Virtual
Gourmet
Rimini poster
by Marcello Dudovich, 1922 ❖❖❖ THIS WEEK Sailing
the Queen Elizabeth
Part Two by Brian Freedman
NEW YORK CORNER NOTES FROM THE WINE
CELLAR
Greek Wines Soar as Greek Economy Sours by John Mariani ❖❖❖ Sailing the Queen Elizabeth Part Two: Into the Fjords by Brian Freedman ![]() Skjolden, Norway
Readjusting to normal
life after a particularly enjoyable journey is always
difficult. The first day home, all those quotidian
annoyances that we had managed to avoid while
away--the bills, the laundry, the loud neighbors--seem
particularly onerous. And, indeed, the morning after
our flight landed in Philadelphia, after a week-long
cruise of Norway on Cunard’s Queen Elizabeth,
my wife and I struggled to internalize the fact that
there would be no smoked salmon at breakfast, no
choice of two types of bacon, no excursions to look
forward to beyond heading to the post office and
collecting the stacks of mail we’d missed.
NEW YORK
CORNER by
John Mariani
The biggest success story of
the summer in terms of sheer buzz is Rosemary's, a
wide-open big 74-seat room with room for 40 at the
wine bar that could not be more packed to its pretty
rafters than it was from Day One. Its location is
prime; indeed the West Village is where a great deal
of exciting restaurant action is happening these days,
and, more important, has attracted a lot of veteran
restaurateurs whose track record in drawing crowds is
undeniable.
In the case of Rosemary’s owners, led by Carlos
Suarez, they also run the very popular Bobo in the
same neck of the woods, and Rosemary’s big open room
on one of the Village’s finest stretches of real
estate acts as a beacon of light and the sound of
people enjoying themselves. And while it can get
louder as the night progresses, from about 7 PM to 9
PM, it’s more than tolerable. And if you need a
breather, ask to see the rooftop garden that provides
Chef Wade Moises with a constant supply of fresh herbs
and vegetables. It’s a very attractive crowd, the kind
that makes its own scene, and in one sense, not taking
reservations for less than parties of six makes it a
more democratic venue than, say, Minetta Tavern; the
wait can be long if you just drop by, so go on the
early side or have a glass of wine or beer at the bar
(they serve no booze). For a room this size and with this crowd,
the menu may be a tad long, but they keep the pastas
down to half a dozen, allowing the kitchen to make
them right and carefully to keep them al dente. You
might order a plate of vegetables, including a fine
eggplant caponata,
$5 each, three for $12 or for a table of four, five
for $20. There is also a selection of seafood
appetizers, We come to the pastas—priced at a
remarkable $12-$14 at a time when most places are
charging $20 and up--and every one we tried was a
success and very correctly prepared, from a hearty chitarra alla carbonara
to a very fine cavatelli
with fresh mint, sweet peas, and ricotta (left)—two Roman
dishes. Orechiette came with
garlicky braised greens and housemade sausage, and the
big winner of the evening was linguini with preserved
lemon, pickled chile, and a dousing of Parmigiano. Moises
worked at Babbo and Lupa, so he’s very good at getting
the lusty, rustic flavors of the trattoria right. That means
the porchettina with
fennel and mostarda
will be juicy and nicely seasoned, the skirt steak
well textured, with crispy potatoes and balsamico, and
the fish of the day expertly grilled, with radish
tops, snap
peas, and cherry tomatoes. The desserts are good if not out of the
ordinary, the
usual hazelnut semifreddo and tiramisu. The basic wine list is
solid, with plenty of bottles under $50, but some of
them are way too pricey. The reserve list
heads into the stratosphere. Rosemary’s is the kind of trattoria NYC
can never have enough of, despite the scene seemingly
being sated with them.
If the no-rez policy is a problem (and it
definitely can be), go for lunch or brunch, but do go
and get into the swing of things. You’ll have
fun. Rosemary’s is open for lunch,
Mon.-Fri., for brunch Sat. & Sun., and for
dinner nightly. Appetizers run $5-$14, pastas
$12-$14, main courses $18-$24.
❖❖❖ NOTES
FROM THE WINE CELLAR
Photo above by Galina Dargery
There
are worse ways to spend your euros than sitting at a
taverna on the Greek island of Santorini (above) when the
dry northern meltemi
wind blows though the Aegean in August.
On Santorini alone, which is only 28 square miles in
size, there are 13 core wineries, most notably Boutari
in Megalochori, which produces about 900,000 bottles a
year there, mostly from imported grapes. The
indigenous grape vines were never affected by the
phylloxera plague that ruined European vineyards, but
there are not enough even to satisfy local
consumption. The story of Greek wine is ancient
but, until recently, not very illustrious—one reason
the ancient Greeks were delirious to make settlements
in Italy, which they called Enotria, ”wine land.” Once
known primarily for its resinous wines and ouzo,
Greece has now put a great deal of effort and capital
into capturing some of the global market, as well as
planting international varietals like chardonnay and
cabernet sauvignon aimed at Greece’s young
winedrinkers.
According to George Athanas, manager of the All About
Greek Wine promotional campaign on behalf of the Greek
government’s New Wines of Greece bureau, between 3.5
and 4 million hectoliters of wine are now made
annually, 60 percent consumed in bulk domestically.
Although total exports have slipped by almost half
from a high point of 787 hectoliters in 2002, exports
to the U.S. brought in 6.3 Euros last year, an
increase of a million Euros over the last decade.
Of these last I am not much impressed: the
international varietals don’t taste much like the
grape, and if blended with Greek grapes, tend to mask
the character of the indigenous grapes.
Sampling an array of whites and reds I bought at Grand
Wine and Liquor, I found all of them clean and well
made, none showing the slightest oxidation.
For something more floral, and aromatic, try the Alpha Estate
Axia 2011 ($18) made from malagouzia grapes, an
ancient varietal now enjoying renewed interest for its
full body and richness. True
to form, the moschofilero varietal shows its
brassy-pink color and complexity in Domaine
Spiropoulos 2010 ($15), made from organic grapes, an
excellent wine with all seafood or Greek mezes
appetizers. Two
reds were outstanding: Saint George
Aghiorghitiko 2010, which Homer might have had
in mind when he wrote of the “wine dark sea” and Zorba
the Greek meant when he said, “You drink the big red
wine and, lo and behold your soul grows big . . . and
challenges God to a fight.” It comes from southern
mountain vineyards and has the tannins and complexity
you rarely get in $15 red wines. As for the curiously named Red Stag 2009 ($15) from the producer Spiropoulas, Cary Grant might exclaim, “Juicy! Juicy! Juicy!” At just 13 percent alcohol it manages to carry both power and voluptuous fruit in an ideal balance based on the agiorgitiko grapes grown in Nemea. ❖❖❖
by Gianna Sobol, Alan Ball and Karen Shalett has just been published, with dishes like "Stake and Eggs" and "Another Dead Chick-en Sandwich."
AND
THEY DON'T HAVE TO BE TOLD
❖❖❖ Any of John Mariani's
books below may be ordered from amazon.com.
❖❖❖
FEATURED
LINKS: I am happy to report
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Geographic Traveler, ForbesTraveler.com
and Elle Decor.
"I’ve designed this site is for people who take
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travelers who want to learn about special places
but don’t necessarily want to pay through the nose for
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