SUMMER BOOKS ISSUE UPDATE: To
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This Issue NEW YORK CORNER : NYC CHEFS WHO ACTUALLY COOK IN THEIR OWN RESTAURANTS! by John Mariani NOTES FROM THE WINE CELLAR: A Tasting of Bob Pepi's New Label by Mort Hochstein QUICK BYTES ~~~~~~~~~~~~~ FOOD AND DRINK BOOKS FOR SUMMER by John Mariani The publishing world
basically has two seasons--fall and spring--with fall books dominating
in hopes of bigger holiday gift sales. Spring brings out most of
the
lightweights, with summer cooking in mind. Nevertheless there are
always a few good food and drink books that make the season one of the
best either to cook from or to sit in a hammock and simply read.
One disclaimer: I get sent scores of books for possible review but by no means do I get them all; so if I leave out a few that seem to justify inclusion, why not write to me the reason why and I'll include your comments in an upcoming issue? ![]() VEGETABLE LOVE by
Barbara Kafka with Christopher Styler (Artisan,
$35)--You gotta love the title, which is, by a word, a bit sexier than
Barbara Kafka's previous books, Roasting-A
Simple Art (1995) and Soup-A
Way of Life (1998), which have long been bibles of their
subject for me. Kafka is one of those rare, indefatigable
investigators into the way foods work, how they hold up under heat, and
how they are best treated to achieve maximum flavor. This is
absolutely true to her newest volume, with an astounding 750
dishes included, with microwave variations (she also wrote the
best-selling Microwave Gourmet cookbook in 1987).
But this is not a vegetarian cookbook
by a long shot, instead showing the versatility of vegetables with
meats and fish, along with delectable recipes for spoonbread with
raisins and cornmeal cookies, wonderful pastas like squash tortelli with sage-butter sauce,
omelets and frittatas, stocks and
broths.
The appendix of ingredients--more than 140 pages of them--would make an
authoritative source book all its own. Vegetable Love is
subtitled
"A book for cooks," and it has scant illustrations. But it is most
certainly designed for the cook in the kitchen.
![]() ![]() BIG SKY COOKING by Meredith Brokaw and Ellen Wright (Artisan, $35)--For its photography alone (and a very decent price tag), this would be worth buying. Add in some charming essays by well-known western authors (including a small masterpiece by Tom McGuane), and you'll have a real appreciation for the western food culture so admirably explored in this beautiful book. Meredith Brokaw is NBC newsman Tom Brokaw's wife, and he too adds a foreword. But the proof is in the corn pudding here, and the recipes are straightforward and very American in the best contemporary sense, arranged around meals like "cozy indoor dinner" and "Mexican fiesta," with recipes like grilled lamb with chimichurri sauce, berry cobbler, butterflied turkey on the grill, and pork tenderloin with chokeberry glaze. ![]() ![]() DONUTS by John T. Edge (Putnam, $19.95)--Does anyone really need a whole book on donuts? Probably not, but the subject is as fascinating as a history of hamburgers, fried chicken or apple pie when John T. Edge (director of the Southern Foodways Alliance) tells it. This volume is the last of a series of small books by Edge on single foods that do indeed cover fried chicken, hamburgers, and apple pie, and he attacks his subject with enthusiasm, starting with a chapter entitled "Conflicted About Krispy Kreme," then going on with his research into the origins and history of this beloved American snack. He then proceeds to show the amazing variety of the item in essays on his favorite donut purveyors. This book is every bit as much a treat as a box full of mixed donuts. ![]() TOM FITZMORRIS'S NEW ORLEANS FOOD by Tom Fitzmorris (Stewart Taboori & Chang, $19.95)--For as long as I've been writing about American food, Tom Fitzmorris has been my guru when it comes to the gastronomy of his native Louisiana, and his daily newsletter, The New Orleans Menu, is one of the best on the 'net. So I am delighted to have his newest book, with a foreword by Emeril Lagasse. The headnotes are invaluable--the folklore, the origins, the traditions of how a dish is made--and the recipes clear and rarely run more than one page. Some he imparts as "articles of faith," other recipes are from specific restayurants. You cannot open a page without thinking, "This is something I'd really like to try." His writing has an infectious enthusiasm that never flags and comes from the heart. What's more, Fitzmorris is donating 50% of the profits from the book's sale to Katrina relief. ![]() A LIFE UNCORKED by Hugh Johnson (U. of California, $34.95)--So very few wine writers have anything close to a style that one is hesitant to call them writers at all: compilers of adjectives, b-s artists, perhaps, but not writers. Still, the Brits have excelled at this sort of thing, and none rises higher in my estimation than Hugh Johnson, who is as erudite about gardening (his Encylopedia of Trees is considered seminal) as he is about wine, and his Story of Wine, which was also a TV series, has never been surpassed. Johnson hates the "fruit salad" school of wine writing, full of "pomelo and passionfruit, with dried currants on the palate." Instead he is a raconteur, beginning with the statement, "I was born in a terrible year. No wine-maker in Europe seems to be proud of his 1939," and taking you through to his 1990s partnership in taking over a Hungarian Tokaji vineyard. And he reminds all of those wine pinheads who taste wines in antiseptic ways that in wine, "There is nothing else we buy to eat or drink that brings us the identity of a place and time in the same way, that memorises and recalls (if we listen) all the circumstances that made it what it is." ![]() NEW
YORK CORNER
by John Mariani FLASH! NYC CHEFS WHO ACTUALLY COOK IN THEIR RESTAURANTS! ![]() In a world where the "celebrity chef" has become an oxymoron, not cooking in one's restaurant has become a measure of one's success. Such people prattle on by repeating Paul Bocuse's throwaway line, "Who cooks when I'm not in my restaurant? The same person who cooks when I am there," to the effect that it makes not a smidge of difference whether a celeb chef ever shows his face in any of the 15 restaurants he is paid to put his name on. As someone who ![]() Mario Batali on/off doll; click here for video Ignore the fact that Batali has lovingly and reverentially credited his own culinary coming-of-age to working at a family-run restaurant in Borgo Capanne, Italy, and that he earned his early reputation cooking at a tiny Greenwich Village restaurant named Pó. Instead, allow me merely to provide him with a short list (in no particular order) of some of NYC's greatest chefs who are more often than not still cooking in their kitchens. On any given night, you will probably find them there, eager to see you, happy you have come, and trying to make every dish come out of the kitchen as he or she wishes it to be. A seventies fantasy? Not by a long shot. My apologies to those scores of other working chefs I have not room to mention here. (And for further discussion of the absentee chef syndrome, click on Mark Bittman's excellent essay in this morning's NY Times Magazine section, "Dining by Satellite.") ![]() -Alfred Portale, Gotham Bar & Grill (left) -Eric Ripert, Le Bernardin, NYC -Marco Canora, Hearth -Eric Lind, Bayard's -Cyril Renaud, Fleur de Sel ![]() -Survir Saran, Dévi (left) -April Bloomfield, Spotted Pig -Galen Zamarra, Mas -Daniel Boulud, Daniel ![]() -Dan Silverman, Lever House (left) -Wayne Nish, March -Cornelius Gallagher, Oceana -Christian Albin, The Four Seasons -Matt Tropeano, La Grenouille ![]() -Francois Payard, Payard (left) -Craig Koketsu, Quality Meats - Fortunato Nicotra, Felidia - Benedetto Bartolotta, Table XII -Michael White, Fiamma Osteria ![]() -Masa Takayama, Masa (left) -Pierre Schaedelin, Le Cirque -Pino Coladonato, La Masseria -Ed Brown, The Sea Grill -David Waltuck, Chanterelle ![]() -Anita Lo, Annisa (left) -Jo-Ann Makovitsky and Marco Moreira, Tocqueville -Daniel Humm, Eleven Madison Park -Marc Meyer, Five Points ![]() -Gray Kunz, Café Gray (left) -Mauro Mafrici, La Scolca -Francois Payard, Payard -Roberto Paciullo, Roberto's -Antonio Bruno, San Pietro ![]() -Gabriel Kreuther, The Modern (left) -Bill Telepan, Telepan -John Fraser, Compass -Lee McGrath, Pó -Wylie Dufresne, WD-50
When
Pepi's wines join that array, they won't,
however, wear his name, because he's from one of the many
Pepi said his first Cabernet, the 2000, was in bottle for six months and he had not been able to come up with a fitting name. One evening he heard his daughter use the word “eponymous.” It was a problem-solving moment, "I found the perfect name for my concept," he comments. Pepi's first vintages were Cabernet blends, using small amounts of Merlot and Cabernet Franc, but in 2003, the stars were right for a 100% single-vineyard Cabernet. Future editions of Eponymous are most likely to follow that path of 100% Cab. The Eponymous wines, which list at about $58, have been winners from the start, earning raves from critics and high rankings on the numbers charts, outscoring some of California's most honored Cabs and cult wines. Pepi's newest entry is the '03 MacAllister Red Wine, his first to come from outside As a winemaker, Pepi has worked nearly three dozen harvests, a feat possible at his age only for commuting consultants who travel between the continents, in his case between North and ![]() In the 1990s Pepi and his winemaking partner Jeff Booth were working for the Washington-based wine group, Stimson Lane, where they teamed up to produce one of California's legendary reds, the 1991 Conn Creek Anthology. They joined forces again in Our next pairing was a moist filet of pan seared sea bream with capers and black olives in a light cherry tomato sauce, teamed with the '03 MacAllister in its first public tasting. The new blend, with Cab Franc tempering the Cabernet Sauvignon, adding cassis and chocolate tones, played nicely off the tang of the olives and capers. Convertini's meat entrée was a succulent, tender loin of lamb in rosemary red wine sauce which was served with a Two Angels Syrah. Pepi confesses to a secret passion for Petite Sirah, which he feels does not deserve to be regarded as the illegitimate cousin of Syrah. Its unheralded charm showed at dessert time in the most unusual pairing of the evening, We enjoyed a perfect marriage of lush semifreddo hazelnut ice cream topped by chocolate sauce and rather than, say, an Italian sweet wine, a dark, muscular, yet supple, Two Angels Petite Sirah, rich in chocolate, coffee and licorice flavors. It was a match I would never have considered, but Convertini and Pepi put it together beautifully. It was a great wind-up to an evening of Italian food and American wines in a wine cellar setting not to be missed. ARTICLES WE NEVER FINISHED READING "So I'm in line at
Starbucks, waiting for the coed in front of me to
decide whether she wants regular or low-gluten soy foam in her
iced-decaf chai latte. I have a good fifteen minutes to kill,
and to pass the time I admire the succulent collection of pastries in
the display case. That's when I notice the . . . muffin."
--Jay Forman, "A Cupcake by Any Other Name," Food and Dining Magazine (Spring 2006).
Forty
years ago in QUICK BYTES *
On June 14
* On June 15 Spenger's Fresh Fish Grotto in * On June 15, the icon café in "THE SWEET LIFE" CRUISE ![]() ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ MARIANI'S VIRTUAL GOURMET NEWSLETTER is published weekly. Editor/Publisher:
John Mariani. Contributing Writers: Robert Mariani, Naomi
Kooker, Kirsten Skogerson, Edward Brivio, Mort
Hochstein, Suzanne Wright. Contributing
Photographers: Galina Stepanoff-Dargery, Bobby Pirillo. Technical
Advisor: Gerry McLoughlin.
Any of John Mariani's books below
may be ordered from amazon.com by clicking on the cover image.
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