Forrest Harvey, Donald Meek, Jean Harlow,
Robert Benchley,
Wallace Beery and Beatrice Roberts in "China Seas"
(1935)
❖❖❖
THIS WEEK
NEW YORK'S GREAT
RESTAURATEURS:
THE DANNY MEYER INTERVIEW By John Mariani NEW YORK CORNER
MISHIK
By John Mariani
THE MAGDALENE LAUNDRIES
CHAPTER SIXTEEN
By John Mariani
NOTES FROM THE WINE CELLAR
CHAMPAGNE STRUGGLES WITH SOCIAL
AND CLIMATIC CHANGES
By John Mariani
❖❖❖
NEW YORK'S GREAT RESTAURATEURS:
THE DANNY MEYER INTERVIEW
By John
Mariani
Ever since opening Union Square Café
in 1985 ate the age of 27, Danny Meyer has
been considered one of the New York
restaurateurs who influenced how hospitality
changed from a legacy of either snobbism on
the one hand and sit-‘em-serve-‘em on the
other. He wanted his waitstaff to truly enjoy
their job and to do so with a
Midwestern cordiality—he was born and bred in
St. Louis, Missouri—and expected that guests
would respond accordingly. During college Meyer traveled with his
father on business trips and studied
international politics. After giving up his
dream of becoming a pro baseball player, he
pursued hospitality positions in Chicago and New
York, then went to Italy and France to learn to
cook. The success of Union Square Café
propelled him, slowly, to open other restaurants
that became highly regarded in and outside of
New York, including Gramercy Tavern, Blue Smoke
(BBQ), The Modern at MOMA, Manhatta in the
Financial District and Maialino trattoria.His
opening of Shake Shack almost on a whim resulted
in a national chain of 328 of the hamburger and
milk shake eateries. Meyer is author of Setting the
Tables (2006) about restaurant hospitality
and co-authored The Union Square
Cafe Cookbook (1994) with his business
partner, chef Michael Romano. He has served on
the boards of Share Our
Strength and City Harvest. I interviewed Meyer, now 66, about his
career and the state of the restaurant industry
in 2024.
After your dream of
being a baseball player faded, did the idea of
hospitality become a true passion?
After realizing that becoming a pro baseball
player wasn’t in the cards for me (snuffed out
that dream as a 12-year-old), I considered
becoming a baseball announcer. Next, I thought
about being a news broadcaster, and maybe even
running for public office. The night before
taking my LSAT (back in those days, having a law
degree was considered de rigueur to go into
politics) I was out for dinner with my aunt and
uncle at Elio’s on the Upper East Side. My
uncle saw that I was in a crummy mood—after all,
I needed to abstain from drinking their Chianti
in order to be fresh the following morning. He
asked me what was bugging me and when I said, “I
have to take the LSAT early tomorrow morning.”
He shrugged and said, “Of course, you
do. You want to be a lawyer, don’t you?” I
responded, “No.” Whereupon he got kind of angry
with me, and asked, “Do you have any idea how
long you’ll be dead?” Me: “No.” “I don’t know
either,” my uncle responded. “But I do know that
you’ll be dead a hell of a lot longer than
you’ll be alive! Why on earth would you pursue
something you’re not interested in doing?!”
I answered, “Because I have no idea what
else I could do.” "You’ve got to be
kidding,” he answered. “All I’ve ever
heard you talk about your entire life has been
restaurants and food.” It still didn’t register
and I looked at him blankly. “Open a restaurant,
for God’s sake,” he said!
Turns out, I had been
unwittingly getting quite an education in
restaurants and hospitality my entire life—as my
father designed custom driving tours in France
for a living, became the first American agent
for Relais de Campagne (later Relais et
Châteaux) and we often had French people living
in our home, not to mention a French poodle
named Ratatouille.
Before
opening USC, what was your experience in
restaurants?
I had scant experience working in restaurants
before opening Union Square Cafe (below).
In fact, I’d only worked in one New York City
restaurant, Pesca, an Italian seafood restaurant
on East 22nd Street, and for just 8 months. I
was the assistant lunch manager, earning $250
per week, and it was there that I knew this
business was for me. It was at Pesca that
I met Michael Romano, the future chef of Union
Square Cafe, who introduced me to the Flatiron
neighborhood, and, crucially, on my last night
of work there (before heading to Italy and
France to cook for three months), had a date
with a waitress/actress named Audrey
Heffernan. Audrey has been my wife for
nearly 36 years.
What did
you feel was lacking in the NY restaurant
scene when you conceived of USC?
In the 1980s, New Yorkers had some stark dining
choices: on one hand there were classic Italian
and French places that typically started with
“Il, Le, and La,” and that were designed
primarily for wealthy socialites to celebrate,
congregate, and consummate; on the other, there
were the inheritors of the post disco,
post-night club scene: big loud restaurants
designed for people who wanted to see and be
seen, where the food quality was almost beside
the point. I sensed a big, gaping hole with
plenty of room for a restaurant that offered
excellent food, wine and dining value, with a
dining experience delivered by friendly,
knowledgeable and unpretentious servers, in a
welcoming and warm environment.
You have
been given a lot of credit for changing the
quality and style of service at USHG and your
other restaurants. What did you do?
We’ve always focused on hiring people who love
what they do. Cooks and servers who are
passionate and curious about the products we
prepare, and who are happiest when they help
make others feel better. In the very early days
of Union Square Cafe, our “help wanted”
advertisements sought people "who have fun
taking service seriously.” Over the years, we’ve
taken that same approach to creating lots of
restaurants with all kinds of different dining
styles: Gramercy Tavern, Blue Smoke (below),
Eleven Madison Park, Tabla, Maialino, Manhatta,
The Modern, Marta, Ci Siamo and even Shake
Shack. I hope that they all have our
“thumbprint.” I hope that no matter the setting
or food, you can expect to be served by someone
who is genuinely happy to see you, knowledgeable
about our food and drink, and passionate about
helping you to have an experience that will send
you home raving and wanting to return.
Was the
California style of service an influence?
I wanted to open a restaurant that, if only it
existed, would be my favorite
restaurant. And at that point, my favorite
restaurants were bistros in France, Italian
trattorias and the new breed of “bar and grills”
that were opening in San Francisco and Berkeley.
I loved restaurants where you could eat and
drink really well, without the stuffiness and
pretension. Even the name, Union Square Cafe,
hearkened to San Francisco. In 1985 San
Francisco’s Union Square was a far more
prestigious address than its namesake in New
York.
Although
I’m sure you have easy access to investors,
you usually take a long while before opening
another restaurant. Why?
Raising money is not the governor on opening a
new restaurant. It’s having the right idea for
the right location and the right team members
who are ready for a new step in their
hospitality careers. We hope that any restaurant
we open will endure, and stand the test of time.
And as you’ve seen, with the exception of Shake
Shack and now Daily Provisions, most of our
restaurants are one of a kind.
Did you
believe that Shake Shack would be a one-unit
place or a national chain?
Shake Shack began as a hot dog cart, which was
conceived as part of a piece of a public art
installation commissioned for Madison Square
Park in 2001. It wasn’t until the summer of 2004
that we converted the hot dog cart into a
permanent kiosk and called it Shake Shack.
The goal was to raise money for the park
(a percentage of each sale is paid to Madison
Square Park Conservancy) and to provide a reason
for people to use the park from morning till
night, thereby helping to keep it populated and
safe. It was never a dream to have more than
one, and in fact, we didn’t open our second
Shake Shack for nearly five years. We hoped we
could shorten the lines by moving some of the
demand to the Upper West Side. Ironically,
the lines only got longer, and that’s when we
began to plan our third and fourth!
During
Covid many in the industry believed it
could not survive after the closures. How has
it changed?
Restaurants got an amazing lifeline when the
city first green lighted outdoor dining sheds.
Even now, when most diners feel completely safe
dining indoors, the outdoor dining presents an
alternative way to enjoy your favorite
restaurant, and also extends the size of your
dining room, mitigating some of the sky high
rents restaurants often face. Many full service
restaurants that never sold food for delivery
now do so. Some even ship their food across the
country via Goldbelly. The good news is that
people are more eager than ever to be social.
And with many working from home, the need for
that social interaction has created a new
phenomenon: 5:30 and 6:00 have become the most
sought-after times to dine out, replacing 7:30
and 8:00 as the most prized reservation times.
Compared
with other industries, do restaurateurs
possess a special resiliency?
I think so. There have been so many times I’ve
seen our industry reeling from events beyond our
control: 9/11, the Great Recession, Hurricane
Sandy, Covid-19, and we always somehow find our
way back. Sometimes it seems we are like one of
those inflatable clown punching bags that just
keeps popping back up after taking hit after
hit.
Some in
the media and industry say you’d have to be
crazy to open a restaurant today (see the NY
Times
interviews with 30 chefs). Is that true? Are
mom-and-pop restaurants doomed?
Not at all, or they wouldn’t keep
opening! In some ways, I think many of the
restaurants that opened after the pandemic are
in really good shape. They never had to lay off
their staff, as so many did during the pandemic.
And they’ve signed more rational leases—unlike
the ones signed when the city had more office
workers and foreign tourists. Today’s leases are
based on today’s actual urban density.
Everyone
is complaining that it’s impossible to find
good workers, from the kitchen to the front.
Is this true, even if a waiter can make
$100,000 a year?
There’s no question that our industry faced an
enormous challenge finding and retaining talent
over the past several years. But I’m thrilled
that our restaurants are back to pre-pandemic
levels of employment, our dining room teams are
far more diverse, and our turnover rates are far
lower than they had been. One factor is that
with inflation comes higher compensation
opportunities. It also helps that we offer full
health insurance, family leave for both birth
parents and a 51% dining discount at any of our
restaurants for all of our employees.
The food
media has been predicting the demise of fine
dining for years, but high-end restaurants
from French and Italian to steakhouses seem to
be packed every night. Why?
People can only eat so many home-delivered meals
before they once again crave experience over
convenience. We are social beings, and
restaurants continue to offer the best place—not
just to cook, serve and do the dishes, but to
provide uplifting settings in which people can
be together, making memories with other people.
The food
media has, often under attack, turned largely
to covering small, ethnic restaurants and even
ignored fine dining restaurants, e.g.,
Christophe Bellanca’s place, Fasano, Cucina 8
1/2, Peak, L’Avenue at Saks, Mollusca, Duomo
51, Genesis House, and just about every new
steakhouse. Does this deter you from opening a
restaurant like USC or Gramercy?
I do believe there is an opening for a
professional restaurant beat that covers legacy
restaurants rather than just those that are new.
Really good restaurants should be able to stand
the test of time, to develop soul and to improve
with age. Covering only what’s new is like
a wine critic only reviewing barrel samples of a
new vintage. For example, The Modern, now
in its 20th year, is better than it has ever
been, and I believe our last review was over a
decade and three chefs ago. In terms of
what kinds of restaurants we open and operate, I
am not at all deterred by what people do and
don’t cover. What matters is whether we have
passion for the project, and whether we believe
the new restaurant has the potential to become
an essential part of New York’s dining
landscape.
What do you have in the works?
We’ve been having so much fun honing our
existing places: Manhatta, Ci Siamo (above),
Gramercy
Tavern, The Modern, and Union Square Cafe are
all playing at the top of their
games. People have fallen in love with
Daily Provisions, and it has been a thrill to
bring it to a handful of New York
neighborhoods. Most recently we opened in
Cobble Hill and in a few months we’ll open on
the Upper East Side and in Jersey City. It would
be amazing to one day bring Maialino back to
Gramercy Park. We're working hard to make
that happen. People really miss it!
❖❖❖
NEW YORK
CORNER
MISHIK
259A Hudson Street
347-929-7878
By John Mariani
Photos by Michael Tulipano
The
beauty of Japanese cuisine has never been in
doubt, but if you are innocent of the idea, head
for Mishik, take a seat at the counter and let executive chef-partner
Markee Manaloto (below), formerly at
Sushi Yasuda and Kissaki, do his best to
showcase some of the most stunning dishes in New
York.
Not that they are fussed over; most are
made before your eyes within seconds and presented
without pretense on various ceramic plates by
Manaloto or sous-chef Quidong “Sky” Chen. There
are always elements of contrasting colors,
textures and sheen, all served at the perfect
temperature. The flavors do not so much burst in
your mouth as dissolve sensually, revealing
counterpoints. Whatever umami may be, Manaloto’s food
seems to have it. His is an Edomae-style sushi
omakase, or chef’s tasting, at the 15-seat
counter, with two options for dining: Omakase of
12 or 16 nigiri pieces, hand roll, soup and
dessert ($120/$165),a
chef’s seven-course tasting ($135) and a
la carte selections. Mishik, opened in SoHo in January by David
Kim, means “beautiful food” or “delicacies” in
Korean. The restaurant wasdesigned
by Studio Rolling (also responsible for
Mari and Kochi), reflecting a calm, shadowy but
pleasingly lighted ambiance. There is some music
in the background but not enough to disturb
conversation. There is also a cocktail bar with a
wide selection of house drinks containing various
herbs and spices. Manaloto imports his seafood from Tokyo’s
Toyosu Market and then dry ages the fish (that is,
after going through rigor mortis). Fish like
yellowtail ages one week and bluefin otoro for
two. Your meal will depend on what’s come in from
Tokyo daily. My wife and I
began with an appetizer of scallop sashimi with
Asian pear, crispy shiitake and truffle ponzu, as
well as Donburi rice with tuna tartare, nori
seaweed, and
jidori egg yolk. Both had soft and silky
textures and all the freshness
of early spring. Oddly enough, before the sushi,
came a hot dish of grilled rockfish (kinki)
with broccolini and yuzu
hollandaise that indicated Manaloto is not chained
entirely to Japanese ingredients. Then came the sushi—lustrous from the
lighting overhead and the contrast on the plate,
each impeccably formed and brushed with soy sauce,
eaten in one bite and leaving you ravenous for
more. The key to great sushi is not just the
variety of species but the distinctive taste of
each; so often in lesser sushi places all the fish
tastes pretty much the same, so you end up dipping
it in wasabi-laced soy sauce to give it flavor. At Mishik, each morsel was unique: There
was snow trout (yuki masu);
Japanese tiger prawn (kuruma ebi);
bluefin tuna belly (hagashi toro);
black throat sea perch (nodoguro);
Japanese
striped jack (shima aji);
firefly
squid (hotaru
ika);Japanese
sea bream (madai);
Hokkaido sea urchin (uni).
After these came yakiniku,
slices of six-hour koji-marinated
A5 wagyu steak with black truffle emulsion and
choux farci (below); and a refreshing dashi white
miso and fish bone-based broth. Desserts were light: Hojicha green tea ice
cream and yuzu cheesecake. The wine list is well matched to this kind
of food, and, of course,there is
a long list of sakes from various noted
prefectures. Mishik was fairly empty when we dined there
midweek, so our lovely waitress was both attentive
and informative throughout the evening. Since we
were two of four people at the sushi counter, our
interaction with both
Manaloto and Chen was as much a learning
experience as a descriptive one. It was odd, however, that having arrived
for an eight o’clock seating, we were served no
food for 40 minutes— oh, how we longed for a crust
of bread, even a pretzel!—a delay explained by
saying they were not yet cooking with gas and that
charcoal is a slow medium, which didn’t make all
that much sense. I am hardly alone
in being perfectly happy eating nothing but sushi
and sashimi in their simplest form all evening,
but an evening at Mishik is very much a highly
civilized dining experience and well worth the
price charged for the omekase meal. As someone not
yet jaded by fine cuisine of every stripe,I’m
always excited to learn as much as I did at a
superb restaurant like Mishik.
Open for dinner
Mon.-Sat.
❖❖❖
THE MAGDALENE LAUNDRIES By John Mariani
CHAPTER SIXTEEN
Katie immediately
called David and told him the news. David said, “And Dobell wants me along
for the ride?” “Very definitely. This really is a
crime story.” Katie was referring to how the last
three stories she and David had worked on had
not begun as crime stories but evolved into
them, making Alan Dobell’s questioning whether
David would be an asset at the beginning. Now
here was a story that began with two murders
that may or may not have been related to
Katie’s intended investigation. If they were,
it was a much larger story than the local
newspapers would cover; if they were not,
Dobell was banking on the story having a
unique, sensational aspect to it: Catholic
nuns were not being knocked off very often.
Worth a couple of plane tickets and hotel
rooms, he figured. Katie met David halfway between her
apartment in the Bronx and David’s house on
the Hudson for dinner at a quiet Mexican
restaurant in Dobbs Ferry, near the Tappan Zee
Bridge. Over enchiladas and bottles of Modelo
they discussed their plan of action, which
would be for each to pursue different aspects
of the story.Not knowing if the murders had anything
to do with prior abuse, David would treat it
as he would any other crime investigation
during his career, only now he would have to
depend on Dublin police to provide him with
info and leads. Katie meanwhile
would focus in on the possibility of it being
connected with the Magdalene Laundries, and if
the crime and the abuse scandals meshed, she
would have an extraordinary story to tell,
perhaps the biggest of her career. “So, do you have any contacts in the
Dublin police force?” she asked David, aware
of his remarkable reserves of contacts around
the world. “Not specifically,” he said. “I worked
mostly on the Italian mob cases. The Irish mob
had their own turf—they were called the
Westies because they were on the West Side in
Hell’s Kitchen—and they were vicious sons o’
bitches. Giuliani called them the most
dangerous mob New York had ever seen. There
were never more than twenty or thirty of them,
but they even intimidated the Italians, and
the Westies beat the Genovese family out of
control of the graft to be made at the new
Javits Convention Center. “So, sometime around 1984, Paul
Castellano (right), who was head of the
Gambino family, made a meeting with his
opposite, a thug named Jimmy Coonan (below)—who
had assassinated his boss, whose name was
actually Mickey Spillane, like the crime
writer?—to make sure the Westies wouldn’t move
against Castellano’s operations.” “And what happened?” “Story goes that Coonan met Castellano
at an Italian restaurant and each brought
along his own bodyguard. But just to make sure
the meeting wasn’t an ambush, Coonan had a
squad of his men in a building across the
street with a stockpile of machine guns and
grenades. If Coonan wasn’t out of the building
by a certain time, they were supposed to start
blasting away.Problem was, Coonan accidentally
overstayed his time at the meeting and when he
realized he’d done so, he ran out of the
restaurant just before his guys started to
fire on Castellano. But, you know how I’ve
always told you these mobsters are dumb as
shit? Well, Coonan’s men had a little too much
to drink and hadn’t bothered to check the
time. Morons. But it saved Castellano’s ass.” “So what happened?” “By that time Castellano and Coonan had
made a truce and an agreement to share some
profits and territory. Castellano never knew
about the guys in the building.” “Are the Westies still around?” “A few guys here and there,” said
David. “Giuliani put a lot of them away,
including Coonan, then the Westies were
infiltrated by some Serbian thugs moving into
Hell’s Kitchen, which by then most Irish had
moved out of. The Irish gangs are much
stronger up in Boston.” David finished his glass of
beer and said, “Anyway, because I had to keep
up with everything about the Genovese and
Gambino family activities, there was some
cross-over, and I got to work with a lot of
the Irish cops in the Hell’s Kitchen precinct.
I’m sure they have contacts in Dublin. Some of
them came over from there, or their fathers or
grandfathers did. They were a very tight
bunch. Tommy Sullivan’s a third generation
cop. I’m sure he’s got names and numbers we
can use. I’ll call him tomorrow.” David was very excited to go off on
another adventure with Katie. It gave purpose
to his life in retirement, but he thought of
himself as the luckiest guy in the world to be
with a vibrant, fascinating beautiful woman
like Katie, if only as her professional friend
and protector. Simply growing up and going to school
in the Bronx, both Katie and David had plenty
of Irish friends, and David had worked with
dozens of Irish cops during his thirty years
on the force. At one time the Irish formed the
overwhelming majority of police and firemen in
New York, then the Italians gained entry,
followed by the Hispanics and every other
ethnic group in varying numbers that reflected
the neighborhoods they came from and worked
in. Nevertheless, the Irish stamp on the
NYPD was still as evident as
the bagpipes played at every New York cop’s
funeral. In addition, every police
commissioner had been Irish back to 1900; only
in 1996 was a Jewish-American appointed to the
second most powerful office in the city. So, too, just as the Popes had been
Italian for centuries, New York’sarchbishops
had always been Irish—every one of them, since
the nineteenth century. The newest, Edward
Egan, had just been appointed in May of 2000 Being an Italian cop among
so many Irish colleagues had never prevented
David from rising through the ranks, once he’d
proven himself a first-rate investigator. Even
so, before he was married, he found himself as
likely to be having a few drinks after work
with the Irish cops as sharing a pizza with
his Italian friends.
CHAMPAGNE
STRUGGLES WITH SOCIAL
AND CLIMATIC WINDS OF CHANGE
By John Mariani
Champagne Harvest Pickers
At a time
when all wine producers are under increasing
pressure from glut, changing tastes among young
drinkers and climate change, the Champagne
industry, with 16,100
winegrowers, 360 houses and 140 cooperatives, is showing cautious
optimism about the future, while acknowledging
change must come both in and out of the vineyards.
At the moment sales are robust: In 2022 the market
grew 1.6%, shipping 326 million bottles, after a
downturn during Covid. (The principal importers
are the U.S., U.K., Japan and Germany; China now
imports more than 2 million bottles each year.) The image of
the Champagne industry took a serious hit last
autumn during the 2023 harvest, when five workers
died, apparently from heat stroke in temperatures
that reached 96◦ F, and various investigators found
what were termed “appalling housing conditions” as
dilapidated, unclean and lacking sanitation
facilities and that wages of 80 Euros per day went
unpaid for workers, numbering 120,000 during the
two- to three-week harvest done wholly by hand, many
from Bulgaria and North Africa. The French newspaper
L’Humanité
called it “modern slavery.” The Comité Interprofessionnel du Vin
Champagne, representing the trade and growers,
quickly responded to a French-German TV documentary
on the conditions. "After viewing the
documentary aired on Arte, it is clear that the
situations described do not represent the image of
our industry and the commitment of the vast majority
of Champagne producers. We strongly condemn the
unspeakable practices and behaviors denounced in the
report,” the group said. “The measures announced in
mid-October will be concretized before the next
harvest, and several projects, such as the Charter
for the Care of Service Providers and tools for
social transparency, are already in the finalization
stage." As a result, at this year’s Wine Paris &
Vinexpo Paris, held February 13, the Comité
addressed issues of increasing their reserves and of
social responsibility with “the introduction of a
new framework for contractual relations between
winegrowers and houses,” as well as the construction
of Qanopée and a new research and development center
in Epernay in 2025. According to David Chatillon and Maxime
Toubart, co-presidents of the Comité Champagne (right),
a strategic plan rests on four pillars:
*
Accommodations
* Working
conditions, health and safety of harvesters
* Securing
the supply of service providers
*
Facilitating recruitment
“To date, the regulatory
framework does not define a temperature above which
work must be stopped,” said Chatillon and Toubart ,
“but employers are vigilant, as part of their safety
obligation, to ensure the protection of these
workers' health . . . granting a rest period when
the employee feels the need, making water bottles
available, or adapting harvesting schedules where
possible.” Such
issues require immediate action, but other problems
are long term in finding resolution. Ironically, for
the moment, the increase in global heat is good
thing for the Champagne vineyards, which struggle to
get enough sunshine and heat in cooler years. The
heat creates more sugar in grapes, which turns into
alcohol and richer flavors. Between 1961 and 2020
temperatures increased an average of 1.8 percent;
Harvesting is done earlier and earlier, now in
August rather than later in the fall. In 2020, the region
recorded its earliest harvest start date in history.
(At the same
time, spring frosts have taken a toll.) The fear is
that no one knows at what point too much heat will
begin to alter the grapes, which in Champagne are
Pinot Noir, Chardonnay and Pinot Meunier. The farmers and enologists are working to
invent new grape varietals that develop sustainable
resistance. One of the more promising grapes is the
hybrid Voltis, which is resistant to downy
and powdery mildew.
They are also planning to eliminate all
herbicides by 2025, and to achieve Zero Carbon by
2050. This involves a new “eco-design” of packaging to
streamline Champagne bottles, boxes and packages to
reduce bottle weight 7 percent. Contrary to popular
assumption, the core business of Champagne accounts
for less than 15% of its greenhouse gases, while the
purchase of goods and services—including tourism to
the region—account for more than 50% of the carbon
imprint. The Comité is also continuing the battle to
prohibit by law other countries from using the name
“Champagne” for locally produced sparkling wines.
Currently, the appellation is protected in 121
countries, but there will be further actions against
abuses, which are “becoming increasingly numerous as
new media and new technologies emerge.” Just last
November the Beijing High Court ruled in favor of
the Comité in a lawsuit against a manufacturer
distributing a perfume named “Champagne Life,”
awarding £30,000 in damages. The court confirmed
that Champagne be granted “well-known
trademark” status in China, protecting the name,
including in Chinese characters, against any
fraudulent use of the name, for any product.”
❖❖❖
A
HOPEFUL SIGN CIVILIZATION IS NOT YET DEAD
"I
was
there with my wife for lunch. . . . and I noticed
there were five young girls. They couldn’t have been
more—they were in their early 20s. And I watched:
For a whole lunch, none of them talked. They were
all texting on the phone. I said,what’s
going
on here?And
then a couple weeks later we were there and I saw a
different group and apparently they had a rule:
Everybody put their phone in the middle of the table
and whoever picked up their phone first had to pay
the bill."—"Meet
the Super-Regular:
Gar Gutman’s been eating schnitzel specials at EJ’s
for 31 years" By Abby Schrieber, New York Magazine
❖❖❖
Any of John Mariani's
books below may be ordered from amazon.com.
The Hound in Heaven
(21st Century Lion Books) is a novella, and
for anyone who loves dogs, Christmas, romance,
inspiration, even the supernatural, I hope you'll find
this to be a treasured favorite. The story
concerns how, after a New England teacher, his wife and
their two daughters adopt a stray puppy found in their
barn in northern Maine, their lives seem full of promise.
But when tragedy strikes, their wonderful dog Lazarus and
the spirit of Christmas are the only things that may bring
his master back from the edge of despair.
“What a huge surprise turn this story took! I was
completely stunned! I truly enjoyed this book and its
message.” – Actress Ali MacGraw
“He had me at Page One. The amount of heart, human insight,
soul searching, and deft literary strength that John Mariani
pours into this airtight novella is vertigo-inducing.
Perhaps ‘wow’ would be the best comment.” – James
Dalessandro, author of Bohemian
Heart and 1906.
“John Mariani’s Hound in
Heaven starts with a well-painted portrayal of an
American family, along with the requisite dog. A surprise
event flips the action of the novel and captures us for a
voyage leading to a hopeful and heart-warming message. A
page turning, one sitting read, it’s the perfect antidote
for the winter and promotion of holiday celebration.” – Ann
Pearlman, author of The
Christmas Cookie Club and A Gift for my Sister.
“John Mariani’s concise, achingly beautiful novella pulls a
literary rabbit out of a hat – a mash-up of the cosmic and
the intimate, the tragic and the heart-warming – a Christmas
tale for all ages, and all faiths. Read it to your children,
read it to yourself… but read it. Early and often. Highly
recommended.” – Jay Bonansinga, New York Times bestselling
author of Pinkerton’s War,
The Sinking of The Eastland, and The Walking Dead: The Road To
Woodbury.
“Amazing things happen when you open your heart to an
animal. The Hound in
Heaven delivers a powerful story of healing that
is forged in the spiritual relationship between a man and
his best friend. The book brings a message of hope that can
enrich our images of family, love, and loss.” – Dr. Barbara
Royal, author of The
Royal Treatment.
Modesty forbids me to praise my own new book, but
let me proudly say that it is an extensive
revision of the 4th edition that appeared more
than a decade ago, before locavores, molecular
cuisine, modernist cuisine, the Food Network and
so much more, now included. Word origins have been
completely updated, as have per capita consumption
and production stats. Most important, for the
first time since publication in the 1980s, the
book includes more than 100 biographies of
Americans who have changed the way we cook, eat
and drink -- from Fannie Farmer and Julia Child to
Robert Mondavi and Thomas Keller.
"This book is amazing! It has entries for
everything from `abalone' to `zwieback,' plus more
than 500 recipes for classic American dishes and
drinks."--Devra First, The Boston Globe.
"Much needed in any kitchen library."--Bon Appetit.
Now in Paperback,
too--How Italian Food Conquered the
World (Palgrave Macmillan) has won top prize from the
Gourmand
World Cookbook Awards. It is
a rollicking history of the food culture of
Italy and its ravenous embrace in the 21st
century by the entire world. From ancient Rome
to la dolce
vita of post-war Italy, from Italian
immigrant cooks to celebrity chefs, from
pizzerias to high-class ristoranti,
this chronicle of a culinary diaspora is as
much about the world's changing tastes,
prejudices, and dietary fads as about
our obsessions with culinary fashion and
style.--John Mariani
"Eating Italian will
never be the same after reading
John Mariani's entertaining and
savory gastronomical history of
the cuisine of Italy and how it
won over appetites worldwide. . .
. This book is such a tasteful
narrative that it will literally
make you hungry for Italian food
and arouse your appetite for
gastronomical history."--Don
Oldenburg, USA Today.
"Italian
restaurants--some good, some glitzy--far
outnumber their French rivals. Many of
these establishments are zestfully described
in How Italian Food Conquered the World, an
entertaining and fact-filled chronicle by
food-and-wine correspondent John F.
Mariani."--Aram Bakshian Jr., Wall Street
Journal.
"Mariani
admirably dishes out the story of
Italy’s remarkable global ascent
to virtual culinary
hegemony....Like a chef gladly
divulging a cherished family
recipe, Mariani’s book reveals the
secret sauce about how Italy’s
cuisine put gusto in gusto!"--David
Lincoln Ross,
thedailybeast.com
"Equal parts
history, sociology, gastronomy, and just
plain fun, How Italian Food Conquered the
World tells the captivating and delicious
story of the (let's face it) everybody's
favorite cuisine with clarity, verve and
more than one surprise."--Colman Andrews,
editorial director of The Daily
Meal.com.
"A fantastic and fascinating
read, covering everything from the influence
of Venice's spice trade to the impact of
Italian immigrants in America and the
evolution of alta cucina. This book will
serve as a terrific resource to anyone
interested in the real story of Italian
food."--Mary Ann Esposito, host of PBS-TV's
Ciao
Italia.
"John Mariani has written the
definitive history of how Italians won their
way into our hearts, minds, and
stomachs. It's a story of pleasure over
pomp and taste over technique."--Danny Meyer,
owner of NYC restaurants Union Square
Cafe, The Modern, and Maialino.
MARIANI'S VIRTUAL GOURMET
NEWSLETTER is published weekly. Publisher: John Mariani. Editor: Walter Bagley. Contributing Writers: Christopher
Mariani, Misha Mariani, John A. Curtas, Gerry Dawes, Geoff Kalish.
Contributing
Photographer: Galina Dargery. Technical
Advisor: Gerry
McLoughlin.