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  August 18, 2024                                                                                        NEWSLETTER


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THIS WEEK

HOW TO AND WHAT NOT TO
ORDER IN A CHINESE RESTAURANT
By John Mariani


NEW YORK CORNER
SEMPRE OGGI

By John Mariani


THE MAGDALENE LAUNDRIES
CHAPTER THIRTY-THREE

By John Mariani

NOTES FROM THE SPIRITS LOCKER
AFTER THE SUCCESS OF BOURBON, AMERICAN WHISKEY
 MAKERS WANT A NICHE IN THE MARKET

By John Mariani



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HOW TO AND WHAT NOT TO
ORDER IN A CHINESE RESTAURANT

By John Mariani





"RESTAURANT!" by Will Elder, Mad Comics (1953).


 

         It goes without saying that Chinese food culture, which encompasses regions from Canton to Mongolia, is one of the world’s grandest and most diverse. But to go by the menus in Chinese restaurants in America from Chattanooga to Salt Lake City you’d be hard put to come to that conclusion when the menus so closely resemble each other and are littered with non-Chinese dishes.  To be sure, the U.S. has a good number of excellent Chinese restaurants, largely in big cities with Chinatowns, where the clientele is largely Chinese and speak the language. But even if you ferret out a special little Sichuan or Hunanese  storefront filled with Chinese customers, the chances of your getting the best out of the kitchen is highly doubtful.

         One problem is the non-Chinese customer himself who, as Andrew Coe writes in his book Chop Suey : A Cultural History of Chinese Food in the United States, “most Americans still expect Chinese food to be cheap, filling, familiar and bland.”  Coe details how Chinese food became Americanized, as did Italian, Jewish and German food, when  millions of immigrants came to this country in the 19th and 20th centuries. Dishes like egg foo yung, pu-pu platters, mu shu pork, chow mein and General Tso’s chicken were, at best, adaptions of Chinese ingredients and flavors to please the American palate. Americans also expected fortune cookies at the end of their meal along with fried ice cream with bananas.

         I am looking at a typical Chinese-American menu from a suburban New York restaurant that lists 193 dishes plus 13 “chef’s specialties,” with 25 shrimp dishes and the same number of beef. Among this bewildering screed are items named “bourbon chicken,” “orange flavored tofu,” “roast pork snow peas,” “Happy Family” and “Lover’s chicken.” The most expensive thing on the menu is $17.

         I once learned a great lesson about getting the best out of a Chinese restaurant, including those highly regarded in New York and San Francisco, some as elegant as any restaurants in town. A Chinese restaurateur named Paul Chou invited me to dine with him in York’s Chinatown at his favorite place. Its name, now forgotten, doesn’t matter, because, he told me, the experience would be the same everywhere.

         When we sat down, the waiter brought my wife and me pink menus, all in English, and Paul a blue one in Mandarin. Paul said, “Give me those menus,” and folded them together and put them aside.

         “See those Chinese characters in the papers tacked to the wall? Those are the ones the Chinese are ordering, and I’ll choose a couple. But since I know where the chef comes from, Canton, I’m going to order his special dishes.”  Paul then asked for a pad and pen and jotted down his requested dishes in Chinese and called over the captain, who had  obviously been asked the same thing by many Chinese diners.

     While waiting for the food, Paul explained, “The dishes on your pink menu are the ones for western palates—Gen. Tso’s chicken, kung pao chicken, lo mein; the ones on mine are more truly Chinese, but the ones on the wall the night’s specials. What I wrote down were dishes from where the head chef came. You may not like them all but they’re going to be the best and most authentic.”

         What came to the table were dishes like sea snails (left) whose bottoms were snipped off so you could suck out the contents; seaweed chicken soup; grilled crab; chewy duck feet in a rich, winey dark sauce; a seafood platter with seven types of mollusks and fish; and, last but not least, congealed duck blood with noodles in soup, a specialty of the city of Nanjing. Paul was right that some were a bit too exotic for me, but I knew what he was aiming at.

         Then, to my surprise, he ordered orange beef from our pink menu, and it was sticky, sweet and unlike anything I’d just eaten.

         “I just wanted prove,” said Paul, “that unless you understand Chinese, you will never get the best out of a Chinese kitchen. Also, it helps to know the chef because they change frequently. When another restaurant hears about a new great chef, he is hired away quickly.”

         The lesson registered with a good deal of weight. For although I have had some special dishes in Chinese restaurants in the U.S. where the owner is willing to take a chance on a westerner’s palate, I can honestly say it’s very rare that the food tastes the way it does in restaurants where I’ve eaten in China, especially Taiwan, where I never had a bad meal and ate most dishes for the first time.  Most dishes in the U.S. are stir-fried, when, as in other countries, the Chinese have many traditional cooking techniques, including Cuan (quick boiling), Shuan (instant boiling), Ao (stewing), Hui (braising), Jian (frying in a flat-bottom pan, not a wok), Lu (frying in two stages), as well as steaming, baking, roasting smoking a “mud baking”—few of which show up on western menus.

         Probably the easiest way to eat authentic Chinese food is to go to one of the big dim sum restaurants in Chinatown. There everyone is shown and served the same dishes, chosen from rolling carts. And many of those dishes are not just dim sum dumplings. Sneak a peak at the tables filled with Chinese. Maybe they’ll even have congealed duck blood for you to sample.

 

        

 



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NEW YORK CORNER

SEMPRE OGGI   

                                                                                    164 West 75th Street

                                                                                        212-377-7150

                                                                          

By John Mariani
Interior photos by Alex Kroke





         The focus of the media on downtown and Brooklyn Italian restaurants in cramped, loud storefronts with few amenities and $28 pastas seems ironic, given the far more refined Italian restaurants that make New York’s upper West side a far more civilized overall experience at pretty much the same prices.

         Joining the ranks of  Lincoln Ristorante, Cucina 8 ½, Il Duomo 51, Felice 56 and The Leopard at Des Artistes is Sempre Oggi, which opened two months ago on West 75th Street. At first I thought it was going to be a small trattoria, so I was delighted to push through the doors to find it an airy, very spacious restaurant whose bar and front dining room open onto a T-shaped rear dining room of striking design by Eamon Roche, inspired by Italian architect Gio Ponti, evident in the ceramic ceiling tiles of the bar and a white marble top with gold inlay.

The dining rooms, seating 130, are done in soft colors of taupe, coffee, mustard  and rosewood, have geometric shaped pillars, all lending an ambience of modern civilized dining. I was there on a fairly slow night, so I can’t comment on the noise level in a full house, but it was wonderful to be able to talk across a large table and to chat with our fine waitress and the wine steward.

There are nice touches like warmed plates, and, owing to the balanced seasoning of the food, I never noticed the lack of salt and pepper shakers on the table. The same goes for grated cheese with the pastas: none was offered because they were already dressed with the right amount. Portions are generous. All breads are made on premises.

Phillip Bassone (right) is yet another chef who credits his grandma (who was French), Dolores “Mema,” for teaching him the rudiments of the kitchen while growing up in a Connecticut home. After graduating from The French Culinary Institute, he worked for Jonathan Waxman at Barbuto, then was chef de cuisine at Le Crocodile. What he learned from Mema was a “less is more '' sensibility, underscored by classic French cooking technique, Italian style and Mediterranean flavors. A sense of purity and simplicity anchors every dish.

         Bassone’s partner, Robert Guarino, also from Connecticut, has a long history in hospitality, having been manager at Marseilles, Nizza, Nice Matin and Five Napkin Burger.

         Sempre Oggi features a “vegetable-forward menu,” which is not to say it’s vegetarian, for the meat and seafood are every bit as good as the squash blossoms (right) stuffed with stracciatella and basil with marinated tomatoes ($24), and the Little Gem greens with Caesar salad dressing and parmigiano ($21) and caponata Siciliana ($18).  A good summer antipasto was a fluke crudo ($26) with nectarine, fennel and lavender that gave it the summery aroma of the South pf France.

         Properly chewy, the pastas balance the familiar with the novel, like the orrecchiete with braised dandelion greens and Calabrese pecorino for bite ($26). Unusual, too, was tumminia busiate, a short pasta made from an ancient wheat and pierced with a whole through its center, here done with pesto alla Trapanese, from Sicily ($28). The fat noodles called strozzapreti (“priest stranglers”) came in a luscious, silky rabbit ragù with plenty of rich Solo di Bruno Parmigiano-Reggiano ($35).

         True to the mantra of simplicity is a juicy, crisp-skinned chicken with salsa verde and squeeze of lemon ($38), and halibut gained just enough enhancement from toasted almonds with parslied fingerling potatoes and an crushed almond  salsa ($39). What I think will be Bassone’s signature dish is his  porchetta roll with peas and favas, a touch of mint and a dash of fresh chili splashed with pan juices ($44).

         After all this, the refreshment provided by granita of watermelon with whipped mascarpone, dark chocolate and pistachio ($15) was required, or the seasonal fruits with elderberry cordial and lemon curd ($14). If you wish something richer, the chocolate budino pudding with whipped cream is wonderful ($14).

         The bar offers a number of special cocktails ($14-$19) and a good list of wines by the glass.  The wine list is full of regional Italian bottlings at the average mark-ups for New York.

         Contrary to ill-informed opinion, Italian cuisine in New York has always been evolving, and Sempre Oggi, adding so many innovations based on traditional ideas, is a model of modernity and, if anyone needs reminding, the Italian flair for style without flash.

 

 

 

Dinner nightly; brunch Sat & Sun.







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THE MAGDALENE LAUNDRIES
By  John Mariani





CHAPTER THIRTY-THREE

         Katie told David what Dobell had told her, and David said, “Sounds like he’d like me to go back to the States ASAP. Can’t say I blame him.”

         “Well,” said Katie, “I think you’re safe for another few days. Get me some official, or even unofficial, documents from Max Finger. Dobell will tell us soon enough when we’ve got to go back.”

         “So who you interviewing now?” asked David.

         “I need to go back to everyone and get their reactions to all that’s happened, especially try to get some more background on Maureen Maloney. Photos of her while she was alive, that sort of thing. I called a stringer McClure’s knows at The Irish Times who says I can use their files. I’m actually very interested to see just what they have on the Laundries and if any stories had ever been assigned then killed.

         “I’ve got to make my time left count. If I’m ever to get back here I need more material. The fact is, all those priests who had been sexually molesting the women at the Laundries haven’t even figured in this story thus far. I need to dig into what was happening there. Remember, that’s how this whole project got started, when Joseph told us about the pedophile priests. The story’s turned into something else but the original story is still there and needs it be investigated.”

         “You think you can find these perv priests?” asked David, who thought that if he met up with them he would find it hard to restrain his temper.

         “Sara Garrison has a few in her files, and I think the files at The Irish Times will have some names. I’m not looking forward to meeting these creeps. Then, of course, I have to speak to the Church officials, get their side of the story, if there’s a cover-up.  I think they’ll speak to me if only to give me some holier-than-thou quotes about the poor Sisters of Charity who got murdered. Once I’m in, I’ll have the names in the files to get them to talk further.”

         Katie had, in fact, made inquiries with the Archbishop’s office in Dublin as soon as she’d arrived in Ireland, but as yet no one had gotten back to her.  Now it was time to clinch an appointment, since the murders had required the archdiocese to comment on what had occurred.  The official line, given in a written statement by Archbishop John Neill  (right), expressed sorrow and deepest sympathies for both the good Sisters and the poor woman who murdered them, reminding everyone of God’s ever forgiving character and ending with a plea for understanding and continuing prayer.

        

                                                 *                         *                         *

 

         David had already been able to go through some of the Garda files on pedophile crimes. Homosexuality had been decriminalized seven years before in Ireland, so the files involving arrests of consenting adults had been destroyed.  The pedophilia crime files remained, however, and, even though David had by then seen, heard and learned so much about the prevalence of pedophilia among religious, he was still amazed at how many of the remaining files related to priests and brothers.

         Many were heavily redacted, others stamped CASE CLOSED with no indication of whether there’d been a prosecution, much less a conviction. In most cases having to do with religious pedophiles notations were made that the case was remanded to the Church authorities. In all but a very few cases there was no follow-up, not even information as to the whereabouts of the priest or brother.  In the cases involving pedophiles who were not clerics, addresses were listed, as well as notations about the neighborhood being informed that the individual was a sexual predator to be kept watch over.

         Max Finger came in and looked over David’s shoulder in the interview room and said, “Find anything useful?
         David leaned back, clenched his hands above his head and said, “I am just astounded at the disparity between how the charges were handled when it involved a priest and when they involved anyone else.  Katie is right to want to get deeper into the connection with the Church officials here.”

         “Here and everywhere else there’s a Catholic diocese,” said Finger. “We’ve got hearsay evidence that there’s a perv brotherhood within the Church that not only shields them from prosecution but that connects them to individuals who share their sexual preferences.”

         “Did Katie and I tell you about this investigator named Richard Sipe we interviewed in California?” asked David.

         “I’ve heard of him, that’s all.”

         “Well, he told us he strongly believed there is in fact a kind of cabal of such priests and brothers. He even called it ‘The Network.’”

         Max Finger shrugged. “That I’ve never heard, but I wouldn’t be at all surprised.  At the very least they have their people in place to fight all accusations, with lawyers and psychiatrists on retainer, and a whole lot of politicians in their pockets.”

         “Same where I come from.”

         “Well, at least I think we’ve come to the end of the Maureen Maloney story.  And wasn’t it convenient that she as much as left a confession then killed herself. Nice and tidy. Didn’t really even get our hands dirty on this case. Cut and dry. The public’s happy, the newspapers are happy, and, despite the bad publicity, the archdiocese must be very happy.”

         “And your superiors?”

         “My superiors?” Finger laughed. “They are just thrilled at the way it turned out. As much as they wanted to find the killer quickly and were willin’ to have me be lead investigator, they’re just as happy I got no credit for solving the case. Which, of course, I didn’t.  Now I can go back to finding run-of-the-mill murderers unconnected with the Catholic Church.”

         “I don’t suppose I can Xerox any of these files for Katie?”

         “No, though she might be able to put in a formal request if it has to do with a current case. These don’t have anythin’ to do with Maureen Maloney or the serial murders. But she could ask.”

         “I’m going to miss you, Max,” said David, extending his hand.

         “It’s been grand, David. Next time I’m in New York we’ll have a drink and make a toast.”

         “Like what? ‘Here’s to good cops wherever you find them?’”

         “I was thinkin’ more like ‘Mazel tov!’”

 

 

 

 





©
John Mariani, 2018



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NOTES FROM THE SPIRITS LOCKER



AFTER THE SUCCESS OF BOURBON, AMERICAN WHISKEY
 MAKERS WANT
A NICHE IN THE MARKET

By John Mariani




 

         The remarkable success of bourbon—relegated to the dreary category of “brown goods”—has been as much the result of marketing and media as it has the intense competition among producers, many of which didn’t even exist ten years ago. Of the top ten best-selling whiskeys in the world, Jameson Irish is in first place, but bourbon takes five of the next nine slots, including established brands like Jim Beam, Maker’s Mark and Buffalo Trace.  Global bourbon sales are expected to  reach $12.3 billion.

         Such success has awakened the slumbering American whiskey industry into trying the same tactics as bourbon producers by creating new styles of non-bourbon whiskeys with old labels joined by new ones with provocative names like Never Say Die, Larceny and Wyatt Earp in new bottle styes. “Cask finishing” and “cask strength” are the new buzzwords—using charred or uncharred Sherry, Cognac, Rum, Cabernet and other barrels—and the labels themselves avoid dated images like turkeys, crows and old grandad in favor of stags, eagles and buffalo.

         There may, in fact, already be too many new labels and small batch brands to break through into a wider market, but here are some of the interesting ones that have impressed me for their distinctions.

 

 

Jack Daniels ($70).  Long the best-known Tennessee whiskey, Jack Daniels has been expanding its line annually, and just launched its 2024 Heroes Selection Single Barrel Proof Rye, available in military duty-free stores. Also new is its Distillery Series Selection #13, a twice-barreled Straight Tennessee Rye, only available in Tennessee. It is matured n American white oak barrels, then finished in charred barrels for another two-and-a-half years that gives it more depth and blends the sweet and minty spices.

 

 


 

Blackened Whiskey Rye The Lightning ($70). Master Distiller & Blender Rob Dietrich’s second effort in the Lightning series, this is a limited edition of straight rye whiskey, double casked and finished in Madeira and rum casks, non-chill filtered then “socially enhanced” via the trademarked “Black Noise” process, emerging at 92 proof, a little higher than the first year’s percentage.

 


 


Wyatt Earp American Single Malt Whiskey ($95.50). The label has metal crossed six-shooters on it and a picture of the famous lawman, whose virtues included being “a loyal and dependable friend,” which the producer celebrates in this commemorative bottle, distilled in Oklahoma.  At cask strength, it is a mash bill of 100% malted barley and comes in at 120 to 135 proof. They also make a Doc Holliday ($125) bourbon.

 




Brother Justus Single Malt. Specializing in American single malts, this Minnesota distillery was founded by Phil Steger, who was inspired by a bootlegging Minnesota monk whose copper stills and teaching of the craft of distilling helped “lift families out of poverty” during Prohibition, setting up 1,600 family-operated distilleries in the state, which, surprisingly, has more than 6,000,000 acres of ancient peat forest, crucial to making single malts. Founder’s Reserve 1 ($120) is made from 100% barley at 100 proof, while its Cold-Peated American Single Malt is the world’s first and only Cold-Peated® Whiskey ($95), made by using a granulated version of peat in the finishing process (instead of the traditional smoked peat in the malting process, the traditional use of peat in whiskey).  The company’s Silver Whiskey ($50) is crystal clear, at 86 proof; its Single Malt Whiskey ($70) has the characteristic golden color, also 86 proof after sending a year on barrel; its Cold-Peated Single Malt, in a black bottle.  uses a patented process to extract the essence of Minnesota peat. Also 86 proof.

 

 


   

Calistoga Depot Star Barrel Aged Fine Brandy  ($75). Inspired by San Francisco’s first newspaper title, founded by Samuel Brannan, who built his own brandy distillery in the mid 1860s,  The Calistoga Star (91 proof) is cellared for a minimum of seven years and aged up to 15 years in a combination of 60% column distilled in used charred American white oak and 40% Alembic distilled in French Oak wine casks.

 


 

Michter’s 10 Year Old Straight Rye ($200). A single barrel bottling from Kentucky’s most progressive distillery, known best for its range of bourbons. Twenty years of research went into this product, blended from many of the rye whiskeys produced in Indiana, Canada, and elsewhere, but called “Kentucky-style” rye. It is 92.8 proof.  . . . Michter’s is also releasing its Shenk’s Homestead Kentucky Straight Bourbon Sour Mash Whiskey ($120) as part of their Legacy series, which differ slightly each year, this one vintage dated 2024. It is named after Swiss Mennonite farmer John Shenk who founded his  distillery in Pennsylvania in 1753 and later named Bomberger’s Distillery. Michter’s  Master Distiller Dan McKee used rye, malted rye, and for the first time caramel malt, that adds a creamy texture with herbaceous notes. It was aged in French oak that was air dried and seasoned for 24 months before being toasted. It is released at 91.2 proof.

 






Frey Ranch Farmers + Distillers Straight Rye Whiskey  ($65). Bottled in bond, this is made from the Ranch’s own rye, while its Nevada Winter Cereal wheat from Nevada farms is turned into a 100% mash bill. It then aged for five years and is 100 proof, having lovely citrus and honeyed notes that are as good for sipping as for a Manhattan cocktail.









Mount Gay Limited-Edition Eclipse Navy Strength ($37).  Granted, it’s not made in the U.S. (it’s from Barbados), but Mount Gay is a big seller here and is going into a field of navy-style rums long dominated by Goslings, and this new limited edition by Master Distiller Trudiann Branker, bottled at 114.2 proof. “Navy Strength” supposedly refers to the use of high proof rum to help ignite gunpowder onboard. It’s not dark or overly sweet with molasses but has a milder flavor and still a good bite.

 

 

 
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DEPT.OF WRETCHED EXCESS NO.556

"I Ate at Every Buffet on the Las Vegas Strip in One Week" By Janna Karel, Eater.com (8/5/340















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 Any of John Mariani's books below may be ordered from amazon.com.



   The Hound in Heaven (21st Century Lion Books) is a  novella, and for anyone who loves dogs, Christmas, romance, inspiration, even the supernatural, I hope you'll find this to be a treasured  favorite. The  story concerns how, after a New England teacher, his wife and their two daughters adopt a stray puppy found in their barn in northern Maine, their lives seem full of promise. But when tragedy strikes, their wonderful dog Lazarus and the spirit of Christmas are the only things that may bring his master back from the edge of despair. 

WATCH THE VIDEO!

“What a huge surprise turn this story took! I was completely stunned! I truly enjoyed this book and its message.” – Actress Ali MacGraw

“He had me at Page One. The amount of heart, human insight, soul searching, and deft literary strength that John Mariani pours into this airtight novella is vertigo-inducing. Perhaps ‘wow’ would be the best comment.” – James Dalessandro, author of Bohemian Heart and 1906.


“John Mariani’s Hound in Heaven starts with a well-painted portrayal of an American family, along with the requisite dog. A surprise event flips the action of the novel and captures us for a voyage leading to a hopeful and heart-warming message. A page turning, one sitting read, it’s the perfect antidote for the winter and promotion of holiday celebration.” – Ann Pearlman, author of The Christmas Cookie Club and A Gift for my Sister.

“John Mariani’s concise, achingly beautiful novella pulls a literary rabbit out of a hat – a mash-up of the cosmic and the intimate, the tragic and the heart-warming – a Christmas tale for all ages, and all faiths. Read it to your children, read it to yourself… but read it. Early and often. Highly recommended.” – Jay Bonansinga, New York Times bestselling author of Pinkerton’s War, The Sinking of The Eastland, and The Walking Dead: The Road To Woodbury.

“Amazing things happen when you open your heart to an animal. The Hound in Heaven delivers a powerful story of healing that is forged in the spiritual relationship between a man and his best friend. The book brings a message of hope that can enrich our images of family, love, and loss.” – Dr. Barbara Royal, author of The Royal Treatment.




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The Encyclopedia of American Food and Drink by John F. Mariani (Bloomsbury USA, $35)

Modesty forbids me to praise my own new book, but let me proudly say that it is an extensive revision of the 4th edition that appeared more than a decade ago, before locavores, molecular cuisine, modernist cuisine, the Food Network and so much more, now included. Word origins have been completely updated, as have per capita consumption and production stats. Most important, for the first time since publication in the 1980s, the book includes more than 100 biographies of Americans who have changed the way we cook, eat and drink -- from Fannie Farmer and Julia Child to Robert Mondavi and Thomas Keller.


"This book is amazing! It has entries for everything from `abalone' to `zwieback,' plus more than 500 recipes for classic American dishes and drinks."--Devra First, The Boston Globe.

"Much needed in any kitchen library."--Bon Appetit.




Now in Paperback, too--How Italian Food Conquered the World (Palgrave Macmillan)  has won top prize  from the Gourmand World Cookbook Awards.  It is a rollicking history of the food culture of Italy and its ravenous embrace in the 21st century by the entire world. From ancient Rome to la dolce vita of post-war Italy, from Italian immigrant cooks to celebrity chefs, from pizzerias to high-class ristoranti, this chronicle of a culinary diaspora is as much about the world's changing tastes, prejudices,  and dietary fads as about our obsessions with culinary fashion and style.--John Mariani

"Eating Italian will never be the same after reading John Mariani's entertaining and savory gastronomical history of the cuisine of Italy and how it won over appetites worldwide. . . . This book is such a tasteful narrative that it will literally make you hungry for Italian food and arouse your appetite for gastronomical history."--Don Oldenburg, USA Today. 

"Italian restaurants--some good, some glitzy--far outnumber their French rivals.  Many of these establishments are zestfully described in How Italian Food Conquered the World, an entertaining and fact-filled chronicle by food-and-wine correspondent John F. Mariani."--Aram Bakshian Jr., Wall Street Journal.


"Mariani admirably dishes out the story of Italy’s remarkable global ascent to virtual culinary hegemony....Like a chef gladly divulging a cherished family recipe, Mariani’s book reveals the secret sauce about how Italy’s cuisine put gusto in gusto!"--David Lincoln Ross, thedailybeast.com

"Equal parts history, sociology, gastronomy, and just plain fun, How Italian Food Conquered the World tells the captivating and delicious story of the (let's face it) everybody's favorite cuisine with clarity, verve and more than one surprise."--Colman Andrews, editorial director of The Daily Meal.com.

"A fantastic and fascinating read, covering everything from the influence of Venice's spice trade to the impact of Italian immigrants in America and the evolution of alta cucina. This book will serve as a terrific resource to anyone interested in the real story of Italian food."--Mary Ann Esposito, host of PBS-TV's Ciao Italia.

"John Mariani has written the definitive history of how Italians won their way into our hearts, minds, and stomachs.  It's a story of pleasure over pomp and taste over technique."--Danny Meyer, owner of NYC restaurants Union Square Cafe,  The Modern, and Maialino.

                                                                             








              

MARIANI'S VIRTUAL GOURMET NEWSLETTER is published weekly.  Publisher: John Mariani. Editor: Walter Bagley. Contributing Writers: Christopher Mariani,  Misha Mariani, John A. Curtas, Gerry Dawes, Geoff Kalish. Contributing Photographer: Galina Dargery. Technical Advisor: Gerry McLoughlin.

 

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