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MARIANI’S Virtual
Gourmet MAY 17,
2026
NEWSLETTER Founded in 1996 ![]() ARCHIVE Lesley Manville, Daniel Day-Lewis and Vicky Krieps in "Phantom Thread" (2017)
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THE EMPEROR OF PORTUGAL'S RESTAURANTS By John Mariani NEW YORK CORNER IL GUSTO By John Mariani THE BISON CHAPTER TWENTY-TWO By John Mariani NOTES FROM THE WINE CELLAR NEW ITALIAN AND PORTUGUESE WINES IN THE MARKET By John Mariani ❖❖❖
THE EMPEROR OF PORTUGAL'S 35 RESTAURANTS: An Interview with Olivier da Costa By John Mariani ![]()
Up until the turn of
this century Portugal’s gastronomy was
highly traditional and lacked the economy to
produce a progressive cuisine. But since
then, not only has Portugal’s wine industry
produced superb results and diversification
outside of Porto, but tourism has made it
possible to expand the contours of its food
culture. One of the those in the vanguard
for the past fifty years is Lisbon-born
chef/restaurateur Olivier da Costa, whose
company Costa now runs 35 restaurants both
in and outside the country.
He first learned from his chef father,
then studied at Lycée Français de Lisboa and
the Escola Superior de Hotelaria e Turismo do
Estoril, going on to work at Ritz Four Seasons
Hotel, where began to see a much brighter
future for his country’s cuisine. In 1996, he
opened his first contemporary restaurant,
Olimpio, introducing the famous picanha grilled
meats the Olivier Group has expanded to
Olivier Restaurante in Bairro Alto in 2000.
Today he has launched restaurants in Lisbon,
Porto, Cascais, Algarve, São Paulo, Paris,
Nice, Rome, London and Bangkok.
Few are similar to another, with
concepts going by the names
Guilty, Yakuza, K.O.B., SEEN, XXL
and the Clássico Beach Bar,
ÀCosta and the Real
Pérola. In March, while, visiting
Portugal, I was able to dine and interview
Costa and his marketing manager Joel Pires to
assess the food scene in Portugal and how they
create so many new concepts in so many
countries. ![]() You
opened
your first restaurant in Lisbon at the young
age of 21. Were you well prepared for such a
venture at that age?
It
was certainly daunting, but at that age you
don’t overthink things, which can actually
help. I grew up in restaurants with my father
being the first chef in Portugal to win a
Michelin Star, so it felt natural to me, but I
was still learning every day. I had instinct,
energy and a strong work ethic from my family.
The rest came through experience, mistakes and
just being very hands on from the beginning.
Even now, decades later, I’m still
learning. What was Lisbon’s restaurant scene like in the 1990s?\
It was much simpler and
more traditional than it is today. There was
great food, but not a lot of variety,
experimentation or unique experiences. People
were not traveling as much, so there was less
exposure to different cuisines and concepts.
It was a good foundation, but there was a lot
of space to evolve, build on our traditions
and create something new. And that’s exactly
what we’ve done. In the early days, it
was about introducing ideas that people in
Lisbon had not really been exposed to yet. At
the time, the market was quite traditional, so
even small changes felt significant. There was real curiosity
around these ideas. People were excited to
have more global food and experiences
available in Lisbon, even if there were
initial questions around unfamiliar dishes and
pricing. It still took time for habits to
evolve and for people to fully embrace
something different. But over time, as people
traveled more and became more open to new
experiences, those concepts started to
resonate. That evolution helped shape not only
my restaurants, but also the broader
restaurant scene in Lisbon. One
of
your signatures is the picanha.
How did that develop? It
came from the idea of taking something
familiar and elevating it. Picanha is
a cut of beef from the top of the rump, very
popular in Brazil and Portugal, known for its
rich flavor and the layer of fat that keeps it
tender when grilled. It was already very well
loved, but I wanted to make it more refined
and a bit unexpected. By working with higher
quality beef and adding elements like
truffles, we created something that still
feels approachable but also special. That
balance is always important to me. Currently,
picanha is available at three of our
restaurants, including XXL, KOB, SEEN. We will
continue to add picanha to our menus where it
aligns with the concepts. Joel,
how
much do your Lisbon restaurants depend upon
American tourists? Has there been an
increase?
American
visitors are an important part of the mix,
especially in central locations and
destination restaurants. There has definitely
been an increase over the past few years as
Lisbon has grown internationally both with
American expats and an increase in visitors
seasonally. That said, the business is still
built to work year round with a strong local
base. Our goal is to always appeal to both
audiences and with our robust offerings we
have been very successful
fortunately. For us, the same principle
applies outside of Portugal. In every market,
we build for a strong local base first and see
tourism as additive, not foundational. That
local loyalty is what gives each restaurant
consistency and staying power, regardless of
where guests are coming from. Olivier,
When
did you decide to expand internationally and
what did you bring to markets like Rome,
Paris, Bangkok and London? It
was a natural next step, once the concepts
were working well in Portugal. I did not want
to just replicate restaurants in other cities.
The idea was always to bring the spirit of
what we do, the energy, the atmosphere, the
way we combine food and experience, and then
adapt it to each market. Every city is
different, so you have to respect that. In
cities like Rome, Paris and London, the goal
was not to reinvent what already exists but to
bring a different energy that combined our
strong culinary foundations with atmosphere,
design and a more experiential approach to
dining. These are very established, classic
restaurant cities, so it’s about adding a new
layer rather than competing with tradition. At
the same time, there’s been a growing
international interest in Portuguese
gastronomy, which creates an opportunity to
introduce those influences in a way that feels
modern and relevant. Bangkok was a different
opportunity and marked our expansion into
Asia. We were approached by Minor Hotels to
bring SEEN to Avani+ Riverside Bangkok Hotel.
It was about translating our rooftop concept
into that market while keeping the identity,
but adapting the experience to fit the city’s
pace, audience, and setting. Joel,
how
have you obtained financing to open so many
high-end restaurants so quickly? It
has been a mix of reinvesting in the business
and working with trusted partners. Over time,
as the concepts proved successful, it became
easier to attract the right people to invest
alongside us. The focus has always been on
building something sustainable, not just
opening for the sake of growth. In most cases,
it’s a mix of bank financing alongside private
investors, strategic partners, and hospitality
groups, particularly hotels where restaurants
are a key part of the overall guest
experience.
Travel
has always inspired me. When I experienced
Japanese cuisine abroad, I was drawn to the
precision, the respect for ingredients, and
the presentation. At the same time, Lisbon did
not have many options like that, despite
having some of the freshest and best fish in
the world. I wanted to bring something fresh,
but adapt it to the local market so it felt
natural and enjoyable for people here, not
forced. We opened Yakuza by Olivier in Lisbon
in 2011 which has pioneered Lisbon’s love
affair with East-meets-West dining, and it’s
been a
real crowd pleaser for both tourists and
locals. Joel,
how
much do your Lisbon restaurants depend upon
American tourists? Has there been an
increase? American
visitors are an important part of the mix,
especially in central locations and
destination restaurants. There has definitely
been an increase over the past few years as
Lisbon has grown internationally both with
American expats and an increase in visitors
seasonally. That said, the business is still
built to work year round with a strong local
base. Our goal is to always appeal to both
audiences and with our robust offerings we
have been very successful fortunately. SEEN
(below)
is a kind of big, loud nightclub restaurant.
What about SEEN makes it a successful
concept outside of Portugal?
Joel,
how
are the crises in Europe and the economy
affecting Costa’s plans? Have you suspended
work on any current projects? Of
course, the broader economic situation is
always something we watch closely. It makes
you more disciplined and careful with timing
and investment. That said, the group continues
to move forward, but with a focus on strong
concepts and the right locations rather than
expanding too quickly. We have a number of new
concepts coming to Portugal and beyond in
destinations such as Brazil later this year -
watch this space! Olivier,
is
there a point at which you think you should
pull back and focus more on your existing
restaurants? You
always have to find that balance. Growth is
important, but consistency is what builds long
term success. For me, it is not about the
number of restaurants, it is about making sure
each one delivers an unexpected experience
while making people happy.
❖❖❖ NEW YORK CORNER
IL GUSTO 97 Lake Avenue
Tuckahoe NY 914-770-7944 By John Mariani ![]()
About a year ago I did a round-up of the
restaurants in my hometown of Tuckahoe, NY, a
‘burb 30 minutes from Manhattan, spotlighting
fine places like ODO, Zero Otto Nove, Sushi
Ume, Burrito Poblano and others that make this
small village with less than 6,000 inhabitants
a delightful location to dine out.
They wisely kept many of
the dishes fans of Angelina’s favored, but they
have added all their own, especially weekly
specials based on what’s seasonal in the market,
like stuffed zucchini blossoms and softshell
crabs with lemon and capers.
Gjonbalaj (to the right in the photo) has
been in the business since 1991 in New York,
working through every position from the kitchen
to the front of house and eventually becoming a
partner in
the Chelsea Group. Now, he and longtime
colleague Gashi are showing the kind of
hospitality and generosity in the service of
food that goes beyond portion size. Just about
everything
can be served family style at
Special one night was a hearty rigatoni
cooked in a casserole with melted, browned
mozzarella on top––all the pastas may be
shared–– and spaghetti alla Nerano was
an excellent mélange of Monograna pasta with
fried zucchini chips with a sharp provolone
cream. The amatriciana sauce with guanciale,
Calabrian peppers and onions graced fettuccine;
so, too, the carbonara was a
well-rendered mélange of toasted black pepper
and guanciale and a rich dose of
creamed pecorino.
The entrees follow the usual Italian
menu, and the simpler dishes are the better
ones, including a fine filet of sole meunière
with a benediction of capers and butter. I would
have liked more garlic and some sausage with the
chicken alla scarpariello, but I was
happy to see it came cooked on the bone. Veal alla
valdostana has been a dish once seen on a
lot of Italian-American menus as breaded veal
stuffed with prosciutto and fontina cheese
(which comes from Valdostana) with a mushroom
and Marsala sauce, but the meat came to the
table dry.
As noted, Il Gusto has a pizzeria up
front and you can have them in the dining room.
Il Gusto’s wine list is only about two
pages long, but one page lists a good number of
Italian bottles, including a very fine
Barbaresco, for under $100. So I
may be a few months late in getting to dine at
Il Gusto, but I welcome it to a neighborhood
where the competition in Italian food demands a
special showing for a newcomer. ❖❖❖
THE BISON By John Mariani ![]()
Donald Trump, Melania Knauss,
Jeffrey Epstein and Ghislaine
Maxwell
CHAPTER TWENTY-THREE
David
arrived back in New York the next day and
met Katie at her apartment before heading
home. Over a pizza she’d ordered from
Mario’s and bottles of Moretti beer, they
compared notes in order to proceed with
what had become a definite crime story,
one involving some of the most powerful
men in the country and even abroad. By 2000 Donald Trump
had had a checkered career as a developer,
mainly in New York, where he owned a few
buildings and managed
others with his name on them. And even
though he claimed to be New York’s biggest
developer—“Nobody else is even close,” he
boasted—he was never considered to be in a
league with more dominant competitors like
Rudin and LeFrak.
Trump had gone bankrupt several times
in the 1990s, including his three Atlantic
City casinos; he was refused a casino
license in Las Vegas; Trump Tower at 721
Fifth Avenue had never filled up with
residential or commercial tenants.
He had acquired the Mar-a-Lago estate in
Palm Beach in 1985 and ten years later
converted it into a private club resort,
while still retaining a wing as one of his
residences. It was there he met and
entertained Jeffrey Epstein.
"I’m working on a story
about Jeffrey Epstein, whom I hear you know
quite well?”
❖❖❖ NOTES FROM
THE WINE CELLAR
FINE NEW WINES FROM OLD LANDS OF ITALY AND PORTUGAL COME INTO THE MARKET By John Mariani ![]()
The
Demuro family founded its vineyards in 2001 in northeastern
Sardinia’s Gallura region make Vigna Surrao, where the
soil is rich in granite,
quartz and feldspar that give its 2024
Vigne
Surrau “Naracu” Cannonau di Sardegna ($20) its
excellent minerality and gets its name “Naracu” from
the dialectal word nuraghi, the iconic
stone structures sculpted in pre-history from the
region’s granite.
Its 2023
Vigne Surrau “Surrau” Rosso Isola dei Nuraghi ($30)
is made from grapes Carignano, Cannonau, and Bovale
Sardo, a local variety that gives the wine its deep
color and aromatics. It has good tannins as well,
which makes it a fine wine for summer’s grilling, but
it can age well, too.. The Marche
region of Italy, east of Rome, has the Apennine
Mountains, the Monti Sibillini winds and the
Adriatic Sea to convey its terroir, and its
wines are only now becoming known outside the
province. Garofoli dates back to 1871 when Antonio
Garofoli started producing wine for the local
pilgrims who came to the famous church of Loreto;
then, in 1901, Antonio’s son, Gioacchino, founded
the Garofoli commercials winery; his sons Franco and
Dante managed the estate after World War II, now led
by the fifth generation, Gianluca Garofoli. The
vineyards are contained within the zones of
Montecarotto (Jesi area), Paterno and Piancarda (Mt.
Conero area) and Castelfidardo. It is now
making some of the more impressive Verdicchio
wines––a varietal of little distinction in lesser
hands––especially its the 2025 “Macrina”
Verdicchio dei Castelli di Jesi Classico Superiore
($20) made with grapes harvested earlier than
average, providing true freshness and a nice acidity
that goes well with all seafood.
Their 2025 “Aelya” Verdicchio di Matelica
($21) is their newest, made with
a wine-grower situated in the Esino river valley of
the Appenines. They say the wine has a “new
Personality” for
Verdicchio that befits its Roman name for
sunshine that gives the wine warmth and femininity.
Their 2023 “Piancarda Blu” Rosso Conero
($21) is a single vineyard Rosso Conero made
from 100% Montepulciano from vineyards within the
Natural
Park of Mountain Conero,
known for its chalky and limestone-rich soils and
saline influence of the Adriatic. It’s a well-priced
red and goes with veal, chicken and pork.
❖❖❖ A MISSION
TO CIVILIZE
![]()
The French city of Lyon now have a new restaurant
gastronomique catering exclusively for
dogs, called ❖❖❖❖❖❖
MARIANI'S VIRTUAL GOURMET
NEWSLETTER is published weekly. Publisher: John Mariani. Editor: Walter Bagley. Contributing Writers: Christopher
Mariani, Misha Mariani, John A. Curtas, Gerry Dawes, Geoff Kalish.
Contributing
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Advisor: Gerry
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