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MARIANI’S Virtual
Gourmet OCTOBER
4, 2026
NEWSLETTER Founded in 1996 ARCHIVE ![]() Carole Lombard
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NEW
ORLEANS: ANTOINE'S
GOES ON AND ON AND ON By Melanie Young NEW YORK CORNER SPACARELLI'S By John Mariani PEARL CHAPTER THREE By John Mariani GLUTTONY Chapter Three By John Mariani NOTES FROM THE WINE CELLAR SOME ITALIAN BEAUTIES By John Mariani ❖❖❖
NEW
ORLEANS: ANTOINE'S
GOES ON AND ON AND ON By Melanie Young ![]()
Like many individuals who grew up in a
family-run restaurant business, Blount paid
his dues and worked at Antoine’s during high
school and college After taking time to
oversee other businesses enterprises both in
New Orleans and Texas, he returned to the
family business to join Antoine’s in 2005.Blount sat down with us for a recording of The Connected Table podcast to share his family’s story and the legacy of Antoine’s Restaurant, which has withstood the test of the time and its many challenges for nearly 200 years. That includes the Civil War, Prohibition, two World Wars, the Great Depression, Hurricane Katrina and the Covid-19 pandemic. Antoine’s started as a French Quarter boarding house and restaurant that won the hungry hearts of New Orleans society. In 1868 the restaurant moved to its current location on Saint Louis Street. Through shrewd real estate investments, Antoine’s son and chef, Jules Alciatore, expanded the restaurant’s footprint on that block. ![]() Generations of New Orleans families have gathered at Antoine’s alongside visitors to the city to enjoy the restaurant’s timeless haute French-Creole cuisine. These include signature dishes created at Antoine’s like oysters Rockefeller (right), pommes de terre soufflé, pompano en papillote and eggs Sardou. Today, the kitchen is overseen by native New Orleanian Executive Chef Ralph Pausina, who grew up working on his Croatian family’s oyster boats, developing an appreciation for Louisiana ingredients and heritage. Many world legends have dined at Antoine’s, from royalty, religious and political leaders to the arts, entertainment, sports and business. Their autographed photos and letters of
appreciation line the walls of one of the main
dining rooms. Antoine’s has fourteen different
dining rooms of various sizes, each akin
to a miniature museum with items collected
over the years. One, the 1840 Room, is lined
with family portraits. A few rooms are named
for Carnival Krewes, with the most
photographed being the Rex Room. At the Hermes
Bar you can enjoy drinks while you wait to be
seated or enjoy charbroiled oysters and
generous bar bites, from shrimp remoulade and
seafood gumbo to a wagyu beef burger.Some of our favorite dishes at Antoine’s include all the oyster dishes, the soufflé potatoes, pompano Pontchartrain (grilled pompano filet topped with butter poached lump crabmeat in a white wine reduction, Louisiana
blue crab crusted redfish, and beef tenderloin
filet with Marchand de Vin sauce. Whatever you do, save room for dessert. They are all fabulous, but the Baked Alaska (right) is the house specialty. Order in advance and be prepared to be wow’ed. We always enjoy finding an occasion to dine at Antoine’s. Of course, any day is an occasion to dine there. What makes it truly special besides the food and the history is the service that defines New Orleans hospitality. We even have our favorite servers, Murphy and Megan Ruiz, a delightful father and daughter. Murphy have worked at Antoine’s for nearly forty years’ and Megan talks about joining her father and learning from him with admiration. That kind of dedication to fine restaurant hospitality is hard to find these days. Antoine’s is located at 713 Saint Louis Street. The Hermes Bar is located at 725 Saint Louis Street.
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NEW YORK CORNER
SPACCARELLI’S 238 Saw Mill River Road Millwood, NY 914-941-0105 By John Mariani ![]()
I first
visited Spaccarelli’s back when it opened in
1986 and thought it was an above average
suburban Italian restaurant. After it changed
hands in February this year, the Zuppa Group completely
renovated it to be one of most handsome
restaurants in Westchester County, and I
returned to find the food better than I recall
but without much variation from what the menu
had been. After all, why mess with success
over four decades?
As noted, it’s a grand and beautiful space
with high ceilings, tall windows, fine lighting,
polished wooden floors and well-set tables. The
noise level is, thankfully, not too high, but they
don’t need the
The daily
menu has all the old favorites, including the
beloved potato gnocchi alla pomodoro,
potato croquettes and chicken “Cif Ciaf”
with sausage and peppers. I told Edi to have the
chef cook what he wanted me to try and the results
were, overall, superb.
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PEARL
The
Mysterious Death of Janis Joplin By John
Mariani
CHAPTER
THREE
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GLUTTONY
Eating Ourselves Sick
By John
Mariani ![]() CHAPTER
THREE
That some of the
earliest art in prehistory is so consistently
devoted to hunting, preserved and protected deep
within Stone Age caves proves the symbolic
importance of the activity as a form of
story-telling with both practical and mythical
associations. To go by the depictions of such hunts
in cave paintings (the oldest date to about 35,000
years ago) in sites like Cantabria, Spain, and
Lascaux, France, the figures of hunted animals are
not only sophisticated in their artfulness but also
robust, colorful and realistic, showing the sheer,
massive bulk of the prey.
* Although
such figurines were a deliberate exaggeration, the
idea behind them is borne out by modern studies of
how society views women’s curvaceousness.
According to an article in the Journal of
Biological
Psychology (March
2005), "Hip size
indicates pelvic size and the amount of additional
fat storage that can be used as a source of
energy. Waist size conveys information such as
current reproductive status or health status ...
in westernized societies with no risk of seasonal
lack of food, the waist, conveying information
about fecundity and
health status, will be more important than hip
size for assessing a female's attractiveness.”
* It was to be expected that
Hollywood scriptwriters and producers had no use
for such tribal niceties, instead depicting
grunting cave men and cosmetically enhanced women
in movies like One Million B. C. (1940 and
1966), Prehistoric
Women (1960), Valley of the
Dragons (1961) and When
Dinosaurs Ruled the Earth (1970) showing the
dominant males of the tribe fighting over
meals—including dinosaur meat—while throwing
scraps to the rest and treating the females, with
shaven legs and armpits, like slaves.
How human beings went from such
selfless sharing to arguing, even battling over the
spoils of a hunt or harvest, subsequently leading to
a future prospect of gluttonous behavior, is the
story of man’s settling down into villages, towns,
cities and, ultimately, nations. It began about
40,000 years ago, after humans had become so
successful hunting animals like wild horses, cave
lions and woolly mammoths that some large animal
species began to die off, many hunted to extinction. Even the
expansion of hunting grounds after the end of the
Ice Age did not slow a
decrease in game that would eventually cause
hunter-gatherers to consider alternative ways to
raise the kind of food they had always simply
plucked from the trees and the ground. * Spears had been used for
thousands of years for hunting, but about 9,000 BC
man developed the much more effective bow and
arrow.
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NOTES FROM THE WINE CELLAR SOME ITALIAN BEAUTIES By John Mariani ![]()
For a
half century now, Italian wines have been getting
better in every one of its 20 wine-growing regions,
where they have modernized their viticulture, from
Piedmont to Puglia to Sicily. Even the vino
della casa at trattorias is now more than
dependable and well worth ordering. Which is not to
say that Italy does not produce a lot of
undistinguished wine in bulk, much of which the
world has accepted as pleasant and refreshing,
nothing more, which is why there is so much
poor-quality Pinot Grigio and Prosecco flooding the
market. In addition, some higher-end producers
jumped on the idea––not wrongheaded––that people
want to drink fruitier, high-alcohol varietals like
Cabernet Sauvignon and Pinot Noir where such grapes
have scant history in Italy.
Nevertheless, I find that Italian wines,
overall, offer better quality at a reasonable price
than developing wine regions in the New World can
offer. Here are several I’ve enjoyed for just those
virtues. Founded in the
late 1800s by Carlo Vietti in the Langhe hills of Piedmont, Vietti
has been known principally for its superb
Barolos and Barbarescos. In the 1950s Luciana Vietti
married winemaker and art connoisseur Alfredo
Currado, who innovated the way the wines were
made, creating one of the first Barolo crus (1961
Rocche di Castiglione). In 2016, the
winery was acquired by the Krause family, enabling
Vietti to extend its properties in the Colli
Tortonesi, and others total 185 acres.
I have always loved Barbera, especially
Barbera d’Alba and d’Asti, and Vietti’s
2023 Barbera d'Alba Vigna Scarrone ($61)
comes from a single cru vineyard in the Barolo
area, and there’s no question that it shares a
flavor profile with its big sister Barolo. It is
aged in barriques and casks for 18 months
and unfiltered, giving it extra body, with 15%
alcohol, which is high for Barbera. For those who do
not wish to pay the high price for Barolo, Barbera
d’Alba is a wise choice. While we’re on
the subject of Barolo, one of those I’ve enjoyed
most recently in from Livia Fontana Fontanin
2018 ($45), which is now maturing into a
terrific example. The estate is in Castiglione
Falletto’s Bussia area. Famous for its Barolos, they
combine young and old vines for their own qualities,
both fruity and yet powerful, with good acids and
tannins for a long life.
Nero d’Avola from Sicily has been
growing in popularity for the last five to ten
years, and, with its big fruity nature and soft
tannins, it’s easy to understand why. Azienda
Agricola del Grillo ($40), in Alcamo, is a
fine example, based on three generations of
experience, as 100% Nero d’Avola, macerated for 12
days and stored for eight months in stainless steel
and three in bottle.
Visionario Bianco de
Alessandro Callici 2025 ($23) is from Tre Venezie, and
its IGT San Lorenza Ciliegiolo
Sassotondo 2021 ($59) comes from Tuscany’s
Maremma district, made by Carla Benini (a former
economist from Trento) in Pitigliano using
60-year-old Ciliegiolo grapes in volcanic soil. No
yeasts are added, and the fermentation takes place
in steel tanks with fermentation and maceration
lasting 15 to 20 days, followed by 18 to 24 months
in Slovenian oak barrels, and then bottled and aged
another year in.
Ca' dei Frati I
Frati Lugana 2025 ($20). A white wine from
Lombardy near Lake Garda made from
100% Turbiana (also
called Trebbiano di Lugana and is a variety of
Verdicchio) at 13% alcohol, ideal for all seafood. The
winery has been around since 1782 and since 1969 the
first bottling with the Lugana Casa dei Frati wines
were released. The fourth generation of the family now
runs it, and they are devoted to wines that are meant
to be enjoyed upon release. The fruit is lovely, with
a light green tint, and the acid has a real edge
that makes this so refreshing just to sip with some
prosciutto.
MARIANI'S VIRTUAL GOURMET
NEWSLETTER is published weekly. Publisher: John Mariani. Editor: Walter Bagley. Contributing Writers: Christopher
Mariani, Misha Mariani, John A. Curtas, Gerry Dawes, Geoff Kalish.
Contributing
Photographer: Galina Dargery. Technical
Advisor: Gerry
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