MARIANI’S
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THIS WEEK HOW TO AND WHAT NOT TO ORDER IN A CHINESE RESTAURANT By John Mariani NEW YORK CORNER SEMPRE OGGI By John Mariani THE MAGDALENE LAUNDRIES CHAPTER THIRTY-THREE By John Mariani NOTES FROM THE SPIRITS LOCKER AFTER THE SUCCESS OF BOURBON, AMERICAN WHISKEY MAKERS WANT A NICHE IN THE MARKET By John Mariani ❖❖❖
HOW TO AND WHAT NOT TO
ORDER IN A CHINESE RESTAURANT By John Mariani "RESTAURANT!" by Will Elder, Mad Comics (1953).
It goes without saying that Chinese
food culture, which encompasses regions from
Canton to Mongolia, is one of the world’s
grandest and most diverse. But to go
by the menus in Chinese restaurants in America
from Chattanooga to Salt Lake City you’d be
hard put to come to that conclusion when the
menus so closely resemble each other and are
littered with non-Chinese dishes. To
be sure, the U.S. has a good number of
excellent Chinese restaurants, largely in big
cities with Chinatowns, where the clientele is
largely Chinese and speak the language. But
even if you ferret out a special little
Sichuan or Hunanese storefront
filled with Chinese customers, the chances of
your getting the best out of the kitchen is
highly doubtful.
One problem is the non-Chinese customer
himself who, as Andrew Coe writes in his book
Chop Suey : A Cultural History of Chinese
Food in the United States, “most
Americans still expect Chinese food to be
cheap, filling, familiar and bland.” Coe
details how Chinese food became Americanized,
as did Italian, Jewish and German food, when millions
of immigrants came to this country in the 19th
and 20th centuries. Dishes like egg
foo yung, pu-pu platters, mu shu pork, chow
mein and General Tso’s chicken were, at best,
adaptions of Chinese ingredients and flavors
to please the American palate. Americans also
expected fortune cookies at the end of their
meal along with fried ice cream with bananas.
I am looking at a typical
Chinese-American menu from a suburban New York
restaurant that lists 193 dishes plus 13
“chef’s specialties,” with 25 shrimp dishes
and the same number of beef. Among this
bewildering screed are items named “bourbon
chicken,” “orange flavored tofu,” “roast pork
snow peas,” “Happy Family” and “Lover’s
chicken.” The most expensive thing on the menu
is $17.
I once learned a great lesson about
getting the best out of a Chinese restaurant,
including those highly regarded in New York
and San Francisco, some as elegant as any
restaurants in town. A Chinese restaurateur
named Paul Chou invited me to dine with him in
York’s Chinatown at his favorite place. Its
name, now forgotten, doesn’t matter, because,
he told me, the experience would be the same
everywhere.
When
we sat down, the waiter brought my wife and me
pink menus, all in English, and Paul a blue
one in Mandarin. Paul said, “Give me those
menus,” and folded them together and put them
aside.
“See those Chinese characters in the
papers tacked to the wall? Those are the ones
the Chinese are ordering, and I’ll choose a
couple. But since I know where the chef comes
from, Canton, I’m going to order his special
dishes.”
Paul then asked for a pad and pen and
jotted down his requested dishes in Chinese
and called over the captain, who had obviously
been asked the same thing by many Chinese
diners.
While waiting for the food, Paul
explained, “The dishes on your pink menu are
the ones for western palates—Gen. Tso’s
chicken, kung pao chicken, lo mein; the ones
on mine are more truly Chinese, but the ones
on the wall the night’s specials. What I wrote
down were dishes from where the head chef
came. You may not like them all but they’re going to
be the best and most authentic.” What came to
the table were dishes like sea snails (left)
whose bottoms were snipped off so you could
suck out the contents; seaweed chicken soup;
grilled crab; chewy duck feet in a rich, winey
dark sauce; a seafood platter with seven types
of mollusks and fish; and, last but not least,
congealed duck blood with noodles in soup, a
specialty of the city of Nanjing. Paul was
right that some were a bit too exotic for me,
but I knew what he was aiming at.
Then, to my surprise, he ordered orange
beef from our pink menu, and it was sticky,
sweet and unlike anything I’d just eaten. “I just
wanted prove,” said Paul, “that unless you
understand Chinese, you will never get
the best out of a Chinese kitchen. Also, it
helps to know the chef because they change
frequently. When another restaurant hears
about a new great chef, he is hired away
quickly.”
The lesson registered with a good deal
of weight. For although I have had some
special dishes in Chinese restaurants in the
U.S. where the owner is willing to take a
chance on a westerner’s palate, I can honestly
say it’s very rare that the food tastes the way it
does in restaurants where I’ve eaten in China,
especially Taiwan, where I never had a bad
meal and ate most dishes for the first time. Most
dishes in the U.S. are stir-fried, when, as in
other countries, the Chinese have many
traditional cooking techniques, including Cuan
(quick boiling), Shuan (instant
boiling), Ao (stewing), Hui
(braising), Jian (frying in a
flat-bottom pan, not a wok), Lu (frying
in two stages), as well as steaming, baking,
roasting smoking a “mud baking”—few of which
show up on western menus. Probably the easiest
way to eat authentic Chinese food is to go to
one of the big dim sum restaurants in
Chinatown. There everyone is shown and served
the same dishes, chosen from rolling carts.
And many of those dishes are not just dim sum
dumplings. Sneak a peak at the tables filled
with Chinese. Maybe they’ll even have
congealed duck blood for you to sample.
❖❖❖
NEW YORK CORNER SEMPRE
OGGI
164 West 75th Street
212-377-7150
Interior photos by Alex Kroke The focus
of the media on downtown and Brooklyn Italian
restaurants in cramped, loud storefronts with
few amenities and $28 pastas seems ironic, given
the far more refined Italian restaurants that
make New York’s upper West side a far more
civilized overall experience at pretty much the
same prices.
Joining
the ranks of
Lincoln Ristorante, Cucina 8 ½, Il Duomo
51, Felice 56 and The Leopard at Des Artistes is
Sempre Oggi, which opened two months ago on West
75th Street. At first I thought it was
going to be a small trattoria, so I was delighted
to push through the doors to find it an airy, very
spacious restaurant whose bar and front dining
room open onto a T-shaped rear dining room of
striking design by Eamon Roche,
inspired by Italian architect Gio Ponti, evident
in the ceramic
ceiling tiles of the bar and a white marble top
with gold inlay. The dining
rooms, seating 130, are done in soft colors of
taupe, coffee, mustard and
rosewood, have geometric shaped pillars, all
lending an ambience of modern civilized dining. I
was there on a fairly slow night, so I can’t
comment on the noise level in a full house, but it
was wonderful to be able to talk across a large
table and to chat with our fine waitress and the
wine steward. There are
nice touches like warmed plates, and, owing to the
balanced seasoning of the food, I never noticed
the lack of salt and pepper shakers on the table.
The same goes for grated cheese with the pastas:
none was offered because they were already dressed
with the right amount. Portions are generous. All
breads are made on premises. Phillip Bassone
(right) is yet another chef who credits his
grandma (who was French), Dolores “Mema,” for
teaching him the rudiments of the kitchen while
growing up in a Connecticut home. After graduating
from The French Culinary Institute, he worked for
Jonathan Waxman at Barbuto, then was chef de
cuisine at Le Crocodile. What he learned from Mema
was a “less is more '' sensibility, underscored by
classic French cooking technique, Italian style
and Mediterranean flavors. A sense of purity and
simplicity anchors every dish.”
Bassone’s
partner, Robert Guarino, also from Connecticut,
has a long history in hospitality, having been
manager at Marseilles, Nizza, Nice Matin and Five
Napkin Burger.
Sempre
Oggi features a “vegetable-forward menu,” which is
not to say it’s vegetarian, for the meat and seafood are
every bit as good as the squash blossoms (right)
stuffed with stracciatella and basil with
marinated tomatoes ($24), and the Little Gem
greens with Caesar salad dressing and parmigiano
($21) and caponata Siciliana ($18). A good
summer antipasto was a fluke crudo ($26)
with nectarine, fennel and lavender that gave it
the summery aroma of the South pf France. Properly chewy,
the pastas balance the familiar with the novel,
like the orrecchiete with braised
dandelion greens and Calabrese pecorino for bite
($26). Unusual, too, was tumminia busiate,
a short pasta made from an ancient wheat and
pierced with a whole through its center, here done
with pesto alla Trapanese, from Sicily
($28). The fat noodles called strozzapreti (“priest
stranglers”) came in a luscious, silky rabbit ragù
with plenty of rich Solo di Bruno
Parmigiano-Reggiano ($35).
True to the mantra of simplicity is a
juicy, crisp-skinned chicken with salsa verde
and squeeze of lemon ($38), and halibut gained
just enough enhancement from toasted almonds with
parslied fingerling potatoes and an crushed almond salsa
($39). What I think will be Bassone’s signature
dish is his porchetta
roll with peas and favas, a touch of mint and a
dash of fresh chili splashed with pan juices
($44).
After
all this, the refreshment provided by granita
of watermelon with whipped mascarpone, dark
chocolate and pistachio ($15) was required, or the
seasonal fruits with elderberry cordial and lemon
curd ($14). If you wish something richer, the
chocolate budino pudding with whipped
cream is wonderful ($14).
The bar offers a number of special
cocktails ($14-$19) and a good list of wines by
the glass. The
wine list is full of regional Italian bottlings at
the average mark-ups for New York. Contrary to
ill-informed opinion, Italian cuisine in New York
has always been evolving, and Sempre Oggi, adding
so many innovations based on traditional ideas, is
a model of modernity and, if anyone needs
reminding, the Italian flair for style without
flash. Dinner
nightly;
brunch Sat & Sun. ❖❖❖
THE MAGDALENE LAUNDRIES By John Mariani CHAPTER THIRTY-THREE
Katie told David what Dobell
had told her, and David said, “Sounds like
he’d like me
to go back to the States ASAP. Can’t say I
blame him.”
“Well,” said Katie, “I think you’re
safe for another few days. Get me some
official, or even unofficial, documents from
Max Finger. Dobell will tell us soon enough
when we’ve got to go back.”
“So who you interviewing now?” asked
David.
“I need to go back to everyone and
get their reactions to all that’s happened,
especially try to get some more background
on Maureen Maloney. Photos of her while she
was alive, that sort of thing. I called a
stringer McClure’s
knows at The
Irish Times who says I can use their
files. I’m actually very interested to see
just what they have on the Laundries and if
any stories had ever been assigned then
killed.
“I’ve got to make my time left count.
If I’m ever to get back here I need more
material. The fact is, all those priests who
had been sexually molesting the women at the
Laundries haven’t even figured in this story
thus far. I need to dig into what was
happening there. Remember, that’s how this
whole project got started, when Joseph told
us about the pedophile priests. The story’s
turned into something else but the original
story is still there and needs it be
investigated.”
“You think you can find these perv
priests?” asked David, who thought that if
he met up with them he would find it hard to
restrain his temper.
“Sara Garrison has a few in her
files, and I think the files at The Irish Times will have some names.
I’m not looking forward to meeting these
creeps. Then, of course, I have to speak to
the Church officials, get their side of the
story, if there’s a cover-up. I
think they’ll speak to me if only to give me
some holier-than-thou quotes about the poor
Sisters of Charity who got murdered. Once
I’m in, I’ll have the names in the files to
get them to talk further.”
Katie had, in fact, made inquiries
with the Archbishop’s office in Dublin as
soon as she’d arrived in Ireland, but as yet
no one had gotten back to her. Now
it was time to clinch an appointment, since
the murders had required the archdiocese to
comment on what had occurred. The
official line, given in a written statement
by Archbishop John Neill (right),
expressed sorrow and deepest sympathies for
both the good Sisters and the poor woman who
murdered them, reminding everyone of God’s
ever forgiving character and ending with a
plea for understanding and continuing
prayer.
*
*
* David had already been
able to go through some of the Garda files
on pedophile crimes. Homosexuality had been
decriminalized seven years before in
Ireland, so the files involving arrests of
consenting adults had been destroyed. The
pedophilia crime files remained, however,
and, even though David had by then seen,
heard and learned so much about the
prevalence of pedophilia among religious, he
was still amazed at how many of the
remaining files related to priests and
brothers.
Many were heavily redacted, others
stamped CASE CLOSED with no indication of
whether there’d been a prosecution, much
less a conviction. In most cases having to
do with religious pedophiles notations were
made that the case was remanded to the
Church authorities. In all but a very few
cases there was no follow-up, not even
information as to the whereabouts of the
priest or brother. In
the cases involving pedophiles who were not
clerics, addresses were listed, as well as
notations about the neighborhood being
informed that the individual was a sexual
predator to be kept watch over.
Max Finger came in and looked over
David’s shoulder in the interview room and
said, “Find anything useful?
“Here and everywhere else there’s a
Catholic diocese,” said Finger. “We’ve got
hearsay evidence that there’s a perv
brotherhood within the Church that not only
shields them from prosecution but that
connects them to individuals who share their
sexual preferences.”
“Did Katie and I tell you about this
investigator named Richard Sipe we
interviewed in California?” asked David.
“I’ve heard of him, that’s all.”
“Well, he told us he strongly
believed there is in fact a kind of cabal of
such priests and brothers. He even called it
‘The Network.’”
Max Finger shrugged. “That I’ve never
heard, but I wouldn’t be at all surprised. At
the very least they have their people in
place to fight all accusations, with lawyers
and psychiatrists on retainer, and a whole
lot of politicians in their pockets.”
“Same where I come from.”
“Well, at least I think we’ve come to
the end of the Maureen Maloney story. And
wasn’t it convenient that she as much as
left a confession then killed herself. Nice
and tidy. Didn’t really even get our hands
dirty on this case. Cut and dry. The
public’s happy, the newspapers are happy,
and, despite the bad publicity, the
archdiocese must be very
happy.”
“And your superiors?”
“My superiors?” Finger laughed. “They
are just thrilled
at the way it turned out. As much as they
wanted to find the killer quickly and were
willin’ to have me be lead investigator,
they’re just as happy I got no credit for
solving the case. Which, of course, I
didn’t.
Now I can go back to finding
run-of-the-mill murderers unconnected with
the Catholic Church.”
“I don’t suppose I can Xerox any of
these files for Katie?”
“No, though she might be able to put
in a formal request if it has to do with a
current case. These don’t have anythin’ to
do with Maureen Maloney or the serial
murders. But she could ask.”
“I’m going to miss you, Max,” said
David, extending his hand.
“It’s been grand, David. Next time
I’m in New York we’ll have a drink and make
a toast.”
“Like what? ‘Here’s to good cops
wherever you find them?’”
“I was thinkin’ more like ‘Mazel
tov!’” © John Mariani, 2018 ❖❖❖ NOTES FROM THE SPIRITS LOCKER
AFTER THE SUCCESS OF BOURBON, AMERICAN WHISKEY MAKERS WANT A NICHE IN THE MARKET By John Mariani
The remarkable
success of bourbon—relegated to the dreary
category of “brown goods”—has been as much the
result of marketing and media as it has the
intense competition among producers, many of which
didn’t even exist ten years ago. Of the top ten
best-selling whiskeys in the world, Jameson Irish
is in first place, but bourbon takes five of the
next nine slots, including established brands like
Jim Beam, Maker’s Mark and Buffalo Trace. Global
bourbon sales are expected to reach
$12.3 billion.
Such success has awakened the slumbering
American whiskey industry into trying the same
tactics as bourbon producers by creating new styles
of non-bourbon whiskeys with old labels joined by
new ones with provocative names like Never Say Die,
Larceny and Wyatt Earp in new bottle styes. “Cask
finishing” and “cask strength” are the new
buzzwords—using charred or uncharred Sherry, Cognac,
Rum, Cabernet and other barrels—and the labels
themselves avoid dated images like turkeys, crows
and old grandad in favor of stags, eagles and
buffalo.
There may, in fact, already be too many new
labels and small batch brands to break through into
a wider market, but here are some of the interesting
ones that have impressed me for their distinctions.
Jack
Daniels ($70). Long the
best-known Tennessee whiskey, Jack Daniels has been
expanding its line annually, and just launched its
2024 Heroes Selection Single Barrel Proof Rye,
available in military duty-free stores. Also new is
its Distillery Series Selection #13, a
twice-barreled Straight Tennessee Rye, only
available in Tennessee. It is matured n American
white oak barrels, then finished in charred barrels
for another two-and-a-half years that gives it more
depth and blends the sweet and minty spices.
Blackened Whiskey Rye The
Lightning ($70). Master Distiller
& Blender Rob Dietrich’s second effort in the
Lightning series, this is a limited edition of
straight rye whiskey, double casked and finished in
Madeira and rum casks, non-chill filtered then
“socially enhanced” via the trademarked “Black
Noise” process, emerging at 92 proof, a little
higher than the first year’s percentage.
Wyatt
Earp American Single Malt Whiskey
($95.50). The label has metal crossed six-shooters
on it and a picture of the famous lawman, whose
virtues included being “a loyal and dependable
friend,” which the producer celebrates in this
commemorative bottle, distilled in Oklahoma. At cask
strength, it is a mash bill of 100% malted barley
and comes in at 120 to 135 proof. They also make a
Doc Holliday ($125) bourbon.
Brother
Justus Single
Malt. Specializing
in American single malts, this Minnesota distillery
was founded by Phil Steger, who was
inspired by a bootlegging Minnesota monk whose
copper stills and teaching of the craft of
distilling helped “lift families out of poverty”
during Prohibition, setting up 1,600
family-operated distilleries in the state, which,
surprisingly, has more than 6,000,000 acres of
ancient peat forest, crucial to making single
malts. Founder’s Reserve 1 ($120) is made from
100% barley at 100 proof, while its Cold-Peated
American Single Malt is the world’s first
and only Cold-Peated® Whiskey ($95), made by using
a granulated version of peat in the finishing
process (instead of the traditional smoked peat in
the malting process, the traditional use of peat
in whiskey).
The
company’s Silver Whiskey ($50) is crystal clear,
at 86 proof; its Single Malt Whiskey ($70) has the
characteristic golden color, also 86 proof after
sending a year on barrel; its Cold-Peated Single
Malt, in a black bottle. uses a
patented process to extract the essence of
Minnesota peat. Also 86 proof.
Calistoga Depot Star Barrel
Aged Fine Brandy
($75). Inspired by San Francisco’s first
newspaper title, founded by Samuel Brannan, who
built his own brandy distillery in the mid 1860s, The
Calistoga Star (91 proof) is cellared for a minimum
of seven years and aged up to 15 years in a
combination of 60% column distilled in used charred
American white oak and 40%
Alembic distilled in French Oak wine casks.
Michter’s
10 Year Old Straight Rye ($200). A
single barrel bottling from Kentucky’s most
progressive distillery, known best for its range of
bourbons. Twenty years of research went into this
product, blended from many of the rye whiskeys
produced in Indiana, Canada, and elsewhere, but
called “Kentucky-style” rye. It is 92.8 proof. . . .
Michter’s is also releasing its Shenk’s Homestead Kentucky
Straight Bourbon Sour Mash Whiskey ($120) as part of
their Legacy series, which differ slightly each
year, this one vintage dated 2024. It is named after
Swiss Mennonite farmer John
Shenk who founded his distillery
in Pennsylvania in 1753 and later named Bomberger’s
Distillery. Michter’s Master
Distiller Dan McKee used rye, malted rye, and for
the first time caramel malt, that adds a creamy
texture with herbaceous notes. It was aged in French
oak that was air dried and seasoned for 24 months
before being toasted. It is released at 91.2 proof.
Mount Gay Limited-Edition
Eclipse Navy Strength ($37). Granted,
it’s not made in the U.S. (it’s from Barbados), but
Mount Gay is a big seller here and is going into a
field of navy-style rums long dominated by Goslings,
and this new limited edition by Master Distiller
Trudiann Branker, bottled at 114.2 proof. “Navy
Strength” supposedly refers to the use of high proof
rum to help ignite gunpowder onboard. It’s not dark
or overly sweet with molasses but has a milder
flavor and still a good bite.
DEPT.OF WRETCHED EXCESS
NO.556 "I
Ate
at Every Buffet on the Las Vegas Strip in One
Week" By Janna Karel, Eater.com (8/5/340
❖❖❖ Any of John Mariani's books below may be ordered from amazon.com. The Hound in Heaven (21st Century Lion Books) is a novella, and for anyone who loves dogs, Christmas, romance, inspiration, even the supernatural, I hope you'll find this to be a treasured favorite. The story concerns how, after a New England teacher, his wife and their two daughters adopt a stray puppy found in their barn in northern Maine, their lives seem full of promise. But when tragedy strikes, their wonderful dog Lazarus and the spirit of Christmas are the only things that may bring his master back from the edge of despair. WATCH THE VIDEO! “What a huge surprise turn this story took! I was completely stunned! I truly enjoyed this book and its message.” – Actress Ali MacGraw “He had me at Page One. The amount of heart, human insight, soul searching, and deft literary strength that John Mariani pours into this airtight novella is vertigo-inducing. Perhaps ‘wow’ would be the best comment.” – James Dalessandro, author of Bohemian Heart and 1906. “John Mariani’s Hound in Heaven starts with a well-painted portrayal of an American family, along with the requisite dog. A surprise event flips the action of the novel and captures us for a voyage leading to a hopeful and heart-warming message. A page turning, one sitting read, it’s the perfect antidote for the winter and promotion of holiday celebration.” – Ann Pearlman, author of The Christmas Cookie Club and A Gift for my Sister. “John Mariani’s concise, achingly beautiful novella pulls a literary rabbit out of a hat – a mash-up of the cosmic and the intimate, the tragic and the heart-warming – a Christmas tale for all ages, and all faiths. Read it to your children, read it to yourself… but read it. Early and often. Highly recommended.” – Jay Bonansinga, New York Times bestselling author of Pinkerton’s War, The Sinking of The Eastland, and The Walking Dead: The Road To Woodbury. “Amazing things happen when you open your heart to an animal. The Hound in Heaven delivers a powerful story of healing that is forged in the spiritual relationship between a man and his best friend. The book brings a message of hope that can enrich our images of family, love, and loss.” – Dr. Barbara Royal, author of The Royal Treatment. ❖❖❖
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