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  August 26,  2018                                                                                            NEWSLETTER



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"Summer Radishes 2018" by Galina Dargery

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IN THIS ISSUE
DINING OUT IN ANTWERP
By John Mariani

NEW YORK CORNER
BAGATELLE 

By John Mariani


NOTES FROM THE WINE CELLAR
NOBILO ICON
By John Mariani




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DINING OUT IN ANTWERP
By John Mariani

    Graanmarkt 13

 

  The people of Antwerp revel in their food and drink with good reason, not least their exquisite chocolates--one of the best shops is Günter-Watte (right) on Steenhouwersvest--Belgian waffles and hearty Flemish farelike waterzooi and carbonnade stews.  At lunch people nosh on a smos sandwich, whose name means a "mess," an expected outcome of eating many layers of bread and garnishes.

    Everywhere there are “bruine (brown) cafés,” whose name may refer to the brownish color they acquire after decades, or centuries, in existence. One of the most famous is Den Engel at Grote Market, dating to the 15th century.  Café Kulminator lists more than 700 beers in inventory.  And if you’re a gin drinker, pace yourself at De Vagant (below), which stocks 300 kinds.

    The oldest restaurant in the city—Est. 1750—is the seafood-centric Rooden Hoed, whose six mussel dishes are ranked among the best in this mussel-mad city. But on a recent visit I found it a poorly run, badly serviced tourist spot that served a bowl of mussels in which many came with their shells shut, a sure sign they were dead before they hit the cooking pot. Only a pig's knuckle dish was as good as it was huge. I was also alerted by locals that the well-known Het Elfde Gebod (The Eleventh Commandment) next to the Cathedral is not as good as it once was and may be reserved just for a peek at the interior arrayed with religious artwork and a Trappist Westmalle dubbel beer.

    De Groote Witte Arend dates to 1488 as a convent, but since 1976 as beer hall and restaurant, now owned by Tim and Ronald Ferket, who serve up very hearty Belgian fare like beef stew with potato croquettes, sautéed plaice with mashed potatoes, a loin of pork and some delicious eel baked in cream. They carry 280 beers.

    More contemporary spots have gleaned a lot of global cuisines, as has Horta (right), just down the street from the Rubenshuis museum.  It’s a massive place set on two tiers, with outdoor dining, and the menu is just as large, with few dishes that are truly Belgian. That said, I did enjoy the crisp and meaty shrimp croquettes and a tempura of shrimp. A slice of foie gras was good and a traditional waterzooi made with tender chicken was both delicious and abundant in size, accompanied by a robust bottle of Rodenbach beer.

    Certainly the most impressive meal I had in Antwerp was at the restaurant in the newly opened Franq Hotel, where I also stayed. Quietly located on a street away from the city center and overlooking a lovely garden with one of the city’s oldest houses at the end, the hotel has all the modern amenities and a splendid lobby (left), though some rooms are small. The restaurant is very bright at lunch, with superb modern lighting, and the outdoor tables are becoming equally popular. 

    Chef Tim Meuleneire, formerly at the highly regarded Restaurant De Koopvaardij in Stabruek, Belgium, is proving himself one of the best in the country with a light cuisine based on the season’s best provender, beginning with the fat white asparagus that were then at their sweetest in May, with a browned gratin of parmesan cheese and a slick of olive oil (right).  Red gurnard and razor clams were delicately poached in a dashi broth, while whitefish came with a spicy seasoned salad.  For dessert, the iced coffee was a perfect midday sweet.

Open for breakfast, lunch and dinner daily. Two-course lunch €35; dinner €65.


    Graanmarkt 13 is also a new spot, set downstairs from a market square near Rubenshuis, functioning as a store, restaurant and apartment in a building designed by one of Belgian’s finest architects, Vincent Van Duysen. The seductive lighting in the main dining room gives way to a tiny outdoor patio with a single Godot-like tree (left).

    The menu by Chef Seppe Nobels revels in vegetable dishes and is set each week, with a few choices focused on lamb or Dover sole or whatever the chef wishes to make that night, which will include herbs from his rooftop garden.  I enjoyed a very pretty carpaccio of beets, as well as Little Gem lettuce with a dash of hoisin sauce and lime. Then a plate of fat Dover sole simply sautéed in butter. A lamb fillet in puff pastry was accompanied by rhubarb and a perfectly rendered reduction of its juices. A pork belly with fennel-flavored sausage had plenty of richness, accompanied by braised spiced carrots.  That night they were serving three raw milk cheeses from the Schoonvliet dairy in Beveren, one of them voted the “best bleu in the world.”

    Nobels is also having fun with a food truck for fine fast fare, parked right outside the restaurant upstairs.

Open Mon.-Sat. for lunch and dinner. Lunch €35, dinner €45. 

 

    Overlooking the River Scheldt, RAS (right) is atop the Zuiderterras project designed by Flemish Master Architect Bob Van Reeth, who began it in the 1990s and has altered and restored it several times since. As RAS, it is the work of the architect firm Co.Studio. I tell you all that because it is a very pleasant outdoor place to dine, all very modernistic and sleek, but the menu is a fairly standard rendering of contemporary global cuisine, with a slight nod to Belgium found in the shrimp croquettes with fried parsley  (€16.50).
    Otherwise, as you enjoy the view and one of the many Belgian beers stocked there, you should be happy with dishes like a salad of Hereford beef carpaccio, summer truffle, rocket, parmesan and grilled pine kernels (€18); baby soles meunière with garden cress, mashed potatoes or French fries (€29.50);  and for dessert a Belgian chocolate mousse (€10).

RAS is very popular for all the visible reasons. I’d go back for a cocktail or a beer and some light food while watching the sun set over the river.

Open for lunch and dinner daily.




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NEW YORK CORNER
By John Mariani

 BAGATELLE 
By John Mariani
 


 

    It’s tough to argue with the good looks of Bagatelle, which for a decade now has been entertaining a young crowd as comfortable there in New York’s Meatpacking District as at the restaurant’s branches in St. Barth’s, São Paulo, Rio de Janeiro, Miami, Dubai, Monte Carlo and elsewhere. The restaurants don’t all look exactly alike, but the whiteness of the dining room, the bistro tables and chairs and the highly eclectic art work are always part of the equation, and a dish you find on one menu you’ll likely find on another.

    At the New York branch, the people who greet you will be handsome, the waiters will be fast on their feet, and, depending on the hour, the canned music will be either pleasantly in the background or blasting you across the room.  On Thursday nights a deejay spins records from the eighties and nineties—always good to hear Madonna’s “Like a Virgin,” Paula Abdul’s “Ain’t Never Gonna Give You Up” and Hall & Oates’s “Your Kiss Is on My List” again!—and the tables are set with old LP records that serve as show plates.

    For all these reasons the crowd is going to include Gen-Xers and Millennials, with a smattering of Baby Boomers, who actually remember the eighties and nineties, and whatever remains of the wrinkly Eurotrash of two decades back. All the women look as if they took a long time deciding what to wear and what to hang from their ears, while the males in the room spiff up just enough to look faintly louche—three-day-growth beards being de rigueur, tattoos amply displayed.  Page Six still cares who ate there.

    So the food does not need to be all that wonderful in a place like Bagatelle, but owners Remi Laba and Aymeric Clemente have in recent years hired very serious young chefs who can buoy the staples on the menu while adding their own personality to the kitchen.  Truffles are a mainstay, caviar has its own section on the menu, and there is a $1,000 tower of shellfish as an appetizer—“24 oysters, 18 mussels, 18 shrimp, 2 whole lobsters, 1 lb king crab, tuna tartar, ceviche, poke salmon, 30g Imperial Osetra Caviar Petrossian, 6 shots of vodka.” A bag of the restaurant's own olive oil is also set on the table.

    Two years ago I applauded the work of a very promising young French chef at Bagatelle, and now I am equally enthusiastic about the new young chef, Andrew Riccatelli (left) who learned to cook alongside his Hungarian grandmother and in his Puerto Rican mother’s kitchen. His résumé includes stints at Bar Americain, Curate, Buddakan and Spice Market, so he shows a deft hand for various techniques and a good nose for spices.

The menu at Bagatelle seems summery year-round, but right now the season is at its peak of flavor, so the watermelon salad with cucumbers, candied pine nuts, ricotta salata and basil vinaigrette ($18) is a great choice as an appetizer.  So, too, hiramasu tataki with a yuzu glaze and pickled chilies with ponzu sauce ($22) shows that very fine sushi can be found outside of even the best Japanese counters around town. 

    Among the warm apps, I enjoyed a very interesting risotto of grains ($25), wonderfully al dente with wild mushrooms, shiitake crumble and basil. Inevitably there always has to be an octopus dish on any menu, which Riccatelli does à la plancha with Kalamata olives, Sherry, romesco sauce and Marcona almonds for texture ($28).  One of his own specials that night was foie gras in a red wine reduction with a cherry mostarda (MP), which proved that foie gras need not be too heavy for summer.

    Bagatelle also has pushed its shaved truffle dishes, whether or not truffles are in season, so, although the pizza with black truffles, crème fraîche, black truffle oil and smoked mozzarella ($29) is pleasant enough, the truffles don’t add much to the mix.

    Lotte, also called less elegant names like monkfish, goosefish, bellyfish and angler-fish, is prized only for its tail, which has a texture and taste not dissimilar to lobster, and Riccatelli’s is a sterling example of how good it can be, blackened and served with a shishito succotash and corn cream ($32).  Pan-seared scallops ($48) took on a bit too much smokiness to my taste, but the rest of the dish’s components—caramelized peaches, bacon lardons and a cashew cream—all made perfect sense.  Do order the Aligot cheese-rich pomme purée ($12) on the side. A couple of tablespoons per person is richly satisfying.

    Mediterranean-style, spiced, marinated lamb chops ($69) were of fine quality, served with cranberry beans, chickpeas, mint and a fiery harissa (left), while a roasted chicken (half $45, whole $79) gets the truffle treatment. The skin is crisp, the meat juicy and it comes with potatoes, caramelized baby onions, button mushrooms and a thyme-laced chicken jus (below).

    Bagatelle is a place where you want to indulge in desserts—there’s a $100 plateau of all of them for the table and an éclair tiramisù for five at $49 that’s a pretty good price.  Otherwise, all the desserts are $16, including a meringue with mango confit, crispy mix, and Tahitian vanilla cream; an apricot confection with jam, short bread and almond sauce; and an “explosion” of chocolate with dark and milk chocolate, lime and crunchy salted pastry (below).  There is also a selection of cheeses for $20.

    The wine list looks impressive—pages and pages of very expensive French wines, not all of them with listed vintages. There appear to be more pages of Champagnes than anything else, and the least expensive wine I could find was $65 for some blah whites from the Pays d’Oc. Some of the whites are over the hill, too.

    It’s easy enough to be dismissive of the vibe at Bagatelle, but it’s equally easy to get into the high spirit of it. Good looking people, a lively bar, splashy artwork, lots of Champagne and very good food make it as much fun as it is a true taste of the Mediterranean. 

 

Open nightly for dinner.






 

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NOTES FROM THE WINE CELLAR

NEW ZEALAND'S NOBILO ICON  WINES
By John Mariani

David Edmonds, winemaker Nobilo Icon

    Not many New Zealand winemakers visit the U.S. to promote their wines, but I am always happy to meet David Edmonds of Nobilo Wines over dinner in New York to taste his new releases. This time, with my wife, I got to meet his lovely wife, Sarah, for a meal at Tocqueville that matched the sophistication of Edmonds’ well-made Sauvignon Blanc and Pinot Noirs.

    Edmonds, tall, bearded and with a voice I keep telling him sounds like the young Sean Connery's, joined Nobilo in 2002, an estate founded in 1943 by Croatian émigrés, Nikola (right) and Zuva Nobilo, whose family had had more than 300 years of winemaking tradition. In the region of Huapai, west of Auckland, they planted some of New Zealand’s first commercial grapes, and by the 1970s had replaced hybrid grapes with European vinifera.  In 1995, for his contributions to the New Zealand wine industry, Nikola was awarded an Order of the British Empire medal.  He died at the age of 94 in 2007. Today the winery is owned by Constellation Brands.

    As we did  last year, we began the tasting began with one of Edmonds’s proudest achievements, his Icon Sauvignon Blanc, the new 2017 vintage ($22), which is possibly the finest of this varietal coming out of New Zealand. With its unexpected dryness, citrus and grapefruit flavors, it avoids the cloying, sugary grassiness of most Sauvignon Blancs, both from New Zealand and the U.S. West Coast. “I look for restraint when I make our Sauvignon Blanc,” Edmonds said, “and we blend from five vineyards to get the complexity and balance right.”

    Still, Nobilo is most famous for its velvety Marlborough Pinot Noirs, which manage to stay within a moderate alcohol range of 12.9% to14.9%.  
      The Icon 2016 ($22) is about as well priced as you’ll find a Pinot Noir anywhere. It’s a sunny wine, bright on the palate yet with a pleasing density that shows it to be a better example than many thin Burgundies from weak vintages.

    The Icon 2015 ($22) was “all about fruit.” Edmonds says, “We both hand pick and machine pick Pinot Noir. It depends on the season. However the Icon Pinot Noir style is not reliant on any whole berry character in the ferment. The machine picking means we can bring the fruit into the winery, cool it through the must chiller and get it into open top fermenters for a pre fermentation cold soak. What I like about machine picking is the intensity of dark berry fruit we can achieve.”

His Pinot Noirs go as well with salmon as with lamb or pork.

    Those were the current releases, and we tasted some older vintages—tough to find, so prices are not currently available—including a very luscious, almost viscous Icon 2012, surprisingly so for only 12.9% alcohol.  The 2010 vintage was, on the other hand, from a hot year and the alcohol boomed to 14.9%. The finest wine of the evening was an extremely well knit, silky 2007, at 13% alcohol, which proved that Pinot Noirs from New Zealand terroir can show real class and elegance long after so many high alcohol New World bottlings lose their fruit-forward charms after just a few years in bottle, becoming one- or two-dimensional on the palate.

    All winemakers have their own particular intensity—“Being a winemaker you can’t taste or smell anything without analyzing it!” Edmonds said—which is what a unique estate like Nobilo needs, especially since its owner, Constellation Brands which owns wineries (as well as spirits producers) that include everything from 7 Moons and Robert Mondavi to Clos du Bois and Simi. But Nobilo is one of their trophies and I hope it stays as fine and small as it is now.

 


 

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SHE'S ALSO SUING KITKAT FOR NOT
HAVING ANY CAT MEAT IN THE CANDY


New Yorker Julie Fletcher is filing a federal law suit suing Canada Dry for not having real ginger in its ginger ale, contending  that these claims caused her economic harm. Her lawyer told the press,  “Ms. Fletcher knew that ginger root can calm an upset stomach and she purchased Canada Dry when her children were sick, believing that the ginger root in the beverage would soothe their stomach aches" and that the soda has only a “miniscule” amount of ginger in it. 


 





HEIGHTS OF PRETENTIOUSNESS NO. 2,644

"‘The menus don’t give a name at all. They don’t look much like menus, either. They’re notebooks in which the items available, presented in a short à la carte list (in contrast to the hourslong tastings offered for $255 at Ko), are handwritten on a fresh page each day, by different employees using different pens.”—Pete Wells, “The David Chang Restaurant Almost Nobody’s Heard Of,” NY Times (Jul 25, 2018).

 









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Wine Column Sponsored by Banfi Vintners

SANGIOVESE 

   Wine is a joy year-round but in cooler weather one grape varietal has really taken center stage in my daily activities – that most Italian of grapes, Sangiovese, and its ultimate expression – Brunello di Montalcino.
    From mid-September through mid-October, the Sangiovese grown for our various styles of red wines are be harvested, culminating with the top selection for Brunello di Montalcino.
    Second, cooler weather here means it is time to start enjoying more red wines and especially Sangiovese based wines.  That includes Banfi’s cru of Brunello, Poggio alle Mura, literally the cream of the crop of our Sangiovese vineyards. Alongside our Poggio alle Mura Brunello di Montalcino, this year we introduced two more wines from the cru Poggio alle Mura – a Rosso di Montalcino and a Riserva of Brunello.  Rosso is sort of like the younger brother of Brunello, also made from 100% Sangiovese grapes but usually a selection from younger vines and the wine is aged only two years compared to the four required for Brunello.  The Riserva, on the other hand, is an even more selective harvest of Sangiovese, and ages for an additional year before release.
    What is so special about this cru Poggio alle Mura?  Well, it is the result our over 30 years of ongoing research at my family’s vineyard estate, Castello Banfi.  When we first began planting our vines there in the late 1970s studies from the University of Bordeaux indicated which strains of many varietals we should plant, based on the soil type and microclimate of each vineyard.  But when it came to the region’s native Sangiovese, there was only local lore, no scientific research.  So we took it upon ourselves to figure out this vine, and set off on three decades of incredibly detailed research.
    We started with 600 apparent variations on Sangiovese, because it is so susceptible to variations in weather and soil, and narrowed that down to 160 truly genetically different clones.  We planted a vineyard with two rows of each type, made wine from each of them, and charted the differences – remember, you only get one chance a year to make wine, so this took time.
    It took about ten years to get some concrete results, though we continue to experiment today and always will – you never stop learning in science and nature!  Once we determined which were the best, complementary clones that could be planted together to make the best Brunello, we chose to plant them in what we determined to be the optimal vineyard sites.  Coincidentally, the best soils and climate conditions are in the slopes surrounding the medieval fortress today known as Castello Banfi, known since Etruscan times as Poggio alle Mura – the walled hilltop.  Hence the name of our most special “cru” of Brunello, representing a synthesis between tradition and innovation.
    Though the focus of this study was our Brunello, all of our Sangiovese-based wines, including the super Tuscans SummuS, Cum Laude, and Centine, benefitted from this work.  And that’s the third reason for celebrating Sangiovese this month, for the range of wonderful reds that usher us into autumn!  One wine in particular was inspired by our research – the BelnerO, a Sangiovese dominant blend with what I like to call a kiss of Cabernet and a whisper of Merlot.  We grow the grapes a little differently for BelnerO than for Brunello, make the wine with less oak aging and released it earlier from the winery, providing a counterpoint to Brunello and a lovely terroir-driven wine in its own right.
     If you know Italians, you know that by nature we are multi-faceted, varying in mood, and always passionate.  As a nation, we span from the hot sunny beaches of Sicily near the African coast to the rugged mountains and Alpine ski slopes of Trentino-Alto Adige in the north.  Sangiovese is grown in almost all of Italy’s regions and reflects the unique nature of each; it is most famous (rightfully so) in Tuscany, yet even there it reflects the nuances of each hilltop, valley and subzone.  It has something a little different to say in Brunello than Chianti, Morellino than Vino Nobile di Montepulciano, Rosso di Montalcino than Super Tuscan blends.
    Here is a smattering of Sangiovese-based wines that you may wish to get to know better, reflecting a spectrum that appeals to every occasion, every taste, and every budget.  We can assure you that the conversation will never become boring.

Recommendations for Celebrating Sangiovese 

BelnerO Proprietor’s Reserve Sangiovese – A refined cuvée of noble red grapes perfected by our pioneering clonal research. This dark beauty, BelnerO, is produced at our innovative winery, chosen 11 consecutive years as Italy’s Premier Vineyard Estate. Fermented in our patented temperature controlled French oak and aged approximately 2 additional years. Unfiltered, and Nitrogen bottled to minimize sulfites. 

 

Castello Banfi Brunello di Montalcino – Rich, round, velvety and intensely aromatic, with flavor hints of licorice, cherry, and spices. Brunello di Montalcino possesses an intense ruby-red color, and a depth, complexity and opulence that is softened by an elegant, lingering aftertaste. Unfiltered after 1998 vintage. 

Castello Banfi Rosso di Montalcino – Brunello's "younger brother," produced from select Sangiovese grapes and aged in barrique for 10 to 12 months. Deep ruby-red, elegant, vibrant, well-balanced and stylish with a dry velvety finish. 

Poggio all’Oro Brunello di Montalcino Riserva – A single vineyard selection of our most historically outstanding Sangiovese, aged five years before release, the additional year more than that required of Brunello including 6 months in barrel and 6 months more in bottle to grant its “Riserva” designation.  Incredible elegance and harmony. Intense with lots of fruit and subtle wood influence. Round, complete, well balanced with hints of chocolate and berries. Unfiltered after 1998.

Poggio alle Mura – The first tangible result of years of intensive clonal research on Montalcino’s native Sangiovese grape.  Estate bottled from the splendidly sun drenched vineyards surrounding the medieval Castello from which it takes its name.  The Brunello di Montalcino is seductive, silky and smoky.  Deep ruby in color with an expressive bouquet of violets, fruits and berries as well as cigar box, cedar and exotic spices. The Rosso di Montalcino is also intense ruby red.  The bouquet is fresh and fruity with typical varietal notes of cherry and blackberry, enriched by more complex hints of licorice, tobacco and hazelnut.  It is full bodied, yet with a soft structure, and a surprisingly long finish. The Poggio alle Mura Brunello di Montalcino Riserva is deep ruby red with garnet reflections and a rich, ample bouquet that hints of prune jam, coffee, cacao and a light balsamic note.  It is full and powerful, with ripe and gentle tannins that make it velvety and harmonious; this wine is supported by a pleasing minerality that to me speaks soundly of that special hillside in southern Montalcino.

SummuS – A wine of towering elegance, SummuS is an extraordinary blend of Sangiovese which contributes body; Cabernet Sauvignon for fruit and structure; and Syrah for elegance, character and a fruity bouquet.  An elegant, complex and harmonious red wine. 

Cum Laude – A complex and elegant red which graduated “With Honors,” characterized by aromas of juicy berries and fresh spices.

Centine – A Cuvee that is more than half Sangiovese, the balanced consisting of equal parts of Cabernet Sauvignon and Merlot.  Vinified in a firm, round style that easily accompanies a wide range of dishes, this is a smooth and fragrantly satisfying wine with international character, and a perennial favorite at my own dinner table. 

Banfi Chianti Superiore – The “Superiore” designation signifies stricter government regulations regarding production and aging requirements, as compared to regular Chianti.  An intense ruby red wine with fruit forward aromas and floral notes.  This is a round wine with well-balanced acidity and fruit.

Banfi Chianti Classico – An enduring classic: alluring bouquet of black fruit and violets; rich flavors of cherry and leather; supple tannins and good acidity for dining. 

Banfi Chianti Classico Riserva – Produced from select grapes grown in the "Classico" region of Chianti, this dry, fruity and well-balanced red has a full bouquet reminiscent of violets.

Fonte alla Selva Chianti Classico – This is our newest entry into the Chianti arena, coming from a 99 acre estate in Castellina, the heart of the Chianti Classico region.  The wine is a captivating mauve red that smells of cherry, plum and blackberry with hints of spice.  It is round, full and balanced with very good acidity.  

Col di Sasso – Sangiovese and Cabernet Sauvignon.  Luscious, complex and soft with persistent notes of fruit and great Italian style structure.

 






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 Any of John Mariani's books below may be ordered from amazon.com.



   The Hound in Heaven (21st Century Lion Books) is a  novella, and for anyone who loves dogs, Christmas, romance, inspiration, even the supernatural, I hope you'll find this to be a treasured  favorite. The  story concerns how, after a New England teacher, his wife and their two daughters adopt a stray puppy found in their barn in northern Maine, their lives seem full of promise. But when tragedy strikes, their wonderful dog Lazarus and the spirit of Christmas are the only things that may bring his master back from the edge of despair. 

WATCH THE VIDEO!

“What a huge surprise turn this story took! I was completely stunned! I truly enjoyed this book and its message.” – Actress Ali MacGraw

“He had me at Page One. The amount of heart, human insight, soul searching, and deft literary strength that John Mariani pours into this airtight novella is vertigo-inducing. Perhaps ‘wow’ would be the best comment.” – James Dalessandro, author of Bohemian Heart and 1906.


“John Mariani’s Hound in Heaven starts with a well-painted portrayal of an American family, along with the requisite dog. A surprise event flips the action of the novel and captures us for a voyage leading to a hopeful and heart-warming message. A page turning, one sitting read, it’s the perfect antidote for the winter and promotion of holiday celebration.” – Ann Pearlman, author of The Christmas Cookie Club and A Gift for my Sister.

“John Mariani’s concise, achingly beautiful novella pulls a literary rabbit out of a hat – a mash-up of the cosmic and the intimate, the tragic and the heart-warming – a Christmas tale for all ages, and all faiths. Read it to your children, read it to yourself… but read it. Early and often. Highly recommended.” – Jay Bonansinga, New York Times bestselling author of Pinkerton’s War, The Sinking of The Eastland, and The Walking Dead: The Road To Woodbury.

“Amazing things happen when you open your heart to an animal. The Hound in Heaven delivers a powerful story of healing that is forged in the spiritual relationship between a man and his best friend. The book brings a message of hope that can enrich our images of family, love, and loss.” – Dr. Barbara Royal, author of The Royal Treatment.




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The Encyclopedia of American Food and Drink by John F. Mariani (Bloomsbury USA, $35)

Modesty forbids me to praise my own new book, but let me proudly say that it is an extensive revision of the 4th edition that appeared more than a decade ago, before locavores, molecular cuisine, modernist cuisine, the Food Network and so much more, now included. Word origins have been completely updated, as have per capita consumption and production stats. Most important, for the first time since publication in the 1980s, the book includes more than 100 biographies of Americans who have changed the way we cook, eat and drink -- from Fannie Farmer and Julia Child to Robert Mondavi and Thomas Keller.


"This book is amazing! It has entries for everything from `abalone' to `zwieback,' plus more than 500 recipes for classic American dishes and drinks."--Devra First, The Boston Globe.

"Much needed in any kitchen library."--Bon Appetit.




Now in Paperback, too--How Italian Food Conquered the World (Palgrave Macmillan)  has won top prize  from the Gourmand World Cookbook Awards.  It is a rollicking history of the food culture of Italy and its ravenous embrace in the 21st century by the entire world. From ancient Rome to la dolce vita of post-war Italy, from Italian immigrant cooks to celebrity chefs, from pizzerias to high-class ristoranti, this chronicle of a culinary diaspora is as much about the world's changing tastes, prejudices,  and dietary fads as about our obsessions with culinary fashion and style.--John Mariani

"Eating Italian will never be the same after reading John Mariani's entertaining and savory gastronomical history of the cuisine of Italy and how it won over appetites worldwide. . . . This book is such a tasteful narrative that it will literally make you hungry for Italian food and arouse your appetite for gastronomical history."--Don Oldenburg, USA Today. 

"Italian restaurants--some good, some glitzy--far outnumber their French rivals.  Many of these establishments are zestfully described in How Italian Food Conquered the World, an entertaining and fact-filled chronicle by food-and-wine correspondent John F. Mariani."--Aram Bakshian Jr., Wall Street Journal.


"Mariani admirably dishes out the story of Italy’s remarkable global ascent to virtual culinary hegemony....Like a chef gladly divulging a cherished family recipe, Mariani’s book reveals the secret sauce about how Italy’s cuisine put gusto in gusto!"--David Lincoln Ross, thedailybeast.com

"Equal parts history, sociology, gastronomy, and just plain fun, How Italian Food Conquered the World tells the captivating and delicious story of the (let's face it) everybody's favorite cuisine with clarity, verve and more than one surprise."--Colman Andrews, editorial director of The Daily Meal.com.

"A fantastic and fascinating read, covering everything from the influence of Venice's spice trade to the impact of Italian immigrants in America and the evolution of alta cucina. This book will serve as a terrific resource to anyone interested in the real story of Italian food."--Mary Ann Esposito, host of PBS-TV's Ciao Italia.

"John Mariani has written the definitive history of how Italians won their way into our hearts, minds, and stomachs.  It's a story of pleasure over pomp and taste over technique."--Danny Meyer, owner of NYC restaurants Union Square Cafe,  The Modern, and Maialino.

                                                                             





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FEATURED LINKS: I am happy to  report that the Virtual Gourmet is  linked to four excellent travel sites:

Everett Potter's Travel  Report

I consider this the best and savviest blog of its kind on the  web. Potter is a columnist for USA Weekend, Diversion, Laptop and Luxury  Spa Finder, a contributing editor for Ski and  a frequent contributor to National  Geographic Traveler, ForbesTraveler.com  and Elle Decor. "I’ve designed this site is for people who take their  travel seriously," says Potter. "For travelers who want to learn about special  places but don’t necessarily want to pay through the nose for the privilege of  staying there. Because at the end of the day, it’s not so much about five-star  places as five-star experiences."  THIS WEEK:






Eating Las Vegas JOHN CURTAS has been covering the Las Vegas food and restaurant scene since 1995. He is the co-author of EATING LAS VEGAS – The 50 Essential Restaurants (as well as the author of the Eating Las Vegas web site: www.eatinglasvegas. He can also be seen every Friday morning as the “resident foodie” for Wake Up With the Wagners on KSNV TV (NBC) Channel 3  in Las Vegas.



              



MARIANI'S VIRTUAL GOURMET NEWSLETTER is published weekly.  Publisher: John Mariani. Editor: Walter Bagley. Contributing Writers: Christopher Mariani, Robert Mariani,  Misha Mariani, John A. Curtas, Gerry Dawes, Geoff Kalish, and Brian Freedman. Contributing Photographer: Galina Dargery. Technical Advisor: Gerry McLoughlin.

 

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