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THIS WEEK THE STRUGGLE FOR SEAFOOD AND ITS SUSTAINABILITY By John Mariani NEW YORK CORNER POINT SEVEN By John Mariani THE MAGDALENE LAUNDRIES Chapter Six By John Mariani NOTES FROM THE WINE CELLAR HOW DO WOMEN PERCEIVE CUES ON WINE LABELS? By John Mariani ❖❖❖
THE STRUGGLE FOR SEAFOOD
AND ITS SUSTAINABILITY By John Mariani "The Fog Warning" by Winslow Homer
Last
October in St. John, Canada, 340 people
involved in every aspect of the seafood
industry attended the Global Seafood
Alliance’s Responsible Seafood Summit to
hear how their industry is faring. The good
news was that aquaculture will need to
supply two-thirds of the world’s seafood
requirements by 2030; without aquaculture,
the world will face a seafood shortage of 50
to 80 million tons by 2030. Issues of
sustainability were a major theme of the
conference as well as a need for unity among
the fishing industry and aquaculture
entrepreneurs. The Responsible Seafood Summit is the world’s only seafood event focused on bridging the differences and nurturing the commonalities between aquaculture and fisheries, with the goal of building a more unified front for seafood. It’s not that fisheries and aquaculture are at odds. It’s that there’s not enough collaboration. That’s what pre-competitive events like the Summit are designed to do—to bring together people from both fisheries and aquaculture. Sustainability and
purity of product were also stressed as
crucial. What efforts are being made in
those respects? You’ve said that “the value
of building transparency and trust with
customers was also discussed. There’s so
much judging and misinformation out there
that the seller-buyer relationship is more
important than ever.” What is the public
most concerned about? The public is
concerned about value and product quality.
Even with sustainability emerging as a
concern, value and product quality remain at
the top. Consumers want a good quality product
and good price. But increasingly they want
assurances that the product they’re purchasing
was produced in an environmentally and
socially responsible manner. That’s where
third-party certification programs like Best
Aquaculture Practices come in. Consumers who
buy product with the blue BAP label know that
they’re buying product produced under strict
standards for environmental and social
responsibility, animal health and welfare, and
food safety. How has social
media affected the way seafood is
perceived? Social media has
given producers, big and small, a platform to
talk about how they’re doing things
responsibly. They’re able to reach consumers
more directly, which is a good thing. The
challenge is that there’s a lot of
misinformation out there, and this
misinformation is spread more rapidly. That’s
why it’s so critical for the industry to
better collaborate, and to build a more
unified front for seafood. The predictions for
growth of the industry seem to be soaring,
but the industry cannot keep up with the
demand. How did the pandemic affect the
industry? What happened
during the pandemic was when restaurants were
forced to shut down consumers bought seafood
at supermarkets and cooked it at home, some
for the first time. Consumers learned that
seafood is easier to cook than they realized,
especially first-timers, so they incorporated
it into their diet more often. When the
pandemic subsided and restaurants opened back
up, that trend shifted back. So retail seafood
sales slowed post-pandemic. However, a whole
new audience was introduced to seafood for the
first time, and that will pay dividends for
years to come. Are there stringent
international requirements for entering the
industry? There are. More
specifically, retail and food service
companies have strengthened their sustainable
seafood sourcing policies over time. Many of
their vendors are required to attain
third-party certification, whether aquaculture
or fisheries, to ensure that their seafood is
farmed (and processed) responsibly, or caught
responsibly. It’s a way of doing business now.
Certification programs go above and beyond
what a government may require and level the
playing field. So, if you’re a retail or food
service seafood buyer, you know you’re getting
product held to the same stringent set of
standards no matter what country it’s coming
from. It’s difficult to be a player in the
international seafood scene these days without
being involved in more certification programs.
Sustainability and
purity of product were also stressed as
crucial. What efforts are being made in
those respects? Responsible
seafood production is no longer a novelty—it’s
a way of doing business. Retail and food
service companies worldwide employ sustainable
seafood sourcing policies that require that
the product they’re purchasing was produced in
an environmentally and socially responsible
manner. That’s standard practice these days. The predictions for
growth of the industry seem to be soaring,
but the industry cannot keep up with the
demand? It is true that
aquaculture production continues to grow. Our
own survey results indicate that the world’s
production of farmed seafood will grow by
about 4.8 percent in 2024 to almost 5.88
million metric tons (compared with 2023). Our
own survey results also indicate that the
world’s production of the five species/groups
of finfish—carps, tilapias, pangasius and
catfishes, salmonids, and sea bass and sea
bream—will grow by 2 percent to around 40.4
million metric tons. Demand is also growing,
as the global population rises and more people
transition into the middle class. And as they
transition to the middle class they upgrade
their diets and eat more seafood, especially
in Asia. That’s what’s fueling demand for
seafood over time. Is it true that
many territories and species are being
fished out? How is that preventable? There are more
sustainably managed fisheries around the world
than there have ever been. Government bodies
are strengthening their regulations, and more
and more fisheries are attaining third-party
certification through programs like
Responsible Fisheries Management. So we’re
seeing fewer and fewer “problem” fisheries. ❖❖❖ NEW YORK CORNER POINT
SEVEN
200 Park Avenue 929-877-1718 By John Mariani Interior Photos by Emily Andrews Food photos by Ken Freedman More than once I’ve been asked if I
ever tire of going out to restaurants. or of
eating so much of the same thing. The answer to
the first question is absolutely not: Like
everyone else I get hungry after six p.m. and
still think that a good restaurant offers the
promise of something new and exciting. As for
the second, while there is a lot of sameness and
trendiness on menus, the good chefs know how to
make people’s favorite dishes their own. Open
Monday through Saturday. ❖❖❖
THE MAGDALENE LAUNDRIES By John Mariani CHAPTER SIX
De Castro twirled his pen in his fingers and looked
up, perhaps at the crucifix on the wall. He rubbed
his jowls, then asked, “And how do you think this
office could be of assistance, Joseph? We haven’t
any resources for that kind of police work, and,
quite frankly, I’m not sure we would want an outside
force to be picking through such dirty laundry.”
© John Mariani, 2018 ❖❖❖ NOTES FROM THE WINE CELLAR
HOW DO WOMEN PERCEIVE CUES ON WINE LABELS? By John Mariani Unless a winery is owned by a woman,
there’s a good chance that the name and artwork on
the label will be a testosterone-fueled cue that
what’s in the bottle is a manly man’s wine. Just
about every country flaunts such imagery: In
California there’s Stag’s Leap, Ram’s Gate and
Black Stallion; Italy’s Chianti Classicos all wear
the Black Rooster on their labels; Hungarians love
their Egri Bikaver “Bull’s Blood”; Australia’s The
Prisoner label depicts Goya’s grisly chained
inmates; South Africa has The Wolftrap; the French
have, well, The Arrogant Frog, dressed in a beret
and ascot. Do
you believe the industry as a whole is blind to
these data even though women constitute half their
consumers? Let me share with you how
we came up with the idea to do this project. It was
during a department function when we were talking
about the purchasing power of female wine consumers
and how the industry should cater to their
preferences. One of our colleagues made a comment
that once she bought a wine with a very masculine
looking label (a muscular man in exercise). She
bought it because she exercises, and the wine is
marketed to be healthy. After tasting, she found the
wine to be light and fruity in taste and to her
liking. She just felt the label was misaligned with
the wine taste and also did not speak to a female
audience. This makes us think that because the
wine-making industry is traditionally male
dominated, the marketing is likely to be dictated
from a male perspective. But today’s female
consumers are embracing their sexuality and
identity, so they prefer designs that reflect
femininity. They believe that feminine design is not
inherently less valuable than masculine ones. Why
can’t high-end wines have colorful and feminine
looking labels? This inspired us to do this study. Do women tend to
prefer different kinds of wines overall than do
men, such as white, roses, sparkling, fruity, low
in alcohol, etc.? Our study did not
investigate whether women prefer a certain type of
wine. In fact, the wine we used for our wine tasting
experiment is one of the most common and preferred
wines based on the consumer report: Cabernet
Sauvignon and Merlot red blend with medium body,
medium tannin, and medium alcohol level. Our wine
expert panel assessed the wine to be non-fruity,
mainly characterized by sweet spices, tobacco, and
peppers. Interestingly, our experiment found that
participants were more likely to report fruity
flavors for the wine with feminine (vs. masculine)
labels, even though the same wine was served. Do women consumers
gravitate to labels when feminine cues (vs.
masculine cues) are presented on wine labels? Our research conducted at
WSU consisted of three experiments using different
samples,
i.e., two online studies and one tasting
study. All three studies found that female consumers
indicated higher purchase intention for wines with
feminine (vs. masculine) wine labels. You say that “Female
wine consumers who are highly identified with
their identification in the group of women are
more likely to be influenced by the feminine (vs.
masculine) cues in wine labels.” What do you mean
by “identification in the group of women”? In-group gender
identification is about how individuals identify
with their respective gender group. One’s in-group
gender identification can range from low to high
based on how they feel about their own traits,
interests, and values. For instance, females with
high in-group women identification usually embrace
women as an important label of herself and have
strong social bonds with other women. Are female
customers’ expectations of the color, aroma,
taste, aftertaste, and overall evaluation of the
wines higher when feminine cues (vs. masculine
cues) are presented on the wine label before
tasting? Yes. After reviewing one of
the two wine labels (feminine vs. masculine) from a
digital device, female participants completed
questions related to their expectation of the
sensory qualities of the wine. The findings showed
that before tasting, participants’ expectation of
the color, aroma, taste, aftertaste and overall
evaluation of the wines were higher when they saw
feminine (vs. masculine) cues on the wine label. Are there any data
to suggest that women have a more sensitive palate
for wine than do men? Our study did not address
the palate differences between women and men, since
the study focus was on female consumers. But it’s
certainly an interesting research question for our
next study. What if a woman is
very knowledgeable about wine? Is she just as
likely to be influenced by the feminine cues in
wine labels? Our research found that
wine knowledge changed how feminine labels
influenced female consumers’ attitudes toward the
label and sensory expectations. That is, for more
knowledgeable female consumers, the influence of
feminine cues on their attitudes toward the wine
label and sensory expectation of the wines were not
as strong, compared to those less knowledgeable
ones. You also say that
“favorable attitudes toward the wine label and
hedonic liking of the wine sensory qualities will
ensue, which further prompts female consumers’
intention to purchase the wine.” What would be
some of those female- appealing clues on a label? For this study, we spent
plenty of time designing our study stimulus, i.e., wine
labels with masculine, feminine and neutral cues.
After extensively researching current wine labels in
the market, we created 18 fictitious wine labels and
conducted a pilot test, asking a panel of female
consumers to rate these labels on the perceived
masculinity and femininity level (0 = extreme
masculine, 50 = neutral, 100 = extreme feminine). We
finally selected the three most representative
labels based on the scores. We found that labels
that ranked high with feminine cues included female
figures/portraits, flowers/flowering plants, and
cute-looking pets. It’s always advisable for
marketers to pilot test the wine labels for
femininity cues.
How do women react
to labels without gender clues, such as a graphic
design or simply an illustration of the wine
chateau? Our study also examined how
wine labels with neutral cues influence female
consumers’ purchase intention and found that neutral
labels triggered medium level of purchase intention
(feminine > neutral > masculine labels). Do women support
wineries owned by women? Thank you for asking this
question, because that’s what we would like to study
next. We would like to find out whether wine labels
featuring women wine-maker’s image and their story
would make a difference in women consumers’ purchase
decisions and other behaviors. Your interest in this
research question has confirmed to us it is worthy
of pursuing.
❖❖❖ ARTICLES WE NEVER BEGAN
READING FOR THE SAME REASON
"I Am So Tired of Hearing About Everybody’s Gut Health: Brands are more willing to talk about our gas and bad poops than ever, and it’s getting a little uncomfortable" by Amy McCarthy, EATER.com (Jan 23, 2024).❖❖❖ Any of John Mariani's books below may be ordered from amazon.com. The Hound in Heaven (21st Century Lion Books) is a novella, and for anyone who loves dogs, Christmas, romance, inspiration, even the supernatural, I hope you'll find this to be a treasured favorite. The story concerns how, after a New England teacher, his wife and their two daughters adopt a stray puppy found in their barn in northern Maine, their lives seem full of promise. But when tragedy strikes, their wonderful dog Lazarus and the spirit of Christmas are the only things that may bring his master back from the edge of despair. WATCH THE VIDEO! “What a huge surprise turn this story took! I was completely stunned! I truly enjoyed this book and its message.” – Actress Ali MacGraw “He had me at Page One. The amount of heart, human insight, soul searching, and deft literary strength that John Mariani pours into this airtight novella is vertigo-inducing. Perhaps ‘wow’ would be the best comment.” – James Dalessandro, author of Bohemian Heart and 1906. “John Mariani’s Hound in Heaven starts with a well-painted portrayal of an American family, along with the requisite dog. A surprise event flips the action of the novel and captures us for a voyage leading to a hopeful and heart-warming message. A page turning, one sitting read, it’s the perfect antidote for the winter and promotion of holiday celebration.” – Ann Pearlman, author of The Christmas Cookie Club and A Gift for my Sister. “John Mariani’s concise, achingly beautiful novella pulls a literary rabbit out of a hat – a mash-up of the cosmic and the intimate, the tragic and the heart-warming – a Christmas tale for all ages, and all faiths. Read it to your children, read it to yourself… but read it. Early and often. Highly recommended.” – Jay Bonansinga, New York Times bestselling author of Pinkerton’s War, The Sinking of The Eastland, and The Walking Dead: The Road To Woodbury. “Amazing things happen when you open your heart to an animal. The Hound in Heaven delivers a powerful story of healing that is forged in the spiritual relationship between a man and his best friend. The book brings a message of hope that can enrich our images of family, love, and loss.” – Dr. Barbara Royal, author of The Royal Treatment. ❖❖❖
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