MARIANI’S

 

Virtual Gourmet

MAY 17, 2026                                                                                                           NEWSLETTER


Founded in 1996 


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Lesley Manville, Daniel Day-Lewis and Vicky Krieps in "Phantom Thread" (2017)

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THE EMPEROR OF PORTUGAL'S RESTAURANTS
By John Mariani


NEW YORK CORNER
IL GUSTO

By John Mariani


THE BISON
CHAPTER  TWENTY-TWO

By John Mariani

NOTES FROM THE WINE CELLAR
NEW ITALIAN AND PORTUGUESE
WINES IN THE MARKET

By John Mariani



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THE EMPEROR OF PORTUGAL'S
35 RESTAURANTS:
An Interview with Olivier da Costa
By John Mariani



                                                    MIMI Omakase Room, Lisbon, Portugal

 

       Up until the turn of this century Portugal’s gastronomy was highly traditional and lacked the economy to produce a progressive cuisine. But since then, not only has Portugal’s wine industry produced superb results and diversification outside of Porto, but tourism has made it possible to expand the contours of its food culture. One of the those in the vanguard for the past fifty years is Lisbon-born chef/restaurateur Olivier da Costa, whose company Costa now runs 35 restaurants both in and outside the country.

       He first learned from his chef father, then studied at Lycée Français de Lisboa and the Escola Superior de Hotelaria e Turismo do Estoril, going on to work at Ritz Four Seasons Hotel, where began to see a much brighter future for his country’s cuisine. In 1996, he opened his first contemporary restaurant, Olimpio, introducing the famous picanha  grilled meats the Olivier Group has expanded to Olivier Restaurante in Bairro Alto in 2000. Today he has launched restaurants in Lisbon, Porto, Cascais, Algarve, São Paulo, Paris, Nice, Rome, London and Bangkok.

         Few are similar to another, with concepts going by the names Guilty, Yakuza, K.O.B., SEEN, XXL and the Clássico Beach Bar,  ÀCosta and the Real Pérola. In March, while, visiting Portugal, I was able to dine and interview Costa and his marketing manager Joel Pires to assess the food scene in Portugal and how they create so many new concepts in so many countries.

 


You opened your first restaurant in Lisbon at the young age of 21. Were you well prepared for such a venture at that age?


It was certainly daunting, but at that age you don’t overthink things, which can actually help. I grew up in restaurants with my father being the first chef in Portugal to win a Michelin Star, so it felt natural to me, but I was still learning every day. I had instinct, energy and a strong work ethic from my family. The rest came through experience, mistakes and just being very hands on from the beginning. Even now, decades later, I’m still learning. 

 

What was Lisbon’s restaurant scene like in the 1990s?\


It was much simpler and more traditional than it is today. There was great food, but not a lot of variety, experimentation or unique experiences. People were not traveling as much, so there was less exposure to different cuisines and concepts. It was a good foundation, but there was a lot of space to evolve, build on our traditions and create something new. And that’s exactly what we’ve done.  In the early days, it was about introducing ideas that people in Lisbon had not really been exposed to yet. At the time, the market was quite traditional, so even small changes felt significant.
    I started by bringing in ingredients and techniques that were already well known internationally, like foie gras and dry-aged meats not common in Portugal then, and people did not always understand why they should pay more for something unfamiliar. It took some education and time for that to be accepted. Additionally, I focused on new concepts and experiences: I opened one of the first large-scale Japanese restaurants in Portugal and helped bring Japanese cuisine to the market in a more serious way. There were very few sushi restaurants locally and omakase didn’t exist in the city, so it was about introducing something new while making it accessible.
    I was also interested in changing the overall experience––concepts that combined dining with nightlife, rooftop restaurants with a full food offering, or hotel restaurants that could stand on their own and attract a local audience, not just tourists, were not typical at the time.

There was real curiosity around these ideas. People were excited to have more global food and experiences available in Lisbon, even if there were initial questions around unfamiliar dishes and pricing. It still took time for habits to evolve and for people to fully embrace something different.

But over time, as people traveled more and became more open to new experiences, those concepts started to resonate. That evolution helped shape not only my restaurants, but also the broader restaurant scene in Lisbon.

 

One of your signatures is the picanha. How did that develop?

 

It came from the idea of taking something familiar and elevating it. Picanha is a cut of beef from the top of the rump, very popular in Brazil and Portugal, known for its rich flavor and the layer of fat that keeps it tender when grilled. It was already very well loved, but I wanted to make it more refined and a bit unexpected. By working with higher quality beef and adding elements like truffles, we created something that still feels approachable but also special. That balance is always important to me. Currently, picanha is available at three of our restaurants, including XXL, KOB, SEEN. We will continue to add picanha to our menus where it aligns with the concepts. 

 

Joel, how much do your Lisbon restaurants depend upon American tourists? Has there been an increase?

 

American visitors are an important part of the mix, especially in central locations and destination restaurants. There has definitely been an increase over the past few years as Lisbon has grown internationally both with American expats and an increase in visitors seasonally. That said, the business is still built to work year round with a strong local base. Our goal is to always appeal to both audiences and with our robust offerings we have been very successful fortunately. For us, the same principle applies outside of Portugal. In every market, we build for a strong local base first and see tourism as additive, not foundational. That local loyalty is what gives each restaurant consistency and staying power, regardless of where guests are coming from.

 

Olivier, When did you decide to expand internationally and what did you bring to markets like Rome, Paris, Bangkok and London?

 

It was a natural next step, once the concepts were working well in Portugal. I did not want to just replicate restaurants in other cities. The idea was always to bring the spirit of what we do, the energy, the atmosphere, the way we combine food and experience, and then adapt it to each market. Every city is different, so you have to respect that. In cities like Rome, Paris and London, the goal was not to reinvent what already exists but to bring a different energy that combined our strong culinary foundations with atmosphere, design and a more experiential approach to dining. These are very established, classic restaurant cities, so it’s about adding a new layer rather than competing with tradition. At the same time, there’s been a growing international interest in Portuguese gastronomy, which creates an opportunity to introduce those influences in a way that feels modern and relevant.

Bangkok was a different opportunity and marked our expansion into Asia. We were approached by Minor Hotels to bring SEEN to Avani+ Riverside Bangkok Hotel. It was about translating our rooftop concept into that market while keeping the identity, but adapting the experience to fit the city’s pace, audience, and setting.

 

Joel, how have you obtained financing to open so many high-end restaurants so quickly?

 

It has been a mix of reinvesting in the business and working with trusted partners. Over time, as the concepts proved successful, it became easier to attract the right people to invest alongside us. The focus has always been on building something sustainable, not just opening for the sake of growth. In most cases, it’s a mix of bank financing alongside private investors, strategic partners, and hospitality groups, particularly hotels where restaurants are a key part of the overall guest experience. 


Olivier, you have introduced a good deal of Japanese cuisine in your restaurants. Why?

 

Travel has always inspired me. When I experienced Japanese cuisine abroad, I was drawn to the precision, the respect for ingredients, and the presentation. At the same time, Lisbon did not have many options like that, despite having some of the freshest and best fish in the world. I wanted to bring something fresh, but adapt it to the local market so it felt natural and enjoyable for people here, not forced. We opened Yakuza by Olivier in Lisbon in 2011 which has pioneered Lisbon’s love affair with East-meets-West dining, and it’s been  a real crowd pleaser for both tourists and locals.

 

Joel, how much do your Lisbon restaurants depend upon American tourists? Has there been an increase?

American visitors are an important part of the mix, especially in central locations and destination restaurants. There has definitely been an increase over the past few years as Lisbon has grown internationally both with American expats and an increase in visitors seasonally. That said, the business is still built to work year round with a strong local base. Our goal is to always appeal to both audiences and with our robust offerings we have been very successful fortunately. 

 

SEEN (below) is a kind of big, loud nightclub restaurant. What about SEEN makes it a successful concept outside of Portugal?
 

SEEN is about more than food. It is about the overall vibe, energy, music, design, and the feeling of going out. People want to have fun, they want a place that feels alive. That translates well in different cities because the idea of going somewhere that combines dining and nightlife is universal. The key is getting the balance right so it still feels elevated with outstanding food, cocktails, and of course an outstanding view. 

 

Joel, how are the crises in Europe and the economy affecting Costa’s plans? Have you suspended work on any current projects?

Of course, the broader economic situation is always something we watch closely. It makes you more disciplined and careful with timing and investment. That said, the group continues to move forward, but with a focus on strong concepts and the right locations rather than expanding too quickly. We have a number of new concepts coming to Portugal and beyond in destinations such as Brazil later this year - watch this space!
 

Olivier, is there a point at which you think you should pull back and focus more on your existing restaurants?

 

You always have to find that balance. Growth is important, but consistency is what builds long term success. For me, it is not about the number of restaurants, it is about making sure each one delivers an unexpected experience while making people happy.

 

 NB: I shall be reviewing some of Costa Groups restaurants in Lisbon
 in upcoming issue of the Virtual Gourmet.

 








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NEW YORK CORNER



                           IL GUSTO

97 Lake Avenue
Tuckahoe NY
914-770-7944

By John Mariani





    About a year ago I did a round-up of the restaurants in my hometown of Tuckahoe, NY, a ‘burb 30 minutes from Manhattan, spotlighting fine places like ODO, Zero Otto Nove, Sushi Ume, Burrito Poblano and others that make this small village with less than 6,000 inhabitants a delightful location to dine out.

I missed including Il Gusto because, although owner Nino Gjonbalaj with his partner Jimmy Gashi  took over the former Angelina’s space three years ago, he only changed the name a few months ago, having completely redesigned the once stodgy-looking former pizzeria-trattoria into one of the most handsome Italian ristoranti in Westchester County.

They wisely kept many of the dishes fans of Angelina’s favored, but they have added all their own, especially weekly specials based on what’s seasonal in the market, like stuffed zucchini blossoms and softshell crabs with lemon and capers.

    Gjonbalaj (to the right in the photo) has been in the business since 1991 in New York, working through every position from the kitchen to the front of house and eventually becoming a partner in the Chelsea Group. Now, he and longtime colleague Gashi are showing the kind of hospitality and generosity in the service of food that goes beyond portion size. Just about everything  can be served family style at Il Gusto. A small nice detail: they warm the plates before bringing the food.

       When I visited this month our party of four sampled both the usual items along with the week’s specials.  Fried artichokes alla giudea are all too rarely seen on New York menus, so I was delighted to eat them at Il Gusto as a delicious appetizer, lightly fried, with roasted garlic. Grilled octopus comes with white cannellini beans, capers, red onion, potatoes and tomatoes, which would make a main course by itself. Another rarity, once common, is spiedino alla romana, which comes as a wedge of egg-battered bread enclosing oozing mozzarella and a mild anchovy sauce to the side.

       Special one night was a hearty rigatoni cooked in a casserole with melted, browned mozzarella on top––all the pastas may be shared–– and spaghetti alla Nerano was an excellent mélange of Monograna pasta with fried zucchini chips with a sharp provolone cream. The amatriciana sauce with guanciale, Calabrian peppers and onions graced fettuccine; so, too, the carbonara was a well-rendered mélange of toasted black pepper and guanciale and a rich dose of creamed pecorino.

       The entrees follow the usual Italian menu, and the simpler dishes are the better ones, including a fine filet of sole meunière with a benediction of capers and butter. I would have liked more garlic and some sausage with the chicken alla scarpariello, but I was happy to see it came cooked on the bone. Veal alla valdostana has been a dish once seen on a lot of Italian-American menus as breaded veal stuffed with prosciutto and fontina cheese (which comes from Valdostana) with a mushroom and Marsala sauce, but the meat came to the table dry.

       As noted, Il Gusto has a pizzeria up front and you can have them in the dining room.

       Il Gusto’s wine list is only about two pages long, but one page lists a good number of Italian bottles, including a very fine Barbaresco, for under $100.

    So I may be a few months late in getting to dine at Il Gusto, but I welcome it to a neighborhood where the competition in Italian food demands a special showing for a newcomer.
    Right now they have opened the sunny terrace, lovely at twilight, overlooking the Bronx River.


Open for lunch and dinner Tues.-Sun.




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THE BISON
By John Mariani



                       Donald Trump, Melania Knauss, Jeffrey Epstein and Ghislaine Maxwell

CHAPTER TWENTY-THREE


    David arrived back in New York the next day and met Katie at her apartment before heading home. Over a pizza she’d ordered from Mario’s and bottles of Moretti beer, they compared notes in order to proceed with what had become a definite crime story, one involving some of the most powerful men in the country and even abroad.
       “So where do we go from here?” asked David.
       “I’m going to call some of the names of these guys, see if they’ll talk now that they know they’re vulnerable to being included in any indictments that may come down. They might themselves be deposed. Maybe they’ll want to speak to me before that happens.”
       “You mean get their side of the story told, however full of bullshit it is. By the way, did you believe anything Maxwell told you?”
       “Not really. The problem is there’s probably no paper trail. Everything involving the girls was obviously done in cash. Maybe there are some compromising photos on the girls’ iPhones.”
       “But you also said that Epstein’s houses were all set up with hidden cameras.”
       “Yeah, I’m sure he thinks that’s his ‛Get Out of Jail Free Card.’. Then there are those emails you said Rush got hold of.”
       “True, though I don’t think it’s a crime to like girls dressed up like Snow White.”
       “It is if they’re sixteen years old,” said Katie. “And isn’t prostitution illegal?”
        “Only for the prostitutes. The johns get off scot-free, unless their wives find out.”
      “Okay, so, how about you try to look further into that aspect and I’ll try to get interviews with the men. Maybe Donald Trump will talk to me again. He likes nothing better than press.”
       “Which he  always lies to,” said David.
       “And may well be exposed as lies if I get this story right.”
       “Well, good luck. I’ll keep in touch with Rush.”
       “You think Vargas is out of the picture?” asked Katie.
       “I think he’s out of my picture, but a guy like that isn’t going to change. He’ll just try to be more careful. I’m sure he’s already been in touch with Epstein.”
       “You think I should be worried about what Ghislaine called his vindictiveness?”
       “Well, like with working cops, which I am not one of, the bad guys don’t like to mess with the press.”
       “Case by case basis,” said Katie, “but more or less true.”
       “It’s more likely he’ll try some way to compromise you or throw some dirt at you, make you defend yourself in public.”
       “Won’t be the first time,” said Katie.
       “Damn, this pizza’s good. I missed it in Florida. Missed you, too, the last couple of days.”
       Katie just raised her thumb, took a sip of beer and said, “Here’s to us.”

                      

       By 2000 Donald Trump had had a checkered career as a developer, mainly in New York, where he owned a few buildings and  managed others with his name on them. And even though he claimed to be New York’s biggest developer—“Nobody else is even close,” he boasted—he was never considered to be in a league with more dominant competitors like Rudin and LeFrak.

       Trump had gone bankrupt several times in the 1990s, including his three Atlantic City casinos; he was refused a casino license in Las Vegas; Trump Tower at 721 Fifth Avenue had never filled up with residential or commercial tenants. He took a bath buying then selling the Plaza Hotel run by his first wife Ivana. In 1999  he was divorced from his second wife, Marla Maples, and since then he had played the role of a prominent rich-man-about-town whose tall tales about himself kept him in the press, not least the Post’s Page Six.  In the fall of 2004 he became host of a network show called “The Apprentice,” in which he would assess contestants’ business acumen and fire all but one. The show had done well in the ratings and made Trump a national celebrity.

    He had acquired the Mar-a-Lago estate in Palm Beach in 1985 and ten years later converted it into a private club resort, while still retaining a wing as one of his residences. It was there he met and entertained Jeffrey Epstein. 
      
When Katie called Trump’s offices at Trump Tower, she did not wait long for a response, and it was from Trump himself.
       “Katie Cavuto, star reporter,” he said when she picked up the phone. “I’m a big, big fan of yours. You’re with McClure’s, right? Great magazine. I once thought of buying it. So what can I do for you?”
       Katie knew that Trump could turn on the charm and be exceptionally deferential to the media, which included his friend talk show host Howard Stern (below).

        "I’m working on a story about Jeffrey Epstein, whom I hear you know quite well?”
       “I’ve known Jeffrey for fifteen years. Terrific guy. He's a lot of fun to be with. It is even said that he likes beautiful women as much as I do, and many of them are on the younger side. No doubt about it – Jeffrey enjoys his social life. Though he never leaves his own property. But, honestly, his properties are something else. Not my taste but wild.”
       “But didn’t you break off with him last year over a real estate auction?”
       “You do your homework, Katie. Yeah, last November 2004, we had a bidding war for a  Palm Beach mansion, Maison de L'Amitie (below); I won, Jeffre lost. I bid
$41 million. I haven’t seen Jeffrey since.”
       “Well, as you’ve probably heard, he’s being investigated by the Palm Beach Police and the FBI over sex trafficking, especially with underage girls. Are you aware of that?”
       “Of the investigation or the girls?” Trump asked. “The investigation yes, the girls, no. I told Jeff a thousand times, ‛Jeff, these girls look very, very young. You’d better watch it.’”
       “When you say ‛look,’ you mean you suspected or you knew?”
       “I didn’t ask for their birth certificates, okay? Myself, I was careful to stay away from them. Jeff throws a great party, lots of celebrities, powerful people—I knew everybody, Bill Clinton, Bloomberg, Katie Couric, Harvey Weinstein, Michael Jackson, Tony Blair.”
       “Did you ever meet Prince Andrew at any of these parties?”
       “Absolutely. The guy was a regular guest. I tell ya, he liked them young, too.”
       “Can I ask you about Epstein’s business dealings?”
       “I only know what I read in the papers. Look, he’s a very rich guy, so I assume he’s got money in banks outside the U.S. I know he’s tight with JP Morgan Chase. We didn’t talk about any of that when I saw him.”
       “What did you talk about?”
       Trump laughed. “Mostly the girls. Like I said, Jeffrey throws good parties.”
       “But he’s never come to your parties?”
       “He’s been to Mar-a-Lago. He told me it was the most beautiful club in Palm  Beach. And he got that right. You ever been down there, Katie? I’d be happy to make arrangements. Maybe you could do a travel story on the place for McClure’s.”
       “We don’t actually do travel stories.”
       “Maybe for Vanity Fair or The New Yorker. You know the editor, Tina Brown? Great gal. I could introduce you. I wrote a letter of recommendation for her when she applied for U.S. citizenship. She’s been very good in the press to Donald Trump.”
       Katie said, “That’s very nice of you, Mr. Trump but they keep me busy at McClure’s. So what do you think will happen to Epstein?”
       “Jeffrey’s got the best lawyers money can buy, and he knows a lot of very high-up people in Palm Beach. I doubt he has much to worry about. He hasn’t spoken to me about it, so I guess he’s doing okay.”
       Katie figured Trump had been very measured in his answers and had tried to suggest that he had a moral sense somewhat higher than Epstein’s, which Katie doubted.
       “Anything else you need,” said Trump, “just call this number. They’ll find me. And you’ve always got an invitation to Mar-a-Lago, Katie.”

 

             



 
© John Mariani, 2024





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NOTES FROM THE WINE CELLAR





FINE NEW WINES FROM OLD LANDS
  OF ITALY AND PORTUGAL
COME  INTO THE MARKET

By John Mariani


 


    The Castagnedi brothers, Armando, Tiziano, Paolo and Massimo, best known as founders of Tenuta Sant’Antonio in Veneto, also produce Scaia, launched in 2006, blending traditional grape varieties that “typically do not intermingle or highlighting standalone varietal wines from grapes that are usually blended,” distinct from DOC regulations. The name “Scaia comes from  the Veronese dialect, “crumbs,” referencing e chalky, calcium-rich soil in the eastern reaches of Valpolicella. Their Scaia 2024 Bianco Trevenezie IGT ($15) is a blend of 55% Garganega, and 45% Chardonnay.   Scaia’s 2022 Rosso Veneto IGT ($15) is crafted with 100% Corvina grapes as a red wine, like a Valpolicella but without the usual Rondinella blended in.

 


 

 

The Demuro family founded its vineyards in 2001 in  northeastern Sardinia’s Gallura region make Vigna Surrao, where the soil is rich in  granite, quartz and feldspar that give its      2024 Vigne Surrau “Naracu” Cannonau di Sardegna ($20) its excellent minerality and gets its name “Naracu” from the dialectal word  nuraghi, the iconic stone structures sculpted in pre-history from the region’s granite. Its       2023 Vigne Surrau “Surrau” Rosso Isola dei Nuraghi ($30) is made from grapes Carignano, Cannonau, and Bovale Sardo, a local variety that gives the wine its deep color and aromatics. It has good tannins as well, which makes it a fine wine for summer’s grilling, but it can age well, too..

 

 

 

    The Marche region of Italy, east of Rome, has the Apennine Mountains, the Monti Sibillini winds and the Adriatic Sea  to convey its terroir, and its wines are only now becoming known outside the province. Garofoli dates back to 1871 when Antonio Garofoli started producing wine for the local pilgrims who came to the famous church of Loreto; then, in 1901, Antonio’s son, Gioacchino, founded the Garofoli commercials winery; his sons Franco and Dante managed the estate after World War II, now led by the fifth generation, Gianluca Garofoli. The vineyards are contained within the zones of Montecarotto (Jesi area), Paterno and Piancarda (Mt. Conero area) and Castelfidardo. It is now making some of the more impressive Verdicchio wines––a varietal of little distinction in lesser hands––especially its the 2025 “Macrina” Verdicchio dei Castelli di Jesi Classico Superiore ($20) made with grapes harvested earlier than average, providing true freshness and a nice acidity that goes well with all seafood.

    Their  2025 “Aelya” Verdicchio di Matelica ($21) is their newest,  made with a wine-grower situated in the Esino river valley of the Appenines. They say the wine has a “new Personality” for  Verdicchio that befits its Roman name for sunshine that gives the wine warmth and femininity.

    Their 2023 “Piancarda Blu” Rosso Conero ($21) is a single vineyard Rosso Conero made from 100% Montepulciano from vineyards within the Natural Park of Mountain Conero, known for its chalky and limestone-rich soils and saline influence of the Adriatic. It’s a well-priced red and goes with veal, chicken and pork.

 

 

 

 

 


Quinta da Fonte Souto Syrah 2021 ($48) from Portugal’s  Symington Family Estates’s first acquisition outside the Douro, in  a cooler climate in the Serra de São Mamede mountain range at an elevation of 1640 feet. Winemaker Ricardo Constantino considers 2021 property’s finest vintage  with a growing season that was “slow and graceful, with the harvest spanning from August into early October,” allowing for extended hang time that adds to its bold fleshiness.  The Syrah is matured for 12 months in second-year French oak.    With baby lamb it is a perfect match. "Fonte" means fountain and "Souto" means chestnut grove.

 




 

 



 






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A MISSION TO CIVILIZE

     The French city of Lyon now have  a new restaurant gastronomique catering exclusively for dogs, called
Dogstronomy, that offers tables and chairs, two stainless steel platforms “at dog height”  set with bowls in which delicacies such as salmon and blueberry cupcakes are served while the pets’ owners look on. “The dogs enjoy the taste of quality produce, and their owners enjoy watching them having fun,”says Ornella Del Prado, the owner and chef.






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The Encyclopedia of American Food and Drink by John F. Mariani (Bloomsbury USA, $35)

Modesty forbids me to praise my own new book, but let me proudly say that it is an extensive revision of the 4th edition that appeared more than a decade ago, before locavores, molecular cuisine, modernist cuisine, the Food Network and so much more, now included. Word origins have been completely updated, as have per capita consumption and production stats. Most important, for the first time since publication in the 1980s, the book includes more than 100 biographies of Americans who have changed the way we cook, eat and drink -- from Fannie Farmer and Julia Child to Robert Mondavi and Thomas Keller.


"This book is amazing! It has entries for everything from `abalone' to `zwieback,' plus more than 500 recipes for classic American dishes and drinks."--Devra First, The Boston Globe.

"Much needed in any kitchen library."--Bon Appetit.




Now in Paperback, too--How Italian Food Conquered the World (Palgrave Macmillan)  has won top prize  from the Gourmand World Cookbook Awards.  It is a rollicking history of the food culture of Italy and its ravenous embrace in the 21st century by the entire world. From ancient Rome to la dolce vita of post-war Italy, from Italian immigrant cooks to celebrity chefs, from pizzerias to high-class ristoranti, this chronicle of a culinary diaspora is as much about the world's changing tastes, prejudices,  and dietary fads as about our obsessions with culinary fashion and style.--John Mariani

"Eating Italian will never be the same after reading John Mariani's entertaining and savory gastronomical history of the cuisine of Italy and how it won over appetites worldwide. . . . This book is such a tasteful narrative that it will literally make you hungry for Italian food and arouse your appetite for gastronomical history."--Don Oldenburg, USA Today. 

"Italian restaurants--some good, some glitzy--far outnumber their French rivals.  Many of these establishments are zestfully described in How Italian Food Conquered the World, an entertaining and fact-filled chronicle by food-and-wine correspondent John F. Mariani."--Aram Bakshian Jr., Wall Street Journal.


"Mariani admirably dishes out the story of Italy’s remarkable global ascent to virtual culinary hegemony....Like a chef gladly divulging a cherished family recipe, Mariani’s book reveals the secret sauce about how Italy’s cuisine put gusto in gusto!"--David Lincoln Ross, thedailybeast.com

"Equal parts history, sociology, gastronomy, and just plain fun, How Italian Food Conquered the World tells the captivating and delicious story of the (let's face it) everybody's favorite cuisine with clarity, verve and more than one surprise."--Colman Andrews, editorial director of The Daily Meal.com.

"A fantastic and fascinating read, covering everything from the influence of Venice's spice trade to the impact of Italian immigrants in America and the evolution of alta cucina. This book will serve as a terrific resource to anyone interested in the real story of Italian food."--Mary Ann Esposito, host of PBS-TV's Ciao Italia.

"John Mariani has written the definitive history of how Italians won their way into our hearts, minds, and stomachs.  It's a story of pleasure over pomp and taste over technique."--Danny Meyer, owner of NYC restaurants Union Square Cafe,  The Modern, and Maialino.

                                                                             












              

MARIANI'S VIRTUAL GOURMET NEWSLETTER is published weekly.  Publisher: John Mariani. Editor: Walter Bagley. Contributing Writers: Christopher Mariani,  Misha Mariani, John A. Curtas, Gerry Dawes, Geoff Kalish. Contributing Photographer: Galina Dargery. Technical Advisor: Gerry McLoughlin.

 

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© copyright John Mariani 2026




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