes a team to have success. Therefore, our culture is built upon “extended family.” I view Jerry as quite the mentor and I will always be grateful for his guidance on my entry into the wine industry. Jerry was leading the executive search committee back in 2001 when the Monterey County Vintners & Growers Association was seeking an Executive Director to lead the growing trade association. While I had little industry experience at the time, Jerry felt that he saw talent and that the skills and knowledge of the wine industry that I lacked could be taught. I was fortunate to be hired into that job and retained the role for ten years before transitioning to J. Lohr.
    I assumed the role of VP Marketing in 2016, succeeding Cynthia Lohr, who winnowed her focus to trade and brand strategy. Now, twenty years later, and nearly another ten years with J. Lohr, I am part of an extended group of leadership that the family collaborates with on decisions and marketing direction, including collaborating hands-on with Cynthia, now Chief Brand Officer (right, middle), who oversees marketing, branding and direct-to-consumer sales. This includes not only weekly input sessions, but ongoing touch-base sessions on consumer direction and preferences. The market is moving so fast that this regular dialogue and partnership is key.

 

Do you use panels to test out your ideas?

Customer perspectives and target market feedback are extremely important for us as we make business and marketing decisions. We are fortunate that we have a large Wine Club base that is actively involved at J. Lohr. These diverse brand ambassadors span every demographic and area of the U.S., which gives us a great pool of ambassadors to get feedback from.

 

Tell me about the virtual tastings during Covid.

We were an early adopter of virtual tastings during Covid because we knew it was key to consumer engagement. We tested a number of different formats but landed on “At Home with J. Lohr,” a program which launched in May of 2020 with a schedule of virtual events under my team’s direction, with the idea of providing a fun and engaging digital space where we could creatively connect with our friends, family and extended J. Lohr family. As you explore the “At Home with J. Lohr” page, you'll find our J. Lohr Family, Place, and Craft virtual events. These were debuted first to our J. Lohr Wine Clubs on May 6, 2020, where we brought to life the unique stories of our winemaking team, our chosen appellations, and our commitment to sustainable practices as well as winemaking leadership that are at the heart of our business.

 

Post-Covid, how has wine tourism rebounded?

During the height of Covid, we took the opportunity to review and reimagine all hospitality spaces at both our J. Lohr Paso Robles Wine Center and our J. Lohr San Jose Wine Center, all led by Cynthia Lohr in continued efforts to restrategize our direct-to-consumer business. Understanding trends in both indoor and outdoor experiences, seated tastings, and reservation-style communications shaped many of our decisions. During a time of uncertainty, it was also important that we maintained a growth mindset within the team, brainstorming use of space, how to provide consistent high-touch service, how to add personalization to experiences, and how to best connect with our J. Lohr fans in our “new normal.” 
    We initially prioritized expansion of our outdoor seated tastings, modifying these experiences seasonally to feature J. Lohr small-lot, single-vineyard, and winery-exclusive gems. In San José`, we took advantage of our urban neighborhood setting and staged our outdoor setup against the backdrop of our beautiful brick façade. In Paso Robles, we positioned our guests with endless views of vineyards and oaks. Regardless of location, increased attention to detail with outdoor experiences allowed us to maintain these offerings throughout the seasons.
      Our Paso Robles tasting room reopened in February 2022 with every element of the room being touched and improved upon. Recognizing throughout the brainstorming process that we have even more potential for expanded offerings, we continued with the planning and broke ground in October 2022 for the next phase of our Paso Robles remodel, to include a Tasting Salon with all seated tastings, lounge seating, a fireplace, and a private room for our most elevated experiences. Utilizing inspiration from indoor-outdoor entertaining that became even more popular during Covid, this room will fully open to an extended patio that leads guests to our demonstration vineyard.

     
As we commence the next remodel phase in Paso Robles, we are also wrapping up improvements to our J. Lohr San Jose Wine Center. New to the space in 2022 is stylish and comfortable furniture so that we can continue to elevate the guest experience both indoors and outdoors. A critical piece that is top-of-mind post-Covid is recruiting and retaining the right talent. Jessica Kolloff, senior industry hospitality expert for 20 years, works closely with Cynthia to build and inspire a team of J. Lohr hospitalitarians. The development and transformation of the entire hospitality team, while watching them interact with guests who are eager to experience life again, may be the most rewarding aspect in a post-Covid world.

 

Are Central Coast wineries as vulnerable as Napa and Sonoma to fires?

Our wine colleagues and friends to the north of J. Lohr’s primary vineyards in Monterey and Paso Robles have been hit harder by fires that have occurred in California in recent years. That noted, we do have a beloved 35-acre vineyard in Napa and we consistently monitor climatic factors that are impacting the area.

 

How about drought?

Central Coast wineries are certainly vulnerable to drought, and we’ve . spearheaded several initiatives and research to combat these challenges, which is a complex and evolving area.

 

What can be done to reduce the footprint of glass bottles in the future? Thinner, stronger bottles?

Glass suppliers are working on durable, light-weight molds that are compatible with existing bottling lines that could potentially reduce the overall bottle weight by as much as 15%. However, producing light-weight glass is not an easy task, as a bottle is only as strong as its weakest spot. We continue to diligently monitor best practices and lightweight glass manufacturing, as producing sustainable products and using vendors/supplies that are sustainable, are always top of mind for us. J. Lohr also believes there is an opportunity with keg wine to help reduce the carbon footprint of glass bottles. We were one of the early wineries to embrace a wine-in-keg program. We did this partly for sustainability reasons, and partly to reach a newer, younger demographic. Two of our key J. Lohr Estates wines, our J. Lohr Estates Flume Crossing Sauvignon Blanc and our J. Lohr Estates Falcon’s Perch Pinot Noir, are offered in kegs.

 

Has the wine industry put serious effort into using solar power?

We have a solar tracking array system that provides our Paso Robles facility with 75% of its electrical needs and another in Greenfield that provides the Greenfield winery with 100% of its needs. It’s worth noting that our Paso Robles tracking array (which is still the largest in the North American wine industry) follows the path of the sun, making it more efficient than fixed arrays.

 

Why did you promote your 375 ml bottles?

We’ve been in the 375ml format space for quite some time, with placements in hotels, movie theaters, and more recently as a by-the-glass feature or to-go offering. According to a Nielsen report, 375 mls grew in sales by more than 70% through off-premise channels last year. The convenient size allows consumers the option to enjoy the same quality of their favorite J. Lohr wines in non-traditional settings. Our 375 ml option also provides an optimal experience for consumers during midweek occasions at home, allowing them to enjoy our ultra-premium wines, such as the J. Lohr Hilltop Cabernet Sauvignon without purchasing a full bottle.

 

Is there concern that Generation X is not as interested in wine as their predecessors?

There are so many options now for consumers,  and we know that the younger consumer is a bit more willing to explore. In the just-released Nielsen 2022 Mid-Year Review, the stats showed that the convenience channel whiskey is up 4.6%YTD. Though buying trends indicate that millennials aren’t buying as much wine as Baby Boomers, we’re addressing this by continuing to create new and enticing marketing strategies to keep the younger consumer interested in our wines. We recently unveiled J. Lohr Monterey Roots, a new tier of wines that spotlight our history of family viticulture and winemaking in Arroyo Seco in Monterey County. 
Both wines bear the Certified California Sustainable seal on their back labels. With this  tier, we’re attracting the next generation of wine consumers by focusing on the fun, adventurous, no-attitude spirit of these wines. The fact that these wines are Certified California Sustainable, and under 90 calories a glass. appeal both to the values and the lifestyle choices that many new consumers are seeking and embracing.

 

With increased global competition how do you and JL plan to market your wines over the next five years?

J. Lohr is a trusted brand. Coming up on 50 years of continuous family ownership is a major milestone in today’s wine and spirits environment. While we never rest on our laurels, we recognize that consumers in the $20+ category want a brand that they can trust vintage after vintage. This milestone anniversary will be a key strategic milestone and marketing message in 2024.
       
Family ownership in day-to-day management definitely differentiates J. Lohr from its competitors. Steve, Cynthia, and Lawrence Lohr grew up in the business and have worked closely with their father in every aspect of the company. Steve is President and CEO and continues Jerry’s tradition of industry service. Steve is a past Chair of both the Wine Institute and California Sustainable Winegrowing Alliance. Cynthia is the company’s wide-ranging Chief Brand Officer. Her leadership positions such as past Vice President of the Paso Robles CAB Collective and member of the Advisory Council for Women of the Vine & Spirits, among other posts, are a natural evolution as Chief Operating Officer, Vineyards and she works alongside Jerry on projects involving  the company's estate wine growing properties and supports the winery’s national sales and marketing programs. Lawrence also serves on the board of directors for Wine Institute and the Monterey County Vintners & Growers Association. Acting together as the executive team, all four Lohr family members oversee the company’s day-to-day operations. The experience and passion of this next generation of the Lohr family ensure that one of California’s historic, best-known wineries is in good hands – today and into the future.

   
We take great pride in the practice of  “Produced and Bottled.” Owning our own vineyards and wineries enables us to produce consistently superior wines, vintage after vintage. Complete “soil to bottle” management is the key to that quality and craft. This rigorous, integrated philosophy is echoed in the legal term “Produced and Bottled By” on J. Lohr back labels. It is a guarantee of category leadership and a commitment to consistently over-deliver on quality at every price point. We feel that this is not only a differentiator now, but for years to come.

    We will continue designing innovative in-store and restaurant campaigns that appeal to major accounts. Efforts have contributed to positioning the J. Lohr’s Estates-tier of Cabernet as the #1 selling AVA-designated wines in its respective category, per Nielsen.
We will continue to hone in on our philanthropic partner programs; inclusive of our J. Lohr Touching Lives partnership with National Breast Cancer Foundation, and manage marketing team oversight of 200+ annual relationships and donations. Consumers want to be affiliated with, and buy products from, brands that they know are making a difference in their communities and the world.
   
We believe that sharing details on our sustainability efforts and programs is important. Research has shown that products that are sustainable carry added meaning for consumers in their purchasing decisions. In recognition of our commitment, we received the 2020 Green Medal Leader Award, which is the highest California sustainability honor in the industry. We now have over 25 wines that have been certified as sustainable.

 







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ANNALS OF GREAT JOURNALISM


“A Life-Changing Clam Pizza”—by Nikita Richardson NYTimes (9/14/22)












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 Any of John Mariani's books below may be ordered from amazon.com.



   The Hound in Heaven (21st Century Lion Books) is a  novella, and for anyone who loves dogs, Christmas, romance, inspiration, even the supernatural, I hope you'll find this to be a treasured  favorite. The  story concerns how, after a New England teacher, his wife and their two daughters adopt a stray puppy found in their barn in northern Maine, their lives seem full of promise. But when tragedy strikes, their wonderful dog Lazarus and the spirit of Christmas are the only things that may bring his master back from the edge of despair. 

WATCH THE VIDEO!

“What a huge surprise turn this story took! I was completely stunned! I truly enjoyed this book and its message.” – Actress Ali MacGraw

“He had me at Page One. The amount of heart, human insight, soul searching, and deft literary strength that John Mariani pours into this airtight novella is vertigo-inducing. Perhaps ‘wow’ would be the best comment.” – James Dalessandro, author of Bohemian Heart and 1906.


“John Mariani’s Hound in Heaven starts with a well-painted portrayal of an American family, along with the requisite dog. A surprise event flips the action of the novel and captures us for a voyage leading to a hopeful and heart-warming message. A page turning, one sitting read, it’s the perfect antidote for the winter and promotion of holiday celebration.” – Ann Pearlman, author of The Christmas Cookie Club and A Gift for my Sister.

“John Mariani’s concise, achingly beautiful novella pulls a literary rabbit out of a hat – a mash-up of the cosmic and the intimate, the tragic and the heart-warming – a Christmas tale for all ages, and all faiths. Read it to your children, read it to yourself… but read it. Early and often. Highly recommended.” – Jay Bonansinga, New York Times bestselling author of Pinkerton’s War, The Sinking of The Eastland, and The Walking Dead: The Road To Woodbury.

“Amazing things happen when you open your heart to an animal. The Hound in Heaven delivers a powerful story of healing that is forged in the spiritual relationship between a man and his best friend. The book brings a message of hope that can enrich our images of family, love, and loss.” – Dr. Barbara Royal, author of The Royal Treatment.




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The Encyclopedia of American Food and Drink by John F. Mariani (Bloomsbury USA, $35)

Modesty forbids me to praise my own new book, but let me proudly say that it is an extensive revision of the 4th edition that appeared more than a decade ago, before locavores, molecular cuisine, modernist cuisine, the Food Network and so much more, now included. Word origins have been completely updated, as have per capita consumption and production stats. Most important, for the first time since publication in the 1980s, the book includes more than 100 biographies of Americans who have changed the way we cook, eat and drink -- from Fannie Farmer and Julia Child to Robert Mondavi and Thomas Keller.


"This book is amazing! It has entries for everything from `abalone' to `zwieback,' plus more than 500 recipes for classic American dishes and drinks."--Devra First, The Boston Globe.

"Much needed in any kitchen library."--Bon Appetit.




Now in Paperback, too--How Italian Food Conquered the World (Palgrave Macmillan)  has won top prize  from the Gourmand World Cookbook Awards.  It is a rollicking history of the food culture of Italy and its ravenous embrace in the 21st century by the entire world. From ancient Rome to la dolce vita of post-war Italy, from Italian immigrant cooks to celebrity chefs, from pizzerias to high-class ristoranti, this chronicle of a culinary diaspora is as much about the world's changing tastes, prejudices,  and dietary fads as about our obsessions with culinary fashion and style.--John Mariani

"Eating Italian will never be the same after reading John Mariani's entertaining and savory gastronomical history of the cuisine of Italy and how it won over appetites worldwide. . . . This book is such a tasteful narrative that it will literally make you hungry for Italian food and arouse your appetite for gastronomical history."--Don Oldenburg, USA Today. 

"Italian restaurants--some good, some glitzy--far outnumber their French rivals.  Many of these establishments are zestfully described in How Italian Food Conquered the World, an entertaining and fact-filled chronicle by food-and-wine correspondent John F. Mariani."--Aram Bakshian Jr., Wall Street Journal.


"Mariani admirably dishes out the story of Italy’s remarkable global ascent to virtual culinary hegemony....Like a chef gladly divulging a cherished family recipe, Mariani’s book reveals the secret sauce about how Italy’s cuisine put gusto in gusto!"--David Lincoln Ross, thedailybeast.com

"Equal parts history, sociology, gastronomy, and just plain fun, How Italian Food Conquered the World tells the captivating and delicious story of the (let's face it) everybody's favorite cuisine with clarity, verve and more than one surprise."--Colman Andrews, editorial director of The Daily Meal.com.

"A fantastic and fascinating read, covering everything from the influence of Venice's spice trade to the impact of Italian immigrants in America and the evolution of alta cucina. This book will serve as a terrific resource to anyone interested in the real story of Italian food."--Mary Ann Esposito, host of PBS-TV's Ciao Italia.

"John Mariani has written the definitive history of how Italians won their way into our hearts, minds, and stomachs.  It's a story of pleasure over pomp and taste over technique."--Danny Meyer, owner of NYC restaurants Union Square Cafe,  The Modern, and Maialino.

                                                                             






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FEATURED LINKS: I am happy to  report that the Virtual Gourmet is  linked to two excellent travel sites:

Everett Potter's Travel  Report

I consider this the best and savviest blog of its kind on the  web. Potter is a columnist for USA Weekend, Diversion, Laptop and Luxury  Spa Finder, a contributing editor for Ski and  a frequent contributor to National  Geographic Traveler, ForbesTraveler.com  and Elle Decor. "I’ve designed this site is for people who take their  travel seriously," says Potter. "For travelers who want to learn about special  places but don’t necessarily want to pay through the nose for the privilege of  staying there. Because at the end of the day, it’s not so much about five-star  places as five-star experiences." 






Eating Las Vegas

John Curtas has been covering the Las Vegas food scene since 1995. He is the author of EATING LAS VEGAS - The 52 Essential Restaurants, and his website can be found at www.EatingLV.com. You can find him on Instagram: @johncurtas and Twitter: @eatinglasvegas. 




              



MARIANI'S VIRTUAL GOURMET NEWSLETTER is published weekly.  Publisher: John Mariani. Editor: Walter Bagley. Contributing Writers: Christopher Mariani,  Misha Mariani, John A. Curtas, Gerry Dawes, Geoff Kalish. Contributing Photographer: Galina Dargery. Technical Advisor: Gerry McLoughlin.

 

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