MARIANI’S

Virtual Gourmet


  September 7,   2025                                                                       NEWSLETTER


Founded in 1996 

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Paulette Goddard, Mary Boland and Norma Shearer in "The Women" (1939)

        

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THIS WEEK
CASERTA:
AN IDEAL DAY TRIP FROM
ROME OR NAPLES

By John Mariani

NEW YORK CORNER
CHAMBERS

By John Mariani


HÔTEL ALLEMAGNE
CHAPTER  TWENTY-SIX

By John Mariani

NOTES FROM THE SPIRITS LOCKER
CLOUDY SKIES FOR BOURBON
By John Mariani



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CASERTA:
AN IDEAL DAY TRIP FROM
ROME OR NAPLES

By John Mariani

 

         There is one spectacular reason to visit Caserta in the Italian province of Campania as an easy day trip from Rome (125 miles) or Naples (25 miles).  You can’t miss it: It is the Royal Palace,  and it’s the  largest complex erected during the 18th century. Built for the kings of the House of Bourbon, since 1997 it has been a UNESCO World Heritage Site deemed “the swan song of the spectacular art of the Baroque.” It has been the site of several movies, including Star Wars: Episodes I and II, Mission: Impossible III, Angels & Demons and Conclave (below).

         Charles VII of Naples began its construction in 1752 with architect Luigi Vanvitelli, but seven years later Charles left Italy to become King of Spain, leaving his third son, Ferdinand IV, to see the building’s finish.

         The Palace itself is astounding in its size, with 1,200 rooms taking up 1,490,000 square feet, 1,742 windows, 34 staircases––one with 115 steps––and 1,026 fireplaces. It  served as living quarters, university, military command, barracks and government offices whose massive construction required moving pretty much the whole population of Caserta Vecchia outside the city to work on the project.

         In the 20th century it was used as headquarters for the Italian Air Force, then in 1943 as Allied Force Headquarters, where the final surrender of German and Italian forces was signed in 1945.

         Visiting the Palace is an hours’ long trek through an astonishment of grand salons, but the unique aspect of the whole production is the park spread over 300 acres, inspired by the gardens of Versailles. When you exit the rear of the Palace you find a sloping, man-made hillside flanked by fountains leading to the vast English Garden, a place of remarkable peace and quiet, manifesting scores of trees, plants and sculptured fountains––a welcome respite after the overpowering grandeur of the Palace itself.

         There really isn’t any reason to drive into the city of Caserta itself, whose entry roads are grim and industrial and whose center holds nothing architectural or otherwise to draw the eye or intellect. Nor are there any outstanding restaurants in town. Outside of town, however, I found a delightful, very good, inexpensive seafood restaurant named Antica Locanda (Viella Barbera 7/9; 39-0823-305444), opened by Chef Giovanni Maietta in 2010 on a nondescript piazza near San Leucio. Inside it had a modest charm, only a few tables in two rooms and outside, simple wood chairs, tablecloths and an inscribed photo of Marilyn Monroe.

         There is a good wine list of Campanian bottlings as well as by the carafe.

         The menu is based on the local fishing, with specials each day, and you can depend on Chef Maietta to coax you to what’s best, of which he boasts, “Every dish is a verse of poetry.”  Among the antipasti is a strüdel of baccalà (€12), three crudi of salmon, tuna and amberjack (€12) and a mix of seafood that contained octopus, calamari and arugula with olive oil
(€ 16).

         There are seven pastas and four risottos, including paccheri (left) with a peppery cream of broccoli di rape, crispy black Caserta pig pancetta (€12),  and the signature rigatoni Antica Locanda of sweet San Marzano tomatoes, buffalo mozzarella and basil (€10) that will make you remember what makes this simple dish so perfect in its balance of sweetness, minty, peppery, and creamy flavors.

         We followed with a fine fillet of the day’s catch cooked with Sorrento lemon and grilled spinach (€24) and finished with a baba cake with sliced seasonal fruits (€6).

         After our exhausting morning touring the Royal Palace and Gardens, up and down long staircases and in and out of the shady gardens, a meal of such fresh flavors at Antico Locanda was exactly what we needed, with a lovely carafe of white wine, before heading back to the rush of Rome.  





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NEW YORK CORNER


CHAMBERS

                                                                                     94 Chambers Street

                                                                                 212-580-3572

By John MARIANI

Interiors photos  by Kate Previte
Food and portrait photos by Alex Staniloff




 

    If Chambers in TriBeCa seems familiar to you upon walking in, the feeling may well be enhanced by seeing the faces of staff who were here when the place was Racines, a charming eno-centric French restaurant that had a good seven-year run.
    The dining room, too, hasn’t been much modified, retaining the old brick wall, the open kitchen and long bar, but now the seating is more open, lighting is better and the sound level remarkable in a downtown restaurant where a din is so often considered a boon. Instead, the owners have made every effort to use sound-absorbing materials, and they work splendidly.

It is just as comforting to find Pascaline Lepeltier (below) as sommelier/partner, as effusive but genteel an adviser as one could wish for, and she’s raised the bar of a once excellent wine list to a finer tone with more international breadth. Her wide experience, including training at George V in Paris, has put her in good stead with small wine estates, and the current list has 2,500 labels (up from 800 at Racine’s).

   For pricing, we are trying to stay as affordable as possible,” she told me, “with wines starting at $35 the bottle on the list, and $10  by the glass.  In every category the idea is to find great wines at fair price, with the majority of our wines below $100.”

It was also good to see Racines’s general manager/partner, Jared David, here in action, and he’s always on the floor, never intrusive but always informative. Still, although there can be good reasons why food does not come out of the kitchen in a timely manner, it was bewildering and frustrating to be served only one course in two hours, this on a midweek night when Chambers did not appear to be packed.

    What is new here is Jonathan Karis (right), who spent six years at Gramercy Tavern as chef de cuisine, and there is the same easy-going style to his cooking, if somewhat lighter.  His purveyors are largely listed on the menu.       

 

    Whatever else you do, you will devour the bread, called pizza bianca, a crispy, ciabatta-like puff with olive oil and sourdough slices. 

        As part of a summer menu, we enjoyed a first course of sweet mixed sungold, datterini and oxheart tomatoes with ripe peaches and plums dressed with a dashi vinaigrette, purslane, kohlrabi and scallions. Plump  agnolotti pasta was a spin on Mexican street corn, packed with white butter, corn, and mascarpone in  a sauce of corn stock, fragrant cilantro oil and chile oil finished with cotija and pickled pearl onions. An alternate pasta of tagliatelle needed nothing more than shelling beans and romano cheese to epitomize the season’s flavors.

Tender Rhode Island squid rings (right) came with sunchokes and Spanish gordal olives.  Black bass was well and simply accompanied by cucumber and shiso,

It was so good to find a favorite of mine––well prepared sweetbreads on this short menu, served with Tokyo turnips and garlic chives.

Red snapper came with summer squash and yogurt spiked with hot harissa.

   

   
A
ll these dishes manifested Karis’s light touch with big flavors based very convincingly on what’s freshest in the market at the moment.

An indication of heartier dishes to come this fall was a saddle of lamb, its succulent meat composed as a roulade in a heady reduction and served with Japanese eggplant and shishito peppers. But it was rather off-putting to find this showy dish cost $90––especially in a portion not conducive to sharing––which is $20 more than the three-course summer menu then in effect.

Desserts carry the same straightforward, honest goodness, as in fragile phyllo dough encasing mascarpone (below) with cinnamon caramel and lovely lemon pistachios. A Nutella-like dark chocolate comes with hazelnuts and coconut, while the simplest is the ginger ice cream with a pour of yellow  Chartreuse.

    The food at Chambers is an obvious expression of the chef’s own preferences, and his commitment to the finest ingredients he can source shows what a difference they make in taste and texture. Add to that a civilized ambience, well-priced wine list and you have one of New York’s best new restaurants at a time when so many chefs are straining to be flashy rather than impressive by refinement.

        

Open Tues.-Sat. for dinner.







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HÔTEL ALLEMAGNE
 
By  John Mariani






CHAPTER  TWENTY-SIX

    “Fashion Week c’est fini!” said Catherine on a phone call to Katie. “It got to be a real slog, and the Paris shows aren’t nearly as much fun as the ones in Milan.”
    “I wouldn’t know,” said Katie. “Maybe I’ll do an exposé on them. Blow the lid off the mysterious fashion industry!”
    “I’d love to help you with that one. It’s such a gossipy business. Everyone would tell stories about everyone else. So, what’s new with the hotel story?”
    Katie filled her in on most of the details and said she and David were just waiting to see if anything else happens with Bazarov.
    “Alan is not going to bankroll my being in Paris much longer unless something else breaks. I’m trying to speak with some of the emergency response people and the hotel staff members, if I can find them. They would add a lot of human interest and the real story of what it was like on that traumatic night.”
    “Is there any way you can get to Bazarov?” asked Catherine.
    “Short of bumping into him in an elevator and hitting the STOP button, probably not. Borel thinks he’s still in Paris because he has no reason to believe he’s a suspect. Yet. But I’m sure he will as soon as he reads the paper about the arrest of three suspects.”
    “Yeah, I’m going to try to do a spot on that. I’ll call Borel and try to get an interview with Yves. Make him look like a big hero.”
    “Yeah, he’s feeling much better about his performance that night now that he got a thumbs up from Borel.”

    Once the news of the arrest of Massot broke, Katie and David felt sure that Bazarov would bolt back to Russia on the first Aeroflot flight. Borel agreed with David that Bazarov would claim diplomatic immunity and insist on flying out of France as soon as possible. There would be security police at Charles DeGaulle to try to stop him, but asking Russian authorities for him to be extradited would take a long while and probably prove fruitless. But Borel had every intention of linking Bazarov to Charles Massot in as public a way as possible to cause embarrassment for the Russians. Just how deeply involved the ambassador was would have to be extracted from Massot first.

    David was feeling useless but content to pay his own way in Paris just following Katie around for her human interest  interviews. He knew that Katie only had a couple days left on Dobell’s dime, but if that happened, they could get back to what was left of their vacation. They still hadn’t even gotten to the Louvre or Versailles, and David was truly enjoying the meals in Paris.
    He knew that Borel’s hands were tied vis-à-vis Bazarov and that the Sûreté in Marseille, working for Interpol, was handling Marciano’s case. That left Saad Salah for Borel to work with, but the police kept all news about the young Syrian very quiet for the time being, giving only his name and nationality to the press.
    During the initial interrogation Salah had remained silent and was offered legal advice, but he delayed responding. Then, during the third interrogation—different interrogators were used in each session to keep him off guard, with Borel and David behind the one-way mirror wall—Salah was told he was looking at a lifetime behind bars if convicted of the crime, and the possession of a gun and his reaching for it when the police broke into his apartment were added factors; if he co-operated, that might be cut to as few as ten years, unless someone died. It then occurred to the Syrian that if he could make a deal right away, before anyone might die, he would be spared a life sentence; if someone did die, that chance was dashed. Salah then asked to see a lawyer, to be supplied by the court.
       With a lawyer involved, a deal was quickly worked out: If Salah admitted complicity and told the police everything he knew about those who engaged him in the crime, a deal might be offered. The lawyer had already spoken to the prosecutor as to what that might be. The charges of gun possession and usage would be dropped.
    In broken French, Salah told his story: He had once been part of the Syrian underground as a rebel against the Assad regime and had been arrested and tortured by its secret service, called the Mukhabarat. He showed the district attorney—called a procureur de la République—where his fingers had been broken by a hammer. After some discussion Salah was offered a simple deal: either Salah becomes an agent of the Mukhabarat or be beheaded. It wasn’t a difficult choice.
    Salah tried to give up as little information about his colleagues as possible—and there was a great deal he did not know—but it was enough to begin negotiations for a for a plea bargain.
    After training Salah had been given small assignments with little danger in them, and when he was posted to Paris they told him nothing at all of an assignment, just to wait until he heard something.  That something would be the hotel event. He would be met by someone who would give him the stolen virus, the HAZMAT suit and instructions on how to introduce the virus into the air duct. He was also to be made to look presentable enough to check into a luxury hotel like the Prince de Carignan, a haircut, a tidier beard, good clothes and shoes. (Hotel staff always looked at guests’ shoes.) He would arrive at the hotel in a hired town car, check in around six, plant the virus around nine and leave the hotel to return to his apartment in Montreuil. No arrangements had been made to extract him from France.
        Borel, from behind the glass, relayed questions to the a procureur to ask Salah. Those questions were overseen by his lawyer.
       “So, Monsieur Salah,” the procureur began, “you were given this virus container by someone here in Paris?”
         Salah nodded.
         “And was he Syrian or was he French?”
         “He was neither,” said Salah, looking at the tabletop.
         “Then what was he?”
          Salah looked up and said, “He was Russian, but he spoke French.”
         Borel and David looked at each other. Borel told the  procureur to have Salah describe the man. Salah said he was ar    ound fifty, a little stout, half bald, brown eyes and a double chin. He was describing Ilya Bazarov.
        “And did this Russian give you any money?”
        “No,” said Salah. “It was a job I was performing for the Mukhabarat and Saddad Hussein (below). I did not even know what the goal was. They were my orders and I followed them.”
        “Orders from the Mukhabarat?”
        “Yes, but I assumed it was a Russian operation, because of the man who gave me the virus.”
        “Do you know why?”
        Salah shook his head.
        “And the Mukhabarat never told you the reason you were ordered to do what they asked of you?”
        “Only that it would have an impact on the Saudis, whom Assad hates.”
        “And the Russians support Assad?”
        “Yes, absolutely.”
        The interrogation went on about details, and a discussion of a plea bargain would begin. Borel had told David the procureur would drop the gun charges and sentence him to ten years in prison, assuming further cooperation with the police.
        David and Katie had now heard what they needed to connect Bazarov to at least two of the hotel events. The next thing to do was to connect him to Marciano in Marseille.

 




©
John Mariani, 2024



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NOTES FROM THE SPIRITS LOCKER


SUNNY SKIES FOR BOURBON SHOW

CLOUDY SKIES ON THE HORIZON


By John Mariani



Bourbon Trail

 


         For the last two decades the soaring interest in American bourbon––is there any other kind?––began when the corn-based liquor was relatively cheap compared to Scotch and rum. And after Kentucky passed a 2013 law to make it easier for companies to purchase and resell vintage bottles, even if they were the same old booze in brand new bottles, new companies, many without actually owning a distillery,  marketed the rarity factor into a niche market.

         Bourbon sales from 2011 to 2020 outpaced all other spirits, with a seven percent increase. But there are some clouds on the horizon for bourbon makers, not least because the market’s been saturated with new labels claiming special aging in all sorts of used oak barrels––Sherry, Scotch, Port, Cognac––that makes their product worth $100 and more. (Ironically, I received a press release recently from an historic Cognac house promoting its new idea of aging its brandy in old bourbon  barrels!) Cult brands emerged, and suddenly there were bourbon collectors of small batch issues from producers like Michter’s and Pappy’ van Winkle, selling for thousands at auction.

But since it is now the case that the current generation is drinking less, all liquor producers are feeling a chill. Already bourbon sales have slowed to  2% between 2021-2024. Factor in President Trump's global tariffs and subsequent EU retaliation (though currently delayed) and Canada’s refusal to import US whiskies, and you’ve got a perfect storm building.

         But just to keep you cognizant of what’s new and interesting in Bourbon World, here are a number of bottlings issued just this year alone.

 

 

Jeptha Creed Red, White & Blue Kentucky Straight Bourbon Whiskey ($75). Made from a blend of red, white, and blue heirloom corn grown on Jeptha Creed’s Kentucky farm, aged for at least four years. A portion of proceeds goes to support veteran organizations like CreatiVets. Jeptha Creed also offers 6-Year Wheated Bourbon ($60), aged six years as a wheated bourbon with a mash bill of 75% estate-grown Bloody Butcher Corn, 20% Malted Wheat, and 5% Malted Barley. Its original  Straight Four-Grain Bourbon ($50) blends Bloody Butcher Corn, Malted Rye, Malted Wheat, and Malted Barley.

 


Chicken Cock Kentucky Straight Bourbon Whiskey  ($60)

The coy name of this bourbon actually dates back to 1856. Its St aright Bourbon weighs in at 90 proof, while its 100 Proof Chicken Cock Small Batch Whiskey ($70) comes from a blend of a smaller number of casks.

 

 

Old Elk Slow Cut Blended Straight Bourbon  ($40). Old Elk claims its  Slow Cut™ proofing process  takes up to 10 times longer than standard techniques, ending up at 88-proof. Its Infinity Blend ($150)  is part of the company’s Master Blend Series based on Master Distiller Greg Metze’s 40+ year experience. He selects aged whiskeys from 61% Old Elk Wheated Bourbon, aged 9 years; 15% 2023 Old Elk Infinity Blend of Straight Bourbon Whiskies; 12% Old Elk Straight Rye Whiskey, 7 years; and 12% Straight Wheat Whiskey, 10 years. Bottled at 115.15 Proof. Old Elk Cigar Cut™ Island Blend ($130) is a mix of island malts and Old Elk’s Signature High-Malt Bourbon, for a light smokiness meant to go with smoking cigars.



Green Code Straight Bourbon Whiskey
  ($50). This Kentucky straight bourbon comes in a recyclable paperboard bottle, not a bad idea for drinking outdoors.  




World Whiskey Society
 scouts the globe to create their whiskeys,  and, if you believe whiskey can be more eco-friendly, its latest release is Green Code Kentucky Straight Bourbon Whiskey ($50) in a pretty fully recyclable bottle (5% lighter than glass), boasting an 84% lower carbon footprint than traditional glass and five times lighter. 96 Proof.

 

 

 

Old Fitzgerald Bourbon is a long-time producer––since 1870–– now owned by Heaven Hill (which also owns Elijah Craig Bourbon, Larceny Bourbon, Evan Williams Bourbon and others).  Old Fitzgerald is known for its wheated mashbill and diamond decanters, and its new Bottled in Bond, which by law must be the product of one season, either January-June or July-December; stored at least four years in government bonded warehouse, be reduced in proof to exactly 100 using only pure water.

 

 

Papaw’s Kentucky Straight Bourbon Whiskey ($40). Founded by the Nethery family, the brand honors their patriarch, Roy "PaPaw" Nethery, “a Shelby County native, hardworking farmer, and lover of life's simple pleasures.”  It’s just been released (currently only in Florida) with a handsome new label, and it purports to be an honest, straightforward bourbon, aged four years,  at 86 proof.

 



















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MAMMA MIA!


Frida, a parent company, and OddFellows ice cream company  in New York, have released a breast milk-flavored ice cream pints nationwide.
















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 Any of John Mariani's books below may be ordered from amazon.com.



   The Hound in Heaven (21st Century Lion Books) is a  novella, and for anyone who loves dogs, Christmas, romance, inspiration, even the supernatural, I hope you'll find this to be a treasured  favorite. The  story concerns how, after a New England teacher, his wife and their two daughters adopt a stray puppy found in their barn in northern Maine, their lives seem full of promise. But when tragedy strikes, their wonderful dog Lazarus and the spirit of Christmas are the only things that may bring his master back from the edge of despair. 

WATCH THE VIDEO!

“What a huge surprise turn this story took! I was completely stunned! I truly enjoyed this book and its message.” – Actress Ali MacGraw

“He had me at Page One. The amount of heart, human insight, soul searching, and deft literary strength that John Mariani pours into this airtight novella is vertigo-inducing. Perhaps ‘wow’ would be the best comment.” – James Dalessandro, author of Bohemian Heart and 1906.


“John Mariani’s Hound in Heaven starts with a well-painted portrayal of an American family, along with the requisite dog. A surprise event flips the action of the novel and captures us for a voyage leading to a hopeful and heart-warming message. A page turning, one sitting read, it’s the perfect antidote for the winter and promotion of holiday celebration.” – Ann Pearlman, author of The Christmas Cookie Club and A Gift for my Sister.

“John Mariani’s concise, achingly beautiful novella pulls a literary rabbit out of a hat – a mash-up of the cosmic and the intimate, the tragic and the heart-warming – a Christmas tale for all ages, and all faiths. Read it to your children, read it to yourself… but read it. Early and often. Highly recommended.” – Jay Bonansinga, New York Times bestselling author of Pinkerton’s War, The Sinking of The Eastland, and The Walking Dead: The Road To Woodbury.

“Amazing things happen when you open your heart to an animal. The Hound in Heaven delivers a powerful story of healing that is forged in the spiritual relationship between a man and his best friend. The book brings a message of hope that can enrich our images of family, love, and loss.” – Dr. Barbara Royal, author of The Royal Treatment.




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The Encyclopedia of American Food and Drink by John F. Mariani (Bloomsbury USA, $35)

Modesty forbids me to praise my own new book, but let me proudly say that it is an extensive revision of the 4th edition that appeared more than a decade ago, before locavores, molecular cuisine, modernist cuisine, the Food Network and so much more, now included. Word origins have been completely updated, as have per capita consumption and production stats. Most important, for the first time since publication in the 1980s, the book includes more than 100 biographies of Americans who have changed the way we cook, eat and drink -- from Fannie Farmer and Julia Child to Robert Mondavi and Thomas Keller.


"This book is amazing! It has entries for everything from `abalone' to `zwieback,' plus more than 500 recipes for classic American dishes and drinks."--Devra First, The Boston Globe.

"Much needed in any kitchen library."--Bon Appetit.




Now in Paperback, too--How Italian Food Conquered the World (Palgrave Macmillan)  has won top prize  from the Gourmand World Cookbook Awards.  It is a rollicking history of the food culture of Italy and its ravenous embrace in the 21st century by the entire world. From ancient Rome to la dolce vita of post-war Italy, from Italian immigrant cooks to celebrity chefs, from pizzerias to high-class ristoranti, this chronicle of a culinary diaspora is as much about the world's changing tastes, prejudices,  and dietary fads as about our obsessions with culinary fashion and style.--John Mariani

"Eating Italian will never be the same after reading John Mariani's entertaining and savory gastronomical history of the cuisine of Italy and how it won over appetites worldwide. . . . This book is such a tasteful narrative that it will literally make you hungry for Italian food and arouse your appetite for gastronomical history."--Don Oldenburg, USA Today. 

"Italian restaurants--some good, some glitzy--far outnumber their French rivals.  Many of these establishments are zestfully described in How Italian Food Conquered the World, an entertaining and fact-filled chronicle by food-and-wine correspondent John F. Mariani."--Aram Bakshian Jr., Wall Street Journal.


"Mariani admirably dishes out the story of Italy’s remarkable global ascent to virtual culinary hegemony....Like a chef gladly divulging a cherished family recipe, Mariani’s book reveals the secret sauce about how Italy’s cuisine put gusto in gusto!"--David Lincoln Ross, thedailybeast.com

"Equal parts history, sociology, gastronomy, and just plain fun, How Italian Food Conquered the World tells the captivating and delicious story of the (let's face it) everybody's favorite cuisine with clarity, verve and more than one surprise."--Colman Andrews, editorial director of The Daily Meal.com.

"A fantastic and fascinating read, covering everything from the influence of Venice's spice trade to the impact of Italian immigrants in America and the evolution of alta cucina. This book will serve as a terrific resource to anyone interested in the real story of Italian food."--Mary Ann Esposito, host of PBS-TV's Ciao Italia.

"John Mariani has written the definitive history of how Italians won their way into our hearts, minds, and stomachs.  It's a story of pleasure over pomp and taste over technique."--Danny Meyer, owner of NYC restaurants Union Square Cafe,  The Modern, and Maialino.

                                                                             








              

MARIANI'S VIRTUAL GOURMET NEWSLETTER is published weekly.  Publisher: John Mariani. Editor: Walter Bagley. Contributing Writers: Christopher Mariani,  Misha Mariani, John A. Curtas, Gerry Dawes, Geoff Kalish. Contributing Photographer: Galina Dargery. Technical Advisor: Gerry McLoughlin.

 

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© copyright John Mariani 2025




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