MARIANI’S

 

Virtual Gourmet

November 30, 2025                                                                                                NEWSLETTER

 


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      Tim Daly, Mickey Rourke, Daniel Stern, Kevin Bacon,
Steve Guttenberg, Paul Reiser in "Diner" (1982)

    

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THIS WEEK
EATING AND DRINKING ON ST CROIX

By John Mariani

NEW YORK CORNER
THE VIEW

By John Mariani


HÔTEL ALLEMAGNE
CHAPTER  THIRTY-EIGHT

By John Mariani




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EATING AND DRINKING ON ST CROIX
By John Mariani

 

Alba's Bar & Restaurant

    For all its natural beauty and sunny climes in winter, St. Croix is not a gastronome’s destination. But, then, neither are most of the islands in the Caribbean, where the majority of food ingredients needs to be shipped in rather than raised or caught locally. The same goes for the absentee chefs, who are usually recruited from hotel chains elsewhere, like Dune by Jean-Georges Vongerichten at the Four Seasons on Paradise Island or Blue by Eric Ripert at the Ritz-Carlton in the Cayman Islands.

    The idea of finding a plethora of native cooks turning out local dishes from local ingredients is largely a myth, and the concierge at your hotel is unlikely to tell you where to find a modest place serving indigenous fare that he might actually eat in.

  

The Boardwalk in Christiansted


 I did find two such modest places on St. Croix, and they provided me with the best food and experience on the island. More on them later.

    Otherwise, over four days eating breakfast, lunch and dinner on St. Croix I found none of the restaurants I ate exemplified “Crucian” food, avoiding dishes like kallaloo, johnny cakes, mafi soup or “fish and fungi,” made of  fish with cornmeal and okra (pronounced “foon-jee”). Most menus are a mix of bar  and continental items like Buffalo chicken wings, burgers, French onion soup and filet mignon, perhaps a grilled Caribbean  snapper or wahoo––there is no seafood market on the island, though some fishermen bring in their catch to sell off their boats to the locals.

    My first meal was at Harbour Prime, next to the Hotel Christian on the boardwalk (right). It’s a big, pleasantly lighted place with open windows and wrought iron grating, ceiling fans, and wicker chandeliers, roomy booths and tables and an active bar that made a good daiquiri. No A/C. Its menu insists they buy fish from the local fishermen, although only one fish was listed on the menu. I ordered onion soup that was sour and saltier than sweet with onions, and fried whole snapper that was meaty but boney and very salty, sided with a mound of mashed potatoes/



    Savant (4C Hospital Street) had a pleasing intimacy, with café curtains, glass-topped tables and a small bar up front (left). It is also air-conditioned, which is not always a given in restaurants here. The staff is cordial enough but the lumbering manager, who was barely in evidence for most of the night, had the demeanor of a prison guard, when he was.

    The menu is called “eclectic,” which means anything from shrimp potstickers and chicken lollipops to a noodle bowl and various cuts of beef and pork, in addition to a Caribbean curry. None of it I tasted was out of the ordinary.

    There seems no reason why the Bombay Club (5A King Street, Christiansted; right) is called the Bombay Club, and I was hoping it might be an Indian restaurant. But, despite its rough stone walls and tile floor that evoked a Caribbean tavern from long ago, the menu was the usual mix of ribeyes and lobster, oast duck and grilled salmon, fettuccine with steak and parmesan cream. It does have some good conch fritters and crab chowder, but the specialty beef brisket had the texture of rope.

    I had higher hopes for Estera (39A Strand Street, Christiansted), with its rustic dining room and bar counter and a menu that shews Italian. I was buoyed by a starter of bruschetta lavished with goat’s cheese, tomatoes, basil and a counterpoint of balsamic vinegar (left), but the bucatini all’amatriciana tasted like little more than tomato concentrate and chile peppers. Gelato was okay. The wine list is in serious need of bolstering.

    Unimpressed by these established tourist restaurants, I was taken by a local guide to two local eateries that could not have been more enticing or savory.

    Despite its aristocratic moniker, La Reine Chicken Shack is indeed  a roadside shack outside of Christiansted. It is open-air and always crowded with people who come for the daily menu, which is composed entirely of Crucian dishes like stewed oxtail and goat, barbecued ribs, saltfish stew, wahoo and fungi, mashed cassava, breadfruit tostones and pork kallaloo. While I went to the bar to get two rum punches, my guide ordered all over the menu, and everything we had was rich in spices, moist and hearty. They make a point of letting you know that Martha Stewart ate here, which must have made Martha very happy.

    Over in Frederiksted I had a similar meal at a little place called Alba’s Bar & Restaurant (327 A King Street) was a complete delight: A small room with a small bar and a small patio outside, it is a downhome spot with wonderful island flavors in every dish. You go up to the kitchen window to see the day’s specials arrayed in a steam table. The menu sounds simplistic––pork chops, parrot fish, conch with butter sauce and so on––but does not hint at the myriad seasonings used, not least in the side dishes of yams, corn pudding and rich potato salad. The fish was impeccably grilled and serve with spicy rice, the chicken perfectly fried, the goat’s meat tender and suffused with flavors from the braising liquid.

  
 The people who run Alba’s couldn’t be friendlier to both local friends and visitors, which include many who get off the cruise liners lucky enough to be clued in about the place.

There are places like the Chicken Shack and Alba’s throughout the Caribbean, but you’ve got to ask the locals where they go and you will eat every bit as well.

 

 

 

 



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NEW YORK CORNER
THE VIEW

Marriott Marquis Hotel
1535 Broadway
212-704-8900




 

    There is much to defy the success of the new restaurant on the 47th and 48th  floors of the Marriott Marquis Hotel in Times Square, not least that the hotel itself has long been an intimidating behemoth where simply finding the entrance, exit and elevators can be daunting, and that Times Square, while no longer tawdry, has been taken over by hordes of tourists looking up at the fifty-foot LED screens advertising Broadway musicals and UniQlo  and Sephora ads.

    The hotel and restaurant opened in 1985 at a time when revolving restaurants were already falling out of favor  after becoming totems of the 1960s, the first being La Ronde in Honolulu’s Ala Moana shopping center back in 1961 and followed by imitators from Indianapolis to Houston, from Rochester to Detroit. Most closed after the novelty wore off, or, as happened in Atlanta and Dallas, they had serious accidents. The Marriott Marquis’s had a good run before limping to closure in 2021.

    Yet when approached about the prospect of getting the restaurant up and spinning again, Master restaurateur Danny Meyer––originally a kid from the Midwest who’s always had a streak of nostalgia to bolster his imagination––thought it a capital idea. He’d already had success downtown with non-revolving top-of-a-skyscraper Manhatta, so what could go wrong?
 (Photo by Dan Krieger)

 
   So far, nothing. Completely refurbished by architect David Rockwell, who’s done many of Meyer’s projects, the room’s mechanics had been in good shape and there was a wrap-around cocktail lounge to have fun with and a panorama that could match the Rainbow Room in the nearby Rockefeller Center.

    And so it revolves. . . slowly. . . about eight feet per minute, but the real excitement is zooming up in a very fast elevator to the 47th floor, which my two young granddaughters thought a match for any ride in Disneyworld. The dining room is dark, which does allow the lights of the city to pass as if on a carousel (I’d love to see it at twilight), though the recessed lights over the dinner tables go bright and dim for no discernible reason. It is shadowy, with arcade-like recesses and very comfortable booths, and the restaurant is loud (and the live pianist adds to the decibel level, if you’re seated nearby..

   



    The View’s menu is composed of what used to be called “continental cuisine,” an amalgam of American steaks and chops, Eastern oysters, shrimp cocktail and jumbo lump crabcake along with more international flavors like tuna carpaccio, lobster spaghetti alla chitarra, and fried artichokes––which  really is not much different from a modern day New York steakhouse menu.

    As ever, it’s really about the quality of ingredients and preparation, and the kitchen is not skimping on anything. So the shrimp cocktail is composed of big, fat critters, not too cold and very meaty. The crabcakes really do contain jumbo lump meat with a spicy remoulade, which, given the price of jumbo lump these days, is a bargain at $36. The steak tartare with black trumpet mushrooms and sunchoke chips delivers big flavors, as do the crisply fried artichokes with a garlicky aïoli. I’m a sucker for an iceberg lettuce salad with blue cheese, quail egg and lardons, but the massive wedge one night was not so much crunchy as tough.

    Meyer’s restaurants, from Union Square Café to Maialino and Marta, have competed among the city’s best Italian trattorias, proven at The View by the hearty lobster spaghetti alla chitarra with an arrabiata-style spicy sauce.

Impeccably grilled swordfish came with braised baby artichokes, roasted heirloom piquant cherry tomatoes.

    Prime rib au jus is always on the menu but in limited quantity, so order it as soon as you sit down just in case they run out. This mighty dish––once a Sunday dinner fixture when I was growing up––always  brings back  fond memories of when a great slab of steaming, medium-rare meat with its own ruby juices was an evergreen on menus, here served with an appropriate horseradish cream. 

    The kitchen is not likely to run out of the excellent bone-in ribeye, so feel freeto linger over that decision. You have a choice of sauces with the beef for another six bucks. Roast chicken is a ubiquitous dish in town and The View turns out a textbook example that stays very juicy with a crisp exterior.

    Such main courses just beg for a bowl of generously buttered mashed potatoes or golden French fries.

    The View goes All American with its desserts, not least in its towering devil’s food cake with  chocolate caramel ganache to gild the lily. There’s a scrumptious banana oat sundae, and Prosecco-poached pears with bellini sorbet, buttermilk mousse and vanilla streusel. And I am happy to pronounce the “Classic New York Cheesecake” is exactly that, served with vanilla schlag and raspberry sauce.

    The wine list is of a sensible size, pretty  much equal in selections from France, Italy and the U.S., and with a good number of wines under $80. It’s not a trophy list for the investment banker crowd, and kudos for that, and several bottles I checked against wine shop prices were only about a 100 percent mark-up, which is low in New York.

   Whether or not The View revolves––and after a turn or so the novelty wears off––it is an enchanting restaurant with food that competes handily with  Meyer’s Manhatta, the Tavern at Gramercy Park and Union Square Café, and it’s less expensive than the first two.

    Somehow I think Danny Meyer would have loved to open such a restaurant as The View in his hometown of St. Louis, Missouri, whose own view would be that of the grand Gateway Arch. And maybe someday he will, with open arms.

 

Open nightly for dinner.





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HÔTEL ALLEMAGNE
 
By  John Mariani






CHAPTER  THIRTY-EIGHT

Neither Katie nor David slept well that night, thinking over all they’d been through and what they’d heard from Judith Baer. The next morning, they re-booked their flights home, and Katie called both Catherine and Alan to tell them what had occurred. Catherine told her she’d probably have done the same thing and believed Baer would never have agreed to a video interview.
    Alan also agreed that his investigative reporter should protect her sources and not have called the police after the interview and was delighted that Katie had gotten such a scoop, one that could be followed up, one he’d even agree to send Katie to Israel for, if a great article came out of it.
    Meanwhile David called Borel, who was stunned by the news but said he would probably have had little success in keeping Baer off the plane the night before. He, too, felt that such an act by someone who had been a hero to Parisians would have been difficult to prosecute. Borel then checked and found out that Baer had, in fact, traveled on an Israeli passport and that now she was beyond apprehending.
    “We will make the usual requests for her return,” said the detective, “but there’s little chance of that happening.  I might have done what you did, mon ami. I’m not sure I would want to be the one to arrest Louise Jourdan. I will reserve the right, however, to try to follow the virus back to the Pasteur Institute. Then I can make the public announcement that there seems little likelihood there will be any further hotel attacks. The public needs that assurance at least.”   
    “Catherine can probably help you with that part of it. I’m sure she wants to be the first to report the story, even without Baer on camera.”
    Katie and David met with Catherine and Borel that day and shared all they knew thus far. By then Borel  had found that Baer had arrived in Tel Aviv, where she apparently kept an apartment. He would have colleagues in the Israeli police find out if she checked into a hospital there. He also found out from Baer’s colleagues at the Institute that, yes, she had been suffering for some time from lymphatic cancer and had made plans to go to Israel weeks before, telling them she would not be returning to Paris.
    There seemed nothing to celebrate about what had happened, so Catherine and her two American friends simply had a drink, not dinner, and said goodbye to one another.  The next day Katie and David took the ten AM flight out of Charles deGaulle.


         Once back at her office, Katie had long conversations with Alan Dobell as to how her story was to be crafted. Alan thought that there should be no question that Baer was in fact Louise Jourdan, despite her weak denial. Katie thought the truth should be left for the reader to make the final judgment.
         “In any case,” said Alan, “I think you should try to contact Baer, ask her how things are going and ask if you could fly to Tel Aviv for a further interview. See what she says now that she’s safe from French law. She may be more comfortable a few weeks from now.”
         But there was not to be a few weeks left to Judith Baer. Despite state-of-the-art treatment at the world-famous Tel-Aviv Sourasky Medical Center (left), the cancer raged through her. Ten days after arriving in Tel Aviv, Dr. Judith Baer was dead.
        
She had no relatives in Israel but colleagues who knew and had enormous respect for her work mourned her passing, and she was buried according to Jewish rituals. The rumors of her being Louise Jourdan, French hero, were mentioned with propriety in the local Israeli media, while the Paris newspapers generally wrote sympathetic accounts of her life and death, surveying her career as a leading infectious disease scientists, with ample quote from her colleagues. Catherine had been the first to report the story and garnered further praise from her CNN bosses.
         The Paris media did find that resurrecting the story of Louise Jourdan and Hôtel Allemagne allowed for two or more follow-up stories, along with more sensational histories of the Nazis brothel hotels—a topic most Parisians had little or no knowledge about—and articles that stoked again the debate on who and who did not act with honor during the war while Paris was occupied. Old stories about Coco Chanel (right), who survived the war and thrived, untainted by scandal, were published as memoirs from those who knew her. More  than one account quoted Chanel’s cryptic motto,
“I’ve done my best, in regard to people and to life, without precepts, but with a taste for justice.”
        Chanel died in 1971, but her fashion house never ceased functioning under other designers.

         In New York, Katie assembled all the French material and followed up on all aspects of what was, basically, a crime story with a very unlikely hero. She interviewed dozens of hotel personnel, guests who had come out of the hospital and were willing to speak, Baer’s  colleagues at the Institute, as well as infectious disease specialists in New York research hospitals.
         Her research revealed that after the liberation of Dachau, Louise Jourdan would eventually find her way back to Paris,  but, owing to the prospect of being accused of being a collaborator, she changed her name, taking Judith Baer—the first name perhaps to honor the Old Testament heroine who beheaded the Israelites’ enemy general Holofernes. She was only seventeen and managed to return to school, then to study medicine, becoming an esteemed research scientist in her field. She never married. Everything related to Louise Jourdan was rumor or hearsay, while Judith Baer went on to devote her life to wiping out viruses.

         When Katie’s article appeared in McClure’s several months later under the title “The Hôtel Allemagne: The Story of a World War II Parisian Heroine and the Pandemic of 2002,” she did not attempt to prove conclusively that Judith Baer was Louise Jourdan, though the reader would have little doubt about its probability. The last line of the article was somber yet hopeful: “Judith Baer died of her cancer on May 9, 2001, but the spirit of Louise Jourdan has been brought back to life in the minds of the good people of Paris.”    






©
John Mariani, 2024



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 TERRIFIC PLACE FOR A FIRST DATE


"This dark, moody restaurant doesn’t feel dangerous, exactly, but it wouldn’t be a surprise if someone in the back dining room were up to no good. The only thing missing is a haze of tobacco smoke in the air, but drink enough sherry and things will get blurry soon enough."––"25 Best New Restaurants in NYC," New York Magazine. 



















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 Any of John Mariani's books below may be ordered from amazon.com.



   The Hound in Heaven (21st Century Lion Books) is a  novella, and for anyone who loves dogs, Christmas, romance, inspiration, even the supernatural, I hope you'll find this to be a treasured  favorite. The  story concerns how, after a New England teacher, his wife and their two daughters adopt a stray puppy found in their barn in northern Maine, their lives seem full of promise. But when tragedy strikes, their wonderful dog Lazarus and the spirit of Christmas are the only things that may bring his master back from the edge of despair. 

WATCH THE VIDEO!

“What a huge surprise turn this story took! I was completely stunned! I truly enjoyed this book and its message.” – Actress Ali MacGraw

“He had me at Page One. The amount of heart, human insight, soul searching, and deft literary strength that John Mariani pours into this airtight novella is vertigo-inducing. Perhaps ‘wow’ would be the best comment.” – James Dalessandro, author of Bohemian Heart and 1906.


“John Mariani’s Hound in Heaven starts with a well-painted portrayal of an American family, along with the requisite dog. A surprise event flips the action of the novel and captures us for a voyage leading to a hopeful and heart-warming message. A page turning, one sitting read, it’s the perfect antidote for the winter and promotion of holiday celebration.” – Ann Pearlman, author of The Christmas Cookie Club and A Gift for my Sister.

“John Mariani’s concise, achingly beautiful novella pulls a literary rabbit out of a hat – a mash-up of the cosmic and the intimate, the tragic and the heart-warming – a Christmas tale for all ages, and all faiths. Read it to your children, read it to yourself… but read it. Early and often. Highly recommended.” – Jay Bonansinga, New York Times bestselling author of Pinkerton’s War, The Sinking of The Eastland, and The Walking Dead: The Road To Woodbury.

“Amazing things happen when you open your heart to an animal. The Hound in Heaven delivers a powerful story of healing that is forged in the spiritual relationship between a man and his best friend. The book brings a message of hope that can enrich our images of family, love, and loss.” – Dr. Barbara Royal, author of The Royal Treatment.




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The Encyclopedia of American Food and Drink by John F. Mariani (Bloomsbury USA, $35)

Modesty forbids me to praise my own new book, but let me proudly say that it is an extensive revision of the 4th edition that appeared more than a decade ago, before locavores, molecular cuisine, modernist cuisine, the Food Network and so much more, now included. Word origins have been completely updated, as have per capita consumption and production stats. Most important, for the first time since publication in the 1980s, the book includes more than 100 biographies of Americans who have changed the way we cook, eat and drink -- from Fannie Farmer and Julia Child to Robert Mondavi and Thomas Keller.


"This book is amazing! It has entries for everything from `abalone' to `zwieback,' plus more than 500 recipes for classic American dishes and drinks."--Devra First, The Boston Globe.

"Much needed in any kitchen library."--Bon Appetit.




Now in Paperback, too--How Italian Food Conquered the World (Palgrave Macmillan)  has won top prize  from the Gourmand World Cookbook Awards.  It is a rollicking history of the food culture of Italy and its ravenous embrace in the 21st century by the entire world. From ancient Rome to la dolce vita of post-war Italy, from Italian immigrant cooks to celebrity chefs, from pizzerias to high-class ristoranti, this chronicle of a culinary diaspora is as much about the world's changing tastes, prejudices,  and dietary fads as about our obsessions with culinary fashion and style.--John Mariani

"Eating Italian will never be the same after reading John Mariani's entertaining and savory gastronomical history of the cuisine of Italy and how it won over appetites worldwide. . . . This book is such a tasteful narrative that it will literally make you hungry for Italian food and arouse your appetite for gastronomical history."--Don Oldenburg, USA Today. 

"Italian restaurants--some good, some glitzy--far outnumber their French rivals.  Many of these establishments are zestfully described in How Italian Food Conquered the World, an entertaining and fact-filled chronicle by food-and-wine correspondent John F. Mariani."--Aram Bakshian Jr., Wall Street Journal.


"Mariani admirably dishes out the story of Italy’s remarkable global ascent to virtual culinary hegemony....Like a chef gladly divulging a cherished family recipe, Mariani’s book reveals the secret sauce about how Italy’s cuisine put gusto in gusto!"--David Lincoln Ross, thedailybeast.com

"Equal parts history, sociology, gastronomy, and just plain fun, How Italian Food Conquered the World tells the captivating and delicious story of the (let's face it) everybody's favorite cuisine with clarity, verve and more than one surprise."--Colman Andrews, editorial director of The Daily Meal.com.

"A fantastic and fascinating read, covering everything from the influence of Venice's spice trade to the impact of Italian immigrants in America and the evolution of alta cucina. This book will serve as a terrific resource to anyone interested in the real story of Italian food."--Mary Ann Esposito, host of PBS-TV's Ciao Italia.

"John Mariani has written the definitive history of how Italians won their way into our hearts, minds, and stomachs.  It's a story of pleasure over pomp and taste over technique."--Danny Meyer, owner of NYC restaurants Union Square Cafe,  The Modern, and Maialino.

                                                                             








              

MARIANI'S VIRTUAL GOURMET NEWSLETTER is published weekly.  Publisher: John Mariani. Editor: Walter Bagley. Contributing Writers: Christopher Mariani,  Misha Mariani, John A. Curtas, Gerry Dawes, Geoff Kalish. Contributing Photographer: Galina Dargery. Technical Advisor: Gerry McLoughlin.

 

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