IN THIS ISSUE
HOW CAN EVERY RESTAURANT
CLAIM TO
SERVE HAVE THE BEST OF EVERYTHING? By John Mariani
NEW YORK CORNER Macelleria
Greenwich, CT
By John Mariani
CAPONE'S GOLD
CHAPTER 29
By John Mariani
NOTES
FROM THE WINE CELLAR
Brancott of New Zealand
By John Mariani
❖❖❖
On this week's episode of my WVOX
Radio Show "Almost Golden," on Wed. October
20 at 11AM EST,I will be
interviewing the indefatigable
chanteuse, aged 93, Marilyn Maye about
her career and the history of
cabaret. Go to: WVOX.com.
The episode will also be archived at: almostgolden.
❖❖❖
WHY SO MANY RESTAURANTS'
CLAIM TO
SERVE THE BEST OF EVERYTHING ARE BOGUS By John
Mariani
"Still Life with Raspberries" (c. 1770)
by Luis Meléndez
Some years ago I watched while the late
French chef Joël Robuchon stood
outside his namesake Paris restaurant with a
vendor of raspberries. Looking
over the flats with the eye of an eagle,
Robuchon said, “That one, not
that,
not that, yes, that one. . .” and accepted
perhaps four out of the twelve
cartons. Mind you, vendors would not dare to
bring a chef like Robuchon, whose
restaurant then had three Michelin stars,
anything but their absolute best. Yet
among those flats Robuchon picked the best of
the best. I also once accompanied the late Tony
Cortese, owner of Amerigo’s, one
of the best Italian restaurants in New York, down
to what was then the Meat
Market District on Manhattan’s West Side (now
occupied by boutiques and
Millennials’ restaurants). As he did every week,
Tony tipped his butcher
generously for helping to choose precisely the
carcasses he wanted cut up for
his kitchen, and they were as delicious as any in
New York, which at the time
meant better than anywhere else in the country. Both Robuchon and Cortese are
gone, but I’d like to think their spirit lives on
in demanding chefs and
restaurateurs who truly want, seek out and pay for
the best ingredients
available. Sadly, with rare exception, that spirit
has dissipated, even among
well respected chefs, at a time when they blithely
sign management contracts to
put their names on so many restaurants in so many
cities and countries that
they have no say in what is actually being
purchased by their minions miles
away. Yet the claim of just about every restaurant
in the U.S. above the level
of a Macaroni Grill that it serves only the finest
ingredients has become sheer
nonsense, especially when those claims are based
on ingredient names that once
held a certain well deserved prestige but that
have now been spread around as
ubiquitously as Idaho potatoes and Maine lobsters
(neither of which is an
actual species but only a marketing label). To begin with, Russian and
Iranian caviar has been banned for export
since 2007 because the sturgeon were almost wiped
out in their Caspian Sea
habitat. Yet many high-end restaurants are now
charging the same price that
Caspian Sea caviar once commanded for fish roe
from sturgeon raised in
China—whose reputation for fraudulent labeling is
notorious—Malaysia, Moldova,
Madagascar, Uruguay, even Saudi Arabia. Yet, the
tins they are packed in will
read “Russian,” “Royal” or attached a Czarist name
like Romanoff. Much of it is
culled from a sturgeon hybrid called Kaluga. It is
even being served at many of
France’s three-star restaurants. Does it compare
favorably to true Russian or
Iranian caviar? Possibly, but more in the way that
a hybrid sports car compares
to a Maserati. Then, of course, there is wagyu beef, which
has become a farce of
marketing magic.Even five years ago
only a handful of restaurants in the U.S. could
claim they serve the authentic
wagyu from a renowned Prefecture in Japan,
especially Miyazaki A5, whose
production was minuscule and whose export was
infinitesimal (only A3 to A5
grade is certified for sale in Japan). Today,
however, with exports risen 500%
in the last five years, just about any restaurant
that is willing to pay a bit
more can obtain it and put it on its menu. Still,
according to Nikkei Asia, the
biggest importer is
Cambodia, followed by Hong Kong
and Taiwan with the U.S. fourth. (Much of
Cambodia's imports are believed to be
re-exported to China, which still bans Japanese
beef.) Most chefs and butchers fudge on the term
“wagyu” (which means merely
“cattle” in Japanese) to mean anything from a
lesser quality Japanese beef to
that grown more or less from a similar steer,
usually a hybrid with another
breed. The fact is the Japanese breed is not
allowed to be exported (some live
cattle did come through briefly before 1997).Most British,
American, and Australian wagyu
are only 50% purebred; true wagyu calves
can cost 40 times the price of
U.S. cattle, and it is estimated there are less
than 30,000 head of pure wagyu
in the U.S. —that’s about 0.029% of all American
beef cattle — and tacking on
the name “Kobe,” which is the Japanese city where
much wagyu is raised, means
nothing at all. So any restaurant selling you a
$25 wagyu or Kobe hamburger is
really just selling you a bill of goods. That
said, it is a rare thing today to
find an American high-end restaurant, especially
steakhouses, that does not put
some facsimile of the wagyu name on its menu. “Wild game” is often seen on menus, yet in
the U.S. by law no wild game,
including freshwater fish, can be sold or served,
because the fish in even the
most pristine stream in Alaska may carry dangerous
bacteria. The exception is
wild game from places like Scotland, where the
animal must be professionally
examined before it is approved as safe to eat.
Wild salmon is hard to find,
whether from the Atlantic or Pacific, and then it
is usually either flash
frozen or Cryovac-ed for sale, so that even the
most expensive restaurants use
farmed-raised salmon in lieu of the wild version.
Many are labeled on the menu
as from Faroe Islands, but that is not a wild
sanctuary; it, too, is a fish
farm. Recently a gourmet friend insisted to me
that he was told that wild
salmon was caught, gutted, packed, trucked to an
airport in Seattle
for a plane
leaving for Las Vegas that afternoon, which seems
more than impossible to
achieve day after day, especially if the salmon
aren’t biting within their
seasonal spawning. So, too, it is nearly impossible to find
wild branzino out of the
Mediterranean. “Dover sole” is not a separate
species of sole, but only
indicates a fatter, finer quality sole that may or
may not come from British or
Scandinavian waters. There are three stocks of
Dover sole in the United States
on the Pacific coast, in the Gulf of Alaska, and
in the Bering Sea. Any time you see truffles on a
menu before or after the fall season, you are not
getting the famous black
truffles from France’s Périgord region (dug up by
pigs) or the astoundingly
expensive white truffles from around Alba in Italy
(sniffed out by hounds).
Agriculturists have been trying for decades to
produce truffles via inoculation
but results have been modest at best. Other
countries do harvest truffles
(those from New Zealand are pretty good) and
“summer truffles” are just that,
but it is rare their flavor approaches that of
autumn’s gems. The same might be said for any number of
foods, from those raspberries
Joël Robuchon picked out so carefully to white
asparagus, whose finest examples
only appear in certain European countries like
Belgium in spring. Eating any
fruit or vegetable out of season is not going to
provide the best of them, even
if the northern and southern hemispheres have
opposite seasons and some places,
like California, can eke out two or more. Really
wonderful raspberries, strawberries
and blueberries simply cannot be offered on a menu
year-round. Asparagus have
their peak period, bay scallops are unique to New
England waters in season, the
shad do not run all year and the Chinese stone
crabs bear little comparison to
the sweet ones from Florida waters, available only
October 15 through May 1. There is no doubt that agriculture and
animal husbandry has provided
much more, and often better, products on a regular
basis. (Let’s face it, you
once had to be lucky to buy delicious summer’s
corn at a farm stand, whereas as
now, even supermarket corn is dependably sweet.)
But unless you can frequent a
local farm whose crops are small and carefully
tended, will you ever get a
tomato of any real taste later than mid-September.
Wild mushrooms like porcini
are almost never found fresh in U.S. markets. I do know that in Europe chefs with a
feverish commitment to quality and
seasonality may still be able to buy lamb and
chickens raisedin their community along with lettuce and
herbs, while the forests may be rich with wild
mushrooms and the fish markets
teem with the morning’s catch. The very best costs
a great deal of money, and a menu claiming to
serve
the finest should reflect that. There are no
bargains in wagyu, white truffles
or caviar, but far too often, whether it’s in a
princely hotel in Dubai, a Las
Vegas high rollers steakhouse or a restaurant in
the Eiffel Tower, you really
have to ask, “What’s in a name?” before you pay
for what you get.
❖❖❖
NEW
YORK CORNER
MACELLERIA 2 South
Water Street
Greenwich CT
203-631-7050
By John Mariani
Greenwich,
Connecticut, has long needed both a high quality
steakhouse
and a fine Italian restaurant. Macelleria, which
debuted in Pelham, New York,
two years ago, with a second in Armonk, has
managed to provide both to this
suburban city on the Gold Coast within one
splendid looking space. Owner
Anthony Lala (left, with chef Joe Fusco) is
one of those Albanian immigrants who will be the
first to tell you that the American dream is alive
and still very possible for
anyone who wants to work hard and work his way up.
Along the way he has learned
every aspect of the business and the ideals of
hospitality, so that no guest is
ever less than pampered and every onewill be very much impressed by the finesse
of the whole operation. It’s
one of those take-your-time kind of places to
linger over dessert and coffee
and maybe an after-dinner drink. Macelleria is a big place, with 200 seats,
but so divided to seem more
intimate, with widely spaced tables, wooden floors
and a stone fireplace now
being put into operation as the colder weather
takes hold. The smaller details
are the finer
ones: The tables are large, the linens of good
quality, the
stemware thin, the knives by Laguiole. If a little
spot of food drops from your
fork, within seconds it will be covered by a fresh
napkin. All portions are
large, and sharing or taking food home is a high
probability. The wine list has
real substance, and, by the glass, you get a very
generous pour. Chef
Joe Fusco’s menu doesn’t push the
standard envelope, so the focus is on impeccable
ingredients and well-honed
technique. Fried calamari, so often either fishy
or tasteless, are flavorful
and perfectly cooked to a light golden
crispiness ($12). The seafood
salad ($24) is a bargain for such a bountiful
catch of shrimp, scallops, crab
meat, octopus and calamari with arugula and lemon
vinaigrette. The Maryland
crab cake ($14) is a good, meaty one, but the
menu’s promise of “colossal jumbo
lump crab” was a big stretch.I was
told
that the meatballs (below) were
extraordinary and they lived up to the hype. At
$12
it’s a massive portion of braised mini meatballs
with bright tomato sauce, the
aroma of basil and an ice cream scoop of
mascarpone cheese.The Iceberg lettuce wedge ($12) with an
abundance of blue cheese, crispy bacon, red onions
and heirloom tomatoes makes
for a splendid lunch all on its own. All the pastas are made on premises, and I
highly recommend the
cavatelli with broccoli di rabe and sausage and a
good dose of garlic and oil
($16). The spaghetti alla
carbonara
($16) withbacon,
onions, egg yolk and
parmesan cheese achieves the requisite creaminess
without the addition of cream
at all. You may want go easy on the antipasti and
pastas, because the size of
the main courses is astonishing. You get six
succulent lamb chops ($48) that
are tender, beautifully cooked and eaten right off
the bone. Braised short ribs
with mushrooms in a very rich brazing sauce ($29)
is as hearty a dishas you’ll find in October, and the veal
chop
was equally satisfying and a buy at $30. The
branzino was one of the largest whole fishes I
have seen on an
individual plate ($26) and, although a bit
overcooked that night, it was a dish
that really needs to be shared, along with its
seasonal vegetables, rosemary
flecks and virgin olive oil glaze. The prices on side dishes at
most
steakhouses have gone through the roof elsewhere—
Smith and Wollensky charges
$14—but not at Macelleria, where they all cost
five dollars. Sautéed spinach,
broccoli di rabe, buttered corn, fat crisp french
fries, perfectly textured
whipped potatoes and very sweet shoestring fried
onions rings are not to be
missed. Nor are the housemaid desserts that include
the inevitable tiramisù and
an extremely well-made crème brûlée. At a time
when so many people are complaining about the rise
in prices
at restaurants on top of the high prices
steakhouses usually charge, Macelleria
proves itself both a first class steakhouse and a
solid Italian restaurant, so
to have both in one place for very gentle prices
and food well worth sharing is
a rare thing indeed, especially in tony Greenwich,
Connecticut.
Open
for lunch and dinner daily.
❖❖❖
CAPONE’S
GOLD
By John Mariani
To read all chapters of
Capone's Gold beginning April 4, 2021 go
to thearchive
CHAPTER TWENTY-NINE
Basilica
di San Francesco di Paola, Naples
The
flight landed in Rome, where Katie and David
had a quick brioche and cappuccino before
getting the fast train to Naples that took
barely an hour, arriving
in the city center terminal. It
was still
warm in Naples in late September and the sky was
patched with silver-white
cumulus clouds that sent fast-moving shadows
over the landscape of the city,
whose outskirts were as grim as any suburbs in
Italy; rows and rows of drab
apartment buildings constructed of the cheapest
materials that had aged badly
almost immediately after completion.The
city sprawled over eleven hilly neighborhoods,
from the most historic center
down to the port and the vast Capodimonte park.Built up by so many different invaders
over millennia—Romans,
Byzantines, Goths, Swabians, Austrians, French
and others before native son
Garibaldi liberated the city—Naples was a
mismatch of every form of
architecture since the first century A.D., when
the city was completely
destroyed by the eruption of Mount Vesuvius in
the year 87. Greco-Roman
architecture gave way to Byzantine and that to
the Romanesque and Gothic, then
Spanish and Bourbon baroque and on through the
Neo-classical, one city built on
top of another, with extrusions that made
neighborhoods both a jumble of
rotting architectural styles and barbaric
modernity after the Unification of
Italy in 1861.No Italian city suffered
more from Allied bombings in World War II,
concentrated on the ports, the
Bagnoli steelworks (right) and other
industrial sections but managing to kill more
than
20,000 inhabitants. Naples had never
recovered from the war as did northern Italy,
and it was only the prospect of
hosting the 1994 G7 Economic Summit that forced
city officials to clear out and
clean up the most public areas in the city, like
the Piazza Plebescito and the
Palazzo Reale, where the conclave met. By ten
o’clock—it was Sunday—Katie and David were
dropped off at the hotel on the Via
Depretis (below), very near the Palazzo
and not far from the Bay of Naples.At the
front desk Katie asked if there was a
convenient church where she could go to Mass and
was told that the Basilica of
Francesco di Paola was just five minutes away
and had a mass every hour on
Sunday morning. “Perfetto,”
said
Katie, then, “David, how about coming to Mass
with me?” David thought
for a moment that spending even more time with
Katie was something he’d enjoy,
but his jetlag got the better of him. “Thanks, Katie,
but I’m just going to collapse until lunch. Wake
me up when you get back.” Katie tossed her
things in her room, freshened up and brought a
beret with her, believing that
the women in Naples must still cover their heads
in church. She headed down the
broad Via San Carlo to the vast Palazzo Reale,
where the Basilica stood at the
eastern end.Approaching it, Katie felt
it looked like a distended version of the
Pantheon in Rome, half-ringed like
St. Peter’s with colonnades. Inside
Katie
marveled at the immensity of the space, which
included a dome three times the
height of the Pantheon, circled with Corinthian
columns, bright, recently
restored marble floors, its chapels and
altarpieces rich with Neapolitan
baroque paintings of the saints and gleaming
gilded candlesticks and
monstrances that held the consecrated
Eucharistic host. The
eleven
o’clock Mass was well attended, though, as at
home, mostly by the elderly and
most of them women. There were young families
together and several altar boys
in red and white aiding in the ceremony by a
priest clad in the liturgical
season’s green vestments trimmed with gold
thread. The
basilica’s
bells rang, its organ bellowed, the priest
solemnly entered and everyone rose
in their pews. Except for the size of the
basilica, all was as it would have
been at home, even the use of Italian, which one
of the churches Katie
sometimes attended in the Bronx also offered its
parishioners. Intoning an
echoing kyrie, the priest shook an
incense holder by its chain and the pungent
perfume of incense smoke, lit by charcoal and
infused with frankincense, myrrh,
and Damascus rose uncoiled in the sunlight.
Katie breathed it all in, as she
had thousands of times before, but this time,
with her jetlag taking hold, she
knelt and almost went to sleep on her arms. After
Mass Katie
returned to the hotel and called David’s room.The phone rang six times before he
answered, sounding as if he’d just
risen from the dead. “Up for lunch?”
asked Katie, who herself desperately needed some
refreshment and energy. “What time is
it?” asked David. “Half past noon.
You going to sleep all day?” “No, no, give me
. . . ten minutes.Meet you in the
lobby.” It was more like
fifteen minutes before David came down, his hair
wet from a quick shower. “I feel
a lot
better now,” he said. “How you doing?” “I think I dozed
off at Mass. Just a venial sin, I think.But I am hungry.Got
any place in
mind?” “I remember a
nice little trattoria near here where the police
liked to eat.I hope it’s open Sunday.” David
inquired—in English--of the concierge if Taverna
dell’Arte was open. The
concierge shook his head.After
trying
two more names to no avail, David said to Katie,
“Maybe we can just grab a
pizza?” “Fine with me
for a first meal on land,” Katie said. “Is that Ciro a
Santa Brigida place open?” David asked the
concierge.It was and it
was nearby, on Via Santa Brigida, so they had
the concierge make a
reservation—he said it was just a three-minute
walk—and soon they were at the colorful
two-story structure with a ristorante downstairs
and the pizzeria upstairs.
Katie and David chose the latter, with a
verandah table overlooking the street,
which was quiet because it was Sunday.The tables were set with crisp white and
maroon linens, the wine glasses
were thin. “How about we
order one pizza and some pasta to follow?” asked
David, who was very hungry. “Sounds good to
me,” said Katie, “but, you know, in Italy it’s
not cool to take food back with
you.” “That, I
guarantee, will not be a problem,” said David,
feeling very well now. They ordered a
classic pizza
alla margherita, which
had been created in Naples back in 1889 to honor
Queen Margherita (below), its
ingredients’ colors, green basil, red tomato,
and white mozzarella, those of
the new Italian flag. David also ordered
linguine with tiny vongole clams and
Katie a seafood risotto, with which they drank a
fruity white wine from the
region named fiano di avellino. “We’ve
nothing
planned after this, do we?” asked Katie,
enjoying every morsel of her meal. “Nope. No agenda
today.We
see my old cop friends
tomorrow. We’re off today.” “Well,
after this meal and the wine, I want
to stretch my legs until I collapse this
afternoon, then rest until dinner.”“I like the rest
part, but I’ll tag along with you, do some
sightseeing on the company
dime.” David
had no
idea how long they’d be in Naples but hoped it
would be a week or more.Katie
and he seemed at their best lingering
over a good meal and a bottle of wine.
***
The next
morning, after coffee and brioche,
Katie and David were feeling wholly refreshed,
excited by what lay ahead, believing that the
last piece of the puzzle might
soon be found.And it was all to happen
in Naples, which was
sun-filled and clear that day after a midnight
rainfall. Katie
had boned
up a bit on Naples’ history, while David’s
experience in the city would help
them navigate the maze of streets, the traffic,
the street hustlers, and the
women selling black market cigarettes. Which
streets to avoid at night. Katie had read
how a succession of foreign powers had both
shaped and mismanaged the great
sprawling city beside the yawing bay on the
Tyrrhenian Sea.After its destruction by the eruption of
Mount Vesuvius, Naples was an antagonistic host
to each successive conquering
power, including Mussolini’s Fascisti. For
centuries the Camorra lurked, shifting
allegiances and preventing improvements to a
city again impoverished by the
damage done to it in World War II.Afterwards, the Italian government gave
both short shrift and wide
leeway to Naples to fester as a city built on
criminal underpinnings that
shored up the rich and powerful and creaked and
cracked under the poor. David had
arranged to meet one of the Neapolitan police
captains, now retired like
himself, he’d known when last in Naples.Over dinner the night before he’d
explained the set-up of Italy’s police
forces to Katie. “First, you’ve
got the Carabinieri,” he said. “They have the
nicest uniforms, black with red
stripes on their pants and high boots (left).They have a lot of history behind them
and are considered the elite
force and they won’t let you forget it. They
mostly deal with national crimes,
including the mob. They have helicopters and
speedboats, the works. “Then
there’s
the state police, who are like our highway
police. And they oversee trains and
airports, too. Then there’s the local police,
who are little more than traffic
cops, and, last, there’s the Finance Police, who
can be very helpful to us
because they’re the ones who monitor
international financial dealings, smuggling,
counterfeiting and money laundering. They also
have some really impressive
powerboats to chase the bad guys. Their other
big responsibility is to check if
you leave a restaurant with a receipt.” “Sounds a bit
disjointed,” said Katie. “Not
really.Think
of the Carabinieri as the
F.B.I., the state police as state police, then
the local guys, and last, the
I.R.S.More
or less.” “So
which one
did your colleague belong to?” “His name is
Giovanni Lucadamo and he was with the most elite
section of the Carabinieri,
called the ROS—Special Operational Group—which
is less than ten years old.
They’re the specialists on organized crime and
terrorism.I met him right after he was appointed to
the
ROS. He’ll fill us in on mob connections. “We’d
better
hurry, grab a taxi; we’re supposed to be at his
apartment by ten.” “I thought
nobody hurries in Italy.” “You’re right.
We’ll walk over.”
NEW
ZEALAND'S BRANCOTT ESTATE
WINERY HIRES FIRST WOMAN WINEMAKER
By John Mariani
I would hardly be the first to say that
Brancott
Estate was the pioneer of New Zealand winemaking,
beginning back in 1973 in Marlborough, showing
that the terroir was excellent for viticulture and
at least as good as Australia's (which is 2,500
miles away) and growing into the country's largest
producer. The brand was adopted in 2010 by
Pernod Ricard. This month Laura-Kate Morgan, who
grew up in Marlborough, was appointed the first
woman to hold the position of winemaker. I checked
in with her as to Brancott's heritage and future
and that of women in the wine world.
How did you get to Brancott Estate and how did
you rise to the position you now have? Coming back to Marlborough was
really a full
circle moment for me. I grew up here in the region
and fell in love with the
beauty of the land at an early age. Growing up on my
family’s small farm, I
found a deep appreciation for the ability to walk
out my front door and pick
something fresh, which is where my love for produce
and Mother Nature stems
from. I followed this passion to University to
hone
my skills and learn more about the science behind
wine growing before heading
overseas to expand my knowledge and get a first-hand
take on how other regions
approach wine growing. Growing up in Marlborough,
I’ve always admired Brancott
Estate and their presence, leading the way, and
shaping the future of the wine
industry, so it was an obvious decision when the
opportunity arose.
How long has
Lincoln University offered a
dedicated wine program?
1998 was the first
year Lincoln University
offered the bachelor’s degree in viticulture and
oenology. While the one-year
Postgraduate Diploma in Viticulture and Oenology was
up and running several
years prior and currently both the postgraduate
diploma and bachelor’s degrees
are still offered. Grape and wine research at
Lincoln University dates back
until the early 1970s.
What
are the main differences in
terroir within NZ? How do they differ from
Australia’s or California’s?
Here
at Brancott Estate and
through the New Zealand wine industry, our wines
reflect and explore our unique
Tūrangawaewae, literally translating as “a place to
put your feet” or the place
where the grape finds itself — the soil, the
climate, the people — all woven
together. This is what differentiates NZ Sauvignon
Blanc from other countries’
Sauv Blanc. We have amazing soils, fantastic
sunlight hours and UV exposure,
lovely warm days and cooler nights (diurnal
temperature), amazing culture and
people.
New
Zealand, being a cooler
climate, has longer, cooler growing conditions that
promote vibrant and
expressive fruit flavors and higher acidity. The
diurnal temperature is
fantastic and there is slow ripening, freshness is
retained and acidity. The
resulting wines are pungent, crisp with passionfruit
and tropical overtones,
citrus, and herbaceous notes not to forget the
freshness lingering acidity on
the palate — this is Marlborough Sauvignon Blanc.
How
did canopy management
radically charge viticulture in NZ?
Mechanical
leaf plucking
practices were first presented to the New Zealand
wine industry in the late
1980s. The results promoted benefits for managing
disease and increasing ripe
fruit flavors. This created a change within the
industry, shining a spotlight
on the beneficial impacts that canopy management has
on wine quality. The increase of vineyard area in
New Zealand and the subsequent pressure on labor
resources meant that the
industry could adopt creative solutions for leaf
removal, including the use of
sheep like the ones Brancott Estate has in our
vineyards.
Is
the NZ wine industry male
dominated still? Who are some of your female
colleagues?
The
industry has really evolved.
Twenty years ago, there were fewer women in
winemaking as it used to be seen as
manual, hands-on work for men — which is definitely
not the case now. There are
so many opportunities and interesting roles from
winemaking, to sales, and
management. It is an exciting time for New Zealand
wine. It is an incredibly
diverse industry to work in. The wine industry is a
giant platform and there is
a lot that goes into producing a bottle of wine.
Across our sites and operations,
the company represents great diversity, within our
winemaking team alone we
currently have 70% female occupying winemaking
roles. A handful noted below are women
that are working within the wine industry and
specifically for Pernod Ricard
for a while and have worked their way to their
various roles/positions, including Jo-Anna
Partridge, with various
roles across various countries within our
organization and industry; Lesley Boon,
Viticulture
manager South Island, and Trina Smith, Group White and
Sparkling Winemaker Pernod
Ricard Winemakers Australia
What
innovations have you been
making for the future within such a large
company?
The
adoption of technology is
huge. It is allowing us to have more visibility and
be able to capture more
data as it's happening. This means we can be more
reactive and make decisions a
lot faster, we can be more agile and troubleshoot
problems before they arrive. Examples in the
vineyard include
AVT (autonomous vineyard tractors), which has
allowed us to protect ourselves
from a shortage in labor, real time data with soil
moisture monitoring, and
therefore, irrigation, which has given us the
ability to act precisely rather
than on instinct and new constantly, improving
harvesting technology. Examples
in the winery include real time data, with tank
analysis using probes and
sensors, a catwalk-less winery helping to eliminate
risks involved with
earthquakes, lights out processing, which maximizes
technology while offsite
through the night and use of machine learning and
predictions with a
intelligent, integrated software system.
What
is the company’s commitment
to sustainability and climate change?
As a company that
has such a strong focus on the
beautiful land of New Zealand and the bounty it has
to offer, Brancott Estate
understands the importance of sustainability and
climate change. Brancott has
been dedicated to advocating sustainable wine
practices from adopting screw
caps to advocating for stainless steel over oak.Beyond the
liquid and bottle, as a founding
member of New Zealand's original sustainable wine
growing initiative, we’re
dedicated to nurturing and protecting the
Marlborough region, including the
wildlife.
Specifically, we’ve worked
to help preserve a
wetland that’s located on one of Brancott's
vineyards, the Kaituna wetland,
which is one of the largest remaining spring-fed
wetlands in Marlborough. In
2019, the company undertook a project to identify
exactly what species are living
in our wetland so we can better understand and
protect the ecosystem. As a
result, 85 different species were identified.
I hope I can look back in
years to come and
people are still farming the same land and it is
just as productive — the
environment and land should be treated with respect.
You do not want to take
more from the land than what you need.I
was very enthused to find Brancott Estate already
had a number of projects in
the works towards this goal as well.
❖❖❖
FOOD WRITING 101: RUN THAT THROUGH THE TYPEWRITER
AGAIN
"If a ruby-red Beamer
screams
panic for a certain breed of middle-aged men,
do soulless corporate digs for a
guerrilla outfit turned establishment darling
signal anxiety about identity for
an iconic culinary empire?"—Jiayang Fan, "Momofuku
Ssäm
Bar," The New Yorker (10/18/21).
❖❖❖
Any of John Mariani's
books below may be ordered from amazon.com.
The Hound in Heaven
(21st Century Lion Books) is a novella, and
for anyone who loves dogs, Christmas, romance,
inspiration, even the supernatural, I hope you'll find
this to be a treasured favorite. The story
concerns how, after a New England teacher, his wife and
their two daughters adopt a stray puppy found in their
barn in northern Maine, their lives seem full of promise.
But when tragedy strikes, their wonderful dog Lazarus and
the spirit of Christmas are the only things that may bring
his master back from the edge of despair.
“What a huge surprise turn this story took! I was
completely stunned! I truly enjoyed this book and its
message.” – Actress Ali MacGraw
“He had me at Page One. The amount of heart, human insight,
soul searching, and deft literary strength that John Mariani
pours into this airtight novella is vertigo-inducing.
Perhaps ‘wow’ would be the best comment.” – James
Dalessandro, author of Bohemian
Heart and 1906.
“John Mariani’s Hound in
Heaven starts with a well-painted portrayal of an
American family, along with the requisite dog. A surprise
event flips the action of the novel and captures us for a
voyage leading to a hopeful and heart-warming message. A
page turning, one sitting read, it’s the perfect antidote
for the winter and promotion of holiday celebration.” – Ann
Pearlman, author of The
Christmas Cookie Club and A Gift for my Sister.
“John Mariani’s concise, achingly beautiful novella pulls a
literary rabbit out of a hat – a mash-up of the cosmic and
the intimate, the tragic and the heart-warming – a Christmas
tale for all ages, and all faiths. Read it to your children,
read it to yourself… but read it. Early and often. Highly
recommended.” – Jay Bonansinga, New York Times bestselling
author of Pinkerton’s War,
The Sinking of The Eastland, and The Walking Dead: The Road To
Woodbury.
“Amazing things happen when you open your heart to an
animal. The Hound in
Heaven delivers a powerful story of healing that
is forged in the spiritual relationship between a man and
his best friend. The book brings a message of hope that can
enrich our images of family, love, and loss.” – Dr. Barbara
Royal, author of The
Royal Treatment.
Modesty forbids me to praise my own new book, but
let me proudly say that it is an extensive
revision of the 4th edition that appeared more
than a decade ago, before locavores, molecular
cuisine, modernist cuisine, the Food Network and
so much more, now included. Word origins have been
completely updated, as have per capita consumption
and production stats. Most important, for the
first time since publication in the 1980s, the
book includes more than 100 biographies of
Americans who have changed the way we cook, eat
and drink -- from Fannie Farmer and Julia Child to
Robert Mondavi and Thomas Keller.
"This book is amazing! It has entries for
everything from `abalone' to `zwieback,' plus more
than 500 recipes for classic American dishes and
drinks."--Devra First, The Boston Globe.
"Much needed in any kitchen library."--Bon Appetit.
Now in Paperback,
too--How Italian Food Conquered the
World (Palgrave Macmillan) has won top prize from the
Gourmand
World Cookbook Awards. It is
a rollicking history of the food culture of
Italy and its ravenous embrace in the 21st
century by the entire world. From ancient Rome
to la dolce
vita of post-war Italy, from Italian
immigrant cooks to celebrity chefs, from
pizzerias to high-class ristoranti,
this chronicle of a culinary diaspora is as
much about the world's changing tastes,
prejudices, and dietary fads as about
our obsessions with culinary fashion and
style.--John Mariani
"Eating Italian will
never be the same after reading
John Mariani's entertaining and
savory gastronomical history of
the cuisine of Italy and how it
won over appetites worldwide. . .
. This book is such a tasteful
narrative that it will literally
make you hungry for Italian food
and arouse your appetite for
gastronomical history."--Don
Oldenburg, USA Today.
"Italian
restaurants--some good, some glitzy--far
outnumber their French rivals. Many of
these establishments are zestfully described
in How Italian Food Conquered the World, an
entertaining and fact-filled chronicle by
food-and-wine correspondent John F.
Mariani."--Aram Bakshian Jr., Wall Street
Journal.
"Mariani
admirably dishes out the story of
Italy’s remarkable global ascent
to virtual culinary
hegemony....Like a chef gladly
divulging a cherished family
recipe, Mariani’s book reveals the
secret sauce about how Italy’s
cuisine put gusto in gusto!"--David
Lincoln Ross,
thedailybeast.com
"Equal parts
history, sociology, gastronomy, and just
plain fun, How Italian Food Conquered the
World tells the captivating and delicious
story of the (let's face it) everybody's
favorite cuisine with clarity, verve and
more than one surprise."--Colman Andrews,
editorial director of The Daily
Meal.com.
"A fantastic and fascinating
read, covering everything from the influence
of Venice's spice trade to the impact of
Italian immigrants in America and the
evolution of alta cucina. This book will
serve as a terrific resource to anyone
interested in the real story of Italian
food."--Mary Ann Esposito, host of PBS-TV's
Ciao
Italia.
"John Mariani has written the
definitive history of how Italians won their
way into our hearts, minds, and
stomachs. It's a story of pleasure over
pomp and taste over technique."--Danny Meyer,
owner of NYC restaurants Union Square
Cafe, The Modern, and Maialino.
❖❖❖
FEATURED
LINKS: I am happy to report
that the Virtual
Gourmet is linked to four excellent
travel sites:
I consider this the best and
savviest blog of its kind on the web. Potter is a
columnist for USA
Weekend, Diversion, Laptop and Luxury Spa Finder,
a contributing editor for Ski and a frequent contributor
to National
Geographic Traveler, ForbesTraveler.com
and Elle Decor.
"I’ve designed this site is for people who take
their travel seriously," says Potter. "For
travelers who want to learn about special places
but don’t necessarily want to pay through the nose for
the privilege of staying there. Because at the end
of the day, it’s not so much about five-star
places as five-star experiences."
Eating Las
Vegas JOHN CURTAS has been covering
the Las Vegas food and restaurant scene
since 1995. He is the co-author of EATING LAS
VEGAS – The 50 Essential Restaurants (as
well as the author of the Eating Las
Vegas web site: www.eatinglasvegas.
He can also be seen every Friday morning as
the “resident foodie” for Wake Up With the
Wagners on KSNV TV (NBC) Channel 3 in
Las Vegas.
MARIANI'S VIRTUAL GOURMET
NEWSLETTER is published weekly. Publisher: John Mariani. Editor: Walter Bagley. Contributing Writers: Christopher
Mariani, Misha Mariani, John A. Curtas, Gerry Dawes, Geoff Kalish.
Contributing
Photographer: Galina Dargery. Technical
Advisor: Gerry
McLoughlin.