THIS WEEK SAN
ANTONIO DINING, PART THREE By John Mariani NEW YORK CORNER
LUPETTO
By John Mariani
THE MAGDALENE LAUNDRIES
CHAPTER FIVE
By John Mariani
NOTES FROM THE WINE CELLAR
OREGON'S WILLAMETTE VALLEY AIMS
FOR MORE AGRO-TOURISM John
Mariani
❖❖❖
SAN
ANTONIO DINING, PART THREE
By John
Mariani
Back
in 1874 Scribner’s
magazine wrote of the women who sold
chili con carne in San Antonio’s Military
Plaza as “chili queens,” and they continued
to ply their wares, off and on, into the
early 20th century, till closed down by the
city over hygiene issues. O. Henry called
them “coquettish señoritas,” and their
legend lives on in a city passionate about
its Mexican food and its distinctions from
Tex-Mex—which is a debate I’m not going to
get into here. Suffice
it
to see that Northern Mexican food long ago
married into Texas preferences for beef, and
chili con carne was born, which is now a
staple of the cookery. And in San Antonio you
will find a range of eateries, markets and
restaurants serving endless variations of
traditional dishes like enchiladas, tacos and
tamales, along with Americanized items like
burritos, chimichangas and fajitas. There are
big outdoor family places like La Fogata,
places that specialize in seafood like
Ernesto’s and elegant restaurantes
like Paloma Blanca serving unusual dishes
like enchiladas
divorciadas. Two outstanding restaurants—one old,
one new—provide an overlapping picture of San
Antonio’s Mexican food culture.
MI TIERRA CAFÉ Y PANDERIA
(218
Produce Row; 210-225-1262) is an
astonishment on many counts. First of
all, since Pedro and Cruz Cortez (below)
opened up as a three-table café in 1941, the
place has never closed. Now, expanded and
relocated a few times, with 500 seats, it’s
never empty, and the Christmas decorations
never come down. The
Cortez family has been hailed as among the
principal promoters of the Market Square area,
and the city’s residents come early for the
fresh breads and myriad pastries, the coffee,
the strolling mariachi bands—several perform
in several dining rooms—the Zapata margaritas
at the glittery bar and Mexican food that had
been perfected decades ago and is as
dependable as the flying of the flag each day
at the Alamo. The place sprawls from one room to
another, every square inch hung with folkloric
images, vast murals by artist Jésus Garcia of
all the famous Latinos who have enriched
American culture, and an altarpiece
devoted to Our Lady of Guadalupe. Everything
you
order comes in sumptuous portions, starting
with breakfasts (served all day) of huevos
rancheros ($12.95) and spicy menudo
($13.50) breakfast soup abundant with tender
tripe. Throughout
the day the servers, all dressed in Mexican
fiesta garb, bring out the food with
remarkable dispatch—queso
flameado of melted cheese with sausage;
michoan
of charred pork with oranges and spices
($22.75); flautas de pollo with guacamole
($15.50); Tex-Mex favorites, including steak á laTampiquena,
an assemblage of ribeye with chicken
enchiladas and green tomatillo sauce ($28.75).
And, even if they have to pack up half
their food to take home (which you will),
everyone has the pastel de
tres leches con fruta cake ($7.50) or
the caramel cajeta cheesecake ($6.50). Sit
back with a cup of cinnamon-scented Mexican
coffee, listen to the mariachis croon “Vaya
con Dios,” and let everybody at Mi Tierra
spoil you. What Katz’s Delicatessen is to New York
and Versailles is to Miami, Mi Tierra is to
San Antonio and, I suspect, always will be.
The Pearl
District is named after the Pearl Brewery
Company, whichin 1952 took over the San Antonio
Brewing Company,
whose extraordinary Second Empire-style brew
house was designed by Chicago architect August
Maritzen in 1894 and was once the largest in
the U.S. In 1965 it merged with Pabst brewery,
which closed operations in 2001. Fortunately,
the building and 23 acres were purchased by
Silver Ventures for mixed development that
included a stunning hotel within the brewery’s
shell, boutiques, an amphitheater, markets, a
branch of
the Culinary Institute of America and a number
of restaurants, one of which is LA GLORIA
PEARL (100 East
Grayson Street; 210-267-9040), opened by
first generation Mexican-American Johnny
Hernandez to showcase Latino street food. Hernandez has been one of the prime
movers in the city’s modern restaurant scene,
owning eight restaurants and four food trucks,
and he has been key to developing the historic
La Villita village along the River Walk. La Gloria is a big, open space looking
like a converted auto garage, decked out in
wildly colorful Mexican imagery that includes
a Dia de Las Muertes skeleton as welcoming
figure. The food is every bit as colorful as it
is unstintingly fresh, from the rich fundido cheeses
with chorizo ($14.95) to the big bowl of deshebrada
beef teeming with shredded beef and onions
($7.49). There are quesadillas and tostadas,
but the stars of the menu are the enchiladas
derived from various regions
on Mexico, such as Oaxaca (mole
negro, chicken, crema,
onions, queso
fresco and radishes ($15.95) and
Veracruz, with chili, pasilla,
bean sauce, chicken, charred onions, chorizo,
poblanos, cremaand queso
fresco($16.95). There are six margaritas, 45 tequilas
and mezcals, and the sangria should really be
orderedby
the pitcher. And share a dessert like the tres
leches cake (left) or the flan. Hernandez is often on premises and on a
first name basis with every employee, and
seems to know all the regulars, some who come
several times a week. It is the kind of place
that once experienced, you cannot imagine not
going back every time you’re in town. If
Mi Tierra represents the best of tradition, La
Gloria is in the vanguard of Mexican regional
cuisine.
❖❖❖
NEW YORK CORNER
LUPETTO
1123
Broadway
212-547-8750
By John Mariani
There’s no doubt that a wood-fired oven
can impart delectable nuances to certain foods.
By the same token, some cooks overdue the amount
of smoke for some meats and fish that robs them
of their essential flavors. Fortunately, no such
error is committed at Lupetto, which means
“little wolf,” a new Italian restaurant located
in NoMad. The
food
mimics that of the rustic hearth cooking in Italy,
although Lupetto’s ovens are far more refined and
modulated. Restaurateur Mark Barak and
chef-partner Michael Berardino add a lightly
smoked luster to everything from pizzas to meats
and fish from an open kitchen while keeping the
classics squarely on the menu. The 175-seat space (with a downstairs room
called Sotto with 40 seats) is dominated by a long
bar and center divider, with a good deal of
polished wood, by Parts and Labor Design. There
are tables up front and a dining room to the rear
that could use more light to make the menu easier
to read and do justice to the colors of the food.
What the room does not need is the bombast
of thudding bass and bashing drums—whatever music
it is you won’t be able to identify—which is the
polar opposite of what a rustic
trattoria anywhere in Italy would have, which is
no music at all. Oddly enough, about 9:30, when
Lupetto started to empty out, they played some old
Italian pop music, which was fun to hear as we
finished our wine. It’s not easy choosing among so many
tempting starts, but I would most recommend the
tender, very flavorful arancini rice balls with tomato,
saffron and smoked mozzarella ($18), and that
fiery oven adds a real tasty char to the octopus
with pepper relish ($22). We had to test out the
Neapolitan-style pizza ($24) with fior di latte
mozzarella, and it was a good one; a tad thin but
sizeable enough to share. As ever in Italian
restaurants, pastas will stand out and Lupetto’s
are simple with tremendous flavor. You don’t see
spaghetti aglio
e olio ($23) outside of Old School
Italian-American trattorias, but Lupetto’s is
outstanding (right), the pasta perfect, the
amount of garlic and good olive just right and
with an added tang of what I assume was lemon.
Every bit as wonderful was a dish of fat bucatini all’amatriciana($27)
with sweet tomato and guanciale, onions and a hit
of chile pepper (left). The guitar-string cut called chitarra takes
on an unusual sauce of Meyer lemon and sweet
Bronte pistachio ($26); even more unusual was the
crespelle
(crêpe)
stuffed with porcini mushrooms and caramelized
onions layered with white bolognese béchamel sauce
(28), one of my favorite pastas thus far this
year. There’s a special place on the menu for
oven-roasted meats, including an exceptional
thick, juicy, perfectly cooked pork porterhouse
porchetta, spiced and seasoned with great
authority ($44), which I hope becomes Berardino’s
signature dish. He does well by a (very expensive)
16-ounce ribeye for one ($72) or two ($165) from
cattle that are grass fed, as in Italy, but
without the richness of USDA Prime. The ribeye for
one handily serves two people, so the one for two
would be enough for four. Orata is a fine alternative to the
ubiquitous branzino, and Lupetto’s wood-fire gives
it a subtle flavor and keeps in the juices. The same degree of simple goodness is
evident in desserts ($14) like the ricotta
cheesecake, with pistachios for crunch and
meringue for fun; chocolate cake with a lush
mascarpone mousse and espresso glaze; and
chocolate panna cottta with candied hazelnuts. There is obviously no end to
the number of good Italian trattorias that New
York can absorb, and usually when I’m asked for
recommendations, the request is overwhelmingly for
Italian food. And in this section of Manhattan,
with a lot to choose among, Lupetto would
certainly leap to mind to recommend. Now, if only
they’d turn down that noise!
Open nightly for dinner.
❖❖❖
THE MAGDALENE LAUNDRIES By John Mariani
CHAPTER FIVE
Katie was feeling
frustrated. “So you did not pursue the
incident?” “I did, Katie, I did. But
to make a long story short, whomever I spoke to
basically shrugged and said if I saw no actual
sexual act going on, there was nothing really to
report and that—and here’s what repulsed me—that
it would be very embarrassing for Ryan and
especially for the child to go further with an
investigation.They said that even if something horrible
had occurred, Miguel’s parents would never agree
to have him testify and be exposed to ridicule
by everyone, especially his schoolmates. “They did nothing at all?” “One of my superiors said he’d have a
talk with Ryan.” “Did he?” “I have no way of knowing.All I
know is that Ryan went on with his teaching and
coaching tennis and that Miguel stayed in school
but was assigned to another teacher for what had
been Ryan’s courses. Miguel did drop out of
tennis.” Katie was sinking into deep sadness, as
much for her friend Joseph as for the children,
and the only thing that kept her from breaking
into tears was her rage over priests getting
away with such predatory behavior. “So, Joey, you left because you felt
incapable of doing anything after that?” Joseph rubbed the back of his neck and
said, “I might well have stayed in, tried to
mount an offense, go outside the community, but
I needed evidence. And when I started to look
for it, comparing the number of students—good
students—who mysteriously dropped out of school
with their parents’ approval with rates at other
schools in the city and elsewhere, I began to
see a pattern so widespread that it was making
me sick and driving me away from my faith in
God. I was getting no direction from my prayers,
no help from my colleagues, and, eventually, I
was told I was to have an audience with the
bishop of the diocese.” Katie’s eyebrows rose a bit in the hope
that better news was coming. “So, I went to see the bishop, who’d been
in that position for thirty years by then, and I
was hoping he would be receptive to my research,
such as it was, and that perhaps he would help
launch an investigation and get to the bottom of
things.” “And?” Joseph described how he’d been picked up
by a lay assistant to the bishop, whose name was
Juan de Castro, and driven into the capital to
his residence attached to the city’s 16th
century Metropolitan Cathedral and Parish of
Saint Vitalis and of the Guardian Angels.
Vitalis was the patron saint of prostitutes. The
night before, Joseph had looked up the biography
of St. Vitalis to find he was a martyr of Milan,
who had sacrificed his life by being tortured on
the rack then buried alive. Joseph was feeling
nothing like a martyr, at least not yet. The
church
was done in the typical Spanish colonial style
of the period, and much of it was destroyed in
the war by Allied bombing.But
within its catacombs lay the silent remains of
the priests and bishops who had served the
church in their lifetime. Joseph was ushered into a large plain
office, decorated sparsely with a crucifix, a
painting of the Virgin Mary, an oak desk and
upholstered chairs. Bishop de Castro, now in his
late seventies, rose to meet the young Jesuit,
saying, in perfect English, “Ah, Joseph, thank
you so much for coming.I’ve
heard so many good things about you.All
good, as a matter of fact.” Joseph returned the greeting with a smile
and sat down, waiting to be spoken to. The old
bishop put on his glasses and glanced down at a
file on his desk. “So, my son, I understand you have been
doing some extracurricular study of some kind on
the drop-out rates within our diocese? That
sounds interesting.” Joseph was dumbfounded that the bishop
would know anything about his priests’
activities beyond the walls of the school and
had to assume that word had gotten back to the
bishop from the various sources Joseph had
contacted during his investigation. “Have you found out anything of use to us
to know?” asked De Castro, taking off his
glasses and staring intently at his young
priest. Joseph had a sudden feeling of having
been betrayed and felt he had to be very
careful, as if he were being probed by the
authorities. He said nothing at first, then
spoke: “Your Holiness, the object of my research
has been into how many students have left our
schools for no attributed reasons. There were
good students, poor students, some whose family
moved away, but otherwise there were so many who
left without cause.” “When you say ‘many,’ what kind of
numbers are you speaking of?” asked De Castro. “I have only really looked back over the
past ten years,” said Joseph, “but from my very,
very incomplete records, I have found scores of
such cases, perhaps even a hundred.” De Castro picked up a pen and began
writing. “That many. Well, then, what have you
found to be the causes of these mysterious
students dropping out?” Father Joseph Evangelisti leaned forward
and said, “I cannot prove any of this, Your
Holiness, and certainly not in all cases, but in
a significant number of them I fear that it may
have been the result of. . . improper sexual
behavior on the part of their teachers.” He
hesitated to say priests.
"The
Martyrdom of St. Vitalis" by Federico
Barocci (I553).
“You mean you think these students were
sexually molested and sent away because they
became pregnant?” “Some, but certainly not all. Many,
perhaps most, were young boys.” De Castro kept writing, without looking
up. “Of what age?” “I would say the average age was fifteen
to seventeen, some younger.” “And do you believe some of these cases
involved improper behavior by priests?” Joseph nodded. “I’m afraid so,” but
stopped short of saying it appeared most of
the cases involved priests, brothers, even nuns. “And you have turned up strong evidence
to that effect?” “No, Your Holiness, I have not, and that
is why I have come to you to ask your help in
finding out the truth.”
Oregon’s Willamette Valley
Is Aiming to Make a It
Year-Round Vino-Tourist Attraction
By John Mariani
In an amazingly short time the Willamette
Valley in Oregon has grown into a wine region
known for its high quality varietals, not least
for the finest Pinot Noirs made in the U.S. Now,
with 700 wineries—up from 400 in just nine
years—it is third after California (with 2,843)
and Washington (1,070) in numbers, but its quality
levels are easily competitive with the best in the
world.
Pinot
Noirs from the International Pinot Noir
Celebration This
is all the more remarkable because, although some
wine has been produced in Oregon since the 19th
century, modern viniculture only made its mark since
the 1960s, and it was the investment in Dundee Hills
of the Willamette Valley by the French Burgundian
vigneron Joseph Drouhin that prompted others to
invest in the state. The Valley’s estate owners have been canny
about marketing and have managed to establish 11
American Viticultural Areas (AVAs) distinguishing
terroirs. Just as important, the industry has been
vigorous in promoting agro-tourism in the region,
and to go by the news announced by Willamette Valley
Wineries Association, 2024 is going to be a banner
year. Here are but a few of the most exciting
announcements in this, one the loveliest valleys in
the Pacific Northwest. Primary for agro-tourism are tasting rooms,
which are being built as attractions that go well
beyond a wooden shed in the back of the vineyard. Antica Terra
is debuting a barrel
hall tasting room, in May, which will feature
intimate tasting bays as sipping areas for wine
collectors. In June, they will also offer a
tasting “in the trees,” with visitors gathered in
the heart of the property, surrounded by its
natural beauty. . . . Francis Ford Coppola’s
Domaine de Briglie is changing its name to Domaine Lumineuxwith a new tasting room in
Newberg. . . . Corollary
Wines will serve its sparkling wines at a
new tasting room withpanoramic
views of the estate vines, once a timber property.
. . . The newly established Balsall
Creek Vineyards is opening its tasting room
this springin
the Chehalem Mountains nested AVA, showing off its
unusual varietals of Gamay,Aligoté,
and others. . . . Lingua Franca Wineswill celebrate its
inaugural to offer flights of its Pinot Noir and
Chardonnay. . . . Namaste
Vineyards, which has some of the oldest
vines in the AVA, is renovating an historic hay
barn dating back to 1920 (right) into a
brand-new tasting room, expanding its food
offerings to include an enticing array of small
plates, charcuterie boards, and homemade artisanal
chocolate truffles crafted using their coveted
Reserve Cuvée Pinot Noir. . . . Left Coast
Estates has a new Library to provide
in-depth wine education, by reservation only,
along with a hiking trail and wood-fired pizzas. .
. . Lachini
Vineyards will evoke its owners’
Mediterranean roots with a grand venue complete
with an onsite chef, an open kitchen, indoor and
outdoor tasting areas. . . . Chosen
Family Wines will open their Road House
Tasting with an exclusive setting alongside the
Wilsonville River. Guests can select from three
distinct tasting flights, curated by the Chosen
Family team, with the option to pre-order
charcuterie boards.
Other
events in the Valley include the Taste
Newberg Truffle Trail in
February and March to forage the woodlands for
truffles. . . . West Hills Vineyards has a new event space
called “The Chapel” coming in June, with a capacity
to accommodate up to 200 guests, ideal choice for
grand occasions such as weddings. The Chapel comes
complete with a well-equipped catering kitchen and
antique bell. . . . Greywing Cellars has its first Native
American winemaker in Brandy Grey, both Cherokee and
Navajo, who, with her
husband Ari (left), makes Pinot Noir and
sparkling Rosé across two Willamette Valley
appellations, withthe label used to help support fellow
indigenous peoples. . . . Willamette
Valley Vineyards Camping Space has introduced“Into the Woods,” an exclusive haven
designed for wine-loving recreational vehicle
enthusiasts. . . . Mother’s Day
Sparkling Wine is being specially celebrated
at many of the area’s boutique winerytasting
rooms with abundantly flowing sparkling wine. . . .
The Bubbles Fest(right) will be
held February 17-18, with 28
producers paired up with local seafood and special
bites. Local cheeses and sweets will be on hand as
well as music from DJ Jimbo. . . . The Oregon
Chardonnay Celebration on February 24 will have 50 esteemed producers,
while The
Allison Inn’s executive chef, Jack Strong,and other
Valley chefs offer bites to go with the wines. . . .
Andthe
40th Anniversary
Throwback Weekend will be heldMarch 1-3, to
commemorate four decades of viniculture, with a
special focus on all things from the iconic year
1983.
❖❖❖
SO, DID YOU HEAR ABOUT THE DOG WHO ATE THE FOOD IN
HIS DISH AND SUDDENLY SPIT IT OUT AND SAID,
"JESUS, THIS STUFF TASTES LIKE CRAP!" AND HIS
OWNER SAYS, "FIDO, YOU CAN SPEAK ? YOU'VE NEVER
SAID ANYTHING BEFORE!" AND THE DOG SAYS, "YEAH,
WELL, UP UNTIL NOW THE FOOD'S BEEN PRETTY GOOD."
Chef Luca Grammatico serves dogs at his
restaurant called Fiuto in Rome with dishes of
chicken nuggets, zucchini and mashed potatoes
blended and formed into a dog bone
shape.“Presentation is very important,” he said.
❖❖❖
Any of John Mariani's
books below may be ordered from amazon.com.
The Hound in Heaven
(21st Century Lion Books) is a novella, and
for anyone who loves dogs, Christmas, romance,
inspiration, even the supernatural, I hope you'll find
this to be a treasured favorite. The story
concerns how, after a New England teacher, his wife and
their two daughters adopt a stray puppy found in their
barn in northern Maine, their lives seem full of promise.
But when tragedy strikes, their wonderful dog Lazarus and
the spirit of Christmas are the only things that may bring
his master back from the edge of despair.
“What a huge surprise turn this story took! I was
completely stunned! I truly enjoyed this book and its
message.” – Actress Ali MacGraw
“He had me at Page One. The amount of heart, human insight,
soul searching, and deft literary strength that John Mariani
pours into this airtight novella is vertigo-inducing.
Perhaps ‘wow’ would be the best comment.” – James
Dalessandro, author of Bohemian
Heart and 1906.
“John Mariani’s Hound in
Heaven starts with a well-painted portrayal of an
American family, along with the requisite dog. A surprise
event flips the action of the novel and captures us for a
voyage leading to a hopeful and heart-warming message. A
page turning, one sitting read, it’s the perfect antidote
for the winter and promotion of holiday celebration.” – Ann
Pearlman, author of The
Christmas Cookie Club and A Gift for my Sister.
“John Mariani’s concise, achingly beautiful novella pulls a
literary rabbit out of a hat – a mash-up of the cosmic and
the intimate, the tragic and the heart-warming – a Christmas
tale for all ages, and all faiths. Read it to your children,
read it to yourself… but read it. Early and often. Highly
recommended.” – Jay Bonansinga, New York Times bestselling
author of Pinkerton’s War,
The Sinking of The Eastland, and The Walking Dead: The Road To
Woodbury.
“Amazing things happen when you open your heart to an
animal. The Hound in
Heaven delivers a powerful story of healing that
is forged in the spiritual relationship between a man and
his best friend. The book brings a message of hope that can
enrich our images of family, love, and loss.” – Dr. Barbara
Royal, author of The
Royal Treatment.
Modesty forbids me to praise my own new book, but
let me proudly say that it is an extensive
revision of the 4th edition that appeared more
than a decade ago, before locavores, molecular
cuisine, modernist cuisine, the Food Network and
so much more, now included. Word origins have been
completely updated, as have per capita consumption
and production stats. Most important, for the
first time since publication in the 1980s, the
book includes more than 100 biographies of
Americans who have changed the way we cook, eat
and drink -- from Fannie Farmer and Julia Child to
Robert Mondavi and Thomas Keller.
"This book is amazing! It has entries for
everything from `abalone' to `zwieback,' plus more
than 500 recipes for classic American dishes and
drinks."--Devra First, The Boston Globe.
"Much needed in any kitchen library."--Bon Appetit.
Now in Paperback,
too--How Italian Food Conquered the
World (Palgrave Macmillan) has won top prize from the
Gourmand
World Cookbook Awards. It is
a rollicking history of the food culture of
Italy and its ravenous embrace in the 21st
century by the entire world. From ancient Rome
to la dolce
vita of post-war Italy, from Italian
immigrant cooks to celebrity chefs, from
pizzerias to high-class ristoranti,
this chronicle of a culinary diaspora is as
much about the world's changing tastes,
prejudices, and dietary fads as about
our obsessions with culinary fashion and
style.--John Mariani
"Eating Italian will
never be the same after reading
John Mariani's entertaining and
savory gastronomical history of
the cuisine of Italy and how it
won over appetites worldwide. . .
. This book is such a tasteful
narrative that it will literally
make you hungry for Italian food
and arouse your appetite for
gastronomical history."--Don
Oldenburg, USA Today.
"Italian
restaurants--some good, some glitzy--far
outnumber their French rivals. Many of
these establishments are zestfully described
in How Italian Food Conquered the World, an
entertaining and fact-filled chronicle by
food-and-wine correspondent John F.
Mariani."--Aram Bakshian Jr., Wall Street
Journal.
"Mariani
admirably dishes out the story of
Italy’s remarkable global ascent
to virtual culinary
hegemony....Like a chef gladly
divulging a cherished family
recipe, Mariani’s book reveals the
secret sauce about how Italy’s
cuisine put gusto in gusto!"--David
Lincoln Ross,
thedailybeast.com
"Equal parts
history, sociology, gastronomy, and just
plain fun, How Italian Food Conquered the
World tells the captivating and delicious
story of the (let's face it) everybody's
favorite cuisine with clarity, verve and
more than one surprise."--Colman Andrews,
editorial director of The Daily
Meal.com.
"A fantastic and fascinating
read, covering everything from the influence
of Venice's spice trade to the impact of
Italian immigrants in America and the
evolution of alta cucina. This book will
serve as a terrific resource to anyone
interested in the real story of Italian
food."--Mary Ann Esposito, host of PBS-TV's
Ciao
Italia.
"John Mariani has written the
definitive history of how Italians won their
way into our hearts, minds, and
stomachs. It's a story of pleasure over
pomp and taste over technique."--Danny Meyer,
owner of NYC restaurants Union Square
Cafe, The Modern, and Maialino.
MARIANI'S VIRTUAL GOURMET
NEWSLETTER is published weekly. Publisher: John Mariani. Editor: Walter Bagley. Contributing Writers: Christopher
Mariani, Misha Mariani, John A. Curtas, Gerry Dawes, Geoff Kalish.
Contributing
Photographer: Galina Dargery. Technical
Advisor: Gerry
McLoughlin.