MARIANI’S

Virtual Gourmet


MARCH 16, 2025                                                                                                  NEWSLETTER

 



ARCHIVE




"Leggett's" (1925) By John Rutherford Boyd

     

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THIS WEEK

Despite its Deniers, New York’s
Upper East Side Has Long Been
 Flush with Good Restaurants

By John Mariani

NEW YORK CORNER
CHA CHA TANG

By John Mariani


HÔTEL ALLEMAGNE
CHAPTER THREE

By John Mariani

NOTES FROM THE WINE CELLAR
Global Wine Sales Decline

By John Mariani



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Despite its Deniers, New York’s
Upper East Side Has Long Been
 Flush with Good Restaurants

By John Mariani


 
Orsay 


 

    In a  review of an Upper East Side restaurant in last week’s New York magazine a resident lamented, “There’s nothing. Except Italian.”

To be sure, the UES (which unofficially begins more or less at 59th Street and Fifth Avenue and stretches to 96th Street, where Harlem begins) has a number of very good Italian restaurants, including da Adriano, La Pecora Bianco, Masseria East (left; agnolotti), Sandro’s and the gorgeous San Ambroeus among many others. But to suggest that the region, once called the Silk Stocking District, is a gastronomic wasteland is preposterous.

    For while the focus on new and trendy restaurants has in recent years shifted south to neighborhoods south of 14th Street, including the Lower East Side, made even trendier when the women of “Sex and the City” ate out below largely below 42nd Street, there has never been a lack of all kinds of good places to eat uptown, well beyond its gaggle of Italian restaurants.

At the high end Daniel Boulud’s Restaurant Daniel has set a standard for haute cuisine since 1993, as does his more casual Café Boulud (right; meringue),  and Jean-Georges Vongerichten opened his modern bistro JoJo more than 25 years ago, while La Goulue, Orsay and Quatorze  are impeccably true-to-form traditional French bistros right down to their wicker chairs and coq au vins. Two newcomers––Chez Fifi and the reincarnated Le Veau d’Or––are, for reasons of hype,  currently among the toughest tables––one month minimum––to get anywhere in the city.

         The UES’s hotels are certainly among the city’s most posh, as are their dining rooms––which are wholly neglected by the city’s food media–– including the sleek Perrine (left: lobster bisque) (with a brand new chef) at the Pierre; the ever-chic Harry Cipriani at the Sherry-Netherlands, the swank Regency Bar & Grill at the Loews Regency and Dowling’s at the Carlyle, which also houses the historic Bemelman’s Bar, where Woody Allen plays clarinet every Monday night,  and Café Carlyle, which hosts the biggest stars in  supper club music like John Pizzarelli, Peter Cincotti and Sandra Bernhard.  

         There’s a sushi bar and Thai restaurant on almost every block of the UES, and you’ll find superb Austrian food at Café Sabarsky in the  Neue Galerie.  Amali,  Korali, Rafael  (right) and Yefsi  are very popular Greek and Mediterranean restaurants, and Moti Mahal Delux is one of the best Indian restaurants in Manhattan.

         The UES certainly has its totemic spots, gastro-pubs like JG Melon (where a scene in “Kramer vs Kramer” was set) and PJ Clarke’s (featured in the movie “Lost Weekend”), both known for their great hamburgers. Serendipity 3 (left) has since 1954 been a favorite date spot (including John F. Kennedy Jr and Brooke Shields). Sunday brunch at the Plaza Hotel’s Palm  Court is still booked every weekend.

         Some might assume that New York’s best Jewish delis––like there’s another kind?––are downtown, but in fact two of the very best are on the UES, including a branch of Pastrami Queen and the 2nd Avenue Deli, which began in 1954 on downtown 2nd Avenue but moved to First Avenue and 75th. Few would dispute either’s eminence when it comes to pastrami, corned beef and matzo ball soup.

         Then there’s Papaya King, an oddity on 86th Street since 1932, now moved across the block, known to all New Yorkers for three things: its hot dogs, fried Oreos and Twinkies and its very sweet foamy papaya drink.

         These are but some of the outstanding restaurant on the UES, and anyone who lives in those neighborhoods should know. Those of us who do not and come in to visit New York could easily eat out on the UES for weeks, and that doesn’t even include all those fine Italian restaurants.

 







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NEW YORK CORNER


CHA CHA TANG

257 Sixth Avenue

212-645-0193


By John Mariani





 

         The revival of interest in Cantonese cuisine, which was once Chinatown’s staple before Sichuan, Hunan and other regional food cultures became  more popular, has brought freshness and creativity to this more delicate style of cooking that emphasizes delicacy and subtlety over heat and spice. The Cantonese favor steaming and roasting along with quick stir-frying, and, of course, they are the masters of dim sum.

         That this shift is occurring outside of Chinatown is encouraging, and Wilson Tang, who had previously brought back to life Chinatown’s oldest restaurant, Nom Wah Tea Parlor, has brought the cuisine to SoHo as Cha Cha Tang, beginning as a pop-up last year then replacing a very fine American restaurant named Hancock. His partner was Hancock’s owner, John McDonald, who also runs  Lure Fishbar, Bowery Meat Co. and  Bar Mercer.

         The name Cha Cha Tang is a pun on cha chaan teng  (“tea restaurant”), a kind of Hong Kong diner. But the premises of this New York space will remind you not at all of a diner but of a sophisticated but unpretentious dining room done all in red with pink and red  tablecloths. Unfortunately the lighting is too low to see the beauty of Chef Donon Wong’s lovely food, and I’m heartbroken that  they got rid of a marvelous painted mural that mirrored the dining room itself.

          You may begin with any of 13 dim sum, including pork potstickers with tangy-sweet pineapple salsa, and pineapple chips;. Sweet and sour sui mai and excellent crystal shrimp dumplings hot with chili oil are both recommended. The most exciting was a caviar canapé crispy scallion pancake with crème fraîche and Black Diamond osetra caviar from Louisiana.  The “Original Egg Roll” (whatever that means) is an egg  crêpe  wrapped with Napa cabbage, pork, shrimp and carrots with a sweet-and-sour plum sauce.

         I don’t know the last time I actually enjoyed wonton soup outside of its coming as an option with a take-out order, because it’s usually so bland, but Wong’s had a delicious broth, its flavors boosted by delicate lobster wontons, ham and peas and a shot of chili oil.
        
One of the specialties here is whole Cantonese roasted duck, which differs from Peking duck by being marinated in five-spice powder, licorice root and ginger, and given a glaze of red  vinegar that lessens to sweetness. I was amazed that the  wrapping pancakes were so thin they were translucent. They only make so many ducks each evening, so call ahead to reserve. It easily serves four, and, by the way, the duck is $115 during the week, but as part of a “Sunday Family Roast,” it’s only $88.
         I can’t fault anything about the large, impeccably cooked filet mignon with an intense black pepper sauce, broccoli di rabe, blistered peppers except to say it was unexpected on a Chinese menu.
         I am happy, though, that the desserts derive largely from the West.
There are two sweets: a sumptuous French toast wit jube and yuzu lemon curd was called “Yin Yanh Hong Kong.” The other is a miso and caramel apple ice  cream sundae with a walnut streusel and basil.
         I was sorry to see Hancock go but am delighted that Cha Cha Tang has taken its place with such authority behind it, as I expected from McDonald and applaud from Tang and Wong.

 

Prices for dim sum $13-$22; small plates $13-$16; main dishes $35-$115.

 

Open for dinner nightly.

 

 





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HÔTEL ALLEMAGNE
 
By  John Mariani












CHAPTER THREE


    The couple were ushered by doormen through the revolving doors and into the foyer, facing a long corridor, with a restaurant on the left and the reception desk on the right.  There was another corridor of very expensive boutiques, none of them with customers, and at the end another foyer that led to the Hemingway Bar, (below) which the author boasted he’d liberated when the Allies entered Paris. It was closed, but David said, “I’d like to see the inside and drink a toast to Hemingway. My favorite author. Let’s come back this evening.”
         “Hey, what do you think about doing a tour kind of like ‘following in the footsteps of Hemingway?’ I love his memoir A Moveable Feast, and we can pick up a copy here and go to all the important spots he mentions.” David said he thought that was a very good proposal.
       
As they left the Ritz, Katie asked the concierge if there’d been any update on  the hotel evacuations, but he said he knew nothing more.
         “And no incidents here in the Ritz?” she asked.
         “No, thank God, nothing,” he said, making the sign of the cross.
         By noontime the two Americans were getting hungry again but they walked a good deal longer, up to the flamboyant Beaux Arts Opéra and on to Place Madeleine. David noted they, too, could use a good scrubbing.
      “I remember when I came here in college, we didn’t have cell phones or e-mail,” remarked Katie, “so all the students used to line up at the American Express office over there and wait while an attendant flipped through hundreds of those blue air mail letters that were arranged alphabetically. If you were homesick, that’s where you’d spend every morning, waiting to hear from friends and families back in the States.”
         “Sounds like a great place to meet American girls.”
         By one o’clock they were ravenous, and Katie used her guidebook to look for restaurants in that neighborhood, which was at a crux of the 1st, 8th and 9th arrondissements.
         “What do you feel like eating?” she asked David.
         “Anything you want. I love French food.” In fact, as a police detective David had had occasion to eat at many of New York’s best French restaurants, often accompanying Mayor Rudy Giuliani, whom he once admired then came to despise when his ego surpassed his prowess as a prosecutor.  
        
The couple had decided that at some point on their vacation they’d book a table at one of the top three-star restaurants in Paris; the rest of the time they’d frequent bistros and brasseries.
         “This place looks nice, and it’s right on the next block,” said Katie, pointing to a listing for Tante Louse on  Rue Bossy. David assented with a shrug and within a two minutes’ walk they arrived at the cheery-looking bistro with red façade and green awning. Inside it was typical of the Art Déco bistros that opened before the war, with stained glass, wall sconces and wrought ironwork. The place was about half full so the waiter said they could sit outside or in. They chose outside so as to watch the wonderful passing parade of Parisians and foreigners.
         David felt like a child in not being able to read much beyond “coq au vin” and “steak frites,” both of which he was hungry for, but Katie made it easy for him by suggesting he have one and she the other, along with appetizers of asparagus with chopped olives and cylinders of celery filled with crabmeat.
         “Is it— whaddaya call it, ‘goash?’— to order the house wine in a place like this?” asked David.
         “Apparently not,” said Katie. “Half the tables here have carafes on them.”
         The meal was wonderful, and David commented on the quality of the French fried potatoes. They shared a caramel-glazed apple tart and had coffee.
         “I’m getting knocked out,” said David. “Damn jetlag’s kicking in.”
         “Me, too. Maybe we should head back to the hotel, see what the TV is saying and take a nap. The twilight should still be beautiful around five PM.”
          Back at the Hôtel Juliana, Katie and David went to their rooms and agreed to meet back downstairs at five. Katie tossed her scarf on the chair and lay down on the bed, clicking on the TV. After a few minutes of sports news, an announcer appeared and reported that police, in agreement with the health officials, felt strongly that the three incidents were related, not coincidental, and that more than 200 people had been evacuated to hospitals, along with scores of hotel staff. The hotels themselves were shuttered, and the screen showed health workers in yellow HAZMAT suits going into the buildings.
         The director manager of the de la Reine expressed shock at what had occurred, swearing that his staff took all precautions every day to prevent any contamination. The announcer then turned to a guest on the set who was a specialist in infectious diseases. He asked her what could possibly have caused such havoc to occur at three different locations. The physician, whose name was Judith Baer, answered that she’d never seen anything like this and there had been no occurrence of widespread contagion like this since the so-called Spanish Flu of 1918 (below), which killed millions of Europeans, including 300,000 French people. She explained that it would seem to be a virus because of the suddenness with which people got so sick, though she could not rule out a bacterial infection. For the latter, blood work would have to be undertaken to see if bacterial cultures grew, noting that bacteria can be fought with antibiotics but that viral infections are up to the human antibodies to battle with. Not knowing what kind of virus or bacteria this was, there was little the hospitals could do decisively, short of putting everyone on cautionary antibiotics.
         The announcer asked if the occurrences were likely to appear elsewhere in Paris. The physician shook her head and said she had no way of knowing. This was all too new, and, not knowing the source of the contamination, no one could predict its being contained. She also said that de-contamination units were being sent to the three hotels to begin immediate work on sanitizing the interiors, which she said was a mammoth task because every square inch of these large buildings would have to be treated. All clothes and suitcases of the guests would have to be burned, as would all bedroom sheets and pillows and all restaurant linens. That could take weeks, even months to achieve.
         Katie glanced at her wardrobe closet, suitcase and the plane tickets on her desk, wondering if she and David should leave Paris immediately or see if there were further developments the next day. She then realized  there weren’t any night flights back to New York, so they were going to have to stay over and make a decision in the morning. She even thought maybe she and David should not go out that night.
         Katie lay back on her pillow and dozed off within moments into a deep sleep induced half by the wine at lunch and half by jetlag. At some point her cell phone rang, but at first she seemed confused by the sound then wondered who would be calling her in Paris.
         “Hey, you okay?” said a man’s voice on the other end.
         Katie’s head was still fuzzy, so she answered, “Who’s this?”
         “It’s Alan. What’s going on?”
         Katie shook her head and realized it was her editor at McClure’s, Alan Dobell, with whom she’d worked for years.
         Katie looked at her watch, seeing it was 4:15 in the afternoon.
        “Alan, what time is it in New York?”
        “Quarter after eleven,” he said, then spoke rapidly. “Hey what the hell is happening over there in Paris? CNN is reporting that three of the big luxury hotels’ guests are all going to the hospital with a deadly illness?”
        Katie gathered her composure and said, “Well, I don’t know if anyone’s died yet, but yeah, three hotels got hit with some flu or sickness that attacked everybody in the middle of the night and everyone woke up very sick. We saw the action going on at two of the hotels this morning.”
        “They also say everyone’s baffled and they interviewed some American doctor just now who said it could be the start of a pandemic.”
        “I didn’t hear that. Everyone’s okay in my hotel, so far.”
        “And you were out on the streets and didn’t see people keeling over?”
        Katie knew that Alan’s flair for the dramatic was the way he snooped out a possible story. She also sensed what was coming next.
        “So, Katie, you think there’s a story there? I mean, the papers and networks will be all over this, so I don’t know that a monthly magazine can make more of it than whatever it becomes. But I’ve just got a hunch this is a story that’s not just going to peter out and may need an investigative reporter to follow the threads.”
        “You mean me, right?”
        “Well, you’re already over there.”
        “Yes, on my vacation, Alan, although it’s crossed my mind to go back to the U.S. if this thing spreads.”
        “Understood, but if you decide not to, I’ll assign you and pay all your expenses at least for the next few days.”
        “I assumed you would, but listen, Alan, if I do decide to dig into this story, you’ve got to agree to add days onto the paid vacation time I’ll be missing. I’ve still got ten days left.”
        “Yeah, yeah, yeah. Just snoop around. Maybe it’s too local for us. Maybe the thing disappears in a few days. I’ve just got a hunch it won’t. and if that’s the case, what’s behind the story?”
        Katie sighed, stayed quiet for a moment, then, with her own reporter’s curiosity rising, said, “All right, Alan, I’ll see what I can find out.”
        “And you speak French, right?”
        “Yes, I speak French.”       
        “Oh, and please don’t tell me you’re going to need David Greco to fly over and help you with this story, if one even exists.”
        Alan had always balked at David’s joining Katie on assignments, and Katie and David even agreed to pay their own way on stories she came up with but that Alan had not initially warmed to. But Alan had to admit that David had been of invaluable help on stories that so far had been well-received blockbusters that sold copies of the magazines. And he knew that if David hadn’t been along, Katie might never have survived those investigations.
        “Don’t worry, Alan. You won’t have to send David over because he’s already here in Paris.”
        “What’s he doing with you in Paris?”
        Katie explained the reason and reminded her editor again that she was on vacation.
        “So, what, he’s going to follow you around on this story?”
        “I assume so. I’ll ask him to pay his own way.”
        “Fair enough,” said Alan. “Look, I’m not trying to cut corners, Katie, but you know that since 9/11 the ads for the magazine have been down big time. I got the publisher breathing down my neck to keep costs in line. I can’t pay David’s hotel bills, but if you keep the meal expenses down I won’t ask you to get separate checks.  And if David turns out to be of help the way he was in the past, he’ll of course get a stipend, fair enough?”   
        “Fair enough,” said Katie.   
        “Good girl.”
        “You know I hate when you say that, Alan.”   
        “Sorry, pretend I didn’t. So, I’ll be here at the office till seven, or you can call me tomorrow if you get anything worthwhile.”   
        Katie hung up, flopped back on her pillow and saw that she had to meet David in less than half an hour. What she really wanted to do was go back to sleep.

 

 





©
John Mariani, 2024



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NOTES FROM THE WINE CELLAR


Global Wine Sales Decline
By John Mariani


 



    The decline of global wine sales over the last three years is showing no signs of stopping, and the current economic instability promote an even gloomier outlook. I interviewed industry Consultant Peter McAtamney,

who in 2003 founded Wine Business Solutions, that helps  wine businesses become more financially sustainable through research into the On-Premise and DtC directly with more than 350 clients across the globe.

 

 

The average bottle of wine according to OIV now costs 24% than it did in 2020, which sounds very positive. Yet you say margin creep is blunting that data. Why?

If you look at Silicon Valley Bank’s and other data on winery profitability, wineries have weathered this massive upheaval during and post COVID relatively well. Wineries are, on average, however, posting losses, as they have had to absorb more rises in costs than they have been able to recover in revenue.

 

The so-called “Zelennials” do not appear to be embracing drinking wine as Gen-X did. Why?

 
There are many reasons such as the ‘better for me’ movement and the general shift away from drinking alcohol but perhaps the least talked about is that they just can’t afford it. Should the economic situation improve, then it will be interesting to see how this changes. People are saying they are giving up drinking in numbers that should terrify the industry but that isn’t necessarily being born out by the numbers. Yes, sales are down, but not to the extent that might be anticipated from consumer research.

 

New scientific papers have claimed that any amount of alcohol can be deleterious to one’s health. Has this given more fuel to the anti-alcohol lobby?


This is a much bigger subject and there are many excellent commentators such as Felicity Carter and Dr Liz Thach MW who have covered this comprehensively. As I mentioned in my Newsletter, it seems to me that the antialcohol lobby has chosen to attack the industry at the point at which it is least able to fight back. The industry therefore needs to work harder than ever to promote wine as a unifying, moderating, socially connecting medium that brings people together around a table.


Do you see people in the industry becoming desperate? Over what specifically?


 This was just a general warning to clients and other readers of my newsletter that I am seeing the worst behaviors I’ve seen in 40 years, by winery suppliers and staff, as people who would be problematic in any case are less able to repay debts and wineries are more eager than ever to sell wine. So be careful who you deal with.

 

You say that they key is innovation? Can you give some successful examples?


The key, always, is value innovation. This started as an idea with Michael Porter and was further promoted by Kim & Mauborgne in their book ‘Blue Ocean Strategy’. I used to be Global Marketing Director for [yellow tail] and there is a whole chapter in their book on that brand. The principals are simple. What do you remove or tone down that is getting in the way? What do you add or turn up that creates more value for customers?

 

You contend the industry must “mobilize those with influence,” including wine specialist You Tubers, notable sommeliers and others consumers trust. How does one do that? Hire them for commercials?


This is about looking to logical agencies. You can apply this to all social media but if we just look at YouTube, I have clients with YouTube channels that are the point end of wine geekery and they get 2-4000 views per video. This is enough to be the driver of sales for their not small (40,000 case) wine business. A Kiwi chef based in Sydney whose channel is called ‘Andy Cooks’ gets 250Million views of ‘how to cook chicken biryani’. If we, as an industry, could only start talking to people about what they are really interested in – having more fun with wine and food at the table – then possibilities are endless.

 

You cite XXL, a flavored 16% alcohol wine out of Moldova, and Mucho Mas from Spain with 16 grams per liter of sugar, have had astounding success. Why?


XXL was originally source out of Moldova but is not now. It is the complete opposite of what everyone is saying about emergent consumers and is the fastest growing brand in the US right now. Mucho Mas also runs right against how the wine world is meant to be evolving and is one of the fastest growing wine brands in Europe.  I want to stress that it is not about dealcoholise wine, flavour it, put it in a can and sell it as a compliment to the burgeoning better-for-you snack food market as is suggested by everyone from major research firms to national bodies. It is about looking at all aspects of wine and applying value innovation principals. To be clear, you can absolutely do it at the ultra-premium level as well. Domaine Faiveley has a Mercury appellated wine that sells for more than $US60 called La Framboisière (The Raspberry Patch). Of course, it has the most exquisite raspberry flavours and aromas you could wish for. This wine will appeal to both new drinkers and the most hardened wine critic alike.

 

You write that “Winning in the US is all about normalizing the moderate consumption of wine with a meal with friends and family.” What has prevented that from happening?We are, after all, largely a country of immigrants from wine-drinking countries. 


As referred to in my Paper, the US drinks half the wine that Australia, Germany and Spain do, countries that have little to do with one another culturally. That is the biggest opportunity for the wine industry globally. There are many reasons why the US has not followed other wine producing countries in terms of wine drinking culture. One of the key things is the way drinking is portrayed in Hollywood as solo self-destruction, the thing you do after your boss, girlfriend, friend dumps you. My question is, if big tobacco can get away with blatant product placement in virtually every movie, why can’t we, as any industry, portray wine consumed in moderation with food and good friends as a more normal, healthier, enjoyable way to treat alcohol. 

 

You advise wineries to “Beware of people in love with ‘big volume.’” Why?

 

It is often said that the worst thing that happens in the wine industry is winemakers sitting around boasting about volume production. Less and better is a winning strategy always and never more so than now. Yes there are businesses that are growing brands quickly as earlier mentioned, even in this environment. But you need to have scale and be able to scale quickly in  order to do this.

 

What do you see happening in the next five years?


 The wine industry has a choice. Either it can go the way of tobacco or it can position itself much closer to hospitality, as food, as an integral part of any dinning occasion and that has 8000 years of history.


 

 

 



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ONE IF YOU'RE IN DOUBT, THREE IF YOU THINK YOU'LL SCORE

"How Many Drinks Can You Order on a First Date?" By Serena He, Esquire (2/14/25)


oo Afraid








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 Any of John Mariani's books below may be ordered from amazon.com.



   The Hound in Heaven (21st Century Lion Books) is a  novella, and for anyone who loves dogs, Christmas, romance, inspiration, even the supernatural, I hope you'll find this to be a treasured  favorite. The  story concerns how, after a New England teacher, his wife and their two daughters adopt a stray puppy found in their barn in northern Maine, their lives seem full of promise. But when tragedy strikes, their wonderful dog Lazarus and the spirit of Christmas are the only things that may bring his master back from the edge of despair. 

WATCH THE VIDEO!

“What a huge surprise turn this story took! I was completely stunned! I truly enjoyed this book and its message.” – Actress Ali MacGraw

“He had me at Page One. The amount of heart, human insight, soul searching, and deft literary strength that John Mariani pours into this airtight novella is vertigo-inducing. Perhaps ‘wow’ would be the best comment.” – James Dalessandro, author of Bohemian Heart and 1906.


“John Mariani’s Hound in Heaven starts with a well-painted portrayal of an American family, along with the requisite dog. A surprise event flips the action of the novel and captures us for a voyage leading to a hopeful and heart-warming message. A page turning, one sitting read, it’s the perfect antidote for the winter and promotion of holiday celebration.” – Ann Pearlman, author of The Christmas Cookie Club and A Gift for my Sister.

“John Mariani’s concise, achingly beautiful novella pulls a literary rabbit out of a hat – a mash-up of the cosmic and the intimate, the tragic and the heart-warming – a Christmas tale for all ages, and all faiths. Read it to your children, read it to yourself… but read it. Early and often. Highly recommended.” – Jay Bonansinga, New York Times bestselling author of Pinkerton’s War, The Sinking of The Eastland, and The Walking Dead: The Road To Woodbury.

“Amazing things happen when you open your heart to an animal. The Hound in Heaven delivers a powerful story of healing that is forged in the spiritual relationship between a man and his best friend. The book brings a message of hope that can enrich our images of family, love, and loss.” – Dr. Barbara Royal, author of The Royal Treatment.




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The Encyclopedia of American Food and Drink by John F. Mariani (Bloomsbury USA, $35)

Modesty forbids me to praise my own new book, but let me proudly say that it is an extensive revision of the 4th edition that appeared more than a decade ago, before locavores, molecular cuisine, modernist cuisine, the Food Network and so much more, now included. Word origins have been completely updated, as have per capita consumption and production stats. Most important, for the first time since publication in the 1980s, the book includes more than 100 biographies of Americans who have changed the way we cook, eat and drink -- from Fannie Farmer and Julia Child to Robert Mondavi and Thomas Keller.


"This book is amazing! It has entries for everything from `abalone' to `zwieback,' plus more than 500 recipes for classic American dishes and drinks."--Devra First, The Boston Globe.

"Much needed in any kitchen library."--Bon Appetit.




Now in Paperback, too--How Italian Food Conquered the World (Palgrave Macmillan)  has won top prize  from the Gourmand World Cookbook Awards.  It is a rollicking history of the food culture of Italy and its ravenous embrace in the 21st century by the entire world. From ancient Rome to la dolce vita of post-war Italy, from Italian immigrant cooks to celebrity chefs, from pizzerias to high-class ristoranti, this chronicle of a culinary diaspora is as much about the world's changing tastes, prejudices,  and dietary fads as about our obsessions with culinary fashion and style.--John Mariani

"Eating Italian will never be the same after reading John Mariani's entertaining and savory gastronomical history of the cuisine of Italy and how it won over appetites worldwide. . . . This book is such a tasteful narrative that it will literally make you hungry for Italian food and arouse your appetite for gastronomical history."--Don Oldenburg, USA Today. 

"Italian restaurants--some good, some glitzy--far outnumber their French rivals.  Many of these establishments are zestfully described in How Italian Food Conquered the World, an entertaining and fact-filled chronicle by food-and-wine correspondent John F. Mariani."--Aram Bakshian Jr., Wall Street Journal.


"Mariani admirably dishes out the story of Italy’s remarkable global ascent to virtual culinary hegemony....Like a chef gladly divulging a cherished family recipe, Mariani’s book reveals the secret sauce about how Italy’s cuisine put gusto in gusto!"--David Lincoln Ross, thedailybeast.com

"Equal parts history, sociology, gastronomy, and just plain fun, How Italian Food Conquered the World tells the captivating and delicious story of the (let's face it) everybody's favorite cuisine with clarity, verve and more than one surprise."--Colman Andrews, editorial director of The Daily Meal.com.

"A fantastic and fascinating read, covering everything from the influence of Venice's spice trade to the impact of Italian immigrants in America and the evolution of alta cucina. This book will serve as a terrific resource to anyone interested in the real story of Italian food."--Mary Ann Esposito, host of PBS-TV's Ciao Italia.

"John Mariani has written the definitive history of how Italians won their way into our hearts, minds, and stomachs.  It's a story of pleasure over pomp and taste over technique."--Danny Meyer, owner of NYC restaurants Union Square Cafe,  The Modern, and Maialino.

                                                                             








              

MARIANI'S VIRTUAL GOURMET NEWSLETTER is published weekly.  Publisher: John Mariani. Editor: Walter Bagley. Contributing Writers: Christopher Mariani,  Misha Mariani, John A. Curtas, Gerry Dawes, Geoff Kalish. Contributing Photographer: Galina Dargery. Technical Advisor: Gerry McLoughlin.

 

If you wish to subscribe to this newsletter, please click here: http://www.johnmariani.com/subscribe/index.html



© copyright John Mariani 2025




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